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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4FB5 it is the complementary color #81B04A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4FB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4FB5 shade: #834FB0, #9461C3, #A573D6, #B685E9 and #C797FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4FB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4FB5 shade: #7E4FB5, #6D3DA2, #5C2B8F, #4B197C and #3A0769

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4FB5 shade: #7E4EB5, #994EB5, #B54EB5, #B54E99 and #B54E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4FB5 shade: #7E4EB5, #624EB5 and #4E4EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4FB5 shade matches the following richer shades: #7E4EB5, #7C3AC9, #7A26DD and #7912F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4FB5 shade: #7E4EB5, #7F63A1, #81778C, #828B78 and #849F64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4FB5 shade: #4E57B5, #614EB5, #7C4EB5, #984EB5 and #B34EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4FB5 shade: #55347D, #69409A, #7E4EB5, #936BC1 and #A888CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4FB5 shade: #7E4FB5, #B54E72 and #4EB553

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4FB5 shade: #7E4FB5, #B57C4E and #4EB57C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4FB5 shade: #7E4FB5, #B54E72, #87B54E and #4EB591

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4FB5 shade: #7E4FB5, #B54E53, #87B54E and #4EB5B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 56 / 0 / 29

HEX #7E4FB5

RGB 126 79 181

HSL 267.65, 0.41%, 0.51%

LAB 43.31, 40.47, -47

 

Complementary color

CMYK 27 / 0 / 58 / 31

HEX #81B04A

RGB 129 176 74

HSL 87.65, 0.41%, 0.49%

LAB 66.68, -32.59, 46.38

 

CMYK 26 / 55 / 0 / 31

HEX #834FB0

RGB 131 79 176

HSL 272.16, 0.38%, 0.5%

LAB 43.58, 40.53, -43.59

 

CMYK 24 / 50 / 0 / 24

HEX #9461C3

RGB 148 97 195

HSL 271.22, 0.45%, 0.57%

LAB 50.44, 39.62, -43.64

 

CMYK 23 / 46 / 0 / 16

HEX #A573D6

RGB 165 115 214

HSL 270.3, 0.55%, 0.65%

LAB 57.19, 38.72, -43.66

 

CMYK 22 / 43 / 0 / 9

HEX #B685E9

RGB 182 133 233

HSL 269.4, 0.69%, 0.72%

LAB 63.84, 37.87, -43.68

 

CMYK 21 / 40 / 0 / 1

HEX #C797FC

RGB 199 151 252

HSL 268.51, 0.94%, 0.79%

LAB 70.39, 37.07, -43.71

 

CMYK 30 / 56 / 0 / 29

HEX #7E4FB5

RGB 126 79 181

HSL 267.65, 0.41%, 0.51%

LAB 43.31, 40.47, -47

 

CMYK 33 / 62 / 0 / 36

HEX #6D3DA2

RGB 109 61 162

HSL 268.51, 0.45%, 0.44%

LAB 36.36, 41.45, -46.98

 

CMYK 36 / 70 / 0 / 44

HEX #5C2B8F

RGB 92 43 143

HSL 269.4, 0.54%, 0.36%

LAB 29.38, 42.29, -46.79

 

CMYK 40 / 80 / 0 / 51

HEX #4B197C

RGB 75 25 124

HSL 270.3, 0.66%, 0.29%

LAB 22.47, 42.65, -46.24

 

CMYK 45 / 93 / 0 / 59

HEX #3A0769

RGB 58 7 105

HSL 271.22, 0.88%, 0.22%

LAB 15.86, 41.81, -44.89

 

CMYK 30 / 57 / 0 / 29

HEX #7E4EB5

RGB 126 78 181

HSL 267.96, 0.41%, 0.51%

LAB 43.09, 41.03, -47.34

 

CMYK 15 / 57 / 0 / 29

HEX #994EB5

RGB 153 78 181

HSL 283.69, 0.41%, 0.51%

LAB 46.39, 48, -41.9

 

