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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF43D it is the complementary color #820BC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF43D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF43D shade: #82F438, #93FF4B, #A4FF5E, #B5FF71 and #C6FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF43D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF43D shade: #7DF43D, #6CE22A, #5BD017, #4ABE04 and #39AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF43D shade: #7DF33E, #AEF33E, #DFF33E, #F3D63E and #F3A63E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF43D shade: #7DF33E, #4CF33E, #3EF360, #3EF391 and #3EF3C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF43D shade matches the following richer shades: #7DF33E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF43D shade: #7DF33E, #82E34E, #87D25F, #8CC26F and #91B180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF43D shade: #DEF33E, #AEF33E, #7DF33E, #4DF33E and #3EF35F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF43D shade: #51D30C, #63F117, #7DF33E, #97F665 and #B2F88C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF43D shade: #7DF43D, #3EF3D8 and #F33EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF43D shade: #7DF43D, #3E7DF3 and #F33E7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF43D shade: #7DF43D, #3EF3D8, #B43EF3 and #F33E59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF43D shade: #7DF43D, #3ED8F3, #B43EF3 and #F3593E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 75 / 4

HEX #7DF43D

RGB 125 244 61

HSL 99.02, 0.89%, 0.6%

LAB 86.7, -62.9, 72.38

 

Complementary color

CMYK 33 / 94 / 0 / 24

HEX #820BC2

RGB 130 11 194

HSL 279.02, 0.89%, 0.4%

LAB 35.75, 69.61, -66.85

 

CMYK 47 / 0 / 77 / 4

HEX #82F438

RGB 130 244 56

HSL 96.38, 0.9%, 0.59%

LAB 86.87, -61.73, 74.12

 

CMYK 42 / 0 / 71 / 0

HEX #93FF4B

RGB 147 255 75

HSL 96, 1%, 0.65%

LAB 90.89, -59.62, 72.19

 

CMYK 36 / 0 / 63 / 0

HEX #A4FF5E

RGB 164 255 94

HSL 93.91, 1%, 0.68%

LAB 91.78, -52.81, 66.25

 

CMYK 29 / 0 / 56 / 0

HEX #B5FF71

RGB 181 255 113

HSL 91.27, 1%, 0.72%

LAB 92.81, -45.41, 59.66

 

CMYK 22 / 0 / 48 / 0

HEX #C6FF84

RGB 198 255 132

HSL 87.8, 1%, 0.76%

LAB 93.97, -37.55, 52.67

 

CMYK 49 / 0 / 75 / 4

HEX #7DF43D

RGB 125 244 61

HSL 99.02, 0.89%, 0.6%

LAB 86.7, -62.9, 72.38

 

CMYK 52 / 0 / 81 / 11

HEX #6CE22A

RGB 108 226 42

HSL 98.48, 0.76%, 0.53%

LAB 80.6, -62.14, 71.86

 

CMYK 56 / 0 / 89 / 18

HEX #5BD017

RGB 91 208 23

HSL 97.95, 0.8%, 0.45%

LAB 74.44, -61.06, 70.34

 

CMYK 61 / 0 / 98 / 25

HEX #4ABE04

RGB 74 190 4

HSL 97.42, 0.96%, 0.38%

LAB 68.23, -59.57, 67.53

 

CMYK 67 / 0 / 100 / 33

HEX #39AC00

RGB 57 172 0

HSL 100.12, 1%, 0.34%

LAB 61.98, -57.52, 62.84

 

CMYK 49 / 0 / 74 / 5

HEX #7DF33E

RGB 125 243 62

HSL 99.12, 0.88%, 0.6%

LAB 86.41, -62.47, 71.79

 

CMYK 28 / 0 / 74 / 5

HEX #AEF33E

RGB 174 243 62

HSL 82.87, 0.88%, 0.6%

LAB 88.66, -46.49, 74.74

 

CMYK 8 / 0 / 74 / 5

HEX #DFF33E

RGB 223 243 62

HSL 66.63, 0.88%, 0.6%

LAB 91.75, -27.66, 78.74

 

CMYK 0 / 12 / 74 / 5

HEX #F3D63E

RGB 243 214 62

HSL 50.39, 0.88%, 0.6%

LAB 85.75, -5.25, 73.72

 

CMYK 0 / 32 / 74 / 5

HEX #F3A63E

RGB 243 166 62

HSL 34.48, 0.88%, 0.6%

LAB 73.98, 19.69, 62.41

 

CMYK 49 / 0 / 74 / 5

HEX #7DF33E

RGB 125 243 62

HSL 99.12, 0.88%, 0.6%

LAB 86.41, -62.47, 71.79

 

CMYK 69 / 0 / 74 / 5

HEX #4CF33E

RGB 76 243 62

HSL 115.36, 0.88%, 0.6%

LAB 84.99, -73.87, 69.91

 

CMYK 74 / 0 / 60 / 5

HEX #3EF360

RGB 62 243 96

HSL 131.27, 0.88%, 0.6%

LAB 84.98, -73, 56.93

 

CMYK 74 / 0 / 40 / 5

HEX #3EF391

RGB 62 243 145

HSL 147.51, 0.88%, 0.6%

LAB 85.59, -65.87, 34.73

 

CMYK 74 / 0 / 20 / 5

HEX #3EF3C2

RGB 62 243 194

HSL 163.76, 0.88%, 0.6%

LAB 86.51, -55.74, 10.93

 

CMYK 49 / 0 / 74 / 5

HEX #7DF33E

RGB 125 243 62

HSL 99.12, 0.88%, 0.6%

LAB 86.41, -62.47, 71.79

 

CMYK 49 / 0 / 74 / 5

HEX #7DF33E

RGB 125 243 62

HSL 99.12, 0.88%, 0.6%

LAB 86.41, -62.47, 71.79

 

