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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D7FA5 it is the complementary color #82805A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D7FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D7FA5 shade: #827FA0, #9391B3, #A4A3C6, #B5B5D9 and #C6C7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D7FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D7FA5 shade: #7D7FA5, #6C6D92, #5B5B7F, #4A496C and #393759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D7FA5 shade: #7D7FA5, #867DA5, #907DA5, #9B7DA5 and #A57DA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D7FA5 shade: #7D7FA5 and #7D7DA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D7FA5 shade matches the following richer shades: #7D7FA5, #6B6FB6, #5A5FC8, #484FDA and #363FEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D7FA5 shade: #7D7FA5, #8F8F93, #A19F81, #B2AF6F and #C4BF5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D7FA5 shade: #7D94A5, #7D8AA5, #7D7FA5, #867DA5 and #907DA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D7FA5 shade: #55577A, #666893, #7D7FA5, #9597B6 and #AEAFC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D7FA5 shade: #7D7FA5, #A57D9F and #8FA57D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D7FA5 shade: #7D7FA5, #A57D7F and #7FA57D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D7FA5 shade: #7D7FA5, #A57D9F, #A5A37D and #7DA583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D7FA5 shade: #7D7FA5, #A57D93, #A5A37D and #7DA58F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

Complementary color

CMYK 0 / 2 / 31 / 49

HEX #82805A

RGB 130 128 90

HSL 57, 0.18%, 0.43%

LAB 52.86, -5.66, 20.96

 

CMYK 19 / 21 / 0 / 37

HEX #827FA0

RGB 130 127 160

HSL 245.45, 0.15%, 0.56%

LAB 54.51, 8.27, -17.2

 

CMYK 18 / 19 / 0 / 30

HEX #9391B3

RGB 147 145 179

HSL 243.53, 0.18%, 0.64%

LAB 61.4, 7.91, -17.47

 

CMYK 17 / 18 / 0 / 22

HEX #A4A3C6

RGB 164 163 198

HSL 241.71, 0.23%, 0.71%

LAB 68.14, 7.59, -17.76

 

CMYK 17 / 17 / 0 / 15

HEX #B5B5D9

RGB 181 181 217

HSL 240, 0.32%, 0.78%

LAB 74.75, 7.3, -18.06

 

CMYK 16 / 16 / 0 / 7

HEX #C6C7EC

RGB 198 199 236

HSL 238.42, 0.5%, 0.85%

LAB 81.24, 7.02, -18.37

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 26 / 25 / 0 / 43

HEX #6C6D92

RGB 108 109 146

HSL 238.42, 0.15%, 0.5%

LAB 47.24, 8.26, -20.29

 

CMYK 28 / 28 / 0 / 50

HEX #5B5B7F

RGB 91 91 127

HSL 240, 0.17%, 0.43%

LAB 39.98, 8.75, -20.17

 

CMYK 31 / 32 / 0 / 58

HEX #4A496C

RGB 74 73 108

HSL 241.71, 0.19%, 0.35%

LAB 32.49, 9.33, -20.1

 

CMYK 36 / 38 / 0 / 65

HEX #393759

RGB 57 55 89

HSL 243.53, 0.24%, 0.28%

LAB 24.71, 10.05, -20.13

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 19 / 24 / 0 / 35

HEX #867DA5

RGB 134 125 165

HSL 253.5, 0.18%, 0.57%

LAB 54.5, 11.94, -20.07

 

CMYK 13 / 24 / 0 / 35

HEX #907DA5

RGB 144 125 165

HSL 268.5, 0.18%, 0.57%

LAB 55.39, 15.28, -18.64

 

CMYK 6 / 24 / 0 / 35

HEX #9B7DA5

RGB 155 125 165

HSL 285, 0.18%, 0.57%

LAB 56.44, 19.03, -16.95

 

CMYK 0 / 24 / 1 / 35

HEX #A57DA3

RGB 165 125 163

HSL 303, 0.18%, 0.57%

LAB 57.38, 22.1, -14.28

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 24 / 24 / 0 / 35

HEX #7D7DA5

RGB 125 125 165

HSL 240, 0.18%, 0.57%

LAB 53.75, 9.02, -21.29

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 41 / 39 / 0 / 29

HEX #6B6FB6

RGB 107 111 182

HSL 236.8, 0.34%, 0.57%

LAB 49.34, 16.7, -38.11

 

CMYK 55 / 53 / 0 / 22

HEX #5A5FC8

RGB 90 95 200

HSL 237.27, 0.5%, 0.57%

LAB 44.98, 28.13, -55.54

 

CMYK 67 / 64 / 0 / 15

HEX #484FDA

RGB 72 79 218

HSL 237.12, 0.66%, 0.57%

LAB 41.27, 40.95, -71.96

 

