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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DB4CC it is the complementary color #824B33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DB4CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DB4CC shade: #82B4C7, #93C6DA, #A4D8ED, #B5EAFF and #C6FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DB4CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DB4CC shade: #7DB4CC, #6CA2B9, #5B90A6, #4A7E93 and #396C80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DB4CC shade: #7EB5CD, #7E9FCD, #7E8ACD, #877ECD and #9C7ECD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DB4CC shade: #7EB5CD, #7E9FCD, #7E8ACD and #7E7ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DB4CC shade matches the following richer shades: #7EB5CD, #70BADB, #61C0E9 and #53C6F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DB4CC shade: #7EB5CD, #8CAFBE, #9BA9B0, #A9A4A1 and #B89E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DB4CC shade: #7ECDBA, #7ECACD, #7EB5CD, #7EA0CD and #7E8BCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DB4CC shade: #4591B3, #60A4C1, #7EB5CD, #9CC6D8 and #B9D7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DB4CC shade: #7DB4CC, #A57ECD and #CDC57E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DB4CC shade: #7DB4CC, #CD7EB5 and #B5CD7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DB4CC shade: #7DB4CC, #A57ECD, #CD967E and #A5CD7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DB4CC shade: #7DB4CC, #BD7ECD, #CD967E and #8ECD7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 12 / 0 / 20

HEX #7DB4CC

RGB 125 180 204

HSL 198.23, 0.44%, 0.65%

LAB 70.43, -11.86, -17.84

 

Complementary color

CMYK 0 / 42 / 61 / 49

HEX #824B33

RGB 130 75 51

HSL 18.23, 0.44%, 0.35%

LAB 37.87, 20.83, 24.17

 

CMYK 35 / 10 / 0 / 22

HEX #82B4C7

RGB 130 180 199

HSL 196.52, 0.38%, 0.65%

LAB 70.53, -11.77, -14.92

 

CMYK 33 / 9 / 0 / 15

HEX #93C6DA

RGB 147 198 218

HSL 196.9, 0.49%, 0.72%

LAB 77.07, -11.82, -15.32

 

CMYK 31 / 9 / 0 / 7

HEX #A4D8ED

RGB 164 216 237

HSL 197.26, 0.67%, 0.79%

LAB 83.5, -11.86, -15.72

 

CMYK 29 / 8 / 0 / 0

HEX #B5EAFF

RGB 181 234 255

HSL 197.03, 1%, 0.85%

LAB 89.81, -12.13, -15.64

 

CMYK 22 / 1 / 0 / 0

HEX #C6FCFF

RGB 198 252 255

HSL 183.16, 1%, 0.89%

LAB 95.52, -16.29, -7.03

 

CMYK 39 / 12 / 0 / 20

HEX #7DB4CC

RGB 125 180 204

HSL 198.23, 0.44%, 0.65%

LAB 70.43, -11.86, -17.84

 

CMYK 42 / 12 / 0 / 27

HEX #6CA2B9

RGB 108 162 185

HSL 197.92, 0.35%, 0.57%

LAB 63.78, -11.73, -17.48

 

CMYK 45 / 13 / 0 / 35

HEX #5B90A6

RGB 91 144 166

HSL 197.6, 0.3%, 0.5%

LAB 57, -11.57, -17.1

 

CMYK 50 / 14 / 0 / 42

HEX #4A7E93

RGB 74 126 147

HSL 197.26, 0.33%, 0.43%

LAB 50.08, -11.35, -16.72

 

CMYK 55 / 16 / 0 / 50

HEX #396C80

RGB 57 108 128

HSL 196.9, 0.38%, 0.36%

LAB 42.99, -11.02, -16.33

 

CMYK 39 / 12 / 0 / 20

HEX #7EB5CD

RGB 126 181 205

HSL 198.23, 0.44%, 0.65%

LAB 70.8, -11.86, -17.83

 

CMYK 39 / 22 / 0 / 20

HEX #7E9FCD

RGB 126 159 205

HSL 214.94, 0.44%, 0.65%

LAB 64.68, 0.17, -27.17

 

