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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D96BE it is the complementary color #826941. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D96BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D96BE shade: #8296B9, #93A8CC, #A4BADF, #B5CCF2 and #C6DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D96BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D96BE shade: #7D96BE, #6C84AB, #5B7298, #4A6085 and #394E72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D96BE shade: #7E96BE, #7E85BE, #887EBE, #997EBE and #AA7EBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D96BE shade: #7E96BE, #7E85BE and #7E7EBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D96BE shade matches the following richer shades: #7E96BE, #6E93CD, #5E8FDD, #4F8BED and #3F88FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D96BE shade: #7E96BE, #8D9AAE, #9D9D9E, #ADA18F and #BCA57F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D96BE shade: #7EB9BE, #7EA8BE, #7E97BE, #7E86BE and #867EBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D96BE shade: #4E6B9B, #6280B0, #7E96BE, #99ACCB and #B4C3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D96BE shade: #7D96BE, #B17EBE and #B1BE7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D96BE shade: #7D96BE, #BE7E97 and #97BE7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D96BE shade: #7D96BE, #B17EBE, #BEA47E and #8ABE7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D96BE shade: #7D96BE, #BE7EB7, #BEA47E and #7EBE84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 21 / 0 / 25

HEX #7D96BE

RGB 125 150 190

HSL 216.92, 0.33%, 0.62%

LAB 61.56, 0.97, -23.58

 

Complementary color

CMYK 0 / 19 / 50 / 49

HEX #826941

RGB 130 105 65

HSL 36.92, 0.33%, 0.38%

LAB 45.95, 4.45, 26.16

 

CMYK 30 / 19 / 0 / 27

HEX #8296B9

RGB 130 150 185

HSL 218.18, 0.28%, 0.62%

LAB 61.71, 1.16, -20.51

 

CMYK 28 / 18 / 0 / 20

HEX #93A8CC

RGB 147 168 204

HSL 217.89, 0.36%, 0.69%

LAB 68.44, 0.91, -20.74

 

CMYK 26 / 17 / 0 / 13

HEX #A4BADF

RGB 164 186 223

HSL 217.63, 0.48%, 0.76%

LAB 75.04, 0.69, -21

 

CMYK 25 / 16 / 0 / 5

HEX #B5CCF2

RGB 181 204 242

HSL 217.38, 0.7%, 0.83%

LAB 81.52, 0.49, -21.27

 

CMYK 22 / 13 / 0 / 0

HEX #C6DEFF

RGB 198 222 255

HSL 214.74, 1%, 0.89%

LAB 87.71, -1.03, -18.68

 

CMYK 34 / 21 / 0 / 25

HEX #7D96BE

RGB 125 150 190

HSL 216.92, 0.33%, 0.62%

LAB 61.56, 0.97, -23.58

 

CMYK 37 / 23 / 0 / 33

HEX #6C84AB

RGB 108 132 171

HSL 217.14, 0.27%, 0.55%

LAB 54.69, 1.3, -23.42

 

CMYK 40 / 25 / 0 / 40

HEX #5B7298

RGB 91 114 152

HSL 217.38, 0.25%, 0.48%

LAB 47.66, 1.69, -23.29

 

CMYK 44 / 28 / 0 / 48

HEX #4A6085

RGB 74 96 133

HSL 217.63, 0.29%, 0.41%

LAB 40.43, 2.17, -23.21

 

CMYK 50 / 32 / 0 / 55

HEX #394E72

RGB 57 78 114

HSL 217.89, 0.33%, 0.34%

LAB 32.99, 2.8, -23.19

 

CMYK 34 / 21 / 0 / 25

HEX #7E96BE

RGB 126 150 190

HSL 217.5, 0.33%, 0.62%

LAB 61.62, 1.26, -23.47

 

CMYK 34 / 30 / 0 / 25

HEX #7E85BE

RGB 126 133 190

HSL 233.44, 0.33%, 0.62%

LAB 57.01, 11.08, -30.6

 

