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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D951C it is the complementary color #826AE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D951C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D951C shade: #829517, #93A72A, #A4B93D, #B5CB50 and #C6DD63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D951C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D951C shade: #7D951C, #6C8309, #5B7100, #4A5F00 and #394D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D951C shade: #7D951C, #958D1C, #956C1C, #954B1C and #952B1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D951C shade: #7D951C, #5D951C, #3C951C, #1C951D and #1C953E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D951C shade matches the following richer shades: #7D951C and #86A40E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D951C shade: #7D951C, #75872B, #6C7939, #636A47 and #5B5C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D951C shade: #956B1C, #958B1C, #7F951C, #5F951C and #3E951C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D951C shade: #43500F, #607315, #7D951C, #9AB823 and #B5D72D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D951C shade: #7D951C, #1C954B and #7B1C95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D951C shade: #7D951C, #1C7F95 and #951C7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D951C shade: #7D951C, #1C954B, #321C95 and #951C67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D951C shade: #7D951C, #1C956F, #321C95 and #951C42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

Complementary color

CMYK 43 / 53 / 0 / 11

HEX #826AE3

RGB 130 106 227

HSL 251.9, 0.68%, 0.65%

LAB 52.51, 38.28, -58.64

 

CMYK 13 / 0 / 85 / 42

HEX #829517

RGB 130 149 23

HSL 69.05, 0.73%, 0.34%

LAB 58.32, -22.43, 57.36

 

CMYK 12 / 0 / 75 / 35

HEX #93A72A

RGB 147 167 42

HSL 69.6, 0.6%, 0.41%

LAB 64.97, -23.31, 58.09

 

CMYK 11 / 0 / 67 / 27

HEX #A4B93D

RGB 164 185 61

HSL 70.16, 0.5%, 0.48%

LAB 71.51, -23.99, 57.91

 

CMYK 11 / 0 / 61 / 20

HEX #B5CB50

RGB 181 203 80

HSL 70.73, 0.54%, 0.55%

LAB 77.94, -24.51, 57.24

 

CMYK 10 / 0 / 55 / 13

HEX #C6DD63

RGB 198 221 99

HSL 71.31, 0.64%, 0.63%

LAB 84.29, -24.92, 56.32

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 18 / 0 / 93 / 49

HEX #6C8309

RGB 108 131 9

HSL 71.31, 0.87%, 0.27%

LAB 51.2, -23.41, 53.79

 

CMYK 19 / 0 / 100 / 56

HEX #5B7100

RGB 91 113 0

HSL 71.68, 1%, 0.22%

LAB 44.28, -22.08, 49.71

 

CMYK 22 / 0 / 100 / 63

HEX #4A5F00

RGB 74 95 0

HSL 73.26, 1%, 0.19%

LAB 37.19, -20.52, 43.8

 

CMYK 26 / 0 / 100 / 70

HEX #394D00

RGB 57 77 0

HSL 75.58, 1%, 0.15%

LAB 29.86, -18.93, 37.69

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 0 / 5 / 81 / 42

HEX #958D1C

RGB 149 141 28

HSL 56.03, 0.68%, 0.35%

LAB 57.58, -9.57, 55.93

 

CMYK 0 / 28 / 81 / 42

HEX #956C1C

RGB 149 108 28

HSL 39.67, 0.68%, 0.35%

LAB 48.51, 8.9, 47.81

 

CMYK 0 / 50 / 81 / 42

HEX #954B1C

RGB 149 75 28

HSL 23.31, 0.68%, 0.35%

LAB 40.42, 27.73, 40.26

 

CMYK 0 / 71 / 81 / 42

HEX #952B1C

RGB 149 43 28

HSL 7.44, 0.68%, 0.35%

LAB 34.4, 43.44, 34.37

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 38 / 0 / 81 / 42

HEX #5D951C

RGB 93 149 28

HSL 87.77, 0.68%, 0.35%

LAB 55.99, -37.31, 53

 

CMYK 60 / 0 / 81 / 42

HEX #3C951C

RGB 60 149 28

HSL 104.13, 0.68%, 0.35%

LAB 54.59, -47.86, 51.19

 

CMYK 81 / 0 / 81 / 42

HEX #1C951D

RGB 28 149 29

HSL 120.5, 0.68%, 0.35%

LAB 53.85, -54.14, 49.91

 

CMYK 81 / 0 / 58 / 42

HEX #1C953E

RGB 28 149 62

HSL 136.86, 0.68%, 0.35%

LAB 54.12, -50.75, 36.5

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 18 / 0 / 91 / 36

HEX #86A40E

RGB 134 164 14

HSL 72, 0.84%, 0.35%

LAB 63.05, -28.33, 63.26

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 13 / 0 / 68 / 47

HEX #75872B

RGB 117 135 43

HSL 71.74, 0.52%, 0.35%

LAB 53.26, -19.97, 45.36

 

