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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DEF28 it is the complementary color #8210D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DEF28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DEF28 shade: #82EF23, #93FF36, #A4FF49, #B5FF5C and #C6FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DEF28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DEF28 shade: #7DEF28, #6CDD15, #5BCB02, #4AB900 and #39A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DEF28 shade: #7DEE29, #B3EE29, #E8EE29, #EEC029 and #EE8B29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DEF28 shade: #7DEE29, #48EE29, #29EE3F, #29EE74 and #29EEAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DEF28 shade matches the following richer shades: #7DEE29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DEF28 shade: #7DEE29, #80DC3C, #83C94E, #85B761 and #88A473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DEF28 shade: #E8EE29, #B3EE29, #7FEE29, #4AEE29 and #29EE3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DEF28 shade: #56B80D, #68DE10, #7DEE29, #95F14F and #ACF476

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DEF28 shade: #7DEF28, #29EEC0 and #EE29CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DEF28 shade: #7DEF28, #297FEE and #EE297F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DEF28 shade: #7DEF28, #29EEC0, #9929EE and #EE2957

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DEF28 shade: #7DEF28, #29E1EE, #9929EE and #EE3629

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 83 / 6

HEX #7DEF28

RGB 125 239 40

HSL 94.37, 0.86%, 0.55%

LAB 85.12, -62.09, 76.63

 

Complementary color

CMYK 40 / 93 / 0 / 16

HEX #8210D7

RGB 130 16 215

HSL 274.37, 0.86%, 0.45%

LAB 37.88, 73.14, -75.57

 

CMYK 46 / 0 / 85 / 6

HEX #82EF23

RGB 130 239 35

HSL 92.06, 0.86%, 0.54%

LAB 85.3, -60.78, 77.93

 

CMYK 42 / 0 / 79 / 0

HEX #93FF36

RGB 147 255 54

HSL 92.24, 1%, 0.61%

LAB 90.78, -60.8, 78.58

 

CMYK 36 / 0 / 71 / 0

HEX #A4FF49

RGB 164 255 73

HSL 90, 1%, 0.64%

LAB 91.64, -54.3, 73.88

 

CMYK 29 / 0 / 64 / 0

HEX #B5FF5C

RGB 181 255 92

HSL 87.24, 1%, 0.68%

LAB 92.63, -47.19, 68.2

 

CMYK 22 / 0 / 56 / 0

HEX #C6FF6F

RGB 198 255 111

HSL 83.75, 1%, 0.72%

LAB 93.74, -39.59, 61.85

 

CMYK 48 / 0 / 83 / 6

HEX #7DEF28

RGB 125 239 40

HSL 94.37, 0.86%, 0.55%

LAB 85.12, -62.09, 76.63

 

CMYK 51 / 0 / 90 / 13

HEX #6CDD15

RGB 108 221 21

HSL 93.9, 0.83%, 0.47%

LAB 79.02, -61.08, 74.74

 

CMYK 55 / 0 / 99 / 20

HEX #5BCB02

RGB 91 203 2

HSL 93.43, 0.98%, 0.4%

LAB 72.85, -59.74, 71.66

 

CMYK 60 / 0 / 100 / 27

HEX #4AB900

RGB 74 185 0

HSL 96, 1%, 0.36%

LAB 66.64, -57.94, 66.73

 

CMYK 66 / 0 / 100 / 35

HEX #39A700

RGB 57 167 0

HSL 99.52, 1%, 0.33%

LAB 60.34, -55.86, 61.54

 

CMYK 47 / 0 / 83 / 7

HEX #7DEE29

RGB 125 238 41

HSL 94.42, 0.85%, 0.55%

LAB 84.83, -61.69, 76.13

 

CMYK 25 / 0 / 83 / 7

HEX #B3EE29

RGB 179 238 41

HSL 77.97, 0.85%, 0.55%

LAB 87.43, -43.38, 79.43

 

CMYK 3 / 0 / 83 / 7

HEX #E8EE29

RGB 232 238 41

HSL 61.83, 0.85%, 0.55%

LAB 90.99, -22.35, 83.87

 

CMYK 0 / 19 / 83 / 7

HEX #EEC029

RGB 238 192 41

HSL 45.99, 0.85%, 0.55%

LAB 79.63, 3.2, 74.53

 

CMYK 0 / 42 / 83 / 7

HEX #EE8B29

RGB 238 139 41

HSL 29.85, 0.85%, 0.55%

LAB 67.13, 31.08, 63.84

 

CMYK 47 / 0 / 83 / 7

HEX #7DEE29

RGB 125 238 41

HSL 94.42, 0.85%, 0.55%

LAB 84.83, -61.69, 76.13

 

CMYK 70 / 0 / 83 / 7

HEX #48EE29

RGB 72 238 41

HSL 110.56, 0.85%, 0.55%

LAB 83.28, -74.22, 74.16

 

CMYK 83 / 0 / 74 / 7

HEX #29EE3F

RGB 41 238 63

HSL 126.7, 0.85%, 0.55%

LAB 82.9, -77.07, 67.32

 

CMYK 83 / 0 / 51 / 7

HEX #29EE74

RGB 41 238 116

HSL 142.84, 0.85%, 0.55%

LAB 83.38, -71.21, 45.95

 

CMYK 83 / 0 / 29 / 7

HEX #29EEAA

RGB 41 238 170

HSL 159.29, 0.85%, 0.55%

LAB 84.24, -61.32, 20.14

 

CMYK 47 / 0 / 83 / 7

HEX #7DEE29

RGB 125 238 41

HSL 94.42, 0.85%, 0.55%

LAB 84.83, -61.69, 76.13

 

