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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E2E41 it is the complementary color #81D1BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E2E41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E2E41 shade: #832E3C, #94404F, #A55262, #B66475 and #C77688

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E2E41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E2E41 shade: #7E2E41, #6D1C2E, #5C0A1B, #4B0008 and #3A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E2E41 shade: #7F2D41 and #7F2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E2E41 shade: #7F2D41, #7F2D57, #7F2D6D, #7B2D7F and #652D7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E2E41 shade matches the following richer shades: #7F2D41, #8D1F39, #9B1132 and #A9032B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E2E41 shade: #7F2D41, #713B48, #634A50, #555857 and #47665E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E2E41 shade: #7F2D6D, #7F2D58, #7F2D42, #7F2F2D and #7F452D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E2E41 shade: #421822, #612331, #7F2D41, #9D3850 and #BB4460

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E2E41 shade: #7E2E41, #7F7B2D and #2D627F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E2E41 shade: #7E2E41, #427F2D and #2D427F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E2E41 shade: #7E2E41, #7F7B2D, #2D7F6B and #2D327F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E2E41 shade: #7E2E41, #6B7F2D, #2D7F6B and #422D7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 48 / 51

HEX #7E2E41

RGB 126 46 65

HSL 345.75, 0.47%, 0.34%

LAB 31.28, 36.39, 6.47

 

Complementary color

CMYK 38 / 0 / 9 / 18

HEX #81D1BE

RGB 129 209 190

HSL 165.75, 0.47%, 0.66%

LAB 78.45, -28.88, 1.69

 

CMYK 0 / 65 / 54 / 49

HEX #832E3C

RGB 131 46 60

HSL 350.12, 0.48%, 0.35%

LAB 32.05, 37.69, 10.94

 

CMYK 0 / 57 / 47 / 42

HEX #94404F

RGB 148 64 79

HSL 349.29, 0.4%, 0.42%

LAB 38.77, 36.83, 8.58

 

CMYK 0 / 50 / 41 / 35

HEX #A55262

RGB 165 82 98

HSL 348.43, 0.34%, 0.48%

LAB 45.52, 35.85, 6.73

 

CMYK 0 / 45 / 36 / 29

HEX #B66475

RGB 182 100 117

HSL 347.56, 0.36%, 0.55%

LAB 52.22, 34.86, 5.22

 

CMYK 0 / 41 / 32 / 22

HEX #C77688

RGB 199 118 136

HSL 346.67, 0.42%, 0.62%

LAB 58.86, 33.91, 3.94

 

CMYK 0 / 63 / 48 / 51

HEX #7E2E41

RGB 126 46 65

HSL 345.75, 0.47%, 0.34%

LAB 31.28, 36.39, 6.47

 

CMYK 0 / 74 / 58 / 57

HEX #6D1C2E

RGB 109 28 46

HSL 346.67, 0.59%, 0.27%

LAB 24.57, 36.82, 9.34

 

CMYK 0 / 89 / 71 / 64

HEX #5C0A1B

RGB 92 10 27

HSL 347.56, 0.8%, 0.2%

LAB 18.24, 36.2, 13.5

 

CMYK 0 / 100 / 89 / 71

HEX #4B0008

RGB 75 0 8

HSL 353.6, 1%, 0.15%

LAB 12.69, 33.38, 16.64

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 65 / 49 / 50

HEX #7F2D41

RGB 127 45 65

HSL 345.37, 0.48%, 0.34%

LAB 31.28, 37.22, 6.49

 

CMYK 0 / 65 / 65 / 50

HEX #7F2D2D

RGB 127 45 45

HSL 0, 0.48%, 0.34%

LAB 30.83, 35.49, 18.91

 

CMYK 0 / 65 / 49 / 50

HEX #7F2D41

RGB 127 45 65

HSL 345.37, 0.48%, 0.34%

LAB 31.28, 37.22, 6.49

 

CMYK 0 / 65 / 31 / 50

HEX #7F2D57

RGB 127 45 87

HSL 329.27, 0.48%, 0.34%

LAB 31.98, 39.84, -6.85

 

CMYK 0 / 65 / 14 / 50

HEX #7F2D6D

RGB 127 45 109

HSL 313.17, 0.48%, 0.34%

LAB 32.9, 43.15, -19.57

 

CMYK 3 / 65 / 0 / 50

HEX #7B2D7F

RGB 123 45 127

HSL 297.07, 0.48%, 0.34%

LAB 33.18, 45.22, -30.52

 

CMYK 20 / 65 / 0 / 50

HEX #652D7F

RGB 101 45 127

HSL 280.98, 0.48%, 0.34%

LAB 29.85, 39.47, -36.01

 

CMYK 0 / 65 / 49 / 50

HEX #7F2D41

RGB 127 45 65

HSL 345.37, 0.48%, 0.34%

LAB 31.28, 37.22, 6.49

 

CMYK 0 / 78 / 60 / 45

HEX #8D1F39

RGB 141 31 57

HSL 345.82, 0.64%, 0.34%

LAB 31.67, 46.85, 12.7

 

CMYK 0 / 89 / 68 / 39

HEX #9B1132

RGB 155 17 50

HSL 345.65, 0.8%, 0.34%

LAB 33.14, 54.1, 19.75

 

CMYK 0 / 98 / 75 / 34

HEX #A9032B

RGB 169 3 43

HSL 345.54, 0.97%, 0.34%

LAB 35.35, 59.44, 27.64

 

CMYK 0 / 65 / 49 / 50

HEX #7F2D41

RGB 127 45 65

HSL 345.37, 0.48%, 0.34%

LAB 31.28, 37.22, 6.49

 

