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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E08CD it is the complementary color #81F732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E08CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E08CD shade: #8308C8, #941ADB, #A52CEE, #B63EFF and #C750FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E08CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E08CD shade: #7E08CD, #6D00BA, #5C00A7, #4B0094 and #3A0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E08CD shade: #7E08CD, #B308CD, #CD08B2, #CD087D and #CD0848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E08CD shade: #7E08CD, #4908CD, #1408CD and #0808CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E08CD shade matches the following richer shades: #7E08CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E08CD shade: #7E08CD, #7B19BC, #772BAA, #743C99 and #704D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E08CD shade: #1208CD, #4608CD, #7B08CD, #B008CD and #CD08B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E08CD shade: #4D057E, #6606A6, #7E08CD, #960AF4 and #A732F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E08CD shade: #7E08CD, #CD0833 and #08CD2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E08CD shade: #7E08CD, #CD7B08 and #08CD7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E08CD shade: #7E08CD, #CD0833, #5ACD08 and #08CDA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E08CD shade: #7E08CD, #CD1808, #5ACD08 and #08BDCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

Complementary color

CMYK 48 / 0 / 80 / 3

HEX #81F732

RGB 129 247 50

HSL 95.94, 0.92%, 0.58%

LAB 87.69, -63.42, 76.54

 

CMYK 35 / 96 / 0 / 22

HEX #8308C8

RGB 131 8 200

HSL 278.44, 0.92%, 0.41%

LAB 36.31, 71.3, -69.45

 

CMYK 32 / 88 / 0 / 14

HEX #941ADB

RGB 148 26 219

HSL 277.93, 0.79%, 0.48%

LAB 41.45, 74.29, -71.92

 

CMYK 31 / 82 / 0 / 7

HEX #A52CEE

RGB 165 44 238

HSL 277.42, 0.85%, 0.55%

LAB 46.94, 76, -73.66

 

CMYK 29 / 76 / 0 / 0

HEX #B63EFF

RGB 182 62 255

HSL 277.31, 1%, 0.62%

LAB 52.52, 76.4, -73.99

 

CMYK 22 / 69 / 0 / 0

HEX #C750FF

RGB 199 80 255

HSL 280.8, 1%, 0.66%

LAB 57.17, 72.77, -66.36

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 41 / 100 / 0 / 27

HEX #6D00BA

RGB 109 0 186

HSL 275.16, 1%, 0.36%

LAB 31.34, 67.17, -69.5

 

CMYK 45 / 100 / 0 / 35

HEX #5C00A7

RGB 92 0 167

HSL 273.05, 1%, 0.33%

LAB 26.92, 61.5, -65.49

 

CMYK 49 / 100 / 0 / 42

HEX #4B0094

RGB 75 0 148

HSL 270.41, 1%, 0.29%

LAB 22.42, 55.74, -61.37

 

CMYK 55 / 100 / 0 / 49

HEX #3A0081

RGB 58 0 129

HSL 266.98, 1%, 0.25%

LAB 17.85, 49.9, -57.1

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 13 / 96 / 0 / 20

HEX #B308CD

RGB 179 8 205

HSL 292.08, 0.92%, 0.42%

LAB 44.47, 78.64, -58.73

 

CMYK 0 / 96 / 13 / 20

HEX #CD08B2

RGB 205 8 178

HSL 308.22, 0.92%, 0.42%

LAB 47.45, 78.98, -37.93

 

CMYK 0 / 96 / 39 / 20

HEX #CD087D

RGB 205 8 125

HSL 324.37, 0.92%, 0.42%

LAB 45.13, 72.99, -9.61

 

CMYK 0 / 96 / 65 / 20

HEX #CD0848

RGB 205 8 72

HSL 340.51, 0.92%, 0.42%

LAB 43.68, 69.11, 21.41

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 64 / 96 / 0 / 20

HEX #4908CD

RGB 73 8 205

HSL 259.8, 0.92%, 0.42%

LAB 29.41, 67.42, -84.01

 

CMYK 90 / 96 / 0 / 20

HEX #1408CD

RGB 20 8 205

HSL 243.65, 0.92%, 0.42%

LAB 25.95, 65.72, -89.86

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 35 / 87 / 0 / 26

HEX #7B19BC

RGB 123 25 188

HSL 276.07, 0.77%, 0.42%

LAB 35.08, 64.79, -64.46

 

CMYK 30 / 75 / 0 / 33

HEX #772BAA

RGB 119 43 170

HSL 275.91, 0.6%, 0.42%

LAB 35.11, 54.21, -53.74

 

