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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DFCA4 it is the complementary color #82035B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DFCA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DFCA4 shade: #82FC9F, #93FFB2, #A4FFC5, #B5FFD8 and #C6FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DFCA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DFCA4 shade: #7DFCA4, #6CEA91, #5BD87E, #4AC66B and #39B458

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DFCA4 shade: #7DFBA4, #7DFB82, #9AFB7D, #BCFB7D and #DEFB7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DFCA4 shade: #7DFBA4, #7DFBC6, #7DFBE8, #7DEDFB and #7DCBFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DFCA4 shade matches the following richer shades: #7DFBA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DFCA4 shade: #7DFBA4, #88F0A8, #93E6AC, #9DDBB0 and #A8D0B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DFCA4 shade: #9BFB7D, #7DFB81, #7DFBA3, #7DFBC5 and #7DFBE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DFCA4 shade: #2DF96C, #55FA88, #7DFBA4, #A5FCC0 and #CEFDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DFCA4 shade: #7DFCA4, #7DBCFB and #FB7D8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DFCA4 shade: #7DFCA4, #A37DFB and #FBA37D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DFCA4 shade: #7DFCA4, #7DBCFB, #FB7DD5 and #FBBC7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DFCA4 shade: #7DFCA4, #7D96FB, #FB7DD5 and #FBE27D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 35 / 1

HEX #7DFCA4

RGB 125 252 164

HSL 138.43, 0.95%, 0.74%

LAB 90.17, -54.07, 31.59

 

Complementary color

CMYK 0 / 98 / 30 / 49

HEX #82035B

RGB 130 3 91

HSL 318.43, 0.95%, 0.26%

LAB 28.29, 53.69, -15.02

 

CMYK 48 / 0 / 37 / 1

HEX #82FC9F

RGB 130 252 159

HSL 134.26, 0.95%, 0.75%

LAB 90.26, -53.66, 34.25

 

CMYK 42 / 0 / 30 / 0

HEX #93FFB2

RGB 147 255 178

HSL 137.22, 1%, 0.79%

LAB 92.1, -47.23, 27.3

 

CMYK 36 / 0 / 23 / 0

HEX #A4FFC5

RGB 164 255 197

HSL 141.76, 1%, 0.82%

LAB 93.21, -39.09, 19.28

 

CMYK 29 / 0 / 15 / 0

HEX #B5FFD8

RGB 181 255 216

HSL 148.38, 1%, 0.85%

LAB 94.44, -30.58, 11.4

 

CMYK 22 / 0 / 8 / 0

HEX #C6FFEB

RGB 198 255 235

HSL 158.95, 1%, 0.89%

LAB 95.8, -21.83, 3.7

 

CMYK 50 / 0 / 35 / 1

HEX #7DFCA4

RGB 125 252 164

HSL 138.43, 0.95%, 0.74%

LAB 90.17, -54.07, 31.59

 

CMYK 54 / 0 / 38 / 8

HEX #6CEA91

RGB 108 234 145

HSL 137.62, 0.75%, 0.67%

LAB 84.01, -54.14, 32.85

 

CMYK 58 / 0 / 42 / 15

HEX #5BD87E

RGB 91 216 126

HSL 136.8, 0.62%, 0.6%

LAB 77.78, -54.11, 34.18

 

CMYK 63 / 0 / 46 / 22

HEX #4AC66B

RGB 74 198 107

HSL 135.97, 0.52%, 0.53%

LAB 71.49, -53.91, 35.59

 

CMYK 68 / 0 / 51 / 29

HEX #39B458

RGB 57 180 88

HSL 135.12, 0.52%, 0.46%

LAB 65.13, -53.47, 37.07

 

CMYK 50 / 0 / 35 / 2

HEX #7DFBA4

RGB 125 251 164

HSL 138.57, 0.94%, 0.74%

LAB 89.88, -53.66, 31.2

 

