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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DC624 it is the complementary color #8239DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DC624. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DC624 shade: #82C61F, #93D832, #A4EA45, #B5FC58 and #C6FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DC624. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DC624 shade: #7DC624, #6CB411, #5BA200, #4A9000 and #397E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DC624 shade: #7DC624, #A8C624, #C6B724, #C68C24 and #C66024

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DC624 shade: #7DC624, #51C624, #25C624, #24C64E and #24C67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DC624 shade matches the following richer shades: #7DC624 and #7FD911

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DC624 shade: #7DC624, #7BB337, #79A04A, #778D5D and #757A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DC624 shade: #C6B824, #A8C624, #7DC624, #52C624 and #27C624

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DC624 shade: #518017, #67A31D, #7DC624, #91DA39 and #A5E15C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DC624 shade: #7DC624, #24C68D and #C624BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DC624 shade: #7DC624, #247DC6 and #C6247D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DC624 shade: #7DC624, #24C68D, #6D24C6 and #C6245D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DC624 shade: #7DC624, #24C6BE, #6D24C6 and #C6242C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

Complementary color

CMYK 41 / 74 / 0 / 14

HEX #8239DB

RGB 130 57 219

HSL 267.04, 0.69%, 0.54%

LAB 42.44, 61.72, -70.4

 

CMYK 34 / 0 / 84 / 22

HEX #82C61F

RGB 130 198 31

HSL 84.43, 0.73%, 0.45%

LAB 73.04, -44.72, 68.17

 

CMYK 32 / 0 / 77 / 15

HEX #93D832

RGB 147 216 50

HSL 84.94, 0.68%, 0.52%

LAB 79.35, -45.39, 69.1

 

CMYK 30 / 0 / 71 / 8

HEX #A4EA45

RGB 164 234 69

HSL 85.45, 0.8%, 0.59%

LAB 85.59, -45.87, 69.22

 

CMYK 28 / 0 / 65 / 1

HEX #B5FC58

RGB 181 252 88

HSL 85.98, 0.96%, 0.67%

LAB 91.75, -46.21, 68.83

 

CMYK 22 / 0 / 58 / 0

HEX #C6FF6B

RGB 198 255 107

HSL 83.11, 1%, 0.71%

LAB 93.7, -39.93, 63.52

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 40 / 0 / 91 / 29

HEX #6CB411

RGB 108 180 17

HSL 86.5, 0.83%, 0.39%

LAB 66.42, -45.47, 64.9

 

CMYK 44 / 0 / 100 / 36

HEX #5BA200

RGB 91 162 0

HSL 86.3, 1%, 0.32%

LAB 59.95, -44.36, 61.75

 

CMYK 49 / 0 / 100 / 44

HEX #4A9000

RGB 74 144 0

HSL 89.17, 1%, 0.28%

LAB 53.39, -42.81, 56.31

 

CMYK 55 / 0 / 100 / 51

HEX #397E00

RGB 57 126 0

HSL 92.86, 1%, 0.25%

LAB 46.7, -41.12, 50.76

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 15 / 0 / 82 / 22

HEX #A8C624

RGB 168 198 36

HSL 71.11, 0.69%, 0.46%

LAB 75.35, -29.79, 69.86

 

CMYK 0 / 8 / 82 / 22

HEX #C6B724

RGB 198 183 36

HSL 54.44, 0.69%, 0.46%

LAB 73.55, -9.6, 69.21

 

CMYK 0 / 29 / 82 / 22

HEX #C68C24

RGB 198 140 36

HSL 38.52, 0.69%, 0.46%

LAB 62.41, 13.38, 59.55

 

CMYK 0 / 52 / 82 / 22

HEX #C66024

RGB 198 96 36

HSL 22.22, 0.69%, 0.46%

LAB 52.4, 37.05, 50.56

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 59 / 0 / 82 / 22

HEX #51C624

RGB 81 198 36

HSL 103.33, 0.69%, 0.46%

LAB 71.05, -59.61, 64.39

 

CMYK 81 / 0 / 82 / 22

HEX #25C624

RGB 37 198 36

HSL 119.63, 0.69%, 0.46%

LAB 70.11, -67.59, 63.18

 

CMYK 82 / 0 / 61 / 22

HEX #24C64E

RGB 36 198 78

HSL 135.56, 0.69%, 0.46%

LAB 70.39, -64.02, 47.99

 

