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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF013 it is the complementary color #820FEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF013. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF013 shade: #82F00E, #93FF21, #A4FF34, #B5FF47 and #C6FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF013. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF013 shade: #7DF013, #6CDE00, #5BCC00, #4ABA00 and #39A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF013 shade: #7DF014, #B8F014, #F0EB14, #F0B014 and #F07514

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF013 shade: #7DF014, #42F014, #14F021, #14F05C and #14F097

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF013 shade matches the following richer shades: #7DF014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF013 shade: #7DF014, #7EDB28, #7FC73C, #80B350 and #809F64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF013 shade: #F0EC14, #B9F014, #7EF014, #43F014 and #14F01F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF013 shade: #55A60A, #69CD0D, #7DF014, #92F23A and #A8F461

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF013 shade: #7DF013, #14F0B1 and #F014D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF013 shade: #7DF013, #147EF0 and #F0147E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF013 shade: #7DF013, #14F0B1, #8514F0 and #F01452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF013 shade: #7DF013, #14ECF0, #8514F0 and #F01714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 92 / 6

HEX #7DF013

RGB 125 240 19

HSL 91.22, 0.88%, 0.51%

LAB 85.37, -63.06, 80.5

 

Complementary color

CMYK 45 / 94 / 0 / 7

HEX #820FEC

RGB 130 15 236

HSL 271.22, 0.88%, 0.49%

LAB 39.82, 77.67, -84.39

 

CMYK 46 / 0 / 94 / 6

HEX #82F00E

RGB 130 240 14

HSL 89.2, 0.89%, 0.5%

LAB 85.55, -61.65, 81.29

 

CMYK 42 / 0 / 87 / 0

HEX #93FF21

RGB 147 255 33

HSL 89.19, 1%, 0.56%

LAB 90.7, -61.57, 83.2

 

CMYK 36 / 0 / 80 / 0

HEX #A4FF34

RGB 164 255 52

HSL 86.9, 1%, 0.6%

LAB 91.53, -55.38, 80.08

 

CMYK 29 / 0 / 72 / 0

HEX #B5FF47

RGB 181 255 71

HSL 84.13, 1%, 0.64%

LAB 92.49, -48.56, 75.67

 

CMYK 22 / 0 / 65 / 0

HEX #C6FF5A

RGB 198 255 90

HSL 80.73, 1%, 0.68%

LAB 93.57, -41.22, 70.27

 

CMYK 48 / 0 / 92 / 6

HEX #7DF013

RGB 125 240 19

HSL 91.22, 0.88%, 0.51%

LAB 85.37, -63.06, 80.5

 

CMYK 51 / 0 / 100 / 13

HEX #6CDE00

RGB 108 222 0

HSL 90.81, 1%, 0.44%

LAB 79.29, -61.79, 77.18

 

CMYK 55 / 0 / 100 / 20

HEX #5BCC00

RGB 91 204 0

HSL 93.24, 1%, 0.4%

LAB 73.16, -60.13, 72.11

 

CMYK 60 / 0 / 100 / 27

HEX #4ABA00

RGB 74 186 0

HSL 96.13, 1%, 0.36%

LAB 66.96, -58.29, 66.98

 

CMYK 66 / 0 / 100 / 34

HEX #39A800

RGB 57 168 0

HSL 99.64, 1%, 0.33%

LAB 60.67, -56.2, 61.8

 

CMYK 48 / 0 / 92 / 6

HEX #7DF014

RGB 125 240 20

HSL 91.36, 0.88%, 0.51%

LAB 85.37, -63.04, 80.38

 

CMYK 23 / 0 / 92 / 6

HEX #B8F014

RGB 184 240 20

HSL 75.27, 0.88%, 0.51%

LAB 88.24, -42.86, 83.89

 

CMYK 0 / 2 / 92 / 6

HEX #F0EB14

RGB 240 235 20

HSL 58.64, 0.88%, 0.51%

LAB 90.78, -18, 87.55

 

CMYK 0 / 27 / 92 / 6

HEX #F0B014

RGB 240 176 20

HSL 42.55, 0.88%, 0.51%

LAB 75.84, 11.99, 76.28

 

CMYK 0 / 51 / 92 / 6

HEX #F07514

RGB 240 117 20

HSL 26.45, 0.88%, 0.51%

LAB 62.76, 42.63, 66.81

 

CMYK 48 / 0 / 92 / 6

HEX #7DF014

RGB 125 240 20

HSL 91.36, 0.88%, 0.51%

LAB 85.37, -63.04, 80.38

 

CMYK 73 / 0 / 92 / 6

HEX #42F014

RGB 66 240 20

HSL 107.45, 0.88%, 0.51%

LAB 83.72, -76.52, 78.34

 

CMYK 92 / 0 / 86 / 6

HEX #14F021

RGB 20 240 33

HSL 123.55, 0.88%, 0.51%

LAB 83.22, -80.84, 75.59

 

CMYK 92 / 0 / 62 / 6

HEX #14F05C

RGB 20 240 92

HSL 139.64, 0.88%, 0.51%

LAB 83.57, -76.41, 56.91

 

CMYK 92 / 0 / 37 / 6

HEX #14F097

RGB 20 240 151

HSL 155.73, 0.88%, 0.51%

LAB 84.33, -67.26, 29.97

 

CMYK 48 / 0 / 92 / 6

HEX #7DF014

RGB 125 240 20

HSL 91.36, 0.88%, 0.51%

LAB 85.37, -63.04, 80.38

 

CMYK 48 / 0 / 92 / 6

HEX #7DF014

RGB 125 240 20

HSL 91.36, 0.88%, 0.51%

LAB 85.37, -63.04, 80.38

 

