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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E5463 it is the complementary color #81AB9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E5463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E5463 shade: #83545E, #946671, #A57884, #B68A97 and #C79CAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E5463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E5463 shade: #7E5463, #6D4250, #5C303D, #4B1E2A and #3A0C17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E5463 shade: #7D5362, #7D5357 and #7D5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E5463 shade: #7D5362, #7D536D, #7D5379, #76537D and #6B537D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E5463 shade matches the following richer shades: #7D5362, #8E425D, #9F3158, #B02054 and #C10F4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E5463 shade: #7D5362, #6C6467, #5B756C, #4A8671 and #399775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E5463 shade: #7D5379, #7D536E, #7D5362, #7D5357 and #7D5A53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E5463 shade: #4B323B, #64434F, #7D5362, #966476 and #A77B8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E5463 shade: #7E5463, #7D7653 and #53737D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E5463 shade: #7E5463, #627D53 and #53627D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E5463 shade: #7E5463, #7D7653, #537D6E and #535A7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E5463 shade: #7E5463, #777D53, #537D6E and #59537D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 21 / 51

HEX #7E5463

RGB 126 84 99

HSL 338.57, 0.2%, 0.41%

LAB 40.7, 19.84, -1.53

 

Complementary color

CMYK 25 / 0 / 9 / 33

HEX #81AB9C

RGB 129 171 156

HSL 158.57, 0.2%, 0.59%

LAB 66.67, -17.35, 3.12

 

CMYK 0 / 36 / 28 / 49

HEX #83545E

RGB 131 84 94

HSL 347.23, 0.22%, 0.42%

LAB 41.17, 21.03, 2.33

 

CMYK 0 / 31 / 24 / 42

HEX #946671

RGB 148 102 113

HSL 345.65, 0.18%, 0.49%

LAB 48.25, 20.19, 1.31

 

CMYK 0 / 27 / 20 / 35

HEX #A57884

RGB 165 120 132

HSL 344, 0.2%, 0.56%

LAB 55.17, 19.44, 0.41

 

CMYK 0 / 24 / 17 / 29

HEX #B68A97

RGB 182 138 151

HSL 342.27, 0.23%, 0.63%

LAB 61.96, 18.78, -0.4

 

CMYK 0 / 22 / 15 / 22

HEX #C79CAA

RGB 199 156 170

HSL 340.47, 0.28%, 0.7%

LAB 68.62, 18.19, -1.15

 

CMYK 0 / 33 / 21 / 51

HEX #7E5463

RGB 126 84 99

HSL 338.57, 0.2%, 0.41%

LAB 40.7, 19.84, -1.53

 

CMYK 0 / 39 / 27 / 57

HEX #6D4250

RGB 109 66 80

HSL 340.47, 0.25%, 0.34%

LAB 33.41, 20.72, -0.52

 

CMYK 0 / 48 / 34 / 64

HEX #5C303D

RGB 92 48 61

HSL 342.27, 0.31%, 0.27%

LAB 25.94, 21.71, 0.72

 

CMYK 0 / 60 / 44 / 71

HEX #4B1E2A

RGB 75 30 42

HSL 344, 0.43%, 0.21%

LAB 18.33, 22.76, 2.41

 

CMYK 0 / 79 / 60 / 77

HEX #3A0C17

RGB 58 12 23

HSL 345.65, 0.66%, 0.14%

LAB 10.74, 23.51, 5.07

 

CMYK 0 / 34 / 22 / 51

HEX #7D5362

RGB 125 83 98

HSL 338.57, 0.2%, 0.41%

LAB 40.29, 19.87, -1.52

 

CMYK 0 / 34 / 30 / 51

HEX #7D5357

RGB 125 83 87

HSL 354.29, 0.2%, 0.41%

LAB 39.97, 18.13, 4.83

 

CMYK 0 / 34 / 34 / 51

HEX #7D5353

RGB 125 83 83

HSL 0, 0.2%, 0.41%

LAB 39.87, 17.55, 7.16

 

