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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DB020 it is the complementary color #824FDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DB020. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DB020 shade: #82B01B, #93C22E, #A4D441, #B5E654 and #C6F867

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DB020. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DB020 shade: #7DB020, #6C9E0D, #5B8C00, #4A7A00 and #396800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DB020 shade: #7DB020, #A4B020, #B09520, #B06F20 and #B04820

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DB020 shade: #7DB020, #56B020, #2FB020, #20B037 and #20B05E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DB020 shade matches the following richer shades: #7DB020 and #82C10F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DB020 shade: #7DB020, #789F31, #738E42, #6E7D53 and #696D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DB020 shade: #B09620, #A4B020, #7EB020, #57B020 and #31B020

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DB020 shade: #4C6A13, #648D1A, #7DB020, #96D326 and #A7DD46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DB020 shade: #7DB020, #20B06F and #A920B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DB020 shade: #7DB020, #207EB0 and #B0207E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DB020 shade: #7DB020, #20B06F, #5220B0 and #B02061

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DB020 shade: #7DB020, #20B09B, #5220B0 and #B02036

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

Complementary color

CMYK 42 / 65 / 0 / 13

HEX #824FDF

RGB 130 79 223

HSL 261.25, 0.69%, 0.59%

LAB 46.53, 52.19, -66.02

 

CMYK 26 / 0 / 85 / 31

HEX #82B01B

RGB 130 176 27

HSL 78.52, 0.73%, 0.4%

LAB 66.42, -35.22, 63.36

 

CMYK 24 / 0 / 76 / 24

HEX #93C22E

RGB 147 194 46

HSL 79.05, 0.62%, 0.47%

LAB 72.88, -35.94, 64.26

 

CMYK 23 / 0 / 69 / 17

HEX #A4D441

RGB 164 212 65

HSL 79.59, 0.63%, 0.54%

LAB 79.25, -36.46, 64.28

 

CMYK 21 / 0 / 63 / 10

HEX #B5E654

RGB 181 230 84

HSL 80.14, 0.74%, 0.62%

LAB 85.53, -36.85, 63.79

 

CMYK 20 / 0 / 58 / 3

HEX #C6F867

RGB 198 248 103

HSL 80.69, 0.91%, 0.69%

LAB 91.74, -37.14, 63.01

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 32 / 0 / 92 / 38

HEX #6C9E0D

RGB 108 158 13

HSL 80.69, 0.85%, 0.34%

LAB 59.59, -36.14, 59.93

 

CMYK 35 / 0 / 100 / 45

HEX #5B8C00

RGB 91 140 0

HSL 81, 1%, 0.27%

LAB 52.93, -34.99, 56.31

 

CMYK 39 / 0 / 100 / 52

HEX #4A7A00

RGB 74 122 0

HSL 83.61, 1%, 0.24%

LAB 46.14, -33.53, 50.67

 

CMYK 45 / 0 / 100 / 59

HEX #396800

RGB 57 104 0

HSL 87.12, 1%, 0.2%

LAB 39.19, -31.99, 44.89

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 7 / 0 / 82 / 31

HEX #A4B020

RGB 164 176 32

HSL 65, 0.69%, 0.41%

LAB 68.79, -20.93, 65.07

 

CMYK 0 / 15 / 82 / 31

HEX #B09520

RGB 176 149 32

HSL 48.75, 0.69%, 0.41%

LAB 62.36, -1.5, 59.89

 

CMYK 0 / 37 / 82 / 31

HEX #B06F20

RGB 176 111 32

HSL 32.92, 0.69%, 0.41%

LAB 52.62, 19.58, 51.25

 

CMYK 0 / 59 / 82 / 31

HEX #B04820

RGB 176 72 32

HSL 16.67, 0.69%, 0.41%

LAB 44.19, 40.33, 43.48

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 51 / 0 / 82 / 31

HEX #56B020

RGB 86 176 32

HSL 97.5, 0.69%, 0.41%

LAB 64.27, -50.47, 59.33

 

CMYK 73 / 0 / 82 / 31

HEX #2FB020

RGB 47 176 32

HSL 113.75, 0.69%, 0.41%

LAB 63.14, -59.65, 57.88

 

CMYK 82 / 0 / 69 / 31

HEX #20B037

RGB 32 176 55

HSL 129.58, 0.69%, 0.41%

LAB 63.04, -60.02, 49.69

 

CMYK 82 / 0 / 47 / 31

HEX #20B05E

RGB 32 176 94

HSL 145.83, 0.69%, 0.41%

LAB 63.48, -54.7, 31.84

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 33 / 0 / 92 / 24

HEX #82C10F

RGB 130 193 15

HSL 81.24, 0.86%, 0.41%

LAB 71.5, -43.04, 69.83

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 25 / 0 / 69 / 38

HEX #789F31

RGB 120 159 49

HSL 81.27, 0.53%, 0.41%

LAB 60.79, -30.18, 50.73

 

