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Color name
HEX #7D890F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D890F it is the complementary color #8276F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D890F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D890F shade: #82890A, #939B1D, #A4AD30, #B5BF43 and #C6D156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D890F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D890F shade: #7D890F, #6C7700, #5B6500, #4A5300 and #394100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D890F shade: #7D890F, #89740F, #89530F, #89320F and #89110F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D890F shade: #7D890F, #5C890F, #3B890F, #1A890F and #0F8924

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D890F shade matches the following richer shades: #7D890F and #879602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D890F shade: #7D890F, #737D1B, #697028, #5F6434 and #555840

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D890F shade: #89520F, #89730F, #7F890F, #5E890F and #3E890F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D890F shade: #393F07, #5B640B, #7D890F, #9FAE13 and #C1D317

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D890F shade: #7D890F, #0F8931 and #620F89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D890F shade: #7D890F, #0F7F89 and #890F7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D890F shade: #7D890F, #0F8931, #190F89 and #890F67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D890F shade: #7D890F, #0F8956, #190F89 and #890F42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

Complementary color

CMYK 46 / 51 / 0 / 6

HEX #8276F0

RGB 130 118 240

HSL 245.9, 0.8%, 0.7%

LAB 56.08, 35, -60.17

 

CMYK 5 / 0 / 93 / 46

HEX #82890A

RGB 130 137 10

HSL 63.31, 0.86%, 0.29%

LAB 54.72, -16.6, 57.14

 

CMYK 5 / 0 / 81 / 39

HEX #939B1D

RGB 147 155 29

HSL 63.81, 0.68%, 0.36%

LAB 61.42, -17.8, 58.95

 

CMYK 5 / 0 / 72 / 32

HEX #A4AD30

RGB 164 173 48

HSL 64.32, 0.57%, 0.43%

LAB 68.02, -18.75, 59.35

 

CMYK 5 / 0 / 65 / 25

HEX #B5BF43

RGB 181 191 67

HSL 64.84, 0.49%, 0.51%

LAB 74.5, -19.51, 59

 

CMYK 5 / 0 / 59 / 18

HEX #C6D156

RGB 198 209 86

HSL 65.37, 0.57%, 0.58%

LAB 80.89, -20.11, 58.24

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 9 / 0 / 100 / 53

HEX #6C7700

RGB 108 119 0

HSL 65.55, 1%, 0.23%

LAB 47.47, -17.42, 52.68

 

CMYK 10 / 0 / 100 / 60

HEX #5B6500

RGB 91 101 0

HSL 65.94, 1%, 0.2%

LAB 40.46, -15.74, 46.84

 

CMYK 11 / 0 / 100 / 67

HEX #4A5300

RGB 74 83 0

HSL 66.51, 1%, 0.16%

LAB 33.23, -14.02, 40.82

 

CMYK 12 / 0 / 100 / 75

HEX #394100

RGB 57 65 0

HSL 67.38, 1%, 0.13%

LAB 25.71, -12.24, 34.19

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 0 / 15 / 89 / 46

HEX #89740F

RGB 137 116 15

HSL 49.67, 0.8%, 0.3%

LAB 49.31, -1.74, 52.06

 

CMYK 0 / 39 / 89 / 46

HEX #89530F

RGB 137 83 15

HSL 33.44, 0.8%, 0.3%

LAB 40.47, 17.43, 44.88

 

CMYK 0 / 64 / 89 / 46

HEX #89320F

RGB 137 50 15

HSL 17.21, 0.8%, 0.3%

LAB 33.21, 35.5, 38.93

 

CMYK 0 / 88 / 89 / 46

HEX #89110F

RGB 137 17 15

HSL 0.98, 0.8%, 0.3%

LAB 28.78, 47.67, 35.28

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 33 / 0 / 89 / 46

HEX #5C890F

RGB 92 137 15

HSL 82.13, 0.8%, 0.3%

LAB 52.06, -32.85, 52.91

 

CMYK 57 / 0 / 89 / 46

HEX #3B890F

RGB 59 137 15

HSL 98.36, 0.8%, 0.3%

LAB 50.52, -44.27, 50.97

 

CMYK 81 / 0 / 89 / 46

HEX #1A890F

RGB 26 137 15

HSL 114.59, 0.8%, 0.3%

LAB 49.67, -51.37, 49.9

 

CMYK 89 / 0 / 74 / 46

HEX #0F8924

RGB 15 137 36

HSL 130.33, 0.8%, 0.3%

LAB 49.64, -51.21, 43.18

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 10 / 0 / 99 / 41

HEX #879602

RGB 135 150 2

HSL 66.08, 0.97%, 0.3%

LAB 58.94, -21.2, 61.85

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 8 / 0 / 78 / 51

HEX #737D1B

RGB 115 125 27

HSL 66.12, 0.64%, 0.3%

LAB 49.97, -16.55, 48.28

 