CMYK 28 / 34 / 0 / 25

HEX #887EBE

RGB 136 126 190

HSL 249.38, 0.33%, 0.62%

LAB 55.96, 18.14, -32.16

 

CMYK 19 / 34 / 0 / 25

HEX #997EBE

RGB 153 126 190

HSL 265.31, 0.33%, 0.62%

LAB 57.47, 23.32, -29.7

 

CMYK 11 / 34 / 0 / 25

HEX #AA7EBE

RGB 170 126 190

HSL 281.25, 0.33%, 0.62%

LAB 59.15, 28.7, -26.98

 

CMYK 34 / 21 / 0 / 25

HEX #7E96BE

RGB 126 150 190

HSL 217.5, 0.33%, 0.62%

LAB 61.62, 1.26, -23.47

 

CMYK 34 / 30 / 0 / 25

HEX #7E85BE

RGB 126 133 190

HSL 233.44, 0.33%, 0.62%

LAB 57.01, 11.08, -30.6

 

CMYK 34 / 34 / 0 / 25

HEX #7E7EBE

RGB 126 126 190

HSL 240, 0.33%, 0.62%

LAB 55.15, 15.21, -33.49

 

CMYK 34 / 21 / 0 / 25

HEX #7E96BE

RGB 126 150 190

HSL 217.5, 0.33%, 0.62%

LAB 61.62, 1.26, -23.47

 

CMYK 46 / 28 / 0 / 20

HEX #6E93CD

RGB 110 147 205

HSL 216.63, 0.49%, 0.62%

LAB 60.42, 2.84, -33.84

 

CMYK 57 / 35 / 0 / 13

HEX #5E8FDD

RGB 94 143 221

HSL 216.85, 0.65%, 0.62%

LAB 59.2, 6.52, -44.76

 

CMYK 67 / 41 / 0 / 7

HEX #4F8BED

RGB 79 139 237

HSL 217.22, 0.81%, 0.62%

LAB 58.27, 11.56, -55.18

 

CMYK 75 / 46 / 0 / 1

HEX #3F88FC

RGB 63 136 252

HSL 216.83, 0.97%, 0.62%

LAB 57.74, 16.5, -64.34

 

CMYK 34 / 21 / 0 / 25

HEX #7E96BE

RGB 126 150 190

HSL 217.5, 0.33%, 0.62%

LAB 61.62, 1.26, -23.47

 

CMYK 19 / 11 / 0 / 32

HEX #8D9AAE

RGB 141 154 174

HSL 216.36, 0.17%, 0.62%

LAB 63.2, -0.28, -11.97

 

CMYK 1 / 1 / 0 / 38

HEX #9D9D9E

RGB 157 157 158

HSL 240, 0.01%, 0.62%

LAB 64.76, 0.2, -0.53

 

CMYK 0 / 7 / 17 / 32

HEX #ADA18F

RGB 173 161 143

HSL 36, 0.15%, 0.62%

LAB 66.79, 1.3, 10.94

 

CMYK 0 / 12 / 32 / 26

HEX #BCA57F

RGB 188 165 127

HSL 37.38, 0.31%, 0.62%

LAB 68.85, 2.7, 22.8

 

CMYK 34 / 3 / 0 / 25

HEX #7EB9BE

RGB 126 185 190

HSL 184.69, 0.33%, 0.62%

LAB 71.45, -17.73, -8.62

 

CMYK 34 / 12 / 0 / 25

HEX #7EA8BE

RGB 126 168 190

HSL 200.63, 0.33%, 0.62%

LAB 66.64, -8.73, -15.84

 

CMYK 34 / 21 / 0 / 25

HEX #7E97BE

RGB 126 151 190

HSL 216.56, 0.33%, 0.62%

LAB 61.9, 0.69, -23.05

 

CMYK 34 / 29 / 0 / 25

HEX #7E86BE

RGB 126 134 190

HSL 232.5, 0.33%, 0.62%

LAB 57.27, 10.5, -30.19

 

CMYK 29 / 34 / 0 / 25

HEX #867EBE

RGB 134 126 190

HSL 247.5, 0.33%, 0.62%

LAB 55.79, 17.54, -32.44

 