CMYK 43 / 0 / 66 / 11

HEX #82E34E

RGB 130 227 78

HSL 99.06, 0.73%, 0.6%

LAB 81.97, -53.76, 61.57

 

CMYK 36 / 0 / 55 / 18

HEX #87D25F

RGB 135 210 95

HSL 99.13, 0.56%, 0.6%

LAB 77.32, -43.52, 49.09

 

CMYK 28 / 0 / 43 / 24

HEX #8CC26F

RGB 140 194 111

HSL 99.04, 0.4%, 0.6%

LAB 73.09, -32.69, 36.17

 

CMYK 18 / 0 / 28 / 31

HEX #91B180

RGB 145 177 128

HSL 99.18, 0.24%, 0.6%

LAB 68.77, -20.11, 21.59

 

CMYK 9 / 0 / 74 / 5

HEX #DEF33E

RGB 222 243 62

HSL 66.96, 0.88%, 0.6%

LAB 91.68, -28.06, 78.65

 

CMYK 28 / 0 / 74 / 5

HEX #AEF33E

RGB 174 243 62

HSL 82.87, 0.88%, 0.6%

LAB 88.66, -46.49, 74.74

 

CMYK 49 / 0 / 74 / 5

HEX #7DF33E

RGB 125 243 62

HSL 99.12, 0.88%, 0.6%

LAB 86.41, -62.47, 71.79

 

CMYK 68 / 0 / 74 / 5

HEX #4DF33E

RGB 77 243 62

HSL 115.03, 0.88%, 0.6%

LAB 85.01, -73.69, 69.94

 

CMYK 74 / 0 / 61 / 5

HEX #3EF35F

RGB 62 243 95

HSL 130.94, 0.88%, 0.6%

LAB 84.97, -73.12, 57.35

 

CMYK 62 / 0 / 94 / 17

HEX #51D30C

RGB 81 211 12

HSL 99.2, 0.89%, 0.44%

LAB 75.05, -64.79, 72.28

 

CMYK 59 / 0 / 90 / 5

HEX #63F117

RGB 99 241 23

HSL 99.08, 0.89%, 0.52%

LAB 84.8, -70.23, 79.15

 

CMYK 49 / 0 / 74 / 5

HEX #7DF33E

RGB 125 243 62

HSL 99.12, 0.88%, 0.6%

LAB 86.41, -62.47, 71.79

 

CMYK 39 / 0 / 59 / 4

HEX #97F665

RGB 151 246 101

HSL 99.31, 0.89%, 0.68%

LAB 88.65, -52.73, 59.7

 

CMYK 28 / 0 / 44 / 3

HEX #B2F88C

RGB 178 248 140

HSL 98.89, 0.89%, 0.76%

LAB 91, -40.42, 44.96

 

CMYK 49 / 0 / 75 / 4

HEX #7DF43D

RGB 125 244 61

HSL 99.02, 0.89%, 0.6%

LAB 86.7, -62.9, 72.38

 

CMYK 74 / 0 / 11 / 5

HEX #3EF3D8

RGB 62 243 216

HSL 171.05, 0.88%, 0.6%

LAB 87.04, -50.34, 0.2

 

CMYK 0 / 74 / 19 / 5

HEX #F33EC6

RGB 243 62 198

HSL 314.92, 0.88%, 0.6%

LAB 58.58, 79.12, -31.63

 

CMYK 49 / 0 / 75 / 4

HEX #7DF43D

RGB 125 244 61

HSL 99.02, 0.89%, 0.6%

LAB 86.7, -62.9, 72.38

 

CMYK 74 / 49 / 0 / 5

HEX #3E7DF3

RGB 62 125 243

HSL 219.12, 0.88%, 0.6%

LAB 54.2, 19.89, -65.07

 

CMYK 0 / 74 / 49 / 5

HEX #F33E7D

RGB 243 62 125

HSL 339.12, 0.88%, 0.6%

LAB 56.07, 71.36, 7.26

 

CMYK 49 / 0 / 75 / 4

HEX #7DF43D

RGB 125 244 61

HSL 99.02, 0.89%, 0.6%

LAB 86.7, -62.9, 72.38

 

CMYK 74 / 0 / 11 / 5

HEX #3EF3D8

RGB 62 243 216

HSL 171.05, 0.88%, 0.6%

LAB 87.04, -50.34, 0.2

 

CMYK 26 / 74 / 0 / 5

HEX #B43EF3

RGB 180 62 243

HSL 279.12, 0.88%, 0.6%

LAB 51.4, 73.63, -69.12

 

CMYK 0 / 74 / 63 / 5

HEX #F33E59

RGB 243 62 89

HSL 351.05, 0.88%, 0.6%

LAB 55.3, 68.89, 27.58

 

CMYK 49 / 0 / 75 / 4

HEX #7DF43D

RGB 125 244 61

HSL 99.02, 0.89%, 0.6%

LAB 86.7, -62.9, 72.38

 

CMYK 74 / 11 / 0 / 5

HEX #3ED8F3

RGB 62 216 243

HSL 188.95, 0.88%, 0.6%

LAB 79.96, -30.61, -24.63

 

CMYK 26 / 74 / 0 / 5

HEX #B43EF3

RGB 180 62 243

HSL 279.12, 0.88%, 0.6%

LAB 51.4, 73.63, -69.12

 

CMYK 0 / 63 / 74 / 5

HEX #F3593E

RGB 243 89 62

HSL 8.95, 0.88%, 0.6%

LAB 58.55, 57.68, 46.56

 

Description

Color code: HEX #7DF43D | qconv.com Color code: HEX #7DF43D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 244 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 244 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 75 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 75% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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