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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DFC83 it is the complementary color #82037C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DFC83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DFC83 shade: #82FC7E, #93FF91, #A4FFA4, #B5FFB7 and #C6FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DFC83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DFC83 shade: #7DFC83, #6CEA70, #5BD85D, #4AC64A and #39B437

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DFC83 shade: #7DFB83, #99FB7D, #BBFB7D, #DDFB7D and #FBF77D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DFC83 shade: #7DFB83, #7DFBA5, #7DFBC7, #7DFBE9 and #7DEBFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DFC83 shade matches the following richer shades: #7DFB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DFC83 shade: #7DFB83, #88F08D, #93E697, #9DDBA0 and #A8D0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DFC83 shade: #BCFB7D, #9BFB7D, #7DFB81, #7DFBA3 and #7DFBC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DFC83 shade: #2DF936, #55FA5D, #7DFB83, #A5FCAA and #CEFDD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DFC83 shade: #7DFC83, #7DDEFB and #FB7DAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DFC83 shade: #7DFC83, #817DFB and #FB817D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DFC83 shade: #7DFC83, #7DDEFB, #FB7DF7 and #FB9B7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DFC83 shade: #7DFC83, #7DB8FB, #FB7DF7 and #FBC07D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 48 / 1

HEX #7DFC83

RGB 125 252 131

HSL 122.83, 0.95%, 0.74%

LAB 89.68, -59.12, 47.1

 

Complementary color

CMYK 0 / 98 / 5 / 49

HEX #82037C

RGB 130 3 124

HSL 302.83, 0.95%, 0.26%

LAB 30.07, 58.2, -33.49

 

CMYK 48 / 0 / 50 / 1

HEX #82FC7E

RGB 130 252 126

HSL 118.1, 0.95%, 0.74%

LAB 89.8, -58.47, 49.63

 

CMYK 42 / 0 / 43 / 0

HEX #93FF91

RGB 147 255 145

HSL 118.91, 1%, 0.78%

LAB 91.58, -52.42, 42.97

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA4

RGB 164 255 164

HSL 120, 1%, 0.82%

LAB 92.62, -44.63, 35.14

 

CMYK 29 / 0 / 28 / 0

HEX #B5FFB7

RGB 181 255 183

HSL 121.62, 1%, 0.85%

LAB 93.78, -36.41, 27.32

 

CMYK 22 / 0 / 21 / 0

HEX #C6FFCA

RGB 198 255 202

HSL 124.21, 1%, 0.89%

LAB 95.07, -27.85, 19.59

 

CMYK 50 / 0 / 48 / 1

HEX #7DFC83

RGB 125 252 131

HSL 122.83, 0.95%, 0.74%

LAB 89.68, -59.12, 47.1

 

CMYK 54 / 0 / 52 / 8

HEX #6CEA70

RGB 108 234 112

HSL 121.9, 0.75%, 0.67%

LAB 83.55, -59.04, 48.36

 

CMYK 58 / 0 / 57 / 15

HEX #5BD85D

RGB 91 216 93

HSL 120.96, 0.62%, 0.6%

LAB 77.36, -58.79, 49.61

 

CMYK 63 / 0 / 63 / 22

HEX #4AC64A

RGB 74 198 74

HSL 120, 0.52%, 0.53%

LAB 71.1, -58.31, 50.76

 

CMYK 68 / 0 / 69 / 29

HEX #39B437

RGB 57 180 55

HSL 119.04, 0.53%, 0.46%

LAB 64.79, -57.45, 51.7

 

CMYK 50 / 0 / 48 / 2

HEX #7DFB83

RGB 125 251 131

HSL 122.86, 0.94%, 0.74%

LAB 89.39, -58.73, 46.73

 

CMYK 39 / 0 / 50 / 2

HEX #99FB7D

RGB 153 251 125

HSL 106.67, 0.94%, 0.74%

LAB 90.44, -51.58, 51.08

 

