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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E2F54 it is the complementary color #81D0AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E2F54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E2F54 shade: #832F4F, #944162, #A55375, #B66588 and #C7779B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E2F54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E2F54 shade: #7E2F54, #6D1D41, #5C0B2E, #4B001B and #3A0008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E2F54 shade: #7E2E54, #7E2E3E and #7E2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E2F54 shade: #7E2E54, #7E2E69, #7D2E7E, #682E7E and #522E7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E2F54 shade matches the following richer shades: #7E2E54, #8C2053, #9A1252 and #A80451

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E2F54 shade: #7E2E54, #703C55, #624A55, #545856 and #466657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E2F54 shade: #7D2E7E, #7E2E6A, #7E2E55, #7E2E40 and #7E322E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E2F54 shade: #42182C, #602340, #7E2E54, #9C3968 and #BA457C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E2F54 shade: #7E2F54, #7E672E and #2E757E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E2F54 shade: #7E2F54, #557E2E and #2E557E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E2F54 shade: #7E2F54, #7E672E, #2E7E58 and #2E457E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E2F54 shade: #7E2F54, #7D7E2E, #2E7E58 and #302E7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 33 / 51

HEX #7E2F54

RGB 126 47 84

HSL 331.9, 0.46%, 0.34%

LAB 32.05, 38.16, -4.81

 

Complementary color

CMYK 38 / 0 / 18 / 18

HEX #81D0AB

RGB 129 208 171

HSL 151.9, 0.46%, 0.66%

LAB 77.71, -32.5, 10.79

 

CMYK 0 / 64 / 40 / 49

HEX #832F4F

RGB 131 47 79

HSL 337.14, 0.47%, 0.35%

LAB 32.75, 39.21, -0.44

 

CMYK 0 / 56 / 34 / 42

HEX #944162

RGB 148 65 98

HSL 336.14, 0.39%, 0.42%

LAB 39.51, 38.57, -2.3

 

CMYK 0 / 50 / 29 / 35

HEX #A55375

RGB 165 83 117

HSL 335.12, 0.33%, 0.49%

LAB 46.27, 37.75, -3.74

 

CMYK 0 / 45 / 25 / 29

HEX #B66588

RGB 182 101 136

HSL 334.07, 0.36%, 0.55%

LAB 52.98, 36.89, -4.91

 

CMYK 0 / 40 / 22 / 22

HEX #C7779B

RGB 199 119 155

HSL 333, 0.42%, 0.62%

LAB 59.62, 36.04, -5.91

 

CMYK 0 / 63 / 33 / 51

HEX #7E2F54

RGB 126 47 84

HSL 331.9, 0.46%, 0.34%

LAB 32.05, 38.16, -4.81

 

CMYK 0 / 73 / 40 / 57

HEX #6D1D41

RGB 109 29 65

HSL 333, 0.58%, 0.27%

LAB 25.3, 38.35, -2.58

 

CMYK 0 / 88 / 50 / 64

HEX #5C0B2E

RGB 92 11 46

HSL 334.07, 0.79%, 0.2%

LAB 18.85, 37.46, 0.75

 

CMYK 0 / 100 / 64 / 71

HEX #4B001B

RGB 75 0 27

HSL 338.4, 1%, 0.15%

LAB 13.08, 34.41, 5.9

 

CMYK 0 / 100 / 86 / 77

HEX #3A0008

RGB 58 0 8

HSL 351.72, 1%, 0.11%

LAB 8.28, 28.34, 9.81

 

CMYK 0 / 63 / 33 / 51

HEX #7E2E54

RGB 126 46 84

HSL 331.5, 0.47%, 0.34%

LAB 31.87, 38.64, -5.08

 

CMYK 0 / 63 / 51 / 51

HEX #7E2E3E

RGB 126 46 62

HSL 348, 0.47%, 0.34%

LAB 31.2, 36.08, 8.32

 

