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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4762 it is the complementary color #81B89D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4762 shade: #83475D, #945970, #A56B83, #B67D96 and #C78FA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4762 shade: #7E4762, #6D354F, #5C233C, #4B1129 and #3A0016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4762 shade: #7F4762, #7F4753 and #7F4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4762 shade: #7F4762, #7F4771, #7D477F, #6E477F and #5F477F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4762 shade matches the following richer shades: #7F4762, #8F3762, #9F2762, #AF1762 and #BF0761

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4762 shade: #7F4762, #6F5763, #5F6763, #4F7763 and #3E8764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4762 shade: #7D477F, #7F4772, #7F4763, #7F4754 and #7F4947

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4762 shade: #4A2939, #64384E, #7F4762, #995677 and #AC6C8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4762 shade: #7E4762, #7F6E47 and #47797F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4762 shade: #7E4762, #637F47 and #47637F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4762 shade: #7E4762, #7F6E47, #477F63 and #47587F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4762 shade: #7E4762, #7F7F47, #477F63 and #47477F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 22 / 51

HEX #7E4762

RGB 126 71 98

HSL 330.55, 0.28%, 0.39%

LAB 37.52, 27.32, -5.6

 

Complementary color

CMYK 30 / 0 / 15 / 28

HEX #81B89D

RGB 129 184 157

HSL 150.55, 0.28%, 0.61%

LAB 70.44, -23.75, 8

 

CMYK 0 / 46 / 29 / 49

HEX #83475D

RGB 131 71 93

HSL 338, 0.3%, 0.4%

LAB 38.06, 28.43, -1.59

 

CMYK 0 / 40 / 24 / 42

HEX #945970

RGB 148 89 112

HSL 336.61, 0.25%, 0.46%

LAB 45.1, 27.51, -2.7

 

CMYK 0 / 35 / 21 / 35

HEX #A56B83

RGB 165 107 131

HSL 335.17, 0.24%, 0.53%

LAB 52.01, 26.66, -3.64

 

CMYK 0 / 31 / 18 / 29

HEX #B67D96

RGB 182 125 150

HSL 333.68, 0.28%, 0.6%

LAB 58.8, 25.88, -4.47

 

CMYK 0 / 28 / 15 / 22

HEX #C78FA9

RGB 199 143 169

HSL 332.14, 0.33%, 0.67%

LAB 65.48, 25.17, -5.21

 

CMYK 0 / 44 / 22 / 51

HEX #7E4762

RGB 126 71 98

HSL 330.55, 0.28%, 0.39%

LAB 37.52, 27.32, -5.6

 

CMYK 0 / 51 / 28 / 57

HEX #6D354F

RGB 109 53 79

HSL 332.14, 0.35%, 0.32%

LAB 30.31, 28.22, -4.45

 

CMYK 0 / 62 / 35 / 64

HEX #5C233C

RGB 92 35 60

HSL 333.68, 0.45%, 0.25%

LAB 23.01, 29.04, -2.91

 

CMYK 0 / 77 / 45 / 71

HEX #4B1129

RGB 75 17 41

HSL 335.17, 0.63%, 0.18%

LAB 15.78, 29.39, -0.57

 

CMYK 0 / 100 / 62 / 77

HEX #3A0016

RGB 58 0 22

HSL 337.24, 1%, 0.11%

LAB 8.63, 29.28, 2.81

 

CMYK 0 / 44 / 23 / 50

HEX #7F4762

RGB 127 71 98

HSL 331.07, 0.28%, 0.39%

LAB 37.66, 27.69, -5.38

 

CMYK 0 / 44 / 35 / 50

HEX #7F4753

RGB 127 71 83

HSL 347.14, 0.28%, 0.39%

LAB 37.19, 25.44, 3.38

 

CMYK 0 / 44 / 44 / 50

HEX #7F4747

RGB 127 71 71

HSL 0, 0.28%, 0.39%

LAB 36.88, 23.89, 10.49

 

