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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E0E56 it is the complementary color #81F1A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E0E56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E0E56 shade: #830E51, #942064, #A53277, #B6448A and #C7569D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E0E56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E0E56 shade: #7E0E56, #6D0043, #5C0030, #4B001D and #3A000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E0E56 shade: #7B0D54, #7B0D36, #7B0D19 and #7B0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E0E56 shade: #7B0D54, #7B0D72, #670D7B, #4A0D7B and #2C0D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E0E56 shade matches the following richer shades: #7B0D54 and #870257

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E0E56 shade: #7B0D54, #701851, #65244E, #5A2F4B and #4F3A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E0E56 shade: #670D7B, #7B0D72, #7B0D55, #7B0D37 and #7B0D1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E0E56 shade: #310521, #56093B, #7B0D54, #A1116D and #C61687

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E0E56 shade: #7E0E56, #7B4A0D and #0D7B76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E0E56 shade: #7E0E56, #557B0D and #0D557B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E0E56 shade: #7E0E56, #7B4A0D, #0D7B34 and #0D3F7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E0E56 shade: #7E0E56, #7B6B0D, #0D7B34 and #0D1E7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 32 / 51

HEX #7E0E56

RGB 126 14 86

HSL 321.43, 0.8%, 0.27%

LAB 27.9, 50.22, -12.38

 

Complementary color

CMYK 46 / 0 / 30 / 5

HEX #81F1A9

RGB 129 241 169

HSL 141.43, 0.8%, 0.73%

LAB 87.21, -47.63, 25.09

 

CMYK 0 / 89 / 38 / 49

HEX #830E51

RGB 131 14 81

HSL 325.64, 0.81%, 0.28%

LAB 28.73, 50.88, -7.72

 

CMYK 0 / 78 / 32 / 42

HEX #942064

RGB 148 32 100

HSL 324.83, 0.64%, 0.35%

LAB 34.5, 52.72, -11.06

 

CMYK 0 / 70 / 28 / 35

HEX #A53277

RGB 165 50 119

HSL 324, 0.53%, 0.42%

LAB 40.59, 53.4, -13.48

 

CMYK 0 / 63 / 24 / 29

HEX #B6448A

RGB 182 68 138

HSL 323.16, 0.46%, 0.49%

LAB 46.86, 53.39, -15.3

 

CMYK 0 / 57 / 21 / 22

HEX #C7569D

RGB 199 86 157

HSL 322.3, 0.5%, 0.56%

LAB 53.2, 53.02, -16.72

 

CMYK 0 / 89 / 32 / 51

HEX #7E0E56

RGB 126 14 86

HSL 321.43, 0.8%, 0.27%

LAB 27.9, 50.22, -12.38

 

CMYK 0 / 100 / 39 / 57

HEX #6D0043

RGB 109 0 67

HSL 323.12, 1%, 0.21%

LAB 22.5, 46.77, -8.13

 

CMYK 0 / 100 / 48 / 64

HEX #5C0030

RGB 92 0 48

HSL 328.7, 1%, 0.18%

LAB 17.87, 40.7, -2.12

 

CMYK 0 / 100 / 61 / 71

HEX #4B001D

RGB 75 0 29

HSL 336.8, 1%, 0.15%

LAB 13.14, 34.57, 4.48

 

CMYK 0 / 100 / 83 / 77

HEX #3A000A

RGB 58 0 10

HSL 349.66, 1%, 0.11%

LAB 8.32, 28.44, 9.05

 

CMYK 0 / 89 / 32 / 52

HEX #7B0D54

RGB 123 13 84

HSL 321.27, 0.81%, 0.27%

LAB 27.13, 49.46, -12.3

 

CMYK 0 / 89 / 56 / 52

HEX #7B0D36

RGB 123 13 54

HSL 337.64, 0.81%, 0.27%

LAB 26.05, 46.44, 6.38

 

CMYK 0 / 89 / 80 / 52

HEX #7B0D19

RGB 123 13 25

HSL 353.45, 0.81%, 0.27%

LAB 25.47, 44.74, 25.16

 

CMYK 0 / 89 / 89 / 52

HEX #7B0D0D

RGB 123 13 13

HSL 0, 0.81%, 0.27%

LAB 25.34, 44.37, 32.07

 

CMYK 0 / 89 / 32 / 52

HEX #7B0D54

RGB 123 13 84

HSL 321.27, 0.81%, 0.27%

LAB 27.13, 49.46, -12.3

 

CMYK 0 / 89 / 7 / 52

HEX #7B0D72

RGB 123 13 114

HSL 304.91, 0.81%, 0.27%

LAB 28.68, 53.64, -29.43

 

CMYK 16 / 89 / 0 / 52

HEX #670D7B

RGB 103 13 123

HSL 289.09, 0.81%, 0.27%

LAB 25.57, 51.33, -40.36

 

CMYK 40 / 89 / 0 / 52

HEX #4A0D7B

RGB 74 13 123

HSL 273.27, 0.81%, 0.27%

LAB 20.73, 46.62, -48.45

 

CMYK 64 / 89 / 0 / 52

HEX #2C0D7B

RGB 44 13 123

HSL 256.91, 0.81%, 0.27%

LAB 16.76, 43.05, -55.12

 

CMYK 0 / 89 / 32 / 52

HEX #7B0D54

RGB 123 13 84

HSL 321.27, 0.81%, 0.27%

LAB 27.13, 49.46, -12.3

 

CMYK 0 / 99 / 36 / 47

HEX #870257

RGB 135 2 87

HSL 321.65, 0.97%, 0.27%

LAB 29.11, 54.51, -11.03

 

