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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D7276 it is the complementary color #828D89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D7276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D7276 shade: #827271, #938484, #A49697, #B5A8AA and #C6BABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D7276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D7276 shade: #7D7276, #6C6063, #5B4E50, #4A3C3D and #392A2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D7276 shade: #7D7176, #7D7172 and #7D7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D7276 shade: #7D7176, #7D7179, #7D717C, #7B717D and #78717D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D7276 shade matches the following richer shades: #7D7176, #915E70, #A44B6B, #B83766 and #CB2461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D7276 shade: #7D7176, #6A857B, #579880, #43AC86 and #30BF8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D7276 shade: #7D717C, #7D7179, #7D7176, #7D7173 and #7D7371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D7276 shade: #524A4D, #685E61, #7D7176, #92868A and #A59C9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D7276 shade: #7D7276, #7D7B71 and #717B7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D7276 shade: #7D7276, #767D71 and #71767D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D7276 shade: #7D7276, #7D7B71, #717D79 and #71737D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D7276 shade: #7D7276, #7C7D71, #717D79 and #73717D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 6 / 51

HEX #7D7276

RGB 125 114 118

HSL 338.18, 0.05%, 0.47%

LAB 49.13, 5.02, -0.67

 

Complementary color

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

CMYK 0 / 12 / 13 / 49

HEX #827271

RGB 130 114 113

HSL 3.53, 0.07%, 0.48%

LAB 49.46, 6.04, 2.83

 

CMYK 0 / 10 / 10 / 42

HEX #938484

RGB 147 132 132

HSL 0, 0.06%, 0.55%

LAB 56.46, 5.67, 2.06

 

CMYK 0 / 9 / 8 / 36

HEX #A49697

RGB 164 150 151

HSL 355.71, 0.07%, 0.62%

LAB 63.29, 5.34, 1.34

 

CMYK 0 / 7 / 6 / 29

HEX #B5A8AA

RGB 181 168 170

HSL 350.77, 0.08%, 0.68%

LAB 69.99, 5.04, 0.65

 

CMYK 0 / 6 / 5 / 22

HEX #C6BABD

RGB 198 186 189

HSL 345, 0.1%, 0.75%

LAB 76.56, 4.77, -0

 

CMYK 0 / 9 / 6 / 51

HEX #7D7276

RGB 125 114 118

HSL 338.18, 0.05%, 0.47%

LAB 49.13, 5.02, -0.67

 

CMYK 0 / 11 / 8 / 58

HEX #6C6063

RGB 108 96 99

HSL 345, 0.06%, 0.4%

LAB 41.93, 5.38, 0.04

 

CMYK 0 / 14 / 12 / 64

HEX #5B4E50

RGB 91 78 80

HSL 350.77, 0.08%, 0.33%

LAB 34.5, 5.8, 0.82

 

CMYK 0 / 19 / 18 / 71

HEX #4A3C3D

RGB 74 60 61

HSL 355.71, 0.1%, 0.26%

LAB 26.8, 6.31, 1.68

 

CMYK 0 / 26 / 26 / 78

HEX #392A2A

RGB 57 42 42

HSL 0, 0.15%, 0.19%

LAB 18.77, 6.96, 2.68

 

CMYK 0 / 10 / 6 / 51

HEX #7D7176

RGB 125 113 118

HSL 335, 0.05%, 0.47%

LAB 48.86, 5.61, -1.07

 

CMYK 0 / 10 / 9 / 51

HEX #7D7172

RGB 125 113 114

HSL 355, 0.05%, 0.47%

LAB 48.74, 4.85, 1.13

 

CMYK 0 / 10 / 10 / 51

HEX #7D7171

RGB 125 113 113

HSL 0, 0.05%, 0.47%

LAB 48.71, 4.66, 1.69

 

CMYK 0 / 10 / 6 / 51

HEX #7D7176

RGB 125 113 118

HSL 335, 0.05%, 0.47%

LAB 48.86, 5.61, -1.07

 

CMYK 0 / 10 / 3 / 51

HEX #7D7179

RGB 125 113 121

HSL 320, 0.05%, 0.47%

LAB 48.95, 6.2, -2.72

 

CMYK 0 / 10 / 1 / 51

HEX #7D717C

RGB 125 113 124

HSL 305, 0.05%, 0.47%

LAB 49.04, 6.8, -4.37

 

CMYK 2 / 10 / 0 / 51

HEX #7B717D

RGB 123 113 125

HSL 290, 0.05%, 0.47%

LAB 48.89, 6.25, -5.21

 

CMYK 4 / 10 / 0 / 51

HEX #78717D

RGB 120 113 125

HSL 275, 0.05%, 0.47%

LAB 48.62, 5.13, -5.64

 

CMYK 0 / 10 / 6 / 51

HEX #7D7176

RGB 125 113 118

HSL 335, 0.05%, 0.47%

LAB 48.86, 5.61, -1.07

 

CMYK 0 / 35 / 23 / 43

HEX #915E70

RGB 145 94 112

HSL 338.82, 0.21%, 0.47%

LAB 45.9, 23.5, -1.56

 

CMYK 0 / 54 / 35 / 36

HEX #A44B6B

RGB 164 75 107

HSL 338.43, 0.37%, 0.47%

LAB 44.21, 40.21, -0.68

 

CMYK 0 / 70 / 45 / 28

HEX #B83766

RGB 184 55 102

HSL 338.14, 0.54%, 0.47%

LAB 44.06, 55.07, 2.59

 

CMYK 0 / 82 / 52 / 20

HEX #CB2461

RGB 203 36 97

HSL 338.08, 0.7%, 0.47%

LAB 45.39, 65.76, 8.06

 