CMYK 0 / 44 / 23 / 50

HEX #7F4762

RGB 127 71 98

HSL 331.07, 0.28%, 0.39%

LAB 37.66, 27.69, -5.38

 

CMYK 0 / 44 / 11 / 50

HEX #7F4771

RGB 127 71 113

HSL 315, 0.28%, 0.39%

LAB 38.22, 30.27, -13.91

 

CMYK 2 / 44 / 0 / 50

HEX #7D477F

RGB 125 71 127

HSL 297.86, 0.28%, 0.39%

LAB 38.55, 32.3, -22.09

 

CMYK 13 / 44 / 0 / 50

HEX #6E477F

RGB 110 71 127

HSL 281.79, 0.28%, 0.39%

LAB 36.66, 27.4, -25.18

 

CMYK 25 / 44 / 0 / 50

HEX #5F477F

RGB 95 71 127

HSL 265.71, 0.28%, 0.39%

LAB 34.95, 22.6, -27.98

 

CMYK 0 / 44 / 23 / 50

HEX #7F4762

RGB 127 71 98

HSL 331.07, 0.28%, 0.39%

LAB 37.66, 27.69, -5.38

 

CMYK 0 / 62 / 31 / 44

HEX #8F3762

RGB 143 55 98

HSL 330.68, 0.44%, 0.39%

LAB 36.84, 41.82, -6.34

 

CMYK 0 / 75 / 38 / 38

HEX #9F2762

RGB 159 39 98

HSL 330.5, 0.61%, 0.39%

LAB 37.31, 53.2, -5.35

 

CMYK 0 / 87 / 44 / 31

HEX #AF1762

RGB 175 23 98

HSL 330.39, 0.77%, 0.39%

LAB 38.91, 61.64, -2.63

 

CMYK 0 / 96 / 49 / 25

HEX #BF0761

RGB 191 7 97

HSL 330.65, 0.93%, 0.39%

LAB 41.36, 67.55, 1.97

 

CMYK 0 / 44 / 23 / 50

HEX #7F4762

RGB 127 71 98

HSL 331.07, 0.28%, 0.39%

LAB 37.66, 27.69, -5.38

 

CMYK 0 / 22 / 11 / 56

HEX #6F5763

RGB 111 87 99

HSL 330, 0.12%, 0.39%

LAB 39.74, 12.06, -3.13

 

CMYK 8 / 0 / 4 / 60

HEX #5F6763

RGB 95 103 99

HSL 150, 0.04%, 0.39%

LAB 42.81, -3.93, 1.19

 

CMYK 34 / 0 / 17 / 53

HEX #4F7763

RGB 79 119 99

HSL 150, 0.2%, 0.39%

LAB 46.65, -18.72, 6.58

 

CMYK 54 / 0 / 26 / 47

HEX #3E8764

RGB 62 135 100

HSL 151.23, 0.37%, 0.39%

LAB 51, -31.52, 12.02

 

CMYK 2 / 44 / 0 / 50

HEX #7D477F

RGB 125 71 127

HSL 297.86, 0.28%, 0.39%

LAB 38.55, 32.3, -22.09

 

CMYK 0 / 44 / 10 / 50

HEX #7F4772

RGB 127 71 114

HSL 313.93, 0.28%, 0.39%

LAB 38.26, 30.46, -14.47

 

CMYK 0 / 44 / 22 / 50

HEX #7F4763

RGB 127 71 99

HSL 330, 0.28%, 0.39%

LAB 37.7, 27.85, -5.95

 

CMYK 0 / 44 / 34 / 50

HEX #7F4754

RGB 127 71 84

HSL 346.07, 0.28%, 0.39%

LAB 37.22, 25.58, 2.79

 

CMYK 0 / 43 / 44 / 50

HEX #7F4947

RGB 127 73 71

HSL 2.14, 0.28%, 0.39%

LAB 37.36, 22.73, 11.15

 

