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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D85AF it is the complementary color #827A50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D85AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D85AF shade: #8285AA, #9397BD, #A4A9D0, #B5BBE3 and #C6CDF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D85AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D85AF shade: #7D85AF, #6C739C, #5B6189, #4A4F76 and #393D63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D85AF shade: #7D85AF, #827DAF, #907DAF, #9D7DAF and #AB7DAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D85AF shade: #7D85AF and #7D7DAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D85AF shade matches the following richer shades: #7D85AF, #6C79C0, #5B6ED1, #4A62E2 and #3957F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D85AF shade: #7D85AF, #8E909E, #9F9C8D, #B0A77C and #C1B36B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D85AF shade: #7DA0AF, #7D93AF, #7D85AF, #827DAF and #8F7DAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D85AF shade: #525B87, #636D9F, #7D85AF, #969DBF and #B0B5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D85AF shade: #7D85AF, #AF7DAD and #99AF7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D85AF shade: #7D85AF, #AF7D85 and #85AF7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D85AF shade: #7D85AF, #AF7DAD, #AFA77D and #7DAF7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D85AF shade: #7D85AF, #AF7D9E, #AFA77D and #7DAF8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

Complementary color

CMYK 0 / 6 / 38 / 49

HEX #827A50

RGB 130 122 80

HSL 50.4, 0.24%, 0.41%

LAB 50.97, -3.61, 24.12

 

CMYK 24 / 22 / 0 / 33

HEX #8285AA

RGB 130 133 170

HSL 235.5, 0.19%, 0.59%

LAB 56.51, 7.17, -19.92

 

CMYK 22 / 20 / 0 / 26

HEX #9397BD

RGB 147 151 189

HSL 234.29, 0.24%, 0.66%

LAB 63.35, 6.83, -20.14

 

CMYK 21 / 19 / 0 / 18

HEX #A4A9D0

RGB 164 169 208

HSL 233.18, 0.32%, 0.73%

LAB 70.05, 6.52, -20.38

 

CMYK 20 / 18 / 0 / 11

HEX #B5BBE3

RGB 181 187 227

HSL 232.17, 0.45%, 0.8%

LAB 76.62, 6.23, -20.64

 

CMYK 20 / 17 / 0 / 4

HEX #C6CDF6

RGB 198 205 246

HSL 231.25, 0.73%, 0.87%

LAB 83.08, 5.97, -20.92

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 31 / 26 / 0 / 39

HEX #6C739C

RGB 108 115 156

HSL 231.25, 0.2%, 0.52%

LAB 49.31, 7.28, -22.99

 

CMYK 34 / 29 / 0 / 46

HEX #5B6189

RGB 91 97 137

HSL 232.17, 0.2%, 0.45%

LAB 42.12, 7.77, -22.91

 

CMYK 37 / 33 / 0 / 54

HEX #4A4F76

RGB 74 79 118

HSL 233.18, 0.23%, 0.38%

LAB 34.71, 8.37, -22.9

 

CMYK 42 / 38 / 0 / 61

HEX #393D63

RGB 57 61 99

HSL 234.29, 0.27%, 0.31%

LAB 27.04, 9.13, -22.98

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 26 / 29 / 0 / 31

HEX #827DAF

RGB 130 125 175

HSL 246, 0.24%, 0.59%

LAB 54.56, 13.1, -25.78

 

CMYK 18 / 29 / 0 / 31

HEX #907DAF

RGB 144 125 175

HSL 262.8, 0.24%, 0.59%

LAB 55.78, 17.56, -23.81

 

CMYK 10 / 29 / 0 / 31

HEX #9D7DAF

RGB 157 125 175

HSL 278.4, 0.24%, 0.59%

LAB 57.01, 21.83, -21.81

 

CMYK 2 / 29 / 0 / 31

HEX #AB7DAF

RGB 171 125 175

HSL 295.2, 0.24%, 0.59%

LAB 58.43, 26.51, -19.5

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 29 / 29 / 0 / 31

HEX #7D7DAF

RGB 125 125 175

HSL 240, 0.24%, 0.59%

LAB 54.16, 11.55, -26.44

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 44 / 37 / 0 / 25

HEX #6C79C0

RGB 108 121 192

HSL 230.71, 0.4%, 0.59%

LAB 52.58, 13.84, -38.75

 

CMYK 56 / 47 / 0 / 18

HEX #5B6ED1

RGB 91 110 209

HSL 230.34, 0.56%, 0.59%

LAB 49.47, 21.97, -53.48

 

CMYK 67 / 57 / 0 / 11

HEX #4A62E2

RGB 74 98 226

HSL 230.53, 0.72%, 0.59%

LAB 46.55, 32.25, -67.89

 

