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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DCB51 it is the complementary color #8234AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DCB51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DCB51 shade: #82CB4C, #93DD5F, #A4EF72, #B5FF85 and #C6FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DCB51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DCB51 shade: #7DCB51, #6CB93E, #5BA72B, #4A9518 and #398305

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DCB51 shade: #7DCB52, #9ECB52, #BFCB52, #CBB652 and #CB9652

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DCB51 shade: #7DCB52, #5DCB52, #52CB67, #52CB88 and #52CBA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DCB51 shade matches the following richer shades: #7DCB52, #78DD40 and #73EF2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DCB51 shade: #7DCB52, #82B964, #88A776, #8D9488 and #92829A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DCB51 shade: #BFCB52, #9ECB52, #7ECB52, #5ECB52 and #52CB66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DCB51 shade: #569C2E, #67BC38, #7DCB52, #95D471 and #ADDE91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DCB51 shade: #7DCB51, #52CBB7 and #CB52AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DCB51 shade: #7DCB51, #527ECB and #CB527E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DCB51 shade: #7DCB51, #52CBB7, #9E52CB and #CB5266

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DCB51 shade: #7DCB51, #52BBCB, #9E52CB and #CB6252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 60 / 20

HEX #7DCB51

RGB 125 203 81

HSL 98.36, 0.54%, 0.56%

LAB 74.61, -45.3, 52.17

 

Complementary color

CMYK 25 / 70 / 0 / 32

HEX #8234AE

RGB 130 52 174

HSL 278.36, 0.54%, 0.44%

LAB 38.3, 53.47, -50.88

 

CMYK 36 / 0 / 63 / 20

HEX #82CB4C

RGB 130 203 76

HSL 94.49, 0.55%, 0.55%

LAB 74.81, -44.08, 54.63

 

CMYK 33 / 0 / 57 / 13

HEX #93DD5F

RGB 147 221 95

HSL 95.24, 0.65%, 0.62%

LAB 81.15, -44.2, 53.7

 

CMYK 31 / 0 / 52 / 6

HEX #A4EF72

RGB 164 239 114

HSL 96, 0.8%, 0.69%

LAB 87.41, -44.22, 52.64

 

CMYK 29 / 0 / 48 / 0

HEX #B5FF85

RGB 181 255 133

HSL 96.39, 1%, 0.76%

LAB 93.03, -43.32, 50.84

 

CMYK 22 / 0 / 40 / 0

HEX #C6FF98

RGB 198 255 152

HSL 93.2, 1%, 0.8%

LAB 94.22, -35.23, 43.47

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB51

RGB 125 203 81

HSL 98.36, 0.54%, 0.56%

LAB 74.61, -45.3, 52.17

 

CMYK 42 / 0 / 66 / 27

HEX #6CB93E

RGB 108 185 62

HSL 97.56, 0.5%, 0.48%

LAB 68.19, -45.11, 53.01

 

CMYK 46 / 0 / 74 / 35

HEX #5BA72B

RGB 91 167 43

HSL 96.77, 0.59%, 0.41%

LAB 61.69, -44.72, 53.42

 

CMYK 50 / 0 / 84 / 42

HEX #4A9518

RGB 74 149 24

HSL 96, 0.72%, 0.34%

LAB 55.09, -44.03, 53

 

CMYK 56 / 0 / 96 / 49

HEX #398305

RGB 57 131 5

HSL 95.24, 0.93%, 0.27%

LAB 48.4, -42.89, 51.12

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB52

RGB 125 203 82

HSL 98.68, 0.54%, 0.56%

LAB 74.62, -45.2, 51.74

 

CMYK 22 / 0 / 60 / 20

HEX #9ECB52

RGB 158 203 82

HSL 82.31, 0.54%, 0.56%

LAB 76.43, -33.39, 54.27

 

CMYK 6 / 0 / 60 / 20

HEX #BFCB52

RGB 191 203 82

HSL 65.95, 0.54%, 0.56%

LAB 78.69, -20.3, 57.41

 

CMYK 0 / 10 / 60 / 20

HEX #CBB652

RGB 203 182 82

HSL 49.59, 0.54%, 0.56%

LAB 74.04, -4.61, 52.52

 

CMYK 0 / 26 / 60 / 20

HEX #CB9652

RGB 203 150 82

HSL 33.72, 0.54%, 0.56%

LAB 65.84, 12.51, 43.11

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB52

RGB 125 203 82

HSL 98.68, 0.54%, 0.56%

LAB 74.62, -45.2, 51.74

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 60 / 0 / 49 / 20

HEX #52CB67

RGB 82 203 103

HSL 130.41, 0.54%, 0.56%

LAB 73.21, -54.69, 39.79

 

CMYK 60 / 0 / 33 / 20

HEX #52CB88

RGB 82 203 136

HSL 146.78, 0.54%, 0.56%

LAB 73.73, -49.08, 23.58

 

CMYK 60 / 0 / 17 / 20

HEX #52CBA9

RGB 82 203 169

HSL 163.14, 0.54%, 0.56%

LAB 74.43, -41.94, 6.94

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB52

RGB 125 203 82

HSL 98.68, 0.54%, 0.56%

LAB 74.62, -45.2, 51.74

 

CMYK 46 / 0 / 71 / 13

HEX #78DD40

RGB 120 221 64

HSL 98.6, 0.7%, 0.56%

LAB 79.66, -55.55, 64.33

 