CMYK 42 / 0 / 82 / 14

HEX #7EDB28

RGB 126 219 40

HSL 91.17, 0.71%, 0.51%

LAB 79.19, -54.24, 71.35

 

CMYK 36 / 0 / 70 / 22

HEX #7FC73C

RGB 127 199 60

HSL 91.08, 0.55%, 0.51%

LAB 73.34, -44.69, 59.46

 

CMYK 28 / 0 / 55 / 30

HEX #80B350

RGB 128 179 80

HSL 90.91, 0.39%, 0.51%

LAB 67.58, -33.75, 44.59

 

CMYK 19 / 0 / 37 / 38

HEX #809F64

RGB 128 159 100

HSL 91.53, 0.24%, 0.51%

LAB 61.92, -21.58, 27.36

 

CMYK 0 / 2 / 92 / 6

HEX #F0EC14

RGB 240 236 20

HSL 58.91, 0.88%, 0.51%

LAB 91.04, -18.48, 87.75

 

CMYK 23 / 0 / 92 / 6

HEX #B9F014

RGB 185 240 20

HSL 75, 0.88%, 0.51%

LAB 88.3, -42.48, 83.97

 

CMYK 48 / 0 / 92 / 6

HEX #7EF014

RGB 126 240 20

HSL 91.09, 0.88%, 0.51%

LAB 85.41, -62.74, 80.42

 

CMYK 72 / 0 / 92 / 6

HEX #43F014

RGB 67 240 20

HSL 107.18, 0.88%, 0.51%

LAB 83.74, -76.36, 78.37

 

CMYK 92 / 0 / 87 / 6

HEX #14F01F

RGB 20 240 31

HSL 123, 0.88%, 0.51%

LAB 83.21, -80.92, 75.97

 

CMYK 49 / 0 / 94 / 35

HEX #55A60A

RGB 85 166 10

HSL 91.15, 0.89%, 0.35%

LAB 60.98, -47.7, 61.06

 

CMYK 49 / 0 / 94 / 20

HEX #69CD0D

RGB 105 205 13

HSL 91.25, 0.88%, 0.43%

LAB 73.99, -56.29, 71.63

 

CMYK 48 / 0 / 92 / 6

HEX #7DF014

RGB 125 240 20

HSL 91.36, 0.88%, 0.51%

LAB 85.37, -63.04, 80.38

 

CMYK 40 / 0 / 76 / 5

HEX #92F23A

RGB 146 242 58

HSL 91.3, 0.88%, 0.59%

LAB 86.96, -55.91, 73.85

 

CMYK 31 / 0 / 60 / 4

HEX #A8F461

RGB 168 244 97

HSL 91.02, 0.87%, 0.67%

LAB 88.87, -46.64, 61.87

 

CMYK 48 / 0 / 92 / 6

HEX #7DF013

RGB 125 240 19

HSL 91.22, 0.88%, 0.51%

LAB 85.37, -63.06, 80.5

 

CMYK 92 / 0 / 26 / 6

HEX #14F0B1

RGB 20 240 177

HSL 162.82, 0.88%, 0.51%

LAB 84.81, -61.78, 17.3

 

CMYK 0 / 92 / 11 / 6

HEX #F014D6

RGB 240 20 214

HSL 307.09, 0.88%, 0.51%

LAB 55.97, 88.86, -44.91

 

CMYK 48 / 0 / 92 / 6

HEX #7DF013

RGB 125 240 19

HSL 91.22, 0.88%, 0.51%

LAB 85.37, -63.06, 80.5

 

CMYK 92 / 48 / 0 / 6

HEX #147EF0

RGB 20 126 240

HSL 211.09, 0.88%, 0.51%

LAB 53.34, 14.83, -64.83

 

CMYK 0 / 92 / 48 / 6

HEX #F0147E

RGB 240 20 126

HSL 331.09, 0.88%, 0.51%

LAB 52.43, 79.57, 1.35

 

CMYK 48 / 0 / 92 / 6

HEX #7DF013

RGB 125 240 19

HSL 91.22, 0.88%, 0.51%

LAB 85.37, -63.06, 80.5

 

CMYK 92 / 0 / 26 / 6

HEX #14F0B1

RGB 20 240 177

HSL 162.82, 0.88%, 0.51%

LAB 84.81, -61.78, 17.3

 

CMYK 45 / 92 / 0 / 6

HEX #8514F0

RGB 133 20 240

HSL 270.82, 0.88%, 0.51%

LAB 40.86, 78.03, -84.93

 

CMYK 0 / 92 / 66 / 6

HEX #F01452

RGB 240 20 82

HSL 343.09, 0.88%, 0.51%

LAB 51.42, 76.79, 26.66

 

CMYK 48 / 0 / 92 / 6

HEX #7DF013

RGB 125 240 19

HSL 91.22, 0.88%, 0.51%

LAB 85.37, -63.06, 80.5

 

CMYK 92 / 2 / 0 / 6

HEX #14ECF0

RGB 20 236 240

HSL 181.09, 0.88%, 0.51%

LAB 85.22, -43.68, -15.14

 

CMYK 45 / 92 / 0 / 6

HEX #8514F0

RGB 133 20 240

HSL 270.82, 0.88%, 0.51%

LAB 40.86, 78.03, -84.93

 

CMYK 0 / 90 / 92 / 6

HEX #F01714

RGB 240 23 20

HSL 0.82, 0.88%, 0.51%

LAB 50.91, 74.6, 58.9

 

Description

Color code: HEX #7DF013 | qconv.com Color code: HEX #7DF013 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 240 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 240 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 92 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 92% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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