CMYK 6 / 0 / 64 / 56

HEX #697028

RGB 105 112 40

HSL 65.83, 0.47%, 0.3%

LAB 45.28, -13.3, 37.97

 

CMYK 5 / 0 / 48 / 61

HEX #5F6434

RGB 95 100 52

HSL 66.25, 0.32%, 0.3%

LAB 40.89, -9.99, 26.45

 

CMYK 3 / 0 / 27 / 65

HEX #555840

RGB 85 88 64

HSL 67.5, 0.16%, 0.3%

LAB 36.52, -5.79, 13.56

 

CMYK 0 / 40 / 89 / 46

HEX #89520F

RGB 137 82 15

HSL 32.95, 0.8%, 0.3%

LAB 40.23, 18.01, 44.68

 

CMYK 0 / 16 / 89 / 46

HEX #89730F

RGB 137 115 15

HSL 49.18, 0.8%, 0.3%

LAB 49.02, -1.17, 51.84

 

CMYK 7 / 0 / 89 / 46

HEX #7F890F

RGB 127 137 15

HSL 64.92, 0.8%, 0.3%

LAB 54.49, -17.85, 55.91

 

CMYK 31 / 0 / 89 / 46

HEX #5E890F

RGB 94 137 15

HSL 81.15, 0.8%, 0.3%

LAB 52.18, -32.06, 53.05

 

CMYK 55 / 0 / 89 / 46

HEX #3E890F

RGB 62 137 15

HSL 96.89, 0.8%, 0.3%

LAB 50.63, -43.39, 51.11

 

CMYK 10 / 0 / 89 / 75

HEX #393F07

RGB 57 63 7

HSL 66.43, 0.8%, 0.14%

LAB 25.08, -10.66, 30.74

 

CMYK 9 / 0 / 89 / 61

HEX #5B640B

RGB 91 100 11

HSL 66.07, 0.8%, 0.22%

LAB 40.18, -14.85, 43.76

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 9 / 0 / 89 / 32

HEX #9FAE13

RGB 159 174 19

HSL 65.81, 0.8%, 0.38%

LAB 67.79, -22.44, 66.98

 

CMYK 9 / 0 / 89 / 17

HEX #C1D317

RGB 193 211 23

HSL 65.74, 0.8%, 0.46%

LAB 80.73, -25.98, 77.74

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 89 / 0 / 64 / 46

HEX #0F8931

RGB 15 137 49

HSL 136.72, 0.8%, 0.3%

LAB 49.76, -49.79, 37.64

 

CMYK 28 / 89 / 0 / 46

HEX #620F89

RGB 98 15 137

HSL 280.82, 0.8%, 0.3%

LAB 25.99, 52.84, -48.53

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 89 / 7 / 0 / 46

HEX #0F7F89

RGB 15 127 137

HSL 184.92, 0.8%, 0.3%

LAB 48.37, -24.53, -13.6

 

CMYK 0 / 89 / 7 / 46

HEX #890F7F

RGB 137 15 127

HSL 304.92, 0.8%, 0.3%

LAB 32.24, 58.11, -31.85

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 89 / 0 / 64 / 46

HEX #0F8931

RGB 15 137 49

HSL 136.72, 0.8%, 0.3%

LAB 49.76, -49.79, 37.64

 

CMYK 82 / 89 / 0 / 46

HEX #190F89

RGB 25 15 137

HSL 244.92, 0.8%, 0.3%

LAB 17.25, 45.12, -63.24

 

CMYK 0 / 89 / 25 / 46

HEX #890F67

RGB 137 15 103

HSL 316.72, 0.8%, 0.3%

LAB 30.97, 54.73, -18.58

 

CMYK 9 / 0 / 89 / 46

HEX #7D890F

RGB 125 137 15

HSL 65.9, 0.8%, 0.3%

LAB 54.33, -18.75, 55.72

 

CMYK 89 / 0 / 37 / 46

HEX #0F8956

RGB 15 137 86

HSL 154.92, 0.8%, 0.3%

LAB 50.29, -43.4, 18.85

 

CMYK 82 / 89 / 0 / 46

HEX #190F89

RGB 25 15 137

HSL 244.92, 0.8%, 0.3%

LAB 17.25, 45.12, -63.24

 

CMYK 0 / 89 / 52 / 46

HEX #890F42

RGB 137 15 66

HSL 334.92, 0.8%, 0.3%

LAB 29.55, 50.77, 3.63

 

Description

Color code: HEX #7D890F | qconv.com Color code: HEX #7D890F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 137 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 137 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 89 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 89% 46% C M Y K

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