CMYK 0 / 57 / 0 / 29

HEX #B54EB5

RGB 181 78 181

HSL 300, 0.41%, 0.51%

LAB 50.23, 55.43, -35.58

 

CMYK 0 / 57 / 15 / 29

HEX #B54E99

RGB 181 78 153

HSL 316.31, 0.41%, 0.51%

LAB 48.97, 50.76, -21.06

 

CMYK 0 / 57 / 30 / 29

HEX #B54E7E

RGB 181 78 126

HSL 332.04, 0.41%, 0.51%

LAB 47.98, 46.9, -6.39

 

CMYK 30 / 57 / 0 / 29

HEX #7E4EB5

RGB 126 78 181

HSL 267.96, 0.41%, 0.51%

LAB 43.09, 41.03, -47.34

 

CMYK 46 / 57 / 0 / 29

HEX #624EB5

RGB 98 78 181

HSL 251.65, 0.41%, 0.51%

LAB 40.22, 34.35, -52.12

 

CMYK 57 / 57 / 0 / 29

HEX #4E4EB5

RGB 78 78 181

HSL 240, 0.41%, 0.51%

LAB 38.56, 30.18, -54.88

 

CMYK 30 / 57 / 0 / 29

HEX #7E4EB5

RGB 126 78 181

HSL 267.96, 0.41%, 0.51%

LAB 43.09, 41.03, -47.34

 

CMYK 38 / 71 / 0 / 21

HEX #7C3AC9

RGB 124 58 201

HSL 267.69, 0.57%, 0.51%

LAB 40.46, 55.86, -63.29

 

CMYK 45 / 83 / 0 / 13

HEX #7A26DD

RGB 122 38 221

HSL 267.54, 0.73%, 0.51%

LAB 39.15, 68.22, -76.98

 

CMYK 50 / 93 / 0 / 5

HEX #7912F1

RGB 121 18 241

HSL 267.71, 0.89%, 0.51%

LAB 39.32, 77.47, -88.08

 

CMYK 30 / 57 / 0 / 29

HEX #7E4EB5

RGB 126 78 181

HSL 267.96, 0.41%, 0.51%

LAB 43.09, 41.03, -47.34

 

CMYK 21 / 39 / 0 / 37

HEX #7F63A1

RGB 127 99 161

HSL 267.1, 0.25%, 0.51%

LAB 46.99, 24.14, -29.41

 

CMYK 8 / 15 / 0 / 45

HEX #81778C

RGB 129 119 140

HSL 268.57, 0.08%, 0.51%

LAB 51.56, 8.09, -10.02

 

CMYK 6 / 0 / 14 / 45

HEX #828B78

RGB 130 139 120

HSL 88.42, 0.08%, 0.51%

LAB 56.65, -6.96, 9.05

 

CMYK 17 / 0 / 37 / 38

HEX #849F64

RGB 132 159 100

HSL 87.46, 0.24%, 0.51%

LAB 62.19, -20.05, 27.77

 

CMYK 57 / 52 / 0 / 29

HEX #4E57B5

RGB 78 87 181

HSL 234.76, 0.41%, 0.51%

LAB 40.85, 24.49, -51.18

 

CMYK 46 / 57 / 0 / 29

HEX #614EB5

RGB 97 78 181

HSL 251.07, 0.41%, 0.51%

LAB 40.12, 34.13, -52.27

 

CMYK 31 / 57 / 0 / 29

HEX #7C4EB5

RGB 124 78 181

HSL 266.8, 0.41%, 0.51%

LAB 42.87, 40.53, -47.72

 

CMYK 16 / 57 / 0 / 29

HEX #984EB5

RGB 152 78 181

HSL 283.11, 0.41%, 0.51%

LAB 46.26, 47.73, -42.11

 

CMYK 1 / 57 / 0 / 29

HEX #B34EB5

RGB 179 78 181

HSL 298.83, 0.41%, 0.51%

LAB 49.94, 54.9, -36.05

 

