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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DDDCA it is the complementary color #822235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DDDCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DDDCA shade: #82DDC5, #93EFD8, #A4FFEB, #B5FFFE and #C6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DDDCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DDDCA shade: #7DDDCA, #6CCBB7, #5BB9A4, #4AA791 and #39957E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DDDCA shade: #7DDDCA, #7DDDB0, #7DDD96, #7DDD7D and #97DD7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DDDCA shade: #7DDDCA, #7DD6DD, #7DBCDD, #7DA2DD and #7D88DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DDDCA shade matches the following richer shades: #7DDDCA, #70EAD2 and #62F7DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DDDCA shade: #7DDDCA, #8AD0C2, #97C3BA, #A4B5B2 and #B2A8AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DDDCA shade: #7DDD96, #7DDDB0, #7DDDCA, #7DD7DD and #7DBDDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DDDCA shade: #3BCCAF, #5CD5BD, #7DDDCA, #9EE6D7 and #BEEEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DDDCA shade: #7DDDCA, #7D7DDD and #DDA37D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DDDCA shade: #7DDDCA, #CA7DDD and #DDCA7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DDDCA shade: #7DDDCA, #7D7DDD, #DD7D90 and #DDDD7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DDDCA shade: #7DDDCA, #9A7DDD, #DD7D90 and #C0DD7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

Complementary color

CMYK 0 / 74 / 59 / 49

HEX #822235

RGB 130 34 53

HSL 348.13, 0.59%, 0.32%

LAB 29.78, 41.98, 12.42

 

CMYK 41 / 0 / 11 / 13

HEX #82DDC5

RGB 130 221 197

HSL 164.18, 0.57%, 0.69%

LAB 82.1, -32.76, 3.27

 

CMYK 38 / 0 / 10 / 6

HEX #93EFD8

RGB 147 239 216

HSL 165, 0.74%, 0.76%

LAB 88.4, -32.59, 2.49

 

CMYK 36 / 0 / 8 / 0

HEX #A4FFEB

RGB 164 255 235

HSL 166.81, 1%, 0.82%

LAB 94.06, -31.49, 0.95

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFE

RGB 181 255 254

HSL 179.19, 1%, 0.85%

LAB 95.37, -22.77, -6.83

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 47 / 0 / 10 / 20

HEX #6CCBB7

RGB 108 203 183

HSL 167.37, 0.48%, 0.61%

LAB 75.65, -32.98, 1.27

 

CMYK 51 / 0 / 11 / 27

HEX #5BB9A4

RGB 91 185 164

HSL 166.6, 0.4%, 0.54%

LAB 69.19, -33.05, 2.13

 

CMYK 56 / 0 / 13 / 35

HEX #4AA791

RGB 74 167 145

HSL 165.81, 0.39%, 0.47%

LAB 62.62, -33.05, 3.07

 

CMYK 62 / 0 / 15 / 42

HEX #39957E

RGB 57 149 126

HSL 165, 0.45%, 0.4%

LAB 55.96, -32.94, 4.11

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 43 / 0 / 20 / 13

HEX #7DDDB0

RGB 125 221 176

HSL 151.88, 0.59%, 0.68%

LAB 81.41, -38.56, 13.35

 

CMYK 43 / 0 / 32 / 13

HEX #7DDD96

RGB 125 221 150

HSL 135.63, 0.59%, 0.68%

LAB 80.89, -43.51, 26.24

 

CMYK 43 / 0 / 43 / 13

HEX #7DDD7D

RGB 125 221 125

HSL 120, 0.59%, 0.68%

LAB 80.49, -47.51, 38.42

 

CMYK 32 / 0 / 43 / 13

HEX #97DD7D

RGB 151 221 125

HSL 103.75, 0.59%, 0.68%

LAB 81.71, -39.38, 40.23

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 43 / 3 / 0 / 13

HEX #7DD6DD

RGB 125 214 221

HSL 184.38, 0.59%, 0.68%

LAB 80.56, -24.9, -11.81

 

CMYK 43 / 15 / 0 / 13

HEX #7DBCDD

RGB 125 188 221

HSL 200.63, 0.59%, 0.68%

LAB 73.25, -11.6, -22.84

 

CMYK 43 / 27 / 0 / 13

HEX #7DA2DD

RGB 125 162 221

HSL 216.88, 0.59%, 0.68%

LAB 66.08, 2.65, -33.88

 

CMYK 43 / 38 / 0 / 13

HEX #7D88DD

RGB 125 136 221

HSL 233.13, 0.59%, 0.68%

LAB 59.15, 17.69, -44.72

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 52 / 0 / 10 / 8

HEX #70EAD2

RGB 112 234 210

HSL 168.2, 0.74%, 0.68%

LAB 85.48, -39.95, 1.22

 