CMYK 19 / 0 / 54 / 44

HEX #738E42

RGB 115 142 66

HSL 81.32, 0.37%, 0.41%

LAB 55.47, -22.37, 36.96

 

CMYK 12 / 0 / 34 / 51

HEX #6E7D53

RGB 110 125 83

HSL 81.43, 0.2%, 0.41%

LAB 50.22, -13.31, 21.12

 

CMYK 4 / 0 / 8 / 57

HEX #696D64

RGB 105 109 100

HSL 86.67, 0.04%, 0.41%

LAB 45.44, -3.35, 4.49

 

CMYK 0 / 15 / 82 / 31

HEX #B09620

RGB 176 150 32

HSL 49.17, 0.69%, 0.41%

LAB 62.63, -2.05, 60.12

 

CMYK 7 / 0 / 82 / 31

HEX #A4B020

RGB 164 176 32

HSL 65, 0.69%, 0.41%

LAB 68.79, -20.93, 65.07

 

CMYK 28 / 0 / 82 / 31

HEX #7EB020

RGB 126 176 32

HSL 80.83, 0.69%, 0.41%

LAB 66.21, -36.6, 61.8

 

CMYK 51 / 0 / 82 / 31

HEX #57B020

RGB 87 176 32

HSL 97.08, 0.69%, 0.41%

LAB 64.31, -50.17, 59.38

 

CMYK 72 / 0 / 82 / 31

HEX #31B020

RGB 49 176 32

HSL 112.92, 0.69%, 0.41%

LAB 63.18, -59.31, 57.93

 

CMYK 28 / 0 / 82 / 58

HEX #4C6A13

RGB 76 106 19

HSL 80.69, 0.7%, 0.25%

LAB 41.04, -24.48, 41.68

 

CMYK 29 / 0 / 82 / 45

HEX #648D1A

RGB 100 141 26

HSL 81.39, 0.69%, 0.33%

LAB 53.85, -31.08, 51.78

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 29 / 0 / 82 / 17

HEX #96D326

RGB 150 211 38

HSL 81.16, 0.69%, 0.49%

LAB 78, -42.67, 71.25

 

CMYK 24 / 0 / 68 / 13

HEX #A7DD46

RGB 167 221 70

HSL 81.46, 0.69%, 0.57%

LAB 82.04, -39.05, 65.31

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 82 / 0 / 37 / 31

HEX #20B06F

RGB 32 176 111

HSL 152.92, 0.69%, 0.41%

LAB 63.76, -51.48, 23.24

 

CMYK 4 / 82 / 0 / 31

HEX #A920B0

RGB 169 32 176

HSL 297.08, 0.69%, 0.41%

LAB 42.16, 68.46, -45.55

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 82 / 28 / 0 / 31

HEX #207EB0

RGB 32 126 176

HSL 200.83, 0.69%, 0.41%

LAB 49.93, -8.74, -33.94

 

CMYK 0 / 82 / 28 / 31

HEX #B0207E

RGB 176 32 126

HSL 320.83, 0.69%, 0.41%

LAB 40.85, 62.83, -17.25

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 82 / 0 / 37 / 31

HEX #20B06F

RGB 32 176 111

HSL 152.92, 0.69%, 0.41%

LAB 63.76, -51.48, 23.24

 

CMYK 53 / 82 / 0 / 31

HEX #5220B0

RGB 82 32 176

HSL 260.83, 0.69%, 0.41%

LAB 29.32, 54.34, -67

 

CMYK 0 / 82 / 45 / 31

HEX #B02061

RGB 176 32 97

HSL 332.92, 0.69%, 0.41%

LAB 39.79, 59.75, -0.68

 

CMYK 29 / 0 / 82 / 31

HEX #7DB020

RGB 125 176 32

HSL 81.25, 0.69%, 0.41%

LAB 66.15, -36.99, 61.73

 

CMYK 82 / 0 / 12 / 31

HEX #20B09B

RGB 32 176 155

HSL 171.25, 0.69%, 0.41%

LAB 64.74, -40.86, 0.46

 

CMYK 53 / 82 / 0 / 31

HEX #5220B0

RGB 82 32 176

HSL 260.83, 0.69%, 0.41%

LAB 29.32, 54.34, -67

 

CMYK 0 / 82 / 69 / 31

HEX #B02036

RGB 176 32 54

HSL 350.83, 0.69%, 0.41%

LAB 38.78, 56.69, 25.21

 

Description

Color code: HEX #7DB020 | qconv.com Color code: HEX #7DB020 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 176 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 176 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 82 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 82% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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