CMYK 11 / 0 / 53 / 53

HEX #6C7939

RGB 108 121 57

HSL 72.19, 0.36%, 0.35%

LAB 48.46, -15.3, 33.14

 

CMYK 7 / 0 / 33 / 58

HEX #636A47

RGB 99 106 71

HSL 72, 0.2%, 0.35%

LAB 43.38, -9.11, 18.8

 

CMYK 1 / 0 / 7 / 64

HEX #5B5C56

RGB 91 92 86

HSL 70, 0.03%, 0.35%

LAB 38.81, -1.63, 3.31

 

CMYK 0 / 28 / 81 / 42

HEX #956B1C

RGB 149 107 28

HSL 39.17, 0.68%, 0.35%

LAB 48.25, 9.47, 47.57

 

CMYK 0 / 7 / 81 / 42

HEX #958B1C

RGB 149 139 28

HSL 55.04, 0.68%, 0.35%

LAB 57.02, -8.49, 55.43

 

CMYK 15 / 0 / 81 / 42

HEX #7F951C

RGB 127 149 28

HSL 70.91, 0.68%, 0.35%

LAB 58.12, -23.55, 55.72

 

CMYK 36 / 0 / 81 / 42

HEX #5F951C

RGB 95 149 28

HSL 86.78, 0.68%, 0.35%

LAB 56.1, -36.57, 53.14

 

CMYK 58 / 0 / 81 / 42

HEX #3E951C

RGB 62 149 28

HSL 103.14, 0.68%, 0.35%

LAB 54.66, -47.33, 51.28

 

CMYK 16 / 0 / 81 / 69

HEX #43500F

RGB 67 80 15

HSL 72, 0.68%, 0.19%

LAB 31.73, -15.07, 34.15

 

CMYK 17 / 0 / 82 / 55

HEX #607315

RGB 96 115 21

HSL 72.13, 0.69%, 0.27%

LAB 45.36, -20.17, 45.51

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 16 / 0 / 81 / 28

HEX #9AB823

RGB 154 184 35

HSL 72.08, 0.68%, 0.43%

LAB 70.37, -28.95, 65.37

 

CMYK 16 / 0 / 79 / 16

HEX #B5D72D

RGB 181 215 45

HSL 72, 0.68%, 0.51%

LAB 81.08, -32.15, 72.88

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 81 / 0 / 50 / 42

HEX #1C954B

RGB 28 149 75

HSL 143.31, 0.68%, 0.35%

LAB 54.29, -48.73, 30.08

 

CMYK 17 / 81 / 0 / 42

HEX #7B1C95

RGB 123 28 149

HSL 287.11, 0.68%, 0.35%

LAB 32.28, 55.99, -45.56

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 81 / 15 / 0 / 42

HEX #1C7F95

RGB 28 127 149

HSL 190.91, 0.68%, 0.35%

LAB 49, -19.35, -19.67

 

CMYK 0 / 81 / 15 / 42

HEX #951C7F

RGB 149 28 127

HSL 310.91, 0.68%, 0.35%

LAB 35.5, 57.72, -26.55

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 81 / 0 / 50 / 42

HEX #1C954B

RGB 28 149 75

HSL 143.31, 0.68%, 0.35%

LAB 54.29, -48.73, 30.08

 

CMYK 66 / 81 / 0 / 42

HEX #321C95

RGB 50 28 149

HSL 250.91, 0.68%, 0.35%

LAB 22.58, 44.84, -61.82

 

CMYK 0 / 81 / 31 / 42

HEX #951C67

RGB 149 28 103

HSL 322.81, 0.68%, 0.35%

LAB 34.39, 54.52, -13.11

 

CMYK 16 / 0 / 81 / 42

HEX #7D951C

RGB 125 149 28

HSL 71.9, 0.68%, 0.35%

LAB 57.98, -24.41, 55.54

 

CMYK 81 / 0 / 26 / 42

HEX #1C956F

RGB 28 149 111

HSL 161.16, 0.68%, 0.35%

LAB 54.96, -41.2, 11.14

 

CMYK 66 / 81 / 0 / 42

HEX #321C95

RGB 50 28 149

HSL 250.91, 0.68%, 0.35%

LAB 22.58, 44.84, -61.82

 

CMYK 0 / 81 / 56 / 42

HEX #951C42

RGB 149 28 66

HSL 341.16, 0.68%, 0.35%

LAB 33.16, 50.84, 9.1

 

Description

Color code: HEX #7D951C | qconv.com Color code: HEX #7D951C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 149 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 149 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 81 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 81% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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