CMYK 25 / 0 / 50 / 2

HEX #BBFB7D

RGB 187 251 125

HSL 90.48, 0.94%, 0.74%

LAB 92.15, -40.38, 53.56

 

CMYK 12 / 0 / 50 / 2

HEX #DDFB7D

RGB 221 251 125

HSL 74.29, 0.94%, 0.74%

LAB 94.25, -27.97, 56.57

 

CMYK 0 / 2 / 50 / 2

HEX #FBF77D

RGB 251 247 125

HSL 58.1, 0.94%, 0.74%

LAB 95.38, -14.47, 58.45

 

CMYK 50 / 0 / 48 / 2

HEX #7DFB83

RGB 125 251 131

HSL 122.86, 0.94%, 0.74%

LAB 89.39, -58.73, 46.73

 

CMYK 50 / 0 / 34 / 2

HEX #7DFBA5

RGB 125 251 165

HSL 139.05, 0.94%, 0.74%

LAB 89.89, -53.49, 30.72

 

CMYK 50 / 0 / 21 / 2

HEX #7DFBC7

RGB 125 251 199

HSL 155.24, 0.94%, 0.74%

LAB 90.54, -47, 14.28

 

CMYK 50 / 0 / 7 / 2

HEX #7DFBE9

RGB 125 251 233

HSL 171.43, 0.94%, 0.74%

LAB 91.34, -39.41, -2.17

 

CMYK 50 / 6 / 0 / 2

HEX #7DEBFB

RGB 125 235 251

HSL 187.62, 0.94%, 0.74%

LAB 87.36, -27.4, -17.48

 

CMYK 50 / 0 / 48 / 2

HEX #7DFB83

RGB 125 251 131

HSL 122.86, 0.94%, 0.74%

LAB 89.39, -58.73, 46.73

 

CMYK 50 / 0 / 48 / 2

HEX #7DFB83

RGB 125 251 131

HSL 122.86, 0.94%, 0.74%

LAB 89.39, -58.73, 46.73

 

CMYK 43 / 0 / 41 / 6

HEX #88F08D

RGB 136 240 141

HSL 122.88, 0.78%, 0.74%

LAB 86.74, -49.94, 38.61

 

CMYK 36 / 0 / 34 / 10

HEX #93E697

RGB 147 230 151

HSL 122.89, 0.62%, 0.74%

LAB 84.5, -40.87, 30.74

 

CMYK 28 / 0 / 27 / 14

HEX #9DDBA0

RGB 157 219 160

HSL 122.9, 0.46%, 0.74%

LAB 82.04, -31.21, 22.86

 

CMYK 19 / 0 / 18 / 18

HEX #A8D0AA

RGB 168 208 170

HSL 123, 0.3%, 0.74%

LAB 79.81, -20.51, 14.59

 

CMYK 25 / 0 / 50 / 2

HEX #BCFB7D

RGB 188 251 125

HSL 90, 0.94%, 0.74%

LAB 92.21, -40.03, 53.64

 

CMYK 38 / 0 / 50 / 2

HEX #9BFB7D

RGB 155 251 125

HSL 105.71, 0.94%, 0.74%

LAB 90.53, -50.97, 51.21

 

CMYK 50 / 0 / 49 / 2

HEX #7DFB81

RGB 125 251 129

HSL 121.9, 0.94%, 0.74%

LAB 89.36, -59, 47.65

 

CMYK 50 / 0 / 35 / 2

HEX #7DFBA3

RGB 125 251 163

HSL 138.1, 0.94%, 0.74%

LAB 89.86, -53.83, 31.68

 

CMYK 50 / 0 / 22 / 2

HEX #7DFBC5

RGB 125 251 197

HSL 154.29, 0.94%, 0.74%

LAB 90.5, -47.42, 15.25

 