CMYK 0 / 63 / 63 / 51

HEX #7E2E2E

RGB 126 46 46

HSL 0, 0.47%, 0.34%

LAB 30.85, 34.7, 18.26

 

CMYK 0 / 63 / 33 / 51

HEX #7E2E54

RGB 126 46 84

HSL 331.5, 0.47%, 0.34%

LAB 31.87, 38.64, -5.08

 

CMYK 0 / 63 / 17 / 51

HEX #7E2E69

RGB 126 46 105

HSL 315.75, 0.47%, 0.34%

LAB 32.72, 41.74, -17.31

 

CMYK 1 / 63 / 0 / 51

HEX #7D2E7E

RGB 125 46 126

HSL 299.25, 0.47%, 0.34%

LAB 33.61, 45.11, -29.2

 

CMYK 17 / 63 / 0 / 51

HEX #682E7E

RGB 104 46 126

HSL 283.5, 0.47%, 0.34%

LAB 30.41, 39.51, -34.47

 

CMYK 35 / 63 / 0 / 51

HEX #522E7E

RGB 82 46 126

HSL 267, 0.47%, 0.34%

LAB 27.45, 33.86, -39.38

 

CMYK 0 / 63 / 33 / 51

HEX #7E2E54

RGB 126 46 84

HSL 331.5, 0.47%, 0.34%

LAB 31.87, 38.64, -5.08

 

CMYK 0 / 77 / 41 / 45

HEX #8C2053

RGB 140 32 83

HSL 331.67, 0.63%, 0.34%

LAB 32.33, 48.58, -3.47

 

CMYK 0 / 88 / 47 / 40

HEX #9A1252

RGB 154 18 82

HSL 331.76, 0.79%, 0.34%

LAB 33.8, 55.95, -0.33

 

CMYK 0 / 98 / 52 / 34

HEX #A80451

RGB 168 4 81

HSL 331.83, 0.95%, 0.34%

LAB 36, 61.29, 3.87

 

CMYK 0 / 63 / 33 / 51

HEX #7E2E54

RGB 126 46 84

HSL 331.5, 0.47%, 0.34%

LAB 31.87, 38.64, -5.08

 

CMYK 0 / 46 / 24 / 56

HEX #703C55

RGB 112 60 85

HSL 331.15, 0.3%, 0.34%

LAB 32.55, 26.28, -4.95

 

CMYK 0 / 24 / 13 / 62

HEX #624A55

RGB 98 74 85

HSL 332.5, 0.14%, 0.34%

LAB 34.29, 12.17, -2.57

 

CMYK 5 / 0 / 2 / 65

HEX #545856

RGB 84 88 86

HSL 150, 0.02%, 0.34%

LAB 37, -2.02, 0.6

 

CMYK 31 / 0 / 15 / 60

HEX #466657

RGB 70 102 87

HSL 151.88, 0.19%, 0.34%

LAB 40.4, -15.22, 4.77

 

CMYK 1 / 63 / 0 / 51

HEX #7D2E7E

RGB 125 46 126

HSL 299.25, 0.47%, 0.34%

LAB 33.61, 45.11, -29.2

 

CMYK 0 / 63 / 16 / 51

HEX #7E2E6A

RGB 126 46 106

HSL 315, 0.47%, 0.34%

LAB 32.77, 41.9, -17.88

 

CMYK 0 / 63 / 33 / 51

HEX #7E2E55

RGB 126 46 85

HSL 330.75, 0.47%, 0.34%

LAB 31.91, 38.77, -5.67

 

CMYK 0 / 63 / 49 / 51

HEX #7E2E40

RGB 126 46 64

HSL 346.5, 0.47%, 0.34%

LAB 31.25, 36.28, 7.09

 

CMYK 0 / 60 / 63 / 51

HEX #7E322E

RGB 126 50 46

HSL 3, 0.47%, 0.34%

LAB 31.61, 32.68, 19.23

 