CMYK 24 / 61 / 0 / 40

HEX #743C99

RGB 116 60 153

HSL 276.13, 0.44%, 0.42%

LAB 36.45, 41.5, -41.36

 

CMYK 18 / 43 / 0 / 47

HEX #704D88

RGB 112 77 136

HSL 275.59, 0.28%, 0.42%

LAB 38.78, 26.56, -27.37

 

CMYK 91 / 96 / 0 / 20

HEX #1208CD

RGB 18 8 205

HSL 243.05, 0.92%, 0.42%

LAB 25.89, 65.69, -89.96

 

CMYK 66 / 96 / 0 / 20

HEX #4608CD

RGB 70 8 205

HSL 258.88, 0.92%, 0.42%

LAB 29.12, 67.26, -84.5

 

CMYK 40 / 96 / 0 / 20

HEX #7B08CD

RGB 123 8 205

HSL 275.03, 0.92%, 0.42%

LAB 35.58, 71.42, -73.6

 

CMYK 14 / 96 / 0 / 20

HEX #B008CD

RGB 176 8 205

HSL 291.17, 0.92%, 0.42%

LAB 43.96, 78.19, -59.57

 

CMYK 0 / 96 / 11 / 20

HEX #CD08B6

RGB 205 8 182

HSL 307.01, 0.92%, 0.42%

LAB 47.66, 79.51, -39.95

 

CMYK 39 / 96 / 0 / 51

HEX #4D057E

RGB 77 5 126

HSL 275.7, 0.92%, 0.26%

LAB 20.8, 49.77, -50.23

 

CMYK 39 / 96 / 0 / 35

HEX #6606A6

RGB 102 6 166

HSL 276, 0.93%, 0.34%

LAB 28.66, 61.26, -61.96

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 39 / 96 / 0 / 4

HEX #960AF4

RGB 150 10 244

HSL 275.9, 0.92%, 0.5%

LAB 43.11, 81.87, -83.4

 

CMYK 32 / 80 / 0 / 4

HEX #A732F6

RGB 167 50 246

HSL 275.82, 0.92%, 0.58%

LAB 48.45, 76.13, -75.69

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 0 / 96 / 75 / 20

HEX #CD0833

RGB 205 8 51

HSL 346.9, 0.92%, 0.42%

LAB 43.35, 68.19, 33.93

 

CMYK 96 / 0 / 79 / 20

HEX #08CD2C

RGB 8 205 44

HSL 130.96, 0.92%, 0.42%

LAB 72.16, -71.22, 62.75

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 0 / 40 / 96 / 20

HEX #CD7B08

RGB 205 123 8

HSL 35.03, 0.92%, 0.42%

LAB 59.12, 25.12, 64.34

 

CMYK 96 / 0 / 40 / 20

HEX #08CD7B

RGB 8 205 123

HSL 155.03, 0.92%, 0.42%

LAB 72.99, -61.06, 29.17

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 0 / 96 / 75 / 20

HEX #CD0833

RGB 205 8 51

HSL 346.9, 0.92%, 0.42%

LAB 43.35, 68.19, 33.93

 

CMYK 56 / 0 / 96 / 20

HEX #5ACD08

RGB 90 205 8

HSL 95.03, 0.92%, 0.42%

LAB 73.45, -60.61, 71.5

 

CMYK 96 / 0 / 21 / 20

HEX #08CDA2

RGB 8 205 162

HSL 166.9, 0.92%, 0.42%

LAB 73.75, -52.4, 9.6

 

CMYK 39 / 96 / 0 / 20

HEX #7E08CD

RGB 126 8 205

HSL 275.94, 0.92%, 0.42%

LAB 36.02, 71.74, -72.87

 

CMYK 0 / 88 / 96 / 20

HEX #CD1808

RGB 205 24 8

HSL 4.87, 0.92%, 0.42%

LAB 43.73, 65.24, 54.84

 

CMYK 56 / 0 / 96 / 20

HEX #5ACD08

RGB 90 205 8

HSL 95.03, 0.92%, 0.42%

LAB 73.45, -60.61, 71.5

 

CMYK 96 / 8 / 0 / 20

HEX #08BDCD

RGB 8 189 205

HSL 184.87, 0.92%, 0.42%

LAB 70.07, -33.18, -19.22

 

Description

Color code: HEX #7E08CD | qconv.com Color code: HEX #7E08CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 8 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 8 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 96 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 96% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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