CMYK 50 / 31 / 0 / 39

HEX #4E6B9B

RGB 78 107 155

HSL 217.4, 0.33%, 0.46%

LAB 44.94, 3.34, -29.34

 

CMYK 44 / 27 / 0 / 31

HEX #6280B0

RGB 98 128 176

HSL 216.92, 0.33%, 0.54%

LAB 53.13, 2.31, -28.75

 

CMYK 34 / 21 / 0 / 25

HEX #7E96BE

RGB 126 150 190

HSL 217.5, 0.33%, 0.62%

LAB 61.62, 1.26, -23.47

 

CMYK 25 / 15 / 0 / 20

HEX #99ACCB

RGB 153 172 203

HSL 217.2, 0.32%, 0.7%

LAB 69.89, 0.29, -17.95

 

CMYK 17 / 10 / 0 / 15

HEX #B4C3D9

RGB 180 195 217

HSL 215.68, 0.33%, 0.78%

LAB 78.31, -0.58, -12.71

 

CMYK 34 / 21 / 0 / 25

HEX #7D96BE

RGB 125 150 190

HSL 216.92, 0.33%, 0.62%

LAB 61.56, 0.97, -23.58

 

CMYK 7 / 34 / 0 / 25

HEX #B17EBE

RGB 177 126 190

HSL 287.81, 0.33%, 0.62%

LAB 59.88, 30.94, -25.79

 

CMYK 7 / 0 / 34 / 25

HEX #B1BE7E

RGB 177 190 126

HSL 72.19, 0.33%, 0.62%

LAB 74.62, -14.95, 30.88

 

CMYK 34 / 21 / 0 / 25

HEX #7D96BE

RGB 125 150 190

HSL 216.92, 0.33%, 0.62%

LAB 61.56, 0.97, -23.58

 

CMYK 0 / 34 / 21 / 25

HEX #BE7E97

RGB 190 126 151

HSL 336.56, 0.33%, 0.62%

LAB 59.98, 28.41, -3.2

 

CMYK 21 / 0 / 34 / 25

HEX #97BE7E

RGB 151 190 126

HSL 96.56, 0.33%, 0.62%

LAB 72.83, -24.72, 28.19

 

CMYK 34 / 21 / 0 / 25

HEX #7D96BE

RGB 125 150 190

HSL 216.92, 0.33%, 0.62%

LAB 61.56, 0.97, -23.58

 

CMYK 7 / 34 / 0 / 25

HEX #B17EBE

RGB 177 126 190

HSL 287.81, 0.33%, 0.62%

LAB 59.88, 30.94, -25.79

 

CMYK 0 / 14 / 34 / 25

HEX #BEA47E

RGB 190 164 126

HSL 35.63, 0.33%, 0.62%

LAB 68.75, 3.91, 23.25

 

CMYK 27 / 0 / 34 / 25

HEX #8ABE7E

RGB 138 190 126

HSL 108.75, 0.33%, 0.62%

LAB 72.05, -29.32, 27.01

 

CMYK 34 / 21 / 0 / 25

HEX #7D96BE

RGB 125 150 190

HSL 216.92, 0.33%, 0.62%

LAB 61.56, 0.97, -23.58

 

CMYK 0 / 34 / 4 / 25

HEX #BE7EB7

RGB 190 126 183

HSL 306.56, 0.33%, 0.62%

LAB 61.03, 33.83, -19.91

 

CMYK 0 / 14 / 34 / 25

HEX #BEA47E

RGB 190 164 126

HSL 35.63, 0.33%, 0.62%

LAB 68.75, 3.91, 23.25

 

CMYK 34 / 0 / 31 / 25

HEX #7EBE84

RGB 126 190 132

HSL 125.63, 0.33%, 0.62%

LAB 71.51, -32.33, 22.98

 

Description

Color code: HEX #7D96BE | qconv.com Color code: HEX #7D96BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 150 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 150 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 21 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 21% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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