CMYK 39 / 33 / 0 / 20

HEX #7E8ACD

RGB 126 138 205

HSL 230.89, 0.44%, 0.65%

LAB 58.99, 12.24, -35.99

 

CMYK 34 / 39 / 0 / 20

HEX #877ECD

RGB 135 126 205

HSL 246.84, 0.44%, 0.65%

LAB 56.57, 21.77, -39.75

 

CMYK 24 / 39 / 0 / 20

HEX #9C7ECD

RGB 156 126 205

HSL 262.78, 0.44%, 0.65%

LAB 58.41, 27.78, -36.72

 

CMYK 39 / 12 / 0 / 20

HEX #7EB5CD

RGB 126 181 205

HSL 198.23, 0.44%, 0.65%

LAB 70.8, -11.86, -17.83

 

CMYK 39 / 22 / 0 / 20

HEX #7E9FCD

RGB 126 159 205

HSL 214.94, 0.44%, 0.65%

LAB 64.68, 0.17, -27.17

 

CMYK 39 / 33 / 0 / 20

HEX #7E8ACD

RGB 126 138 205

HSL 230.89, 0.44%, 0.65%

LAB 58.99, 12.24, -35.99

 

CMYK 39 / 39 / 0 / 20

HEX #7E7ECD

RGB 126 126 205

HSL 240, 0.44%, 0.65%

LAB 55.85, 19.32, -40.92

 

CMYK 39 / 12 / 0 / 20

HEX #7EB5CD

RGB 126 181 205

HSL 198.23, 0.44%, 0.65%

LAB 70.8, -11.86, -17.83

 

CMYK 49 / 15 / 0 / 14

HEX #70BADB

RGB 112 186 219

HSL 198.5, 0.6%, 0.65%

LAB 72.01, -14.19, -23.7

 

CMYK 58 / 18 / 0 / 9

HEX #61C0E9

RGB 97 192 233

HSL 198.09, 0.76%, 0.65%

LAB 73.63, -16.41, -28.88

 

CMYK 67 / 20 / 0 / 3

HEX #53C6F8

RGB 83 198 248

HSL 198.18, 0.92%, 0.65%

LAB 75.45, -17.32, -34.18

 

CMYK 39 / 12 / 0 / 20

HEX #7EB5CD

RGB 126 181 205

HSL 198.23, 0.44%, 0.65%

LAB 70.8, -11.86, -17.83

 

CMYK 26 / 8 / 0 / 25

HEX #8CAFBE

RGB 140 175 190

HSL 198, 0.28%, 0.65%

LAB 69.44, -8.38, -11.55

 

CMYK 12 / 4 / 0 / 31

HEX #9BA9B0

RGB 155 169 176

HSL 200, 0.12%, 0.65%

LAB 68.37, -3.45, -5.28

 

CMYK 0 / 3 / 5 / 34

HEX #A9A4A1

RGB 169 164 161

HSL 22.5, 0.04%, 0.65%

LAB 67.69, 1.25, 2.18

 

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

CMYK 39 / 0 / 9 / 20

HEX #7ECDBA

RGB 126 205 186

HSL 165.57, 0.44%, 0.65%

LAB 77.07, -28.66, 1.81

 

CMYK 39 / 1 / 0 / 20

HEX #7ECACD

RGB 126 202 205

HSL 182.28, 0.44%, 0.65%

LAB 76.73, -22.7, -8.93

 

CMYK 39 / 12 / 0 / 20

HEX #7EB5CD

RGB 126 181 205

HSL 198.23, 0.44%, 0.65%

LAB 70.8, -11.86, -17.83

 

CMYK 39 / 22 / 0 / 20

HEX #7EA0CD

RGB 126 160 205

HSL 214.18, 0.44%, 0.65%

LAB 64.95, -0.39, -26.75

 

CMYK 39 / 32 / 0 / 20

HEX #7E8BCD

RGB 126 139 205

HSL 230.13, 0.44%, 0.65%

LAB 59.26, 11.66, -35.57

 