CMYK 77 / 73 / 0 / 7

HEX #363FEC

RGB 54 63 236

HSL 237.03, 0.83%, 0.57%

LAB 38.54, 54.35, -86.73

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 3 / 3 / 0 / 42

HEX #8F8F93

RGB 143 143 147

HSL 240, 0.02%, 0.57%

LAB 59.52, 0.79, -2.12

 

CMYK 0 / 1 / 20 / 37

HEX #A19F81

RGB 161 159 129

HSL 56.25, 0.15%, 0.57%

LAB 64.93, -4.44, 15.95

 

CMYK 0 / 2 / 38 / 30

HEX #B2AF6F

RGB 178 175 111

HSL 57.31, 0.3%, 0.57%

LAB 70.37, -8.64, 33.21

 

CMYK 0 / 3 / 52 / 23

HEX #C4BF5E

RGB 196 191 94

HSL 57.06, 0.46%, 0.57%

LAB 75.95, -11.26, 48.94

 

CMYK 24 / 10 / 0 / 35

HEX #7D94A5

RGB 125 148 165

HSL 205.5, 0.18%, 0.57%

LAB 60.12, -4.2, -11.63

 

CMYK 24 / 16 / 0 / 35

HEX #7D8AA5

RGB 125 138 165

HSL 220.5, 0.18%, 0.57%

LAB 57.32, 1.46, -15.85

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 19 / 24 / 0 / 35

HEX #867DA5

RGB 134 125 165

HSL 253.5, 0.18%, 0.57%

LAB 54.5, 11.94, -20.07

 

CMYK 13 / 24 / 0 / 35

HEX #907DA5

RGB 144 125 165

HSL 268.5, 0.18%, 0.57%

LAB 55.39, 15.28, -18.64

 

CMYK 30 / 29 / 0 / 52

HEX #55577A

RGB 85 87 122

HSL 236.76, 0.18%, 0.41%

LAB 38.12, 7.93, -20.03

 

CMYK 31 / 29 / 0 / 42

HEX #666893

RGB 102 104 147

HSL 237.33, 0.18%, 0.49%

LAB 45.4, 9.65, -23.75

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 18 / 17 / 0 / 29

HEX #9597B6

RGB 149 151 182

HSL 236.36, 0.18%, 0.65%

LAB 63.26, 5.85, -16.33

 

CMYK 12 / 12 / 0 / 22

HEX #AEAFC6

RGB 174 175 198

HSL 237.5, 0.17%, 0.73%

LAB 72.05, 4.24, -11.79

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 0 / 24 / 4 / 35

HEX #A57D9F

RGB 165 125 159

HSL 309, 0.18%, 0.57%

LAB 57.24, 21.34, -12.18

 

CMYK 13 / 0 / 24 / 35

HEX #8FA57D

RGB 143 165 125

HSL 93, 0.18%, 0.57%

LAB 65.15, -15.16, 18.25

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 0 / 24 / 23 / 35

HEX #A57D7F

RGB 165 125 127

HSL 357, 0.18%, 0.57%

LAB 56.29, 15.81, 4.93

 

CMYK 23 / 0 / 24 / 35

HEX #7FA57D

RGB 127 165 125

HSL 117, 0.18%, 0.57%

LAB 64.08, -20.99, 16.61

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 0 / 24 / 4 / 35

HEX #A57D9F

RGB 165 125 159

HSL 309, 0.18%, 0.57%

LAB 57.24, 21.34, -12.18

 

CMYK 0 / 1 / 24 / 35

HEX #A5A37D

RGB 165 163 125

HSL 57, 0.18%, 0.57%

LAB 66.27, -5.64, 20.06

 

CMYK 24 / 0 / 21 / 35

HEX #7DA583

RGB 125 165 131

HSL 129, 0.18%, 0.57%

LAB 64.09, -20.59, 13.28

 

CMYK 24 / 23 / 0 / 35

HEX #7D7FA5

RGB 125 127 165

HSL 237, 0.18%, 0.57%

LAB 54.3, 7.84, -20.46

 

CMYK 0 / 24 / 11 / 35

HEX #A57D93

RGB 165 125 147

HSL 327, 0.18%, 0.57%

LAB 56.85, 19.13, -5.83

 

CMYK 0 / 1 / 24 / 35

HEX #A5A37D

RGB 165 163 125

HSL 57, 0.18%, 0.57%

LAB 66.27, -5.64, 20.06

 

CMYK 24 / 0 / 13 / 35

HEX #7DA58F

RGB 125 165 143

HSL 147, 0.18%, 0.57%

LAB 64.37, -18.25, 7

 

Description

Color code: HEX #7D7FA5 | qconv.com Color code: HEX #7D7FA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 127 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 127 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 23 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 23% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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