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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DA610 it is the complementary color #8259EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DA610. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DA610 shade: #82A60B, #93B81E, #A4CA31, #B5DC44 and #C6EE57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DA610. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DA610 shade: #7DA610, #6C9400, #5B8200, #4A7000 and #395E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DA610 shade: #7DA710, #A6A710, #A77F10, #A75610 and #A72D10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DA610 shade: #7DA710, #55A710, #2CA710, #10A71C and #10A745

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DA610 shade matches the following richer shades: #7DA710 and #84B501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DA610 shade: #7DA710, #77981F, #70892E, #697A3D and #626B4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DA610 shade: #A77E10, #A7A710, #7EA710, #56A710 and #2EA710

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DA610 shade: #455B09, #61810C, #7DA710, #9ACC14 and #B2E921

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DA610 shade: #7DA610, #10A756 and #9310A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DA610 shade: #7DA610, #107EA7 and #A7107E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DA610 shade: #7DA610, #10A756, #3810A7 and #A71060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DA610 shade: #7DA610, #10A783, #3810A7 and #A71033

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 90 / 35

HEX #7DA610

RGB 125 166 16

HSL 76.4, 0.82%, 0.36%

LAB 63.07, -32.95, 62.69

 

Complementary color

CMYK 46 / 63 / 0 / 6

HEX #8259EF

RGB 130 89 239

HSL 256.4, 0.82%, 0.64%

LAB 49.64, 51.16, -70.01

 

CMYK 22 / 0 / 93 / 35

HEX #82A60B

RGB 130 166 11

HSL 73.94, 0.88%, 0.35%

LAB 63.38, -31.01, 63.86

 

CMYK 20 / 0 / 84 / 28

HEX #93B81E

RGB 147 184 30

HSL 74.42, 0.72%, 0.42%

LAB 69.88, -31.99, 66.04

 

CMYK 19 / 0 / 76 / 21

HEX #A4CA31

RGB 164 202 49

HSL 74.9, 0.61%, 0.49%

LAB 76.29, -32.76, 66.89

 

CMYK 18 / 0 / 69 / 14

HEX #B5DC44

RGB 181 220 68

HSL 75.39, 0.68%, 0.56%

LAB 82.61, -33.35, 66.91

 

CMYK 17 / 0 / 63 / 7

HEX #C6EE57

RGB 198 238 87

HSL 75.89, 0.82%, 0.64%

LAB 88.85, -33.81, 66.44

 

CMYK 25 / 0 / 90 / 35

HEX #7DA610

RGB 125 166 16

HSL 76.4, 0.82%, 0.36%

LAB 63.07, -32.95, 62.69

 

CMYK 27 / 0 / 100 / 42

HEX #6C9400

RGB 108 148 0

HSL 76.22, 1%, 0.29%

LAB 56.45, -31.84, 59.45

 

CMYK 30 / 0 / 100 / 49

HEX #5B8200

RGB 91 130 0

HSL 78, 1%, 0.25%

LAB 49.73, -30.41, 53.85

 

CMYK 34 / 0 / 100 / 56

HEX #4A7000

RGB 74 112 0

HSL 80.36, 1%, 0.22%

LAB 42.83, -28.95, 48.11

 

CMYK 39 / 0 / 100 / 63

HEX #395E00

RGB 57 94 0

HSL 83.62, 1%, 0.18%

LAB 35.74, -27.43, 42.21

 

CMYK 25 / 0 / 90 / 35

HEX #7DA710

RGB 125 167 16

HSL 76.69, 0.83%, 0.36%

LAB 63.37, -33.41, 62.94

 

CMYK 1 / 0 / 90 / 35

HEX #A6A710

RGB 166 167 16

HSL 60.4, 0.83%, 0.36%

LAB 66.35, -15.91, 66.59

 

CMYK 0 / 24 / 90 / 35

HEX #A77F10

RGB 167 127 16

HSL 44.11, 0.83%, 0.36%

LAB 55.51, 6.1, 58.12

 

CMYK 0 / 49 / 90 / 35

HEX #A75610

RGB 167 86 16

HSL 27.81, 0.83%, 0.36%

LAB 45.51, 29.05, 50.38

 

CMYK 0 / 73 / 90 / 35

HEX #A72D10

RGB 167 45 16

HSL 11.52, 0.83%, 0.36%

LAB 38.07, 48.46, 44.75

 

CMYK 25 / 0 / 90 / 35

HEX #7DA710

RGB 125 167 16

HSL 76.69, 0.83%, 0.36%

LAB 63.37, -33.41, 62.94

 

CMYK 49 / 0 / 90 / 35

HEX #55A710

RGB 85 167 16

HSL 92.58, 0.83%, 0.36%

LAB 61.31, -47.94, 60.39

 

CMYK 74 / 0 / 90 / 35

HEX #2CA710

RGB 44 167 16

HSL 108.87, 0.83%, 0.36%

LAB 60.08, -58.02, 58.85

 

CMYK 90 / 0 / 83 / 35

HEX #10A71C

RGB 16 167 28

HSL 124.77, 0.83%, 0.36%

LAB 59.74, -60.88, 55.68

 

CMYK 90 / 0 / 59 / 35

HEX #10A745

RGB 16 167 69

HSL 141.06, 0.83%, 0.36%

LAB 60.05, -56.96, 40.07

 

CMYK 25 / 0 / 90 / 35

HEX #7DA710

RGB 125 167 16

HSL 76.69, 0.83%, 0.36%

LAB 63.37, -33.41, 62.94

 

CMYK 27 / 0 / 99 / 29

HEX #84B501

RGB 132 181 1

HSL 76.33, 0.99%, 0.36%

LAB 67.99, -37.25, 68.77

 