CMYK 61 / 19 / 0 / 30

HEX #4591B3

RGB 69 145 179

HSL 198.55, 0.44%, 0.49%

LAB 56.85, -13.11, -24.83

 

CMYK 50 / 15 / 0 / 24

HEX #60A4C1

RGB 96 164 193

HSL 197.94, 0.44%, 0.57%

LAB 64.07, -13.53, -21.56

 

CMYK 39 / 12 / 0 / 20

HEX #7EB5CD

RGB 126 181 205

HSL 198.23, 0.44%, 0.65%

LAB 70.8, -11.86, -17.83

 

CMYK 28 / 8 / 0 / 15

HEX #9CC6D8

RGB 156 198 216

HSL 198, 0.43%, 0.73%

LAB 77.53, -9.72, -13.5

 

CMYK 19 / 6 / 0 / 11

HEX #B9D7E4

RGB 185 215 228

HSL 198.14, 0.44%, 0.81%

LAB 84.23, -7.19, -9.72

 

CMYK 39 / 12 / 0 / 20

HEX #7DB4CC

RGB 125 180 204

HSL 198.23, 0.44%, 0.65%

LAB 70.43, -11.86, -17.84

 

CMYK 20 / 39 / 0 / 20

HEX #A57ECD

RGB 165 126 205

HSL 269.62, 0.44%, 0.65%

LAB 59.28, 30.46, -35.3

 

CMYK 0 / 4 / 39 / 20

HEX #CDC57E

RGB 205 197 126

HSL 53.92, 0.44%, 0.65%

LAB 78.7, -7.54, 36.61

 

CMYK 39 / 12 / 0 / 20

HEX #7DB4CC

RGB 125 180 204

HSL 198.23, 0.44%, 0.65%

LAB 70.43, -11.86, -17.84

 

CMYK 0 / 39 / 12 / 20

HEX #CD7EB5

RGB 205 126 181

HSL 318.23, 0.44%, 0.65%

LAB 62.71, 38.47, -16.07

 

CMYK 12 / 0 / 39 / 20

HEX #B5CD7E

RGB 181 205 126

HSL 78.23, 0.44%, 0.65%

LAB 79.04, -20.95, 36.67

 

CMYK 39 / 12 / 0 / 20

HEX #7DB4CC

RGB 125 180 204

HSL 198.23, 0.44%, 0.65%

LAB 70.43, -11.86, -17.84

 

CMYK 20 / 39 / 0 / 20

HEX #A57ECD

RGB 165 126 205

HSL 269.62, 0.44%, 0.65%

LAB 59.28, 30.46, -35.3

 

CMYK 0 / 27 / 39 / 20

HEX #CD967E

RGB 205 150 126

HSL 18.23, 0.44%, 0.65%

LAB 66.75, 17.55, 20.78

 

CMYK 20 / 0 / 39 / 20

HEX #A5CD7E

RGB 165 205 126

HSL 90.38, 0.44%, 0.65%

LAB 77.97, -26.92, 35.09

 

CMYK 39 / 12 / 0 / 20

HEX #7DB4CC

RGB 125 180 204

HSL 198.23, 0.44%, 0.65%

LAB 70.43, -11.86, -17.84

 

CMYK 8 / 39 / 0 / 20

HEX #BD7ECD

RGB 189 126 205

HSL 287.85, 0.44%, 0.65%

LAB 61.78, 37.75, -31.21

 

CMYK 0 / 27 / 39 / 20

HEX #CD967E

RGB 205 150 126

HSL 18.23, 0.44%, 0.65%

LAB 66.75, 17.55, 20.78

 

CMYK 31 / 0 / 39 / 20

HEX #8ECD7E

RGB 142 205 126

HSL 107.85, 0.44%, 0.65%

LAB 76.63, -35, 33.09

 

Description

Color code: HEX #7DB4CC | qconv.com Color code: HEX #7DB4CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 180 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 180 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 12 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 12% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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