CMYK 0 / 34 / 22 / 51

HEX #7D5362

RGB 125 83 98

HSL 338.57, 0.2%, 0.41%

LAB 40.29, 19.87, -1.52

 

CMYK 0 / 34 / 13 / 51

HEX #7D536D

RGB 125 83 109

HSL 322.86, 0.2%, 0.41%

LAB 40.66, 21.8, -7.78

 

CMYK 0 / 34 / 3 / 51

HEX #7D5379

RGB 125 83 121

HSL 305.71, 0.2%, 0.41%

LAB 41.1, 24.09, -14.48

 

CMYK 6 / 34 / 0 / 51

HEX #76537D

RGB 118 83 125

HSL 290, 0.2%, 0.41%

LAB 40.44, 22.44, -18.01

 

CMYK 14 / 34 / 0 / 51

HEX #6B537D

RGB 107 83 125

HSL 274.29, 0.2%, 0.41%

LAB 39.23, 18.62, -19.98

 

CMYK 0 / 34 / 22 / 51

HEX #7D5362

RGB 125 83 98

HSL 338.57, 0.2%, 0.41%

LAB 40.29, 19.87, -1.52

 

CMYK 0 / 54 / 35 / 44

HEX #8E425D

RGB 142 66 93

HSL 338.68, 0.37%, 0.41%

LAB 38.62, 35.26, -0.58

 

CMYK 0 / 69 / 45 / 38

HEX #9F3158

RGB 159 49 88

HSL 338.73, 0.53%, 0.41%

LAB 38.33, 48.42, 2.51

 

CMYK 0 / 82 / 52 / 31

HEX #B02054

RGB 176 32 84

HSL 338.33, 0.69%, 0.41%

LAB 39.42, 58.63, 7.04

 

CMYK 0 / 92 / 59 / 24

HEX #C10F4F

RGB 193 15 79

HSL 338.43, 0.86%, 0.41%

LAB 41.6, 65.87, 13.77

 

CMYK 0 / 34 / 22 / 51

HEX #7D5362

RGB 125 83 98

HSL 338.57, 0.2%, 0.41%

LAB 40.29, 19.87, -1.52

 

CMYK 0 / 7 / 5 / 58

HEX #6C6467

RGB 108 100 103

HSL 337.5, 0.04%, 0.41%

LAB 43.18, 3.76, -0.56

 

CMYK 22 / 0 / 8 / 54

HEX #5B756C

RGB 91 117 108

HSL 159.23, 0.13%, 0.41%

LAB 47.01, -11.49, 1.85

 

CMYK 45 / 0 / 16 / 47

HEX #4A8671

RGB 74 134 113

HSL 159, 0.29%, 0.41%

LAB 51.49, -24.81, 5.26

 

CMYK 62 / 0 / 23 / 41

HEX #399775

RGB 57 151 117

HSL 158.3, 0.45%, 0.41%

LAB 56.37, -36.08, 9.83

 

CMYK 0 / 34 / 3 / 51

HEX #7D5379

RGB 125 83 121

HSL 305.71, 0.2%, 0.41%

LAB 41.1, 24.09, -14.48

 

CMYK 0 / 34 / 12 / 51

HEX #7D536E

RGB 125 83 110

HSL 321.43, 0.2%, 0.41%

LAB 40.69, 21.98, -8.34

 

CMYK 0 / 34 / 22 / 51

HEX #7D5362

RGB 125 83 98

HSL 338.57, 0.2%, 0.41%

LAB 40.29, 19.87, -1.52

 

CMYK 0 / 34 / 30 / 51

HEX #7D5357

RGB 125 83 87

HSL 354.29, 0.2%, 0.41%

LAB 39.97, 18.13, 4.83

 

CMYK 0 / 28 / 34 / 51

HEX #7D5A53

RGB 125 90 83

HSL 10, 0.2%, 0.41%

LAB 41.68, 13.36, 9.71

 