CMYK 52 / 0 / 81 / 6

HEX #73EF2D

RGB 115 239 45

HSL 98.35, 0.86%, 0.56%

LAB 84.78, -64.71, 74.98

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB52

RGB 125 203 82

HSL 98.68, 0.54%, 0.56%

LAB 74.62, -45.2, 51.74

 

CMYK 30 / 0 / 46 / 27

HEX #82B964

RGB 130 185 100

HSL 98.82, 0.38%, 0.56%

LAB 69.73, -33.47, 37.38

 

CMYK 19 / 0 / 29 / 35

HEX #88A776

RGB 136 167 118

HSL 97.96, 0.22%, 0.56%

LAB 65.1, -19.93, 21.94

 

CMYK 5 / 0 / 8 / 42

HEX #8D9488

RGB 141 148 136

HSL 95, 0.05%, 0.56%

LAB 60.44, -4.85, 5.46

 

CMYK 5 / 16 / 0 / 40

HEX #92829A

RGB 146 130 154

HSL 280, 0.11%, 0.56%

LAB 56.5, 10.71, -10.6

 

CMYK 6 / 0 / 60 / 20

HEX #BFCB52

RGB 191 203 82

HSL 65.95, 0.54%, 0.56%

LAB 78.69, -20.3, 57.41

 

CMYK 22 / 0 / 60 / 20

HEX #9ECB52

RGB 158 203 82

HSL 82.31, 0.54%, 0.56%

LAB 76.43, -33.39, 54.27

 

CMYK 38 / 0 / 60 / 20

HEX #7ECB52

RGB 126 203 82

HSL 98.18, 0.54%, 0.56%

LAB 74.67, -44.87, 51.81

 

CMYK 54 / 0 / 60 / 20

HEX #5ECB52

RGB 94 203 82

HSL 114.05, 0.54%, 0.56%

LAB 73.35, -54.45, 49.95

 

CMYK 60 / 0 / 50 / 20

HEX #52CB66

RGB 82 203 102

HSL 129.92, 0.54%, 0.56%

LAB 73.2, -54.84, 40.27

 

CMYK 45 / 0 / 71 / 39

HEX #569C2E

RGB 86 156 46

HSL 98.18, 0.54%, 0.4%

LAB 57.99, -41.6, 48.46

 

CMYK 45 / 0 / 70 / 26

HEX #67BC38

RGB 103 188 56

HSL 98.64, 0.54%, 0.48%

LAB 68.85, -48.43, 56.01

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB52

RGB 125 203 82

HSL 98.68, 0.54%, 0.56%

LAB 74.62, -45.2, 51.74

 

CMYK 30 / 0 / 47 / 17

HEX #95D471

RGB 149 212 113

HSL 98.18, 0.54%, 0.64%

LAB 78.85, -37.55, 42.51

 

CMYK 22 / 0 / 35 / 13

HEX #ADDE91

RGB 173 222 145

HSL 98.18, 0.54%, 0.72%

LAB 83.53, -29.56, 32.77

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB51

RGB 125 203 81

HSL 98.36, 0.54%, 0.56%

LAB 74.61, -45.3, 52.17

 

CMYK 60 / 0 / 10 / 20

HEX #52CBB7

RGB 82 203 183

HSL 170.08, 0.54%, 0.56%

LAB 74.78, -38.51, -0.11

 

CMYK 0 / 60 / 14 / 20

HEX #CB52AF

RGB 203 82 175

HSL 313.88, 0.54%, 0.56%

LAB 53.84, 58.64, -26.21

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB51

RGB 125 203 81

HSL 98.36, 0.54%, 0.56%

LAB 74.61, -45.3, 52.17

 

CMYK 60 / 38 / 0 / 20

HEX #527ECB

RGB 82 126 203

HSL 218.18, 0.54%, 0.56%

LAB 52.98, 8.36, -44.5

 

CMYK 0 / 60 / 38 / 20

HEX #CB527E

RGB 203 82 126

HSL 338.18, 0.54%, 0.56%

LAB 52.1, 52.14, 0.08

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB51

RGB 125 203 81

HSL 98.36, 0.54%, 0.56%

LAB 74.61, -45.3, 52.17

 

CMYK 60 / 0 / 10 / 20

HEX #52CBB7

RGB 82 203 183

HSL 170.08, 0.54%, 0.56%

LAB 74.78, -38.51, -0.11

 

CMYK 22 / 60 / 0 / 20

HEX #9E52CB

RGB 158 82 203

HSL 277.69, 0.54%, 0.56%

LAB 49.03, 52, -50.41

 

CMYK 0 / 60 / 50 / 20

HEX #CB5266

RGB 203 82 102

HSL 350.08, 0.54%, 0.56%

LAB 51.49, 49.71, 13.55

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB51

RGB 125 203 81

HSL 98.36, 0.54%, 0.56%

LAB 74.61, -45.3, 52.17

 

CMYK 60 / 8 / 0 / 20

HEX #52BBCB

RGB 82 187 203

HSL 187.93, 0.54%, 0.56%

LAB 70.63, -25.45, -17.17

 

CMYK 22 / 60 / 0 / 20

HEX #9E52CB

RGB 158 82 203

HSL 277.69, 0.54%, 0.56%

LAB 49.03, 52, -50.41

 

CMYK 0 / 52 / 60 / 20

HEX #CB6252

RGB 203 98 82

HSL 7.93, 0.54%, 0.56%

LAB 54.07, 40.36, 28.72

 

Description

Color code: HEX #7DCB51 | qconv.com Color code: HEX #7DCB51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 203 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 203 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 60 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 60% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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