CMYK 0 / 89 / 32 / 52

HEX #7B0D54

RGB 123 13 84

HSL 321.27, 0.81%, 0.27%

LAB 27.13, 49.46, -12.3

 

CMYK 0 / 79 / 28 / 56

HEX #701851

RGB 112 24 81

HSL 321.14, 0.65%, 0.27%

LAB 25.84, 43.2, -12.47

 

CMYK 0 / 64 / 23 / 60

HEX #65244E

RGB 101 36 78

HSL 321.23, 0.47%, 0.27%

LAB 25.5, 34.37, -11.17

 

CMYK 0 / 48 / 17 / 65

HEX #5A2F4B

RGB 90 47 75

HSL 320.93, 0.31%, 0.27%

LAB 25.91, 23.87, -8.71

 

CMYK 0 / 27 / 10 / 69

HEX #4F3A47

RGB 79 58 71

HSL 322.86, 0.15%, 0.27%

LAB 27.14, 11.75, -4.36

 

CMYK 16 / 89 / 0 / 52

HEX #670D7B

RGB 103 13 123

HSL 289.09, 0.81%, 0.27%

LAB 25.57, 51.33, -40.36

 

CMYK 0 / 89 / 7 / 52

HEX #7B0D72

RGB 123 13 114

HSL 304.91, 0.81%, 0.27%

LAB 28.68, 53.64, -29.43

 

CMYK 0 / 89 / 31 / 52

HEX #7B0D55

RGB 123 13 85

HSL 320.73, 0.81%, 0.27%

LAB 27.17, 49.58, -12.9

 

CMYK 0 / 89 / 55 / 52

HEX #7B0D37

RGB 123 13 55

HSL 337.09, 0.81%, 0.27%

LAB 26.08, 46.52, 5.73

 

CMYK 0 / 89 / 79 / 52

HEX #7B0D1A

RGB 123 13 26

HSL 352.91, 0.81%, 0.27%

LAB 25.48, 44.78, 24.53

 

CMYK 0 / 90 / 33 / 81

HEX #310521

RGB 49 5 33

HSL 321.82, 0.81%, 0.11%

LAB 7.87, 25.13, -7.03

 

CMYK 0 / 90 / 31 / 66

HEX #56093B

RGB 86 9 59

HSL 321.04, 0.81%, 0.19%

LAB 17.87, 37.85, -10.07

 

CMYK 0 / 89 / 32 / 52

HEX #7B0D54

RGB 123 13 84

HSL 321.27, 0.81%, 0.27%

LAB 27.13, 49.46, -12.3

 

CMYK 0 / 89 / 32 / 37

HEX #A1116D

RGB 161 17 109

HSL 321.67, 0.81%, 0.35%

LAB 36.14, 60.56, -14.06

 

CMYK 0 / 89 / 32 / 22

HEX #C61687

RGB 198 22 135

HSL 321.48, 0.8%, 0.43%

LAB 44.7, 70.85, -16.51

 

CMYK 0 / 89 / 32 / 51

HEX #7E0E56

RGB 126 14 86

HSL 321.43, 0.8%, 0.27%

LAB 27.9, 50.22, -12.38

 

CMYK 0 / 40 / 89 / 52

HEX #7B4A0D

RGB 123 74 13

HSL 33.27, 0.81%, 0.27%

LAB 36.25, 16.14, 41.29

 

CMYK 89 / 0 / 4 / 52

HEX #0D7B76

RGB 13 123 118

HSL 177.27, 0.81%, 0.27%

LAB 46.39, -28.87, -5.33

 

CMYK 0 / 89 / 32 / 51

HEX #7E0E56

RGB 126 14 86

HSL 321.43, 0.8%, 0.27%

LAB 27.9, 50.22, -12.38

 

CMYK 31 / 0 / 89 / 52

HEX #557B0D

RGB 85 123 13

HSL 80.73, 0.81%, 0.27%

LAB 47.14, -29.22, 49

 

CMYK 89 / 31 / 0 / 52

HEX #0D557B

RGB 13 85 123

HSL 200.73, 0.81%, 0.27%

LAB 34.01, -6.08, -27.31

 

CMYK 0 / 89 / 32 / 51

HEX #7E0E56

RGB 126 14 86

HSL 321.43, 0.8%, 0.27%

LAB 27.9, 50.22, -12.38

 

CMYK 0 / 40 / 89 / 52

HEX #7B4A0D

RGB 123 74 13

HSL 33.27, 0.81%, 0.27%

LAB 36.25, 16.14, 41.29

 

CMYK 89 / 0 / 58 / 52

HEX #0D7B34

RGB 13 123 52

HSL 141.27, 0.81%, 0.27%

LAB 44.94, -44.76, 30.55

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 0 / 89 / 32 / 51

HEX #7E0E56

RGB 126 14 86

HSL 321.43, 0.8%, 0.27%

LAB 27.9, 50.22, -12.38

 

CMYK 0 / 13 / 89 / 52

HEX #7B6B0D

RGB 123 107 13

HSL 51.27, 0.81%, 0.27%

LAB 45.3, -3.34, 48.71

 

CMYK 89 / 0 / 58 / 52

HEX #0D7B34

RGB 13 123 52

HSL 141.27, 0.81%, 0.27%

LAB 44.94, -44.76, 30.55

 

CMYK 89 / 76 / 0 / 52

HEX #0D1E7B

RGB 13 30 123

HSL 230.73, 0.81%, 0.27%

LAB 17.66, 31.74, -53.7

 

Description

Color code: HEX #7E0E56 | qconv.com Color code: HEX #7E0E56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 14 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 14 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 32 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 32% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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