CMYK 47 / 0 / 83 / 7

HEX #7DEE29

RGB 125 238 41

HSL 94.42, 0.85%, 0.55%

LAB 84.83, -61.69, 76.13

 

CMYK 42 / 0 / 73 / 14

HEX #80DC3C

RGB 128 220 60

HSL 94.5, 0.7%, 0.55%

LAB 79.67, -52.94, 65.86

 

CMYK 35 / 0 / 61 / 21

HEX #83C94E

RGB 131 201 78

HSL 94.15, 0.53%, 0.55%

LAB 74.28, -42.7, 53.2

 

CMYK 27 / 0 / 47 / 28

HEX #85B761

RGB 133 183 97

HSL 94.88, 0.37%, 0.55%

LAB 69.27, -31.84, 38.36

 

CMYK 17 / 0 / 30 / 36

HEX #88A473

RGB 136 164 115

HSL 94.29, 0.21%, 0.55%

LAB 64.18, -18.86, 22.33

 

CMYK 3 / 0 / 83 / 7

HEX #E8EE29

RGB 232 238 41

HSL 61.83, 0.85%, 0.55%

LAB 90.99, -22.35, 83.87

 

CMYK 25 / 0 / 83 / 7

HEX #B3EE29

RGB 179 238 41

HSL 77.97, 0.85%, 0.55%

LAB 87.43, -43.38, 79.43

 

CMYK 47 / 0 / 83 / 7

HEX #7FEE29

RGB 127 238 41

HSL 93.81, 0.85%, 0.55%

LAB 84.91, -61.1, 76.23

 

CMYK 69 / 0 / 83 / 7

HEX #4AEE29

RGB 74 238 41

HSL 109.95, 0.85%, 0.55%

LAB 83.32, -73.86, 74.21

 

CMYK 83 / 0 / 74 / 7

HEX #29EE3D

RGB 41 238 61

HSL 126.09, 0.85%, 0.55%

LAB 82.89, -77.22, 67.97

 

CMYK 53 / 0 / 93 / 28

HEX #56B80D

RGB 86 184 13

HSL 94.39, 0.87%, 0.39%

LAB 66.74, -54.12, 65.4

 

CMYK 53 / 0 / 93 / 13

HEX #68DE10

RGB 104 222 16

HSL 94.37, 0.87%, 0.47%

LAB 79.17, -62.65, 75.48

 

CMYK 47 / 0 / 83 / 7

HEX #7DEE29

RGB 125 238 41

HSL 94.42, 0.85%, 0.55%

LAB 84.83, -61.69, 76.13

 

CMYK 38 / 0 / 67 / 5

HEX #95F14F

RGB 149 241 79

HSL 94.07, 0.85%, 0.63%

LAB 86.93, -53.22, 66.7

 

CMYK 30 / 0 / 52 / 4

HEX #ACF476

RGB 172 244 118

HSL 94.29, 0.85%, 0.71%

LAB 89.29, -43.24, 53.15

 

CMYK 48 / 0 / 83 / 6

HEX #7DEF28

RGB 125 239 40

HSL 94.37, 0.86%, 0.55%

LAB 85.12, -62.09, 76.63

 

CMYK 83 / 0 / 19 / 7

HEX #29EEC0

RGB 41 238 192

HSL 165.99, 0.85%, 0.55%

LAB 84.7, -56.26, 9.35

 

CMYK 0 / 83 / 13 / 7

HEX #EE29CE

RGB 238 41 206

HSL 309.75, 0.85%, 0.55%

LAB 56.31, 84.26, -39.83

 

CMYK 48 / 0 / 83 / 6

HEX #7DEF28

RGB 125 239 40

HSL 94.37, 0.86%, 0.55%

LAB 85.12, -62.09, 76.63

 

CMYK 83 / 47 / 0 / 7

HEX #297FEE

RGB 41 127 238

HSL 213.81, 0.85%, 0.55%

LAB 53.84, 14.72, -62.9

 

CMYK 0 / 83 / 47 / 7

HEX #EE297F

RGB 238 41 127

HSL 333.81, 0.85%, 0.55%

LAB 53.27, 75.75, 1.92

 

CMYK 48 / 0 / 83 / 6

HEX #7DEF28

RGB 125 239 40

HSL 94.37, 0.86%, 0.55%

LAB 85.12, -62.09, 76.63

 

CMYK 83 / 0 / 19 / 7

HEX #29EEC0

RGB 41 238 192

HSL 165.99, 0.85%, 0.55%

LAB 84.7, -56.26, 9.35

 

CMYK 36 / 83 / 0 / 7

HEX #9929EE

RGB 153 41 238

HSL 274.11, 0.85%, 0.55%

LAB 44.99, 75.14, -76.92

 

CMYK 0 / 83 / 63 / 7

HEX #EE2957

RGB 238 41 87

HSL 345.99, 0.85%, 0.55%

LAB 52.34, 73.02, 24.76

 

CMYK 48 / 0 / 83 / 6

HEX #7DEF28

RGB 125 239 40

HSL 94.37, 0.86%, 0.55%

LAB 85.12, -62.09, 76.63

 

CMYK 83 / 5 / 0 / 7

HEX #29E1EE

RGB 41 225 238

HSL 183.96, 0.85%, 0.55%

LAB 82.11, -38.23, -18.75

 

CMYK 36 / 83 / 0 / 7

HEX #9929EE

RGB 153 41 238

HSL 274.11, 0.85%, 0.55%

LAB 44.99, 75.14, -76.92

 

CMYK 0 / 77 / 83 / 7

HEX #EE3629

RGB 238 54 41

HSL 3.96, 0.85%, 0.55%

LAB 52.92, 67.93, 51.27

 

Description

Color code: HEX #7DEF28 | qconv.com Color code: HEX #7DEF28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 239 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 239 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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