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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DC025 it is the complementary color #823FDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DC025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DC025 shade: #82C020, #93D233, #A4E446, #B5F659 and #C6FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DC025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DC025 shade: #7DC025, #6CAE12, #5B9C00, #4A8A00 and #397800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DC025 shade: #7DC024, #A7C024, #C0B024, #C08524 and #C05B24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DC025 shade: #7DC024, #53C024, #29C024, #24C04A and #24C074

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DC025 shade matches the following richer shades: #7DC024 and #7FD312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DC025 shade: #7DC024, #7AAE37, #789B49, #75895C and #73766E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DC025 shade: #C0AE24, #A9C024, #7FC024, #56C024 and #2CC024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DC025 shade: #507B17, #669E1E, #7DC024, #92D836 and #A5DF58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DC025 shade: #7DC025, #24C084 and #C024BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DC025 shade: #7DC025, #247FC0 and #C0247F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DC025 shade: #7DC025, #24C084, #6524C0 and #C02460

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DC025 shade: #7DC025, #24C0B3, #6524C0 and #C02431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 81 / 25

HEX #7DC025

RGB 125 192 37

HSL 85.94, 0.68%, 0.45%

LAB 71, -43.75, 64.74

 

Complementary color

CMYK 40 / 71 / 0 / 15

HEX #823FDA

RGB 130 63 218

HSL 265.94, 0.68%, 0.55%

LAB 43.3, 58.81, -68.42

 

CMYK 32 / 0 / 83 / 25

HEX #82C020

RGB 130 192 32

HSL 83.25, 0.71%, 0.44%

LAB 71.25, -42.13, 66.36

 

CMYK 30 / 0 / 76 / 18

HEX #93D233

RGB 147 210 51

HSL 83.77, 0.64%, 0.51%

LAB 77.6, -42.77, 67.14

 

CMYK 28 / 0 / 69 / 11

HEX #A4E446

RGB 164 228 70

HSL 84.3, 0.75%, 0.58%

LAB 83.87, -43.23, 67.13

 

CMYK 26 / 0 / 64 / 4

HEX #B5F659

RGB 181 246 89

HSL 84.84, 0.9%, 0.66%

LAB 90.07, -43.56, 66.65

 

CMYK 22 / 0 / 58 / 0

HEX #C6FF6C

RGB 198 255 108

HSL 83.27, 1%, 0.71%

LAB 93.71, -39.84, 63.1

 

CMYK 35 / 0 / 81 / 25

HEX #7DC025

RGB 125 192 37

HSL 85.94, 0.68%, 0.45%

LAB 71, -43.75, 64.74

 

CMYK 38 / 0 / 90 / 32

HEX #6CAE12

RGB 108 174 18

HSL 85.38, 0.81%, 0.38%

LAB 64.57, -42.95, 63.18

 

CMYK 42 / 0 / 100 / 39

HEX #5B9C00

RGB 91 156 0

HSL 85, 1%, 0.31%

LAB 58.04, -41.89, 60.27

 

CMYK 46 / 0 / 100 / 46

HEX #4A8A00

RGB 74 138 0

HSL 87.83, 1%, 0.27%

LAB 51.42, -40.38, 54.77

 

CMYK 53 / 0 / 100 / 53

HEX #397800

RGB 57 120 0

HSL 91.5, 1%, 0.24%

LAB 44.66, -38.73, 49.16

 

CMYK 35 / 0 / 81 / 25

HEX #7DC024

RGB 125 192 36

HSL 85.77, 0.68%, 0.45%

LAB 71, -43.79, 65.01

 

CMYK 13 / 0 / 81 / 25

HEX #A7C024

RGB 167 192 36

HSL 69.62, 0.68%, 0.45%

LAB 73.57, -27.35, 68.27

 

CMYK 0 / 8 / 81 / 25

HEX #C0B024

RGB 192 176 36

HSL 53.85, 0.68%, 0.45%

LAB 71.14, -8.6, 66.92

 

CMYK 0 / 31 / 81 / 25

HEX #C08524

RGB 192 133 36

HSL 37.31, 0.68%, 0.45%

LAB 59.99, 14.57, 57.12

 

CMYK 0 / 53 / 81 / 25

HEX #C05B24

RGB 192 91 36

HSL 21.15, 0.68%, 0.45%

LAB 50.47, 37.22, 48.45

 

CMYK 35 / 0 / 81 / 25

HEX #7DC024

RGB 125 192 36

HSL 85.77, 0.68%, 0.45%

LAB 71, -43.79, 65.01

 

CMYK 57 / 0 / 81 / 25

HEX #53C024

RGB 83 192 36

HSL 101.92, 0.68%, 0.45%

LAB 69.23, -57, 62.74

 

CMYK 79 / 0 / 81 / 25

HEX #29C024

RGB 41 192 36

HSL 118.08, 0.68%, 0.45%

LAB 68.24, -65.3, 61.46

 

CMYK 81 / 0 / 61 / 25

HEX #24C04A

RGB 36 192 74

HSL 134.62, 0.68%, 0.45%

LAB 68.44, -62.58, 47.54

 

CMYK 81 / 0 / 40 / 25

HEX #24C074

RGB 36 192 116

HSL 150.77, 0.68%, 0.45%

LAB 68.99, -56, 27.57

 

CMYK 35 / 0 / 81 / 25

HEX #7DC024

RGB 125 192 36

HSL 85.77, 0.68%, 0.45%

LAB 71, -43.79, 65.01

 

CMYK 40 / 0 / 91 / 17

HEX #7FD312

RGB 127 211 18

HSL 86.11, 0.84%, 0.45%

LAB 76.77, -51.46, 73.64

 

