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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D8BE7 it is the complementary color #827418. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D8BE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D8BE7 shade: #828BE2, #939DF5, #A4AFFF, #B5C1FF and #C6D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D8BE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D8BE7 shade: #7D8BE7, #6C79D4, #5B67C1, #4A55AE and #39439B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D8BE7 shade: #7D8BE7, #8C7DE7, #A87DE7, #C57DE7 and #E17DE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D8BE7 shade: #7D8BE7 and #7D7DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D8BE7 shade matches the following richer shades: #7D8BE7 and #7182F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D8BE7 shade: #7D8BE7, #8A94DA, #969DCE, #A2A6C2 and #AFB0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D8BE7 shade: #7DC4E7, #7DA7E7, #7D8BE7, #8B7DE7 and #A77DE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D8BE7 shade: #374DDA, #5A6CE0, #7D8BE7, #A0AAED and #C3C9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D8BE7 shade: #7D8BE7, #E77DE0 and #B6E77D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D8BE7 shade: #7D8BE7, #E77D8B and #8BE77D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D8BE7 shade: #7D8BE7, #E77DE0, #E7D97D and #7DE784

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D8BE7 shade: #7D8BE7, #E77DC0, #E7D97D and #7DE7A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

Complementary color

CMYK 0 / 11 / 82 / 49

HEX #827418

RGB 130 116 24

HSL 52.08, 0.69%, 0.3%

LAB 48.64, -4.76, 48.59

 

CMYK 42 / 38 / 0 / 11

HEX #828BE2

RGB 130 139 226

HSL 234.38, 0.62%, 0.7%

LAB 60.52, 18.62, -45.33

 

CMYK 40 / 36 / 0 / 4

HEX #939DF5

RGB 147 157 245

HSL 233.88, 0.83%, 0.77%

LAB 67.21, 17.81, -45.18

 

CMYK 36 / 31 / 0 / 0

HEX #A4AFFF

RGB 164 175 255

HSL 232.75, 1%, 0.82%

LAB 73.4, 14.74, -40.84

 

CMYK 29 / 24 / 0 / 0

HEX #B5C1FF

RGB 181 193 255

HSL 230.27, 1%, 0.85%

LAB 79.15, 9.49, -31.84

 

CMYK 22 / 17 / 0 / 0

HEX #C6D3FF

RGB 198 211 255

HSL 226.32, 1%, 0.89%

LAB 84.9, 4.76, -22.94

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 49 / 43 / 0 / 17

HEX #6C79D4

RGB 108 121 212

HSL 232.5, 0.55%, 0.63%

LAB 53.62, 19.88, -48.5

 

CMYK 53 / 47 / 0 / 24

HEX #5B67C1

RGB 91 103 193

HSL 232.94, 0.45%, 0.56%

LAB 46.68, 21.11, -48.77

 

CMYK 57 / 51 / 0 / 32

HEX #4A55AE

RGB 74 85 174

HSL 233.4, 0.4%, 0.49%

LAB 39.6, 22.6, -49.09

 

CMYK 63 / 57 / 0 / 39

HEX #39439B

RGB 57 67 155

HSL 233.88, 0.46%, 0.42%

LAB 32.37, 24.44, -49.44

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 39 / 46 / 0 / 9

HEX #8C7DE7

RGB 140 125 231

HSL 248.49, 0.69%, 0.7%

LAB 58.05, 30.72, -51.97

 

CMYK 27 / 46 / 0 / 9

HEX #A87DE7

RGB 168 125 231

HSL 264.34, 0.69%, 0.7%

LAB 60.57, 37.99, -47.81

 

CMYK 15 / 46 / 0 / 9

HEX #C57DE7

RGB 197 125 231

HSL 280.75, 0.69%, 0.7%

LAB 63.6, 45.99, -42.84

 

CMYK 3 / 46 / 0 / 9

HEX #E17DE7

RGB 225 125 231

HSL 296.6, 0.69%, 0.7%

LAB 66.86, 53.9, -37.5

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 46 / 46 / 0 / 9

HEX #7D7DE7

RGB 125 125 231

HSL 240, 0.69%, 0.7%

LAB 56.88, 27.12, -53.91

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 53 / 47 / 0 / 5

HEX #7182F3

RGB 113 130 243

HSL 232.15, 0.84%, 0.7%

LAB 57.99, 25.16, -58.85

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 37 / 32 / 0 / 15

HEX #8A94DA

RGB 138 148 218

HSL 232.5, 0.52%, 0.7%

LAB 63.05, 13.25, -36.86

 

