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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DC240 it is the complementary color #823DBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DC240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DC240 shade: #82C23B, #93D44E, #A4E661, #B5F874 and #C6FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DC240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DC240 shade: #7DC240, #6CB02D, #5B9E1A, #4A8C07 and #397A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DC240 shade: #7EC341, #A1C341, #C3C141, #C39E41 and #C37B41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DC240 shade: #7EC341, #5BC341, #41C34A, #41C36D and #41C390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DC240 shade matches the following richer shades: #7EC341, #7CD72C and #7BEB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DC240 shade: #7EC341, #7FAE55, #809A69, #81867D and #837291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DC240 shade: #C3C041, #A2C341, #7FC341, #5DC341 and #41C347

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DC240 shade: #55862A, #69A634, #7EC341, #93CC60 and #A8D67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DC240 shade: #7DC240, #41C39E and #C341B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DC240 shade: #7DC240, #417FC3 and #C3417F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DC240 shade: #7DC240, #41C39E, #8441C3 and #C34165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DC240 shade: #7DC240, #41C0C3, #8441C3 and #C34341

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 67 / 24

HEX #7DC240

RGB 125 194 64

HSL 91.85, 0.52%, 0.51%

LAB 71.77, -42.96, 56.24

 

Complementary color

CMYK 32 / 68 / 0 / 25

HEX #823DBF

RGB 130 61 191

HSL 271.85, 0.52%, 0.49%

LAB 40.97, 53.22, -56.6

 

CMYK 33 / 0 / 70 / 24

HEX #82C23B

RGB 130 194 59

HSL 88.44, 0.53%, 0.5%

LAB 71.99, -41.56, 58.51

 

CMYK 31 / 0 / 63 / 17

HEX #93D44E

RGB 147 212 78

HSL 89.1, 0.61%, 0.57%

LAB 78.37, -41.84, 57.93

 

CMYK 29 / 0 / 58 / 10

HEX #A4E661

RGB 164 230 97

HSL 89.77, 0.73%, 0.64%

LAB 84.66, -42, 57.07

 

CMYK 27 / 0 / 53 / 3

HEX #B5F874

RGB 181 248 116

HSL 90.45, 0.9%, 0.71%

LAB 90.88, -42.08, 56.07

 

CMYK 22 / 0 / 47 / 0

HEX #C6FF87

RGB 198 255 135

HSL 88.5, 1%, 0.76%

LAB 94, -37.22, 51.31

 

CMYK 36 / 0 / 67 / 24

HEX #7DC240

RGB 125 194 64

HSL 91.85, 0.52%, 0.51%

LAB 71.77, -42.96, 56.24

 

CMYK 39 / 0 / 74 / 31

HEX #6CB02D

RGB 108 176 45

HSL 91.15, 0.59%, 0.43%

LAB 65.3, -42.59, 56.55

 

CMYK 42 / 0 / 84 / 38

HEX #5B9E1A

RGB 91 158 26

HSL 90.45, 0.72%, 0.36%

LAB 58.74, -41.97, 56.03

 

CMYK 47 / 0 / 95 / 45

HEX #4A8C07

RGB 74 140 7

HSL 89.77, 0.9%, 0.29%

LAB 52.09, -41.01, 54.05

 

CMYK 53 / 0 / 100 / 52

HEX #397A00

RGB 57 122 0

HSL 91.97, 1%, 0.24%

LAB 45.34, -39.54, 49.7

 

CMYK 35 / 0 / 67 / 24

HEX #7EC341

RGB 126 195 65

HSL 91.85, 0.52%, 0.51%

LAB 72.13, -42.96, 56.23

 

CMYK 17 / 0 / 67 / 24

HEX #A1C341

RGB 161 195 65

HSL 75.69, 0.52%, 0.51%

LAB 74.18, -29.77, 59.02

 

CMYK 0 / 1 / 67 / 24

HEX #C3C141

RGB 195 193 65

HSL 59.08, 0.52%, 0.51%

LAB 76.15, -14.74, 61.84

 

CMYK 0 / 19 / 67 / 24

HEX #C39E41

RGB 195 158 65

HSL 42.92, 0.52%, 0.51%

LAB 66.85, 3.59, 52.16

 

CMYK 0 / 37 / 67 / 24

HEX #C37B41

RGB 195 123 65

HSL 26.77, 0.52%, 0.51%

LAB 58.18, 22.74, 42.62

 

CMYK 35 / 0 / 67 / 24

HEX #7EC341

RGB 126 195 65

HSL 91.85, 0.52%, 0.51%

LAB 72.13, -42.96, 56.23

 

CMYK 53 / 0 / 67 / 24

HEX #5BC341

RGB 91 195 65

HSL 108, 0.52%, 0.51%

LAB 70.62, -53.93, 54.18

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 67 / 0 / 44 / 24

HEX #41C36D

RGB 65 195 109

HSL 140.31, 0.52%, 0.51%

LAB 70.36, -54.21, 33.08

 

CMYK 67 / 0 / 26 / 24

HEX #41C390

RGB 65 195 144

HSL 156.46, 0.52%, 0.51%

LAB 70.99, -47.36, 15.48

 

CMYK 35 / 0 / 67 / 24

HEX #7EC341

RGB 126 195 65

HSL 91.85, 0.52%, 0.51%

LAB 72.13, -42.96, 56.23

 

CMYK 42 / 0 / 80 / 16

HEX #7CD72C

RGB 124 215 44

HSL 91.93, 0.68%, 0.51%

LAB 77.92, -53.15, 69.11

 

CMYK 48 / 0 / 90 / 8

HEX #7BEB18

RGB 123 235 24

HSL 91.85, 0.84%, 0.51%

LAB 83.81, -61.72, 78.5

 