CMYK 50 / 0 / 48 / 2

HEX #7DFB82

RGB 125 251 130

HSL 122.38, 0.94%, 0.74%

LAB 89.38, -58.87, 47.19

 

CMYK 39 / 0 / 50 / 2

HEX #9AFB7D

RGB 154 251 125

HSL 106.19, 0.94%, 0.74%

LAB 90.48, -51.28, 51.15

 

CMYK 25 / 0 / 50 / 2

HEX #BCFB7D

RGB 188 251 125

HSL 90, 0.94%, 0.74%

LAB 92.21, -40.03, 53.64

 

CMYK 12 / 0 / 50 / 2

HEX #DEFB7D

RGB 222 251 125

HSL 73.81, 0.94%, 0.74%

LAB 94.31, -27.59, 56.67

 

CMYK 50 / 0 / 35 / 2

HEX #7DFBA4

RGB 125 251 164

HSL 138.57, 0.94%, 0.74%

LAB 89.88, -53.66, 31.2

 

CMYK 50 / 0 / 21 / 2

HEX #7DFBC6

RGB 125 251 198

HSL 154.76, 0.94%, 0.74%

LAB 90.52, -47.21, 14.76

 

CMYK 50 / 0 / 8 / 2

HEX #7DFBE8

RGB 125 251 232

HSL 170.95, 0.94%, 0.74%

LAB 91.32, -39.64, -1.69

 

CMYK 50 / 6 / 0 / 2

HEX #7DEDFB

RGB 125 237 251

HSL 186.67, 0.94%, 0.74%

LAB 87.92, -28.37, -16.64

 

CMYK 50 / 19 / 0 / 2

HEX #7DCBFB

RGB 125 203 251

HSL 202.86, 0.94%, 0.74%

LAB 78.48, -11.23, -30.99

 

CMYK 50 / 0 / 35 / 2

HEX #7DFBA4

RGB 125 251 164

HSL 138.57, 0.94%, 0.74%

LAB 89.88, -53.66, 31.2

 

CMYK 50 / 0 / 35 / 2

HEX #7DFBA4

RGB 125 251 164

HSL 138.57, 0.94%, 0.74%

LAB 89.88, -53.66, 31.2

 

CMYK 43 / 0 / 30 / 6

HEX #88F0A8

RGB 136 240 168

HSL 138.46, 0.78%, 0.74%

LAB 87.18, -45.53, 25.6

 

CMYK 36 / 0 / 25 / 10

HEX #93E6AC

RGB 147 230 172

HSL 138.07, 0.62%, 0.74%

LAB 84.88, -37.28, 20.45

 

CMYK 28 / 0 / 20 / 14

HEX #9DDBB0

RGB 157 219 176

HSL 138.39, 0.46%, 0.74%

LAB 82.36, -28.38, 14.92

 

CMYK 19 / 0 / 13 / 18

HEX #A8D0B4

RGB 168 208 180

HSL 138, 0.3%, 0.74%

LAB 80.03, -18.69, 9.58

 

CMYK 38 / 0 / 50 / 2

HEX #9BFB7D

RGB 155 251 125

HSL 105.71, 0.94%, 0.74%

LAB 90.53, -50.97, 51.21

 

CMYK 50 / 0 / 49 / 2

HEX #7DFB81

RGB 125 251 129

HSL 121.9, 0.94%, 0.74%

LAB 89.36, -59, 47.65

 

CMYK 50 / 0 / 35 / 2

HEX #7DFBA3

RGB 125 251 163

HSL 138.1, 0.94%, 0.74%

LAB 89.86, -53.83, 31.68

 

CMYK 50 / 0 / 22 / 2

HEX #7DFBC5

RGB 125 251 197

HSL 154.29, 0.94%, 0.74%

LAB 90.5, -47.42, 15.25

 

CMYK 50 / 0 / 8 / 2

HEX #7DFBE6

RGB 125 251 230

HSL 170, 0.94%, 0.74%

LAB 91.26, -40.12, -0.73

 