CMYK 27 / 24 / 0 / 19

HEX #969DCE

RGB 150 157 206

HSL 232.5, 0.36%, 0.7%

LAB 65.79, 8.46, -25.88

 

CMYK 16 / 14 / 0 / 24

HEX #A2A6C2

RGB 162 166 194

HSL 232.5, 0.21%, 0.7%

LAB 68.64, 4.39, -14.8

 

CMYK 3 / 3 / 0 / 29

HEX #AFB0B5

RGB 175 176 181

HSL 230, 0.04%, 0.7%

LAB 71.89, 0.61, -2.68

 

CMYK 46 / 15 / 0 / 9

HEX #7DC4E7

RGB 125 196 231

HSL 199.81, 0.69%, 0.7%

LAB 75.83, -13.11, -24.32

 

CMYK 46 / 28 / 0 / 9

HEX #7DA7E7

RGB 125 167 231

HSL 216.23, 0.69%, 0.7%

LAB 67.85, 2.68, -36.62

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 40 / 46 / 0 / 9

HEX #8B7DE7

RGB 139 125 231

HSL 247.92, 0.69%, 0.7%

LAB 57.97, 30.48, -52.11

 

CMYK 28 / 46 / 0 / 9

HEX #A77DE7

RGB 167 125 231

HSL 263.77, 0.69%, 0.7%

LAB 60.47, 37.72, -47.97

 

CMYK 75 / 65 / 0 / 15

HEX #374DDA

RGB 55 77 218

HSL 231.9, 0.69%, 0.54%

LAB 39.89, 40.19, -74.26

 

CMYK 60 / 52 / 0 / 12

HEX #5A6CE0

RGB 90 108 224

HSL 231.94, 0.68%, 0.62%

LAB 49.83, 27.96, -61.41

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 32 / 28 / 0 / 7

HEX #A0AAED

RGB 160 170 237

HSL 232.21, 0.68%, 0.78%

LAB 71.1, 11.81, -34.67

 

CMYK 20 / 18 / 0 / 4

HEX #C3C9F4

RGB 195 201 244

HSL 232.65, 0.69%, 0.86%

LAB 81.79, 6.75, -21.84

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 0 / 46 / 3 / 9

HEX #E77DE0

RGB 231 125 224

HSL 303.96, 0.69%, 0.7%

LAB 67.31, 54.38, -32.87

 

CMYK 21 / 0 / 46 / 9

HEX #B6E77D

RGB 182 231 125

HSL 87.74, 0.69%, 0.7%

LAB 86.29, -33.12, 46.34

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 0 / 46 / 40 / 9

HEX #E77D8B

RGB 231 125 139

HSL 352.08, 0.69%, 0.7%

LAB 64.58, 42.22, 10.95

 

CMYK 40 / 0 / 46 / 9

HEX #8BE77D

RGB 139 231 125

HSL 112.08, 0.69%, 0.7%

LAB 84.03, -47.55, 43.03

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 0 / 46 / 3 / 9

HEX #E77DE0

RGB 231 125 224

HSL 303.96, 0.69%, 0.7%

LAB 67.31, 54.38, -32.87

 

CMYK 0 / 6 / 46 / 9

HEX #E7D97D

RGB 231 217 125

HSL 52.08, 0.69%, 0.7%

LAB 86.05, -7.5, 46.82

 

CMYK 46 / 0 / 43 / 9

HEX #7DE784

RGB 125 231 132

HSL 123.96, 0.69%, 0.7%

LAB 83.54, -50.63, 38.85

 

CMYK 46 / 40 / 0 / 9

HEX #7D8BE7

RGB 125 139 231

HSL 232.08, 0.69%, 0.7%

LAB 60.42, 18.84, -48.28

 

CMYK 0 / 46 / 17 / 9

HEX #E77DC0

RGB 231 125 192

HSL 322.08, 0.69%, 0.7%

LAB 66.11, 49.19, -16.83

 

CMYK 0 / 6 / 46 / 9

HEX #E7D97D

RGB 231 217 125

HSL 52.08, 0.69%, 0.7%

LAB 86.05, -7.5, 46.82

 

CMYK 46 / 0 / 29 / 9

HEX #7DE7A4

RGB 125 231 164

HSL 142.08, 0.69%, 0.7%

LAB 84.07, -45.31, 23.32

 

Description

Color code: HEX #7D8BE7 | qconv.com Color code: HEX #7D8BE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 139 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 139 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 40 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 40% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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