CMYK 35 / 0 / 67 / 24

HEX #7EC341

RGB 126 195 65

HSL 91.85, 0.52%, 0.51%

LAB 72.13, -42.96, 56.23

 

CMYK 27 / 0 / 51 / 32

HEX #7FAE55

RGB 127 174 85

HSL 91.69, 0.35%, 0.51%

LAB 66.09, -31.24, 40.37

 

CMYK 17 / 0 / 32 / 40

HEX #809A69

RGB 128 154 105

HSL 91.84, 0.2%, 0.51%

LAB 60.53, -18.28, 22.81

 

CMYK 4 / 0 / 7 / 47

HEX #81867D

RGB 129 134 125

HSL 93.33, 0.04%, 0.51%

LAB 55.28, -3.61, 4.2

 

CMYK 10 / 21 / 0 / 43

HEX #837291

RGB 131 114 145

HSL 272.9, 0.12%, 0.51%

LAB 50.58, 12.83, -14.42

 

CMYK 0 / 2 / 67 / 24

HEX #C3C041

RGB 195 192 65

HSL 58.62, 0.52%, 0.51%

LAB 75.87, -14.24, 61.56

 

CMYK 17 / 0 / 67 / 24

HEX #A2C341

RGB 162 195 65

HSL 75.23, 0.52%, 0.51%

LAB 74.25, -29.37, 59.11

 

CMYK 35 / 0 / 67 / 24

HEX #7FC341

RGB 127 195 65

HSL 91.38, 0.52%, 0.51%

LAB 72.18, -42.61, 56.3

 

CMYK 52 / 0 / 67 / 24

HEX #5DC341

RGB 93 195 65

HSL 107.08, 0.52%, 0.51%

LAB 70.69, -53.38, 54.27

 

CMYK 67 / 0 / 64 / 24

HEX #41C347

RGB 65 195 71

HSL 122.77, 0.52%, 0.51%

LAB 69.9, -59.44, 50.65

 

CMYK 37 / 0 / 69 / 47

HEX #55862A

RGB 85 134 42

HSL 91.96, 0.52%, 0.35%

LAB 50.86, -32.65, 42.63

 

CMYK 37 / 0 / 69 / 35

HEX #69A634

RGB 105 166 52

HSL 92.11, 0.52%, 0.43%

LAB 62.1, -38.85, 50.61

 

CMYK 35 / 0 / 67 / 24

HEX #7EC341

RGB 126 195 65

HSL 91.85, 0.52%, 0.51%

LAB 72.13, -42.96, 56.23

 

CMYK 28 / 0 / 53 / 20

HEX #93CC60

RGB 147 204 96

HSL 91.67, 0.51%, 0.59%

LAB 76.21, -36.59, 47.46

 

CMYK 21 / 0 / 41 / 16

HEX #A8D67F

RGB 168 214 127

HSL 91.72, 0.51%, 0.67%

LAB 80.71, -29.99, 38.15

 

CMYK 36 / 0 / 67 / 24

HEX #7DC240

RGB 125 194 64

HSL 91.85, 0.52%, 0.51%

LAB 71.77, -42.96, 56.24

 

CMYK 67 / 0 / 19 / 24

HEX #41C39E

RGB 65 195 158

HSL 162.92, 0.52%, 0.51%

LAB 71.3, -44.12, 8.35

 

CMYK 0 / 67 / 8 / 24

HEX #C341B3

RGB 195 65 179

HSL 307.38, 0.52%, 0.51%

LAB 50.26, 64.15, -34.21

 

CMYK 36 / 0 / 67 / 24

HEX #7DC240

RGB 125 194 64

HSL 91.85, 0.52%, 0.51%

LAB 71.77, -42.96, 56.24

 

CMYK 67 / 35 / 0 / 24

HEX #417FC3

RGB 65 127 195

HSL 211.38, 0.52%, 0.51%

LAB 52.11, 1.92, -41.37

 

CMYK 0 / 67 / 35 / 24

HEX #C3417F

RGB 195 65 127

HSL 331.38, 0.52%, 0.51%

LAB 48.15, 57.07, -6.49

 

CMYK 36 / 0 / 67 / 24

HEX #7DC240

RGB 125 194 64

HSL 91.85, 0.52%, 0.51%

LAB 71.77, -42.96, 56.24

 

CMYK 67 / 0 / 19 / 24

HEX #41C39E

RGB 65 195 158

HSL 162.92, 0.52%, 0.51%

LAB 71.3, -44.12, 8.35

 

CMYK 32 / 67 / 0 / 24

HEX #8441C3

RGB 132 65 195

HSL 270.92, 0.52%, 0.51%

LAB 42.19, 52.66, -56.94

 

CMYK 0 / 67 / 48 / 24

HEX #C34165

RGB 195 65 101

HSL 343.38, 0.52%, 0.51%

LAB 47.39, 54.39, 8.23

 

CMYK 36 / 0 / 67 / 24

HEX #7DC240

RGB 125 194 64

HSL 91.85, 0.52%, 0.51%

LAB 71.77, -42.96, 56.24

 

CMYK 67 / 2 / 0 / 24

HEX #41C0C3

RGB 65 192 195

HSL 181.38, 0.52%, 0.51%

LAB 71.39, -32.97, -11.69

 

CMYK 32 / 67 / 0 / 24

HEX #8441C3

RGB 132 65 195

HSL 270.92, 0.52%, 0.51%

LAB 42.19, 52.66, -56.94

 

CMYK 0 / 66 / 67 / 24

HEX #C34341

RGB 195 67 65

HSL 0.92, 0.52%, 0.51%

LAB 46.97, 50.91, 29.43

 

Description

Color code: HEX #7DC240 | qconv.com Color code: HEX #7DC240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 194 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 194 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 67 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 67% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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