CMYK 0 / 64 / 33 / 74

HEX #42182C

RGB 66 24 44

HSL 331.43, 0.47%, 0.18%

LAB 15.45, 22.93, -3.42

 

CMYK 0 / 64 / 33 / 62

HEX #602340

RGB 96 35 64

HSL 331.48, 0.47%, 0.26%

LAB 23.87, 31.05, -4.29

 

CMYK 0 / 63 / 33 / 51

HEX #7E2E54

RGB 126 46 84

HSL 331.5, 0.47%, 0.34%

LAB 31.87, 38.64, -5.08

 

CMYK 0 / 63 / 33 / 39

HEX #9C3968

RGB 156 57 104

HSL 331.52, 0.46%, 0.42%

LAB 39.57, 45.85, -5.82

 

CMYK 0 / 63 / 33 / 27

HEX #BA457C

RGB 186 69 124

HSL 331.79, 0.46%, 0.5%

LAB 47.17, 52.35, -6.3

 

CMYK 0 / 63 / 33 / 51

HEX #7E2F54

RGB 126 47 84

HSL 331.9, 0.46%, 0.34%

LAB 32.05, 38.16, -4.81

 

CMYK 0 / 18 / 63 / 51

HEX #7E672E

RGB 126 103 46

HSL 42.75, 0.47%, 0.34%

LAB 44.71, 2.06, 34.93

 

CMYK 63 / 7 / 0 / 51

HEX #2E757E

RGB 46 117 126

HSL 186.75, 0.47%, 0.34%

LAB 45.37, -19.01, -11.55

 

CMYK 0 / 63 / 33 / 51

HEX #7E2F54

RGB 126 47 84

HSL 331.9, 0.46%, 0.34%

LAB 32.05, 38.16, -4.81

 

CMYK 33 / 0 / 63 / 51

HEX #557E2E

RGB 85 126 46

HSL 90.75, 0.47%, 0.34%

LAB 48.32, -28.53, 38.07

 

CMYK 63 / 33 / 0 / 51

HEX #2E557E

RGB 46 85 126

HSL 210.75, 0.47%, 0.34%

LAB 35.17, -0.16, -27.27

 

CMYK 0 / 63 / 33 / 51

HEX #7E2F54

RGB 126 47 84

HSL 331.9, 0.46%, 0.34%

LAB 32.05, 38.16, -4.81

 

CMYK 0 / 18 / 63 / 51

HEX #7E672E

RGB 126 103 46

HSL 42.75, 0.47%, 0.34%

LAB 44.71, 2.06, 34.93

 

CMYK 63 / 0 / 30 / 51

HEX #2E7E58

RGB 46 126 88

HSL 151.5, 0.47%, 0.34%

LAB 47.25, -33.85, 13.65

 

CMYK 63 / 45 / 0 / 51

HEX #2E457E

RGB 46 69 126

HSL 222.75, 0.47%, 0.34%

LAB 30.26, 10.38, -35.04

 

CMYK 0 / 63 / 33 / 51

HEX #7E2F54

RGB 126 47 84

HSL 331.9, 0.46%, 0.34%

LAB 32.05, 38.16, -4.81

 

CMYK 1 / 0 / 63 / 51

HEX #7D7E2E

RGB 125 126 46

HSL 60.75, 0.47%, 0.34%

LAB 51.24, -11.42, 42.1

 

CMYK 63 / 0 / 30 / 51

HEX #2E7E58

RGB 46 126 88

HSL 151.5, 0.47%, 0.34%

LAB 47.25, -33.85, 13.65

 

CMYK 62 / 63 / 0 / 51

HEX #302E7E

RGB 48 46 126

HSL 241.5, 0.47%, 0.34%

LAB 23.96, 26.41, -45.19

 

Description

Color code: HEX #7E2F54 | qconv.com Color code: HEX #7E2F54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 47 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 47 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 33 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 33% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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