CMYK 0 / 33 / 21 / 71

HEX #4B323B

RGB 75 50 59

HSL 338.4, 0.2%, 0.25%

LAB 23.98, 12.91, -1.1

 

CMYK 0 / 33 / 21 / 61

HEX #64434F

RGB 100 67 79

HSL 338.18, 0.2%, 0.33%

LAB 32.45, 16.26, -1.42

 

CMYK 0 / 34 / 22 / 51

HEX #7D5362

RGB 125 83 98

HSL 338.57, 0.2%, 0.41%

LAB 40.29, 19.87, -1.52

 

CMYK 0 / 33 / 21 / 41

HEX #966476

RGB 150 100 118

HSL 338.4, 0.2%, 0.49%

LAB 48.14, 22.91, -1.81

 

CMYK 0 / 26 / 17 / 35

HEX #A77B8B

RGB 167 123 139

HSL 338.18, 0.2%, 0.57%

LAB 56.33, 19.64, -1.93

 

CMYK 0 / 33 / 21 / 51

HEX #7E5463

RGB 126 84 99

HSL 338.57, 0.2%, 0.41%

LAB 40.7, 19.84, -1.53

 

CMYK 0 / 6 / 34 / 51

HEX #7D7653

RGB 125 118 83

HSL 50, 0.2%, 0.41%

LAB 49.42, -3.1, 20.29

 

CMYK 34 / 8 / 0 / 51

HEX #53737D

RGB 83 115 125

HSL 194.29, 0.2%, 0.41%

LAB 46.42, -8.82, -9.21

 

CMYK 0 / 33 / 21 / 51

HEX #7E5463

RGB 126 84 99

HSL 338.57, 0.2%, 0.41%

LAB 40.7, 19.84, -1.53

 

CMYK 22 / 0 / 34 / 51

HEX #627D53

RGB 98 125 83

HSL 98.57, 0.2%, 0.41%

LAB 49.36, -18.1, 19.82

 

CMYK 34 / 22 / 0 / 51

HEX #53627D

RGB 83 98 125

HSL 218.57, 0.2%, 0.41%

LAB 41.3, 1.28, -16.97

 

CMYK 0 / 33 / 21 / 51

HEX #7E5463

RGB 126 84 99

HSL 338.57, 0.2%, 0.41%

LAB 40.7, 19.84, -1.53

 

CMYK 0 / 6 / 34 / 51

HEX #7D7653

RGB 125 118 83

HSL 50, 0.2%, 0.41%

LAB 49.42, -3.1, 20.29

 

CMYK 34 / 0 / 12 / 51

HEX #537D6E

RGB 83 125 110

HSL 158.57, 0.2%, 0.41%

LAB 49.05, -18.12, 3.55

 

CMYK 34 / 28 / 0 / 51

HEX #535A7D

RGB 83 90 125

HSL 230, 0.2%, 0.41%

LAB 38.95, 6.24, -20.58

 

CMYK 0 / 33 / 21 / 51

HEX #7E5463

RGB 126 84 99

HSL 338.57, 0.2%, 0.41%

LAB 40.7, 19.84, -1.53

 

CMYK 5 / 0 / 34 / 51

HEX #777D53

RGB 119 125 83

HSL 68.57, 0.2%, 0.41%

LAB 50.94, -9.58, 22.2

 

CMYK 34 / 0 / 12 / 51

HEX #537D6E

RGB 83 125 110

HSL 158.57, 0.2%, 0.41%

LAB 49.05, -18.12, 3.55

 

CMYK 29 / 34 / 0 / 51

HEX #59537D

RGB 89 83 125

HSL 248.57, 0.2%, 0.41%

LAB 37.46, 12.58, -22.85

 

Description

Color code: HEX #7E5463 | qconv.com Color code: HEX #7E5463 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 84 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 84 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 21 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 21% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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