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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D819A it is the complementary color #827E65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D819A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D819A shade: #828195, #9393A8, #A4A5BB, #B5B7CE and #C6C9E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D819A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D819A shade: #7D819A, #6C6F87, #5B5D74, #4A4B61 and #39394E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D819A shade: #7D819B, #817D9B, #897D9B, #917D9B and #997D9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D819A shade: #7D819B and #7D7D9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D819A shade matches the following richer shades: #7D819B, #6A74AD, #5866C0, #4559D2 and #334BE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D819A shade: #7D819B, #8F8E88, #A29C76, #B5A963 and #C7B750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D819A shade: #7D919B, #7D899B, #7D819B, #807D9B and #887D9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D819A shade: #56596F, #686C87, #7D819B, #9498AD and #ABAEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D819A shade: #7D819A, #9B7D99 and #8D9B7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D819A shade: #7D819A, #9B7D81 and #819B7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D819A shade: #7D819A, #9B7D99, #9B967D and #7D9B7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D819A shade: #7D819A, #9B7D90, #9B967D and #7D9B87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 16 / 0 / 40

HEX #7D819A

RGB 125 129 154

HSL 231.72, 0.13%, 0.55%

LAB 54.44, 4.02, -13.87

 

Complementary color

CMYK 0 / 3 / 22 / 49

HEX #827E65

RGB 130 126 101

HSL 51.72, 0.13%, 0.45%

LAB 52.52, -2.9, 14.18

 

CMYK 13 / 13 / 0 / 42

HEX #828195

RGB 130 129 149

HSL 243, 0.09%, 0.55%

LAB 54.67, 4.58, -10.58

 

CMYK 13 / 13 / 0 / 34

HEX #9393A8

RGB 147 147 168

HSL 240, 0.11%, 0.62%

LAB 61.57, 4.33, -10.99

 

CMYK 12 / 12 / 0 / 27

HEX #A4A5BB

RGB 164 165 187

HSL 237.39, 0.14%, 0.69%

LAB 68.31, 4.09, -11.41

 

CMYK 12 / 11 / 0 / 19

HEX #B5B7CE

RGB 181 183 206

HSL 235.2, 0.2%, 0.76%

LAB 74.92, 3.87, -11.82

 

CMYK 12 / 11 / 0 / 12

HEX #C6C9E1

RGB 198 201 225

HSL 233.33, 0.31%, 0.83%

LAB 81.41, 3.66, -12.24

 

CMYK 19 / 16 / 0 / 40

HEX #7D819A

RGB 125 129 154

HSL 231.72, 0.13%, 0.55%

LAB 54.44, 4.02, -13.87

 

CMYK 20 / 18 / 0 / 47

HEX #6C6F87

RGB 108 111 135

HSL 233.33, 0.11%, 0.48%

LAB 47.37, 4.3, -13.55

 

CMYK 22 / 20 / 0 / 55

HEX #5B5D74

RGB 91 93 116

HSL 235.2, 0.12%, 0.41%

LAB 40.1, 4.62, -13.25

 

CMYK 24 / 23 / 0 / 62

HEX #4A4B61

RGB 74 75 97

HSL 237.39, 0.13%, 0.34%

LAB 32.59, 4.98, -12.99

 

CMYK 27 / 27 / 0 / 69

HEX #39394E

RGB 57 57 78

HSL 240, 0.16%, 0.26%

LAB 24.78, 5.43, -12.77

 

CMYK 19 / 17 / 0 / 39

HEX #7D819B

RGB 125 129 155

HSL 232, 0.13%, 0.55%

LAB 54.48, 4.25, -14.4

 

CMYK 17 / 19 / 0 / 39

HEX #817D9B

RGB 129 125 155

HSL 248, 0.13%, 0.55%

LAB 53.71, 7.93, -15.53

 

CMYK 12 / 19 / 0 / 39

HEX #897D9B

RGB 137 125 155

HSL 264, 0.13%, 0.55%

LAB 54.4, 10.67, -14.42

 

CMYK 6 / 19 / 0 / 39

HEX #917D9B

RGB 145 125 155

HSL 280, 0.13%, 0.55%

LAB 55.13, 13.46, -13.25

 

CMYK 1 / 19 / 0 / 39

HEX #997D9B

RGB 153 125 155

HSL 296, 0.13%, 0.55%

LAB 55.89, 16.29, -12.02

 

CMYK 19 / 17 / 0 / 39

HEX #7D819B

RGB 125 129 155

HSL 232, 0.13%, 0.55%

LAB 54.48, 4.25, -14.4

 

CMYK 19 / 19 / 0 / 39

HEX #7D7D9B

RGB 125 125 155

HSL 240, 0.13%, 0.55%

LAB 53.38, 6.59, -16.06

 

CMYK 19 / 17 / 0 / 39

HEX #7D819B

RGB 125 129 155

HSL 232, 0.13%, 0.55%

LAB 54.48, 4.25, -14.4

 

CMYK 39 / 33 / 0 / 32

HEX #6A74AD

RGB 106 116 173

HSL 231.04, 0.29%, 0.55%

LAB 50.18, 10.79, -31.57

 

CMYK 54 / 47 / 0 / 25

HEX #5866C0

RGB 88 102 192

HSL 231.92, 0.45%, 0.55%

LAB 46.15, 20.76, -49.04

 

CMYK 67 / 58 / 0 / 18

HEX #4559D2

RGB 69 89 210

HSL 231.49, 0.61%, 0.55%

LAB 42.86, 31.61, -64.79

 

CMYK 78 / 67 / 0 / 10

HEX #334BE5

RGB 51 75 229

HSL 231.91, 0.77%, 0.55%

LAB 40.23, 44.87, -79.97

 