CMYK 0 / 45 / 23 / 71

HEX #4A2939

RGB 74 41 57

HSL 330.91, 0.29%, 0.23%

LAB 21.35, 17.95, -3.64

 

CMYK 0 / 44 / 22 / 61

HEX #64384E

RGB 100 56 78

HSL 330, 0.28%, 0.31%

LAB 29.63, 22.84, -4.95

 

CMYK 0 / 44 / 23 / 50

HEX #7F4762

RGB 127 71 98

HSL 331.07, 0.28%, 0.39%

LAB 37.66, 27.69, -5.38

 

CMYK 0 / 44 / 22 / 40

HEX #995677

RGB 153 86 119

HSL 330.45, 0.28%, 0.47%

LAB 45.3, 32.13, -6.57

 

CMYK 0 / 37 / 19 / 33

HEX #AC6C8C

RGB 172 108 140

HSL 330, 0.28%, 0.55%

LAB 53.37, 30.11, -6.83

 

CMYK 0 / 44 / 22 / 51

HEX #7E4762

RGB 126 71 98

HSL 330.55, 0.28%, 0.39%

LAB 37.52, 27.32, -5.6

 

CMYK 0 / 13 / 44 / 50

HEX #7F6E47

RGB 127 110 71

HSL 41.79, 0.28%, 0.39%

LAB 47.13, 0.86, 24.19

 

CMYK 44 / 5 / 0 / 50

HEX #47797F

RGB 71 121 127

HSL 186.43, 0.28%, 0.39%

LAB 47.68, -15.13, -8.57

 

CMYK 0 / 44 / 22 / 51

HEX #7E4762

RGB 126 71 98

HSL 330.55, 0.28%, 0.39%

LAB 37.52, 27.32, -5.6

 

CMYK 22 / 0 / 44 / 50

HEX #637F47

RGB 99 127 71

HSL 90, 0.28%, 0.39%

LAB 49.84, -20.55, 27.18

 

CMYK 44 / 22 / 0 / 50

HEX #47637F

RGB 71 99 127

HSL 210, 0.28%, 0.39%

LAB 40.89, -2.36, -18.88

 

CMYK 0 / 44 / 22 / 51

HEX #7E4762

RGB 126 71 98

HSL 330.55, 0.28%, 0.39%

LAB 37.52, 27.32, -5.6

 

CMYK 0 / 13 / 44 / 50

HEX #7F6E47

RGB 127 110 71

HSL 41.79, 0.28%, 0.39%

LAB 47.13, 0.86, 24.19

 

CMYK 44 / 0 / 22 / 50

HEX #477F63

RGB 71 127 99

HSL 150, 0.28%, 0.39%

LAB 48.78, -25.38, 9.54

 

CMYK 44 / 31 / 0 / 50

HEX #47587F

RGB 71 88 127

HSL 221.79, 0.28%, 0.39%

LAB 37.57, 4.48, -24.02

 

CMYK 0 / 44 / 22 / 51

HEX #7E4762

RGB 126 71 98

HSL 330.55, 0.28%, 0.39%

LAB 37.52, 27.32, -5.6

 

CMYK 0 / 0 / 44 / 50

HEX #7F7F47

RGB 127 127 71

HSL 60, 0.28%, 0.39%

LAB 52, -8.78, 30.35

 

CMYK 44 / 0 / 22 / 50

HEX #477F63

RGB 71 127 99

HSL 150, 0.28%, 0.39%

LAB 48.78, -25.38, 9.54

 

CMYK 44 / 44 / 0 / 50

HEX #47477F

RGB 71 71 127

HSL 240, 0.28%, 0.39%

LAB 32.65, 15.47, -31.75

 

Description

Color code: HEX #7E4762 | qconv.com Color code: HEX #7E4762 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 71 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 71 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 22 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 22% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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