CMYK 82 / 0 / 57 / 2

HEX #2DF96C

RGB 45 249 108

HSL 138.53, 0.94%, 0.58%

LAB 86.7, -75.41, 53.63

 

CMYK 66 / 0 / 46 / 2

HEX #55FA88

RGB 85 250 136

HSL 138.55, 0.94%, 0.66%

LAB 88.01, -66.34, 42.36

 

CMYK 50 / 0 / 35 / 2

HEX #7DFBA4

RGB 125 251 164

HSL 138.57, 0.94%, 0.74%

LAB 89.88, -53.66, 31.2

 

CMYK 35 / 0 / 24 / 1

HEX #A5FCC0

RGB 165 252 192

HSL 138.62, 0.94%, 0.82%

LAB 92.32, -38.36, 20.61

 

CMYK 19 / 0 / 13 / 1

HEX #CEFDDC

RGB 206 253 220

HSL 137.87, 0.92%, 0.9%

LAB 95.39, -21.19, 10.88

 

CMYK 50 / 0 / 35 / 1

HEX #7DFCA4

RGB 125 252 164

HSL 138.43, 0.95%, 0.74%

LAB 90.17, -54.07, 31.59

 

CMYK 50 / 25 / 0 / 2

HEX #7DBCFB

RGB 125 188 251

HSL 210, 0.94%, 0.74%

LAB 74.38, -3.19, -37.34

 

CMYK 0 / 50 / 45 / 2

HEX #FB7D8A

RGB 251 125 138

HSL 353.81, 0.94%, 0.74%

LAB 67.29, 49.17, 15.71

 

CMYK 50 / 0 / 35 / 1

HEX #7DFCA4

RGB 125 252 164

HSL 138.43, 0.95%, 0.74%

LAB 90.17, -54.07, 31.59

 

CMYK 35 / 50 / 0 / 2

HEX #A37DFB

RGB 163 125 251

HSL 258.1, 0.94%, 0.74%

LAB 61.15, 41.69, -57.99

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37D

RGB 251 163 125

HSL 18.1, 0.94%, 0.74%

LAB 74.94, 28.63, 33.16

 

CMYK 50 / 0 / 35 / 1

HEX #7DFCA4

RGB 125 252 164

HSL 138.43, 0.95%, 0.74%

LAB 90.17, -54.07, 31.59

 

CMYK 50 / 25 / 0 / 2

HEX #7DBCFB

RGB 125 188 251

HSL 210, 0.94%, 0.74%

LAB 74.38, -3.19, -37.34

 

CMYK 0 / 50 / 15 / 2

HEX #FB7DD5

RGB 251 125 213

HSL 318.1, 0.94%, 0.74%

LAB 69.46, 58.49, -23.24

 

CMYK 0 / 25 / 50 / 2

HEX #FBBC7D

RGB 251 188 125

HSL 30, 0.94%, 0.74%

LAB 80.71, 15.52, 40.56

 

CMYK 50 / 0 / 35 / 1

HEX #7DFCA4

RGB 125 252 164

HSL 138.43, 0.95%, 0.74%

LAB 90.17, -54.07, 31.59

 

CMYK 50 / 40 / 0 / 2

HEX #7D96FB

RGB 125 150 251

HSL 228.1, 0.94%, 0.74%

LAB 64.27, 18.34, -53.19

 

CMYK 0 / 50 / 15 / 2

HEX #FB7DD5

RGB 251 125 213

HSL 318.1, 0.94%, 0.74%

LAB 69.46, 58.49, -23.24

 

CMYK 0 / 10 / 50 / 2

HEX #FBE27D

RGB 251 226 125

HSL 48.1, 0.94%, 0.74%

LAB 90.04, -4.06, 52.08

 

Description

Color code: HEX #7DFCA4 | qconv.com Color code: HEX #7DFCA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 252 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 252 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 35 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 35% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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