CMYK 82 / 0 / 78 / 2

HEX #2DF936

RGB 45 249 54

HSL 122.65, 0.94%, 0.58%

LAB 86.29, -80.42, 73.42

 

CMYK 66 / 0 / 63 / 2

HEX #55FA5D

RGB 85 250 93

HSL 122.91, 0.94%, 0.66%

LAB 87.53, -71.84, 61.19

 

CMYK 50 / 0 / 48 / 2

HEX #7DFB83

RGB 125 251 131

HSL 122.86, 0.94%, 0.74%

LAB 89.39, -58.73, 46.73

 

CMYK 35 / 0 / 33 / 1

HEX #A5FCAA

RGB 165 252 170

HSL 123.45, 0.94%, 0.82%

LAB 91.92, -42.09, 31.22

 

CMYK 19 / 0 / 18 / 1

HEX #CEFDD0

RGB 206 253 208

HSL 122.55, 0.92%, 0.9%

LAB 95.13, -23.29, 16.68

 

CMYK 50 / 0 / 48 / 1

HEX #7DFC83

RGB 125 252 131

HSL 122.83, 0.95%, 0.74%

LAB 89.68, -59.12, 47.1

 

CMYK 50 / 12 / 0 / 2

HEX #7DDEFB

RGB 125 222 251

HSL 193.81, 0.94%, 0.74%

LAB 83.74, -21, -22.96

 

CMYK 0 / 50 / 32 / 2

HEX #FB7DAB

RGB 251 125 171

HSL 338.1, 0.94%, 0.74%

LAB 68.11, 52.78, -1.74

 

CMYK 50 / 0 / 48 / 1

HEX #7DFC83

RGB 125 252 131

HSL 122.83, 0.95%, 0.74%

LAB 89.68, -59.12, 47.1

 

CMYK 49 / 50 / 0 / 2

HEX #817DFB

RGB 129 125 251

HSL 241.9, 0.94%, 0.74%

LAB 58.32, 33.89, -62.68

 

CMYK 0 / 49 / 50 / 2

HEX #FB817D

RGB 251 129 125

HSL 1.9, 0.94%, 0.74%

LAB 67.79, 46.02, 23.7

 

CMYK 50 / 0 / 48 / 1

HEX #7DFC83

RGB 125 252 131

HSL 122.83, 0.95%, 0.74%

LAB 89.68, -59.12, 47.1

 

CMYK 50 / 12 / 0 / 2

HEX #7DDEFB

RGB 125 222 251

HSL 193.81, 0.94%, 0.74%

LAB 83.74, -21, -22.96

 

CMYK 0 / 50 / 2 / 2

HEX #FB7DF7

RGB 251 125 247

HSL 301.9, 0.94%, 0.74%

LAB 70.8, 63.91, -39.92

 

CMYK 0 / 38 / 50 / 2

HEX #FB9B7D

RGB 251 155 125

HSL 14.29, 0.94%, 0.74%

LAB 73.18, 32.8, 30.86

 

CMYK 50 / 0 / 48 / 1

HEX #7DFC83

RGB 125 252 131

HSL 122.83, 0.95%, 0.74%

LAB 89.68, -59.12, 47.1

 

CMYK 50 / 27 / 0 / 2

HEX #7DB8FB

RGB 125 184 251

HSL 211.9, 0.94%, 0.74%

LAB 73.29, -1, -39.02

 

CMYK 0 / 50 / 2 / 2

HEX #FB7DF7

RGB 251 125 247

HSL 301.9, 0.94%, 0.74%

LAB 70.8, 63.91, -39.92

 

CMYK 0 / 24 / 50 / 2

HEX #FBC07D

RGB 251 192 125

HSL 31.9, 0.94%, 0.74%

LAB 81.67, 13.42, 41.76

 

Description

Color code: HEX #7DFC83 | qconv.com Color code: HEX #7DFC83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 252 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 252 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 48 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 48% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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