CMYK 32 / 58 / 0 / 51

HEX #55347D

RGB 85 52 125

HSL 267.12, 0.41%, 0.35%

LAB 29.08, 30.83, -36.12

 

CMYK 32 / 58 / 0 / 40

HEX #69409A

RGB 105 64 154

HSL 267.33, 0.41%, 0.43%

LAB 35.99, 36.73, -42.77

 

CMYK 30 / 57 / 0 / 29

HEX #7E4EB5

RGB 126 78 181

HSL 267.96, 0.41%, 0.51%

LAB 43.09, 41.03, -47.34

 

CMYK 24 / 45 / 0 / 24

HEX #936BC1

RGB 147 107 193

HSL 267.91, 0.41%, 0.59%

LAB 52.47, 33.2, -39.27

 

CMYK 18 / 34 / 0 / 20

HEX #A888CD

RGB 168 136 205

HSL 267.83, 0.41%, 0.67%

LAB 61.95, 25.69, -31.13

 

CMYK 30 / 56 / 0 / 29

HEX #7E4FB5

RGB 126 79 181

HSL 267.65, 0.41%, 0.51%

LAB 43.31, 40.47, -47

 

CMYK 0 / 57 / 37 / 29

HEX #B54E72

RGB 181 78 114

HSL 339.03, 0.41%, 0.51%

LAB 47.61, 45.41, 0.32

 

CMYK 57 / 0 / 54 / 29

HEX #4EB553

RGB 78 181 83

HSL 122.91, 0.41%, 0.51%

LAB 65.98, -49.99, 40.69

 

CMYK 30 / 56 / 0 / 29

HEX #7E4FB5

RGB 126 79 181

HSL 267.65, 0.41%, 0.51%

LAB 43.31, 40.47, -47

 

CMYK 0 / 31 / 57 / 29

HEX #B57C4E

RGB 181 124 78

HSL 26.8, 0.41%, 0.51%

LAB 56.87, 17.16, 33.82

 

CMYK 57 / 0 / 31 / 29

HEX #4EB57C

RGB 78 181 124

HSL 146.8, 0.41%, 0.51%

LAB 66.61, -43.15, 20.28

 

CMYK 30 / 56 / 0 / 29

HEX #7E4FB5

RGB 126 79 181

HSL 267.65, 0.41%, 0.51%

LAB 43.31, 40.47, -47

 

CMYK 0 / 57 / 37 / 29

HEX #B54E72

RGB 181 78 114

HSL 339.03, 0.41%, 0.51%

LAB 47.61, 45.41, 0.32

 

CMYK 25 / 0 / 57 / 29

HEX #87B54E

RGB 135 181 78

HSL 86.8, 0.41%, 0.51%

LAB 68.57, -32.26, 46.78

 

CMYK 57 / 0 / 20 / 29

HEX #4EB591

RGB 78 181 145

HSL 159.03, 0.41%, 0.51%

LAB 67.06, -38.62, 9.45

 

CMYK 30 / 56 / 0 / 29

HEX #7E4FB5

RGB 126 79 181

HSL 267.65, 0.41%, 0.51%

LAB 43.31, 40.47, -47

 

CMYK 0 / 57 / 54 / 29

HEX #B54E53

RGB 181 78 83

HSL 357.09, 0.41%, 0.51%

LAB 46.84, 42.26, 18.04

 

CMYK 25 / 0 / 57 / 29

HEX #87B54E

RGB 135 181 78

HSL 86.8, 0.41%, 0.51%

LAB 68.57, -32.26, 46.78

 

CMYK 57 / 0 / 3 / 29

HEX #4EB5B0

RGB 78 181 176

HSL 177.09, 0.41%, 0.51%

LAB 67.87, -30.82, -6.45

 

Description

Color code: HEX #7E4FB5 | qconv.com Color code: HEX #7E4FB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 79 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 79 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 56 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 56% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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