CMYK 0 / 48 / 36 / 56

HEX #713B48

RGB 113 59 72

HSL 345.56, 0.31%, 0.34%

LAB 32.05, 25.29, 2.72

 

CMYK 0 / 25 / 19 / 61

HEX #634A50

RGB 99 74 80

HSL 345.6, 0.14%, 0.34%

LAB 34.25, 11.65, 0.56

 

CMYK 3 / 0 / 1 / 65

HEX #555857

RGB 85 88 87

HSL 160, 0.02%, 0.34%

LAB 37.11, -1.41, 0.16

 

CMYK 30 / 0 / 8 / 60

HEX #47665E

RGB 71 102 94

HSL 164.52, 0.18%, 0.34%

LAB 40.66, -13.22, 0.88

 

CMYK 0 / 65 / 14 / 50

HEX #7F2D6D

RGB 127 45 109

HSL 313.17, 0.48%, 0.34%

LAB 32.9, 43.15, -19.57

 

CMYK 0 / 65 / 31 / 50

HEX #7F2D58

RGB 127 45 88

HSL 328.54, 0.48%, 0.34%

LAB 32.02, 39.98, -7.44

 

CMYK 0 / 65 / 48 / 50

HEX #7F2D42

RGB 127 45 66

HSL 344.63, 0.48%, 0.34%

LAB 31.31, 37.33, 5.88

 

CMYK 0 / 63 / 65 / 50

HEX #7F2F2D

RGB 127 47 45

HSL 1.46, 0.48%, 0.34%

LAB 31.19, 34.51, 19.38

 

CMYK 0 / 46 / 65 / 50

HEX #7F452D

RGB 127 69 45

HSL 17.56, 0.48%, 0.34%

LAB 35.9, 22.53, 25.22

 

CMYK 0 / 64 / 48 / 74

HEX #421822

RGB 66 24 34

HSL 345.71, 0.47%, 0.18%

LAB 15.1, 21.51, 3.3

 

CMYK 0 / 64 / 49 / 62

HEX #612331

RGB 97 35 49

HSL 346.45, 0.47%, 0.26%

LAB 23.56, 29.52, 5.53

 

CMYK 0 / 65 / 49 / 50

HEX #7F2D41

RGB 127 45 65

HSL 345.37, 0.48%, 0.34%

LAB 31.28, 37.22, 6.49

 

CMYK 0 / 64 / 49 / 38

HEX #9D3850

RGB 157 56 80

HSL 345.74, 0.47%, 0.42%

LAB 38.86, 43.97, 8.28

 

CMYK 0 / 64 / 49 / 27

HEX #BB4460

RGB 187 68 96

HSL 345.88, 0.47%, 0.5%

LAB 46.37, 50.12, 9.65

 

CMYK 0 / 63 / 48 / 51

HEX #7E2E41

RGB 126 46 65

HSL 345.75, 0.47%, 0.34%

LAB 31.28, 36.39, 6.47

 

CMYK 0 / 3 / 65 / 50

HEX #7F7B2D

RGB 127 123 45

HSL 57.07, 0.48%, 0.34%

LAB 50.53, -8.93, 41.85

 

CMYK 65 / 23 / 0 / 50

HEX #2D627F

RGB 45 98 127

HSL 201.22, 0.48%, 0.34%

LAB 39.29, -8.06, -21.47

 

CMYK 0 / 63 / 48 / 51

HEX #7E2E41

RGB 126 46 65

HSL 345.75, 0.47%, 0.34%

LAB 31.28, 36.39, 6.47

 

CMYK 48 / 0 / 65 / 50

HEX #427F2D

RGB 66 127 45

HSL 104.63, 0.48%, 0.34%

LAB 47.66, -35.93, 37.52

 

CMYK 65 / 48 / 0 / 50

HEX #2D427F

RGB 45 66 127

HSL 224.63, 0.48%, 0.34%

LAB 29.38, 12.59, -37.08

 

CMYK 0 / 63 / 48 / 51

HEX #7E2E41

RGB 126 46 65

HSL 345.75, 0.47%, 0.34%

LAB 31.28, 36.39, 6.47

 

CMYK 0 / 3 / 65 / 50

HEX #7F7B2D

RGB 127 123 45

HSL 57.07, 0.48%, 0.34%

LAB 50.53, -8.93, 41.85

 

CMYK 65 / 0 / 16 / 50

HEX #2D7F6B

RGB 45 127 107

HSL 165.37, 0.48%, 0.34%

LAB 48, -29.84, 3.61

 

CMYK 65 / 61 / 0 / 50

HEX #2D327F

RGB 45 50 127

HSL 236.34, 0.48%, 0.34%

LAB 24.86, 23.54, -44.37

 

CMYK 0 / 63 / 48 / 51

HEX #7E2E41

RGB 126 46 65

HSL 345.75, 0.47%, 0.34%

LAB 31.28, 36.39, 6.47

 

CMYK 16 / 0 / 65 / 50

HEX #6B7F2D

RGB 107 127 45

HSL 74.63, 0.48%, 0.34%

LAB 50.09, -20.02, 40.89

 

CMYK 65 / 0 / 16 / 50

HEX #2D7F6B

RGB 45 127 107

HSL 165.37, 0.48%, 0.34%

LAB 48, -29.84, 3.61

 

CMYK 48 / 65 / 0 / 50

HEX #422D7F

RGB 66 45 127

HSL 255.37, 0.48%, 0.34%

LAB 25.46, 31.01, -43.31

 

Description

Color code: HEX #7E2E41 | qconv.com Color code: HEX #7E2E41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 46 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 46 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 48 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 48% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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