CMYK 82 / 0 / 38 / 22

HEX #24C67A

RGB 36 198 122

HSL 151.85, 0.69%, 0.46%

LAB 70.99, -57.02, 27.08

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 41 / 0 / 92 / 15

HEX #7FD911

RGB 127 217 17

HSL 87, 0.85%, 0.46%

LAB 78.57, -53.84, 75.24

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 31 / 0 / 69 / 30

HEX #7BB337

RGB 123 179 55

HSL 87.1, 0.53%, 0.46%

LAB 67.07, -37.8, 54.87

 

CMYK 24 / 0 / 54 / 37

HEX #79A04A

RGB 121 160 74

HSL 87.21, 0.37%, 0.46%

LAB 61.4, -28.04, 40.1

 

CMYK 16 / 0 / 34 / 45

HEX #778D5D

RGB 119 141 93

HSL 87.5, 0.21%, 0.46%

LAB 55.85, -16.78, 23.09

 

CMYK 4 / 0 / 8 / 52

HEX #757A70

RGB 117 122 112

HSL 90, 0.04%, 0.46%

LAB 50.54, -3.87, 4.82

 

CMYK 0 / 7 / 82 / 22

HEX #C6B824

RGB 198 184 36

HSL 54.81, 0.69%, 0.46%

LAB 73.81, -10.11, 69.44

 

CMYK 15 / 0 / 82 / 22

HEX #A8C624

RGB 168 198 36

HSL 71.11, 0.69%, 0.46%

LAB 75.35, -29.79, 69.86

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 59 / 0 / 82 / 22

HEX #52C624

RGB 82 198 36

HSL 102.96, 0.69%, 0.46%

LAB 71.08, -59.37, 64.43

 

CMYK 80 / 0 / 82 / 22

HEX #27C624

RGB 39 198 36

HSL 118.89, 0.69%, 0.46%

LAB 70.14, -67.35, 63.21

 

CMYK 37 / 0 / 82 / 50

HEX #518017

RGB 81 128 23

HSL 86.86, 0.7%, 0.3%

LAB 48.57, -32.71, 47.46

 

CMYK 37 / 0 / 82 / 36

HEX #67A31D

RGB 103 163 29

HSL 86.87, 0.7%, 0.38%

LAB 60.93, -39.68, 57.4

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 33 / 0 / 74 / 15

HEX #91DA39

RGB 145 218 57

HSL 87.2, 0.69%, 0.54%

LAB 79.87, -46.57, 67.34

 

CMYK 27 / 0 / 59 / 12

HEX #A5E15C

RGB 165 225 92

HSL 87.07, 0.69%, 0.62%

LAB 83.24, -39.89, 57.66

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 0 / 82 / 4 / 22

HEX #C624BE

RGB 198 36 190

HSL 302.96, 0.69%, 0.46%

LAB 48.24, 75.28, -43.79

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 82 / 37 / 0 / 22

HEX #247DC6

RGB 36 125 198

HSL 207.04, 0.69%, 0.46%

LAB 50.83, 0.43, -45.17

 

CMYK 0 / 82 / 37 / 22

HEX #C6247D

RGB 198 36 125

HSL 327.04, 0.69%, 0.46%

LAB 45.29, 67.02, -9.5

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 45 / 82 / 0 / 22

HEX #6D24C6

RGB 109 36 198

HSL 267.04, 0.69%, 0.46%

LAB 35.18, 61.82, -70.24

 

CMYK 0 / 82 / 53 / 22

HEX #C6245D

RGB 198 36 93

HSL 338.89, 0.69%, 0.46%

LAB 44.32, 64.16, 8.9

 

CMYK 37 / 0 / 82 / 22

HEX #7DC624

RGB 125 198 36

HSL 87.04, 0.69%, 0.46%

LAB 72.81, -46.31, 66.64

 

CMYK 82 / 0 / 4 / 22

HEX #24C6BE

RGB 36 198 190

HSL 177.04, 0.69%, 0.46%

LAB 72.55, -40.43, -7.29

 

CMYK 45 / 82 / 0 / 22

HEX #6D24C6

RGB 109 36 198

HSL 267.04, 0.69%, 0.46%

LAB 35.18, 61.82, -70.24

 

CMYK 0 / 82 / 78 / 22

HEX #C6242C

RGB 198 36 44

HSL 357.04, 0.69%, 0.46%

LAB 43.43, 61.49, 37.72

 

Description

Color code: HEX #7DC624 | qconv.com Color code: HEX #7DC624 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 198 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 198 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 82 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 82% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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