CMYK 35 / 0 / 81 / 25

HEX #7DC024

RGB 125 192 36

HSL 85.77, 0.68%, 0.45%

LAB 71, -43.79, 65.01

 

CMYK 30 / 0 / 68 / 32

HEX #7AAE37

RGB 122 174 55

HSL 86.22, 0.52%, 0.45%

LAB 65.5, -35.93, 53.23

 

CMYK 23 / 0 / 53 / 39

HEX #789B49

RGB 120 155 73

HSL 85.61, 0.36%, 0.45%

LAB 59.81, -26.1, 38.7

 

CMYK 15 / 0 / 33 / 46

HEX #75895C

RGB 117 137 92

HSL 86.67, 0.2%, 0.45%

LAB 54.5, -15.6, 21.82

 

CMYK 3 / 0 / 7 / 54

HEX #73766E

RGB 115 118 110

HSL 82.5, 0.04%, 0.45%

LAB 49.16, -2.73, 4

 

CMYK 0 / 9 / 81 / 25

HEX #C0AE24

RGB 192 174 36

HSL 53.08, 0.68%, 0.45%

LAB 70.6, -7.55, 66.46

 

CMYK 12 / 0 / 81 / 25

HEX #A9C024

RGB 169 192 36

HSL 68.85, 0.68%, 0.45%

LAB 73.72, -26.52, 68.45

 

CMYK 34 / 0 / 81 / 25

HEX #7FC024

RGB 127 192 36

HSL 85, 0.68%, 0.45%

LAB 71.1, -43.07, 65.14

 

CMYK 55 / 0 / 81 / 25

HEX #56C024

RGB 86 192 36

HSL 100.77, 0.68%, 0.45%

LAB 69.33, -56.2, 62.87

 

CMYK 77 / 0 / 81 / 25

HEX #2CC024

RGB 44 192 36

HSL 116.92, 0.68%, 0.45%

LAB 68.29, -64.89, 61.52

 

CMYK 35 / 0 / 81 / 52

HEX #507B17

RGB 80 123 23

HSL 85.8, 0.68%, 0.29%

LAB 46.89, -30.8, 45.88

 

CMYK 35 / 0 / 81 / 38

HEX #669E1E

RGB 102 158 30

HSL 86.25, 0.68%, 0.37%

LAB 59.32, -37.83, 55.63

 

CMYK 35 / 0 / 81 / 25

HEX #7DC024

RGB 125 192 36

HSL 85.77, 0.68%, 0.45%

LAB 71, -43.79, 65.01

 

CMYK 32 / 0 / 75 / 15

HEX #92D836

RGB 146 216 54

HSL 85.93, 0.68%, 0.53%

LAB 79.32, -45.54, 67.81

 

CMYK 26 / 0 / 61 / 13

HEX #A5DF58

RGB 165 223 88

HSL 85.78, 0.68%, 0.61%

LAB 82.64, -39.35, 58.7

 

CMYK 35 / 0 / 81 / 25

HEX #7DC025

RGB 125 192 37

HSL 85.94, 0.68%, 0.45%

LAB 71, -43.75, 64.74

 

CMYK 81 / 0 / 31 / 25

HEX #24C084

RGB 36 192 132

HSL 156.92, 0.68%, 0.45%

LAB 69.28, -52.71, 19.48

 

CMYK 0 / 81 / 1 / 25

HEX #C024BE

RGB 192 36 190

HSL 300.77, 0.68%, 0.45%

LAB 47.22, 74.12, -45.48

 

CMYK 35 / 0 / 81 / 25

HEX #7DC025

RGB 125 192 37

HSL 85.94, 0.68%, 0.45%

LAB 71, -43.75, 64.74

 

CMYK 81 / 34 / 0 / 25

HEX #247FC0

RGB 36 127 192

HSL 205, 0.68%, 0.45%

LAB 51.11, -3.01, -41.3

 

CMYK 0 / 81 / 34 / 25

HEX #C0247F

RGB 192 36 127

HSL 325, 0.68%, 0.45%

LAB 44.23, 65.78, -12.43

 

CMYK 35 / 0 / 81 / 25

HEX #7DC025

RGB 125 192 37

HSL 85.94, 0.68%, 0.45%

LAB 71, -43.75, 64.74

 

CMYK 81 / 0 / 31 / 25

HEX #24C084

RGB 36 192 132

HSL 156.92, 0.68%, 0.45%

LAB 69.28, -52.71, 19.48

 

CMYK 47 / 81 / 0 / 25

HEX #6524C0

RGB 101 36 192

HSL 265, 0.68%, 0.45%

LAB 33.64, 59.3, -69.3

 

CMYK 0 / 81 / 50 / 25

HEX #C02460

RGB 192 36 96

HSL 336.92, 0.68%, 0.45%

LAB 43.23, 62.82, 5.32

 

CMYK 35 / 0 / 81 / 25

HEX #7DC025

RGB 125 192 37

HSL 85.94, 0.68%, 0.45%

LAB 71, -43.75, 64.74

 

CMYK 81 / 0 / 7 / 25

HEX #24C0B3

RGB 36 192 179

HSL 175, 0.68%, 0.45%

LAB 70.41, -40.88, -4.46

 

CMYK 47 / 81 / 0 / 25

HEX #6524C0

RGB 101 36 192

HSL 265, 0.68%, 0.45%

LAB 33.64, 59.3, -69.3

 

CMYK 0 / 81 / 74 / 25

HEX #C02431

RGB 192 36 49

HSL 355, 0.68%, 0.45%

LAB 42.29, 59.97, 33.21

 

Description

Color code: HEX #7DC025 | qconv.com Color code: HEX #7DC025 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 192 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 192 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 81 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 81% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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