CMYK 25 / 0 / 90 / 35

HEX #7DA710

RGB 125 167 16

HSL 76.69, 0.83%, 0.36%

LAB 63.37, -33.41, 62.94

 

CMYK 22 / 0 / 80 / 40

HEX #77981F

RGB 119 152 31

HSL 76.36, 0.66%, 0.36%

LAB 58.49, -28.29, 54.94

 

CMYK 18 / 0 / 66 / 46

HEX #70892E

RGB 112 137 46

HSL 76.48, 0.5%, 0.36%

LAB 53.53, -22.92, 44.23

 

CMYK 14 / 0 / 50 / 52

HEX #697A3D

RGB 105 122 61

HSL 76.72, 0.33%, 0.36%

LAB 48.59, -16.69, 31.13

 

CMYK 8 / 0 / 30 / 58

HEX #626B4B

RGB 98 107 75

HSL 76.88, 0.18%, 0.36%

LAB 43.68, -9.49, 16.84

 

CMYK 0 / 25 / 90 / 35

HEX #A77E10

RGB 167 126 16

HSL 43.71, 0.83%, 0.36%

LAB 55.25, 6.66, 57.92

 

CMYK 0 / 0 / 90 / 35

HEX #A7A710

RGB 167 167 16

HSL 60, 0.83%, 0.36%

LAB 66.44, -15.47, 66.69

 

CMYK 25 / 0 / 90 / 35

HEX #7EA710

RGB 126 167 16

HSL 76.29, 0.83%, 0.36%

LAB 63.43, -33.01, 63.02

 

CMYK 49 / 0 / 90 / 35

HEX #56A710

RGB 86 167 16

HSL 92.19, 0.83%, 0.36%

LAB 61.35, -47.63, 60.44

 

CMYK 72 / 0 / 90 / 35

HEX #2EA710

RGB 46 167 16

HSL 108.08, 0.83%, 0.36%

LAB 60.12, -57.66, 58.9

 

CMYK 24 / 0 / 90 / 64

HEX #455B09

RGB 69 91 9

HSL 76.1, 0.82%, 0.2%

LAB 35.53, -20.36, 39.64

 

CMYK 25 / 0 / 91 / 49

HEX #61810C

RGB 97 129 12

HSL 76.41, 0.83%, 0.28%

LAB 49.82, -27.11, 51.78

 

CMYK 25 / 0 / 90 / 35

HEX #7DA710

RGB 125 167 16

HSL 76.69, 0.83%, 0.36%

LAB 63.37, -33.41, 62.94

 

CMYK 25 / 0 / 90 / 20

HEX #9ACC14

RGB 154 204 20

HSL 76.3, 0.82%, 0.44%

LAB 76.13, -38.59, 73.42

 

CMYK 24 / 0 / 86 / 9

HEX #B2E921

RGB 178 233 33

HSL 76.5, 0.82%, 0.52%

LAB 85.93, -41.82, 79.81

 

CMYK 25 / 0 / 90 / 35

HEX #7DA610

RGB 125 166 16

HSL 76.4, 0.82%, 0.36%

LAB 63.07, -32.95, 62.69

 

CMYK 90 / 0 / 49 / 35

HEX #10A756

RGB 16 167 86

HSL 147.81, 0.83%, 0.36%

LAB 60.27, -54.32, 31.86

 

CMYK 12 / 90 / 0 / 35

HEX #9310A7

RGB 147 16 167

HSL 292.05, 0.83%, 0.36%

LAB 36.68, 66.29, -49.19

 

CMYK 25 / 0 / 90 / 35

HEX #7DA610

RGB 125 166 16

HSL 76.4, 0.82%, 0.36%

LAB 63.07, -32.95, 62.69

 

CMYK 90 / 25 / 0 / 35

HEX #107EA7

RGB 16 126 167

HSL 196.29, 0.83%, 0.36%

LAB 49.28, -13.3, -29.76

 

CMYK 0 / 90 / 25 / 35

HEX #A7107E

RGB 167 16 126

HSL 316.29, 0.83%, 0.36%

LAB 38.01, 64.04, -21.77

 

CMYK 25 / 0 / 90 / 35

HEX #7DA610

RGB 125 166 16

HSL 76.4, 0.82%, 0.36%

LAB 63.07, -32.95, 62.69

 

CMYK 90 / 0 / 49 / 35

HEX #10A756

RGB 16 167 86

HSL 147.81, 0.83%, 0.36%

LAB 60.27, -54.32, 31.86

 

CMYK 66 / 90 / 0 / 35

HEX #3810A7

RGB 56 16 167

HSL 255.89, 0.83%, 0.36%

LAB 23.68, 55.1, -70.99

 

CMYK 0 / 90 / 43 / 35

HEX #A71060

RGB 167 16 96

HSL 328.21, 0.83%, 0.36%

LAB 36.8, 60.78, -4.66

 

CMYK 25 / 0 / 90 / 35

HEX #7DA610

RGB 125 166 16

HSL 76.4, 0.82%, 0.36%

LAB 63.07, -32.95, 62.69

 

CMYK 90 / 0 / 22 / 35

HEX #10A783

RGB 16 167 131

HSL 165.7, 0.83%, 0.36%

LAB 61.12, -44.6, 8.59

 

CMYK 66 / 90 / 0 / 35

HEX #3810A7

RGB 56 16 167

HSL 255.89, 0.83%, 0.36%

LAB 23.68, 55.1, -70.99

 

CMYK 0 / 90 / 69 / 35

HEX #A71033

RGB 167 16 51

HSL 346.09, 0.83%, 0.36%

LAB 35.65, 57.54, 22.81

 

Description

Color code: HEX #7DA610 | qconv.com Color code: HEX #7DA610 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 166 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 166 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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