CMYK 60 / 0 / 12 / 3

HEX #62F7DA

RGB 98 247 218

HSL 168.32, 0.9%, 0.68%

LAB 89.01, -46.44, 2.12

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 34 / 0 / 7 / 18

HEX #8AD0C2

RGB 138 208 194

HSL 168, 0.43%, 0.68%

LAB 78.7, -25.03, -0.04

 

CMYK 23 / 0 / 5 / 24

HEX #97C3BA

RGB 151 195 186

HSL 167.73, 0.27%, 0.68%

LAB 75.55, -16.38, -0.25

 

CMYK 9 / 0 / 2 / 29

HEX #A4B5B2

RGB 164 181 178

HSL 169.41, 0.1%, 0.68%

LAB 72.33, -6.45, -0.49

 

CMYK 0 / 6 / 4 / 30

HEX #B2A8AA

RGB 178 168 170

HSL 348, 0.06%, 0.68%

LAB 69.73, 3.96, 0.25

 

CMYK 43 / 0 / 32 / 13

HEX #7DDD96

RGB 125 221 150

HSL 135.63, 0.59%, 0.68%

LAB 80.89, -43.51, 26.24

 

CMYK 43 / 0 / 20 / 13

HEX #7DDDB0

RGB 125 221 176

HSL 151.88, 0.59%, 0.68%

LAB 81.41, -38.56, 13.35

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 43 / 3 / 0 / 13

HEX #7DD7DD

RGB 125 215 221

HSL 183.75, 0.59%, 0.68%

LAB 80.84, -25.39, -11.39

 

CMYK 43 / 14 / 0 / 13

HEX #7DBDDD

RGB 125 189 221

HSL 200, 0.59%, 0.68%

LAB 73.53, -12.13, -22.42

 

CMYK 71 / 0 / 14 / 20

HEX #3BCCAF

RGB 59 204 175

HSL 168, 0.59%, 0.52%

LAB 74.32, -44.66, 3.49

 

CMYK 57 / 0 / 11 / 16

HEX #5CD5BD

RGB 92 213 189

HSL 168.1, 0.59%, 0.6%

LAB 78.19, -39.63, 1.68

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 31 / 0 / 7 / 10

HEX #9EE6D7

RGB 158 230 215

HSL 167.5, 0.59%, 0.76%

LAB 86.39, -25.53, 0.15

 

CMYK 20 / 0 / 4 / 7

HEX #BEEEE5

RGB 190 238 229

HSL 168.75, 0.59%, 0.84%

LAB 90.67, -17.12, -0.72

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 43 / 43 / 0 / 13

HEX #7D7DDD

RGB 125 125 221

HSL 240, 0.59%, 0.68%

LAB 56.33, 24.21, -49.18

 

CMYK 0 / 26 / 43 / 13

HEX #DDA37D

RGB 221 163 125

HSL 23.75, 0.59%, 0.68%

LAB 71.59, 16.78, 28.13

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 9 / 43 / 0 / 13

HEX #CA7DDD

RGB 202 125 221

HSL 288.13, 0.59%, 0.68%

LAB 63.71, 45.38, -37.06

 

CMYK 0 / 9 / 43 / 13

HEX #DDCA7D

RGB 221 202 125

HSL 48.13, 0.59%, 0.68%

LAB 81.34, -3.83, 40.76

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 43 / 43 / 0 / 13

HEX #7D7DDD

RGB 125 125 221

HSL 240, 0.59%, 0.68%

LAB 56.33, 24.21, -49.18

 

CMYK 0 / 43 / 35 / 13

HEX #DD7D90

RGB 221 125 144

HSL 348.13, 0.59%, 0.68%

LAB 63.39, 39.22, 6.23

 

CMYK 0 / 0 / 43 / 13

HEX #DDDD7D

RGB 221 221 125

HSL 60, 0.59%, 0.68%

LAB 86.29, -13.47, 46.93

 

CMYK 43 / 0 / 9 / 13

HEX #7DDDCA

RGB 125 221 202

HSL 168.13, 0.59%, 0.68%

LAB 82.02, -32.88, 0.47

 

CMYK 30 / 43 / 0 / 13

HEX #9A7DDD

RGB 154 125 221

HSL 258.13, 0.59%, 0.68%

LAB 58.75, 31.73, -45.2

 

CMYK 0 / 43 / 35 / 13

HEX #DD7D90

RGB 221 125 144

HSL 348.13, 0.59%, 0.68%

LAB 63.39, 39.22, 6.23

 

CMYK 13 / 0 / 43 / 13

HEX #C0DD7D

RGB 192 221 125

HSL 78.13, 0.59%, 0.68%

LAB 84.17, -24.7, 43.84

 

Description

Color code: HEX #7DDDCA | qconv.com Color code: HEX #7DDDCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 221 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 221 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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