CMYK 0 / 10 / 6 / 51

HEX #7D7176

RGB 125 113 118

HSL 335, 0.05%, 0.47%

LAB 48.86, 5.61, -1.07

 

CMYK 20 / 0 / 8 / 48

HEX #6A857B

RGB 106 133 123

HSL 157.78, 0.11%, 0.47%

LAB 53.24, -11.83, 2.2

 

CMYK 43 / 0 / 16 / 40

HEX #579880

RGB 87 152 128

HSL 157.85, 0.27%, 0.47%

LAB 58.08, -26.66, 6.16

 

CMYK 61 / 0 / 22 / 33

HEX #43AC86

RGB 67 172 134

HSL 158.29, 0.44%, 0.47%

LAB 63.69, -39.45, 10.69

 

CMYK 75 / 0 / 27 / 25

HEX #30BF8B

RGB 48 191 139

HSL 158.18, 0.6%, 0.47%

LAB 69.29, -49.39, 15.76

 

CMYK 0 / 10 / 1 / 51

HEX #7D717C

RGB 125 113 124

HSL 305, 0.05%, 0.47%

LAB 49.04, 6.8, -4.37

 

CMYK 0 / 10 / 3 / 51

HEX #7D7179

RGB 125 113 121

HSL 320, 0.05%, 0.47%

LAB 48.95, 6.2, -2.72

 

CMYK 0 / 10 / 6 / 51

HEX #7D7176

RGB 125 113 118

HSL 335, 0.05%, 0.47%

LAB 48.86, 5.61, -1.07

 

CMYK 0 / 10 / 8 / 51

HEX #7D7173

RGB 125 113 115

HSL 350, 0.05%, 0.47%

LAB 48.77, 5.03, 0.58

 

CMYK 0 / 8 / 10 / 51

HEX #7D7371

RGB 125 115 113

HSL 10, 0.05%, 0.47%

LAB 49.27, 3.49, 2.49

 

CMYK 0 / 10 / 6 / 68

HEX #524A4D

RGB 82 74 77

HSL 337.5, 0.05%, 0.31%

LAB 32.32, 3.95, -0.57

 

CMYK 0 / 10 / 7 / 59

HEX #685E61

RGB 104 94 97

HSL 342, 0.05%, 0.39%

LAB 40.91, 4.6, -0.26

 

CMYK 0 / 10 / 6 / 51

HEX #7D7176

RGB 125 113 118

HSL 335, 0.05%, 0.47%

LAB 48.86, 5.61, -1.07

 

CMYK 0 / 8 / 5 / 43

HEX #92868A

RGB 146 134 138

HSL 340, 0.05%, 0.55%

LAB 57.07, 5.25, -0.52

 

CMYK 0 / 5 / 4 / 35

HEX #A59C9F

RGB 165 156 159

HSL 340, 0.05%, 0.63%

LAB 65.18, 3.83, -0.4

 

CMYK 0 / 9 / 6 / 51

HEX #7D7276

RGB 125 114 118

HSL 338.18, 0.05%, 0.47%

LAB 49.13, 5.02, -0.67

 

CMYK 0 / 2 / 10 / 51

HEX #7D7B71

RGB 125 123 113

HSL 50, 0.05%, 0.47%

LAB 51.52, -1.15, 5.73

 

CMYK 10 / 2 / 0 / 51

HEX #717B7D

RGB 113 123 125

HSL 190, 0.05%, 0.47%

LAB 50.87, -3.28, -2.37

 

CMYK 0 / 9 / 6 / 51

HEX #7D7276

RGB 125 114 118

HSL 338.18, 0.05%, 0.47%

LAB 49.13, 5.02, -0.67

 

CMYK 6 / 0 / 10 / 51

HEX #767D71

RGB 118 125 113

HSL 95, 0.05%, 0.47%

LAB 51.51, -5, 5.64

 

CMYK 10 / 6 / 0 / 51

HEX #71767D

RGB 113 118 125

HSL 215, 0.05%, 0.47%

LAB 49.43, -0.38, -4.49

 

CMYK 0 / 9 / 6 / 51

HEX #7D7276

RGB 125 114 118

HSL 338.18, 0.05%, 0.47%

LAB 49.13, 5.02, -0.67

 

CMYK 0 / 2 / 10 / 51

HEX #7D7B71

RGB 125 123 113

HSL 50, 0.05%, 0.47%

LAB 51.52, -1.15, 5.73

 

CMYK 10 / 0 / 3 / 51

HEX #717D79

RGB 113 125 121

HSL 160, 0.05%, 0.47%

LAB 51.33, -5.27, 0.66

 

CMYK 10 / 8 / 0 / 51

HEX #71737D

RGB 113 115 125

HSL 230, 0.05%, 0.47%

LAB 48.58, 1.37, -5.76

 

CMYK 0 / 9 / 6 / 51

HEX #7D7276

RGB 125 114 118

HSL 338.18, 0.05%, 0.47%

LAB 49.13, 5.02, -0.67

 

CMYK 1 / 0 / 10 / 51

HEX #7C7D71

RGB 124 125 113

HSL 65, 0.05%, 0.47%

LAB 52, -2.68, 6.41

 

CMYK 10 / 0 / 3 / 51

HEX #717D79

RGB 113 125 121

HSL 160, 0.05%, 0.47%

LAB 51.33, -5.27, 0.66

 

CMYK 8 / 10 / 0 / 51

HEX #73717D

RGB 115 113 125

HSL 250, 0.05%, 0.47%

LAB 48.18, 3.28, -6.33

 

Description

Color code: HEX #7D7276 | qconv.com Color code: HEX #7D7276 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 114 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 114 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 6 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 6% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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