CMYK 77 / 64 / 0 / 5

HEX #3957F3

RGB 57 87 243

HSL 230.32, 0.89%, 0.59%

LAB 44.46, 42.98, -80.93

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 10 / 9 / 0 / 38

HEX #8E909E

RGB 142 144 158

HSL 232.5, 0.08%, 0.59%

LAB 60.04, 2.15, -7.64

 

CMYK 0 / 2 / 11 / 38

HEX #9F9C8D

RGB 159 156 141

HSL 50, 0.09%, 0.59%

LAB 64.22, -1.62, 8.24

 

CMYK 0 / 5 / 30 / 31

HEX #B0A77C

RGB 176 167 124

HSL 49.62, 0.25%, 0.59%

LAB 68.26, -3.57, 23.46

 

CMYK 0 / 7 / 45 / 24

HEX #C1B36B

RGB 193 179 107

HSL 50.23, 0.41%, 0.59%

LAB 72.65, -5.06, 38.45

 

CMYK 29 / 9 / 0 / 31

HEX #7DA0AF

RGB 125 160 175

HSL 198, 0.24%, 0.59%

LAB 63.83, -8.41, -11.7

 

CMYK 29 / 16 / 0 / 31

HEX #7D93AF

RGB 125 147 175

HSL 213.6, 0.24%, 0.59%

LAB 60.18, -1.19, -17.21

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 26 / 29 / 0 / 31

HEX #827DAF

RGB 130 125 175

HSL 246, 0.24%, 0.59%

LAB 54.56, 13.1, -25.78

 

CMYK 18 / 29 / 0 / 31

HEX #8F7DAF

RGB 143 125 175

HSL 261.6, 0.24%, 0.59%

LAB 55.69, 17.23, -23.95

 

CMYK 39 / 33 / 0 / 47

HEX #525B87

RGB 82 91 135

HSL 229.81, 0.24%, 0.43%

LAB 39.62, 8.22, -25.64

 

CMYK 38 / 31 / 0 / 38

HEX #636D9F

RGB 99 109 159

HSL 230, 0.24%, 0.51%

LAB 47.1, 9.04, -28.24

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 21 / 18 / 0 / 25

HEX #969DBF

RGB 150 157 191

HSL 229.76, 0.24%, 0.67%

LAB 65.25, 4.87, -18.35

 

CMYK 15 / 12 / 0 / 19

HEX #B0B5CE

RGB 176 181 206

HSL 230, 0.23%, 0.75%

LAB 74.02, 3.32, -13.21

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 0 / 29 / 1 / 31

HEX #AF7DAD

RGB 175 125 173

HSL 302.4, 0.24%, 0.59%

LAB 58.79, 27.48, -17.78

 

CMYK 13 / 0 / 29 / 31

HEX #99AF7D

RGB 153 175 125

HSL 86.4, 0.24%, 0.59%

LAB 68.69, -16.59, 23.19

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 0 / 29 / 24 / 31

HEX #AF7D85

RGB 175 125 133

HSL 350.4, 0.24%, 0.59%

LAB 57.53, 20.6, 3.4

 

CMYK 24 / 0 / 29 / 31

HEX #85AF7D

RGB 133 175 125

HSL 110.4, 0.24%, 0.59%

LAB 67.37, -23.9, 21.19

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 0 / 29 / 1 / 31

HEX #AF7DAD

RGB 175 125 173

HSL 302.4, 0.24%, 0.59%

LAB 58.79, 27.48, -17.78

 

CMYK 0 / 5 / 29 / 31

HEX #AFA77D

RGB 175 167 125

HSL 50.4, 0.24%, 0.59%

LAB 68.19, -3.83, 22.81

 

CMYK 29 / 0 / 27 / 31

HEX #7DAF7F

RGB 125 175 127

HSL 122.4, 0.24%, 0.59%

LAB 66.94, -26.33, 19.43

 

CMYK 29 / 24 / 0 / 31

HEX #7D85AF

RGB 125 133 175

HSL 230.4, 0.24%, 0.59%

LAB 56.32, 6.85, -23.11

 

CMYK 0 / 29 / 10 / 31

HEX #AF7D9E

RGB 175 125 158

HSL 320.4, 0.24%, 0.59%

LAB 58.27, 24.71, -9.94

 

CMYK 0 / 5 / 29 / 31

HEX #AFA77D

RGB 175 167 125

HSL 50.4, 0.24%, 0.59%

LAB 68.19, -3.83, 22.81

 

CMYK 29 / 0 / 19 / 31

HEX #7DAF8E

RGB 125 175 142

HSL 140.4, 0.24%, 0.59%

LAB 67.26, -23.54, 11.67

 

Description

Color code: HEX #7D85AF | qconv.com Color code: HEX #7D85AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 133 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 133 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 24 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 24% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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