CMYK 19 / 17 / 0 / 39

HEX #7D819B

RGB 125 129 155

HSL 232, 0.13%, 0.55%

LAB 54.48, 4.25, -14.4

 

CMYK 0 / 1 / 5 / 44

HEX #8F8E88

RGB 143 142 136

HSL 51.43, 0.03%, 0.55%

LAB 58.94, -0.77, 3.32

 

CMYK 0 / 4 / 27 / 36

HEX #A29C76

RGB 162 156 118

HSL 51.82, 0.19%, 0.55%

LAB 63.97, -4.05, 20.74

 

CMYK 0 / 7 / 45 / 29

HEX #B5A963

RGB 181 169 99

HSL 51.22, 0.36%, 0.55%

LAB 68.82, -5.55, 37.55

 

CMYK 0 / 8 / 60 / 22

HEX #C7B750

RGB 199 183 80

HSL 51.93, 0.52%, 0.55%

LAB 73.93, -6.97, 53.21

 

CMYK 19 / 6 / 0 / 39

HEX #7D919B

RGB 125 145 155

HSL 200, 0.13%, 0.55%

LAB 58.95, -4.87, -7.68

 

CMYK 19 / 12 / 0 / 39

HEX #7D899B

RGB 125 137 155

HSL 216, 0.13%, 0.55%

LAB 56.7, -0.35, -11.04

 

CMYK 19 / 17 / 0 / 39

HEX #7D819B

RGB 125 129 155

HSL 232, 0.13%, 0.55%

LAB 54.48, 4.25, -14.4

 

CMYK 17 / 19 / 0 / 39

HEX #807D9B

RGB 128 125 155

HSL 246, 0.13%, 0.55%

LAB 53.62, 7.59, -15.67

 

CMYK 12 / 19 / 0 / 39

HEX #887D9B

RGB 136 125 155

HSL 262, 0.13%, 0.55%

LAB 54.31, 10.33, -14.56

 

CMYK 23 / 20 / 0 / 56

HEX #56596F

RGB 86 89 111

HSL 232.8, 0.13%, 0.39%

LAB 38.32, 4.06, -12.92

 

CMYK 23 / 20 / 0 / 47

HEX #686C87

RGB 104 108 135

HSL 232.26, 0.13%, 0.47%

LAB 46.2, 4.74, -15.36

 

CMYK 19 / 17 / 0 / 39

HEX #7D819B

RGB 125 129 155

HSL 232, 0.13%, 0.55%

LAB 54.48, 4.25, -14.4

 

CMYK 14 / 12 / 0 / 32

HEX #9498AD

RGB 148 152 173

HSL 230.4, 0.13%, 0.63%

LAB 63.15, 2.94, -11.43

 

CMYK 10 / 9 / 0 / 25

HEX #ABAEBF

RGB 171 174 191

HSL 231, 0.14%, 0.71%

LAB 71.35, 2.33, -9.03

 

CMYK 19 / 16 / 0 / 40

HEX #7D819A

RGB 125 129 154

HSL 231.72, 0.13%, 0.55%

LAB 54.44, 4.02, -13.87

 

CMYK 0 / 19 / 1 / 39

HEX #9B7D99

RGB 155 125 153

HSL 304, 0.13%, 0.55%

LAB 56.02, 16.61, -10.64

 

CMYK 9 / 0 / 19 / 39

HEX #8D9B7D

RGB 141 155 125

HSL 88, 0.13%, 0.55%

LAB 62.16, -10.62, 14.08

 

CMYK 19 / 16 / 0 / 40

HEX #7D819A

RGB 125 129 154

HSL 231.72, 0.13%, 0.55%

LAB 54.44, 4.02, -13.87

 

CMYK 0 / 19 / 17 / 39

HEX #9B7D81

RGB 155 125 129

HSL 352, 0.13%, 0.55%

LAB 55.3, 12.24, 2.21

 

CMYK 17 / 0 / 19 / 39

HEX #819B7D

RGB 129 155 125

HSL 112, 0.13%, 0.55%

LAB 61.3, -15.08, 12.76

 

CMYK 19 / 16 / 0 / 40

HEX #7D819A

RGB 125 129 154

HSL 231.72, 0.13%, 0.55%

LAB 54.44, 4.02, -13.87

 

CMYK 0 / 19 / 1 / 39

HEX #9B7D99

RGB 155 125 153

HSL 304, 0.13%, 0.55%

LAB 56.02, 16.61, -10.64

 

CMYK 0 / 3 / 19 / 39

HEX #9B967D

RGB 155 150 125

HSL 50, 0.13%, 0.55%

LAB 61.88, -2.5, 13.86

 

CMYK 19 / 0 / 19 / 39

HEX #7D9B7E

RGB 125 155 126

HSL 122, 0.13%, 0.55%

LAB 61.05, -16.34, 11.81

 

CMYK 19 / 16 / 0 / 40

HEX #7D819A

RGB 125 129 154

HSL 231.72, 0.13%, 0.55%

LAB 54.44, 4.02, -13.87

 

CMYK 0 / 19 / 7 / 39

HEX #9B7D90

RGB 155 125 144

HSL 322, 0.13%, 0.55%

LAB 55.74, 14.89, -5.86

 

CMYK 0 / 3 / 19 / 39

HEX #9B967D

RGB 155 150 125

HSL 50, 0.13%, 0.55%

LAB 61.88, -2.5, 13.86

 

CMYK 19 / 0 / 13 / 39

HEX #7D9B87

RGB 125 155 135

HSL 140, 0.13%, 0.55%

LAB 61.27, -14.61, 7.05

 

Description

Color code: HEX #7D819A | qconv.com Color code: HEX #7D819A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 129 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 129 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 16 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 16% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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