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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E53CE it is the complementary color #81AC31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E53CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E53CE shade: #8353C9, #9465DC, #A577EF, #B689FF and #C79BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E53CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E53CE shade: #7E53CE, #6D41BB, #5C2FA8, #4B1D95 and #3A0B82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E53CE shade: #7E53CE, #A053CE, #C153CE, #CE53BB and #CE539A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E53CE shade: #7E53CE, #5D53CE and #5353CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E53CE shade matches the following richer shades: #7E53CE, #7942E0 and #7430F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E53CE shade: #7E53CE, #8465BD, #8977AB, #8E8999 and #949A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E53CE shade: #536CCE, #5C53CE, #7C53CE, #9D53CE and #BE53CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E53CE shade: #562DA2, #6736C2, #7E53CE, #9674D7 and #AF94E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E53CE shade: #7E53CE, #CE538D and #5CCE53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E53CE shade: #7E53CE, #CE7C53 and #53CE7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E53CE shade: #7E53CE, #CE538D, #A5CE53 and #53CE95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E53CE shade: #7E53CE, #CE5368, #A5CE53 and #53CEBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

Complementary color

CMYK 25 / 0 / 72 / 33

HEX #81AC31

RGB 129 172 49

HSL 80.98, 0.56%, 0.43%

LAB 65.27, -32.72, 55.46

 

CMYK 35 / 59 / 0 / 21

HEX #8353C9

RGB 131 83 201

HSL 264.41, 0.52%, 0.56%

LAB 45.95, 44.55, -54.37

 

CMYK 33 / 54 / 0 / 14

HEX #9465DC

RGB 148 101 220

HSL 263.7, 0.63%, 0.63%

LAB 52.7, 43.51, -54.29

 

CMYK 31 / 50 / 0 / 6

HEX #A577EF

RGB 165 119 239

HSL 263, 0.79%, 0.7%

LAB 59.37, 42.5, -54.19

 

CMYK 29 / 46 / 0 / 0

HEX #B689FF

RGB 182 137 255

HSL 262.88, 1%, 0.77%

LAB 65.79, 40.82, -52.69

 

CMYK 22 / 39 / 0 / 0

HEX #C79BFF

RGB 199 155 255

HSL 266.4, 1%, 0.8%

LAB 71.42, 35.56, -43.72

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 42 / 65 / 0 / 27

HEX #6D41BB

RGB 109 65 187

HSL 261.64, 0.48%, 0.49%

LAB 38.93, 45.85, -57.67

 

CMYK 45 / 72 / 0 / 34

HEX #5C2FA8

RGB 92 47 168

HSL 262.31, 0.56%, 0.42%

LAB 32.11, 46.87, -57.57

 

CMYK 50 / 81 / 0 / 42

HEX #4B1D95

RGB 75 29 149

HSL 263, 0.67%, 0.35%

LAB 25.4, 47.47, -57.08

 

CMYK 55 / 92 / 0 / 49

HEX #3A0B82

RGB 58 11 130

HSL 263.7, 0.84%, 0.28%

LAB 19.02, 46.97, -55.8

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 22 / 60 / 0 / 19

HEX #A053CE

RGB 160 83 206

HSL 277.56, 0.56%, 0.57%

LAB 49.64, 52.65, -51.14

 

CMYK 6 / 60 / 0 / 19

HEX #C153CE

RGB 193 83 206

HSL 293.66, 0.56%, 0.57%

LAB 54.01, 60.77, -43.93

 

CMYK 0 / 60 / 9 / 19

HEX #CE53BB

RGB 206 83 187

HSL 309.27, 0.56%, 0.57%

LAB 54.97, 60.89, -31.38

 

CMYK 0 / 60 / 25 / 19

HEX #CE539A

RGB 206 83 154

HSL 325.37, 0.56%, 0.57%

LAB 53.64, 56.06, -14.18

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 55 / 60 / 0 / 19

HEX #5D53CE

RGB 93 83 206

HSL 244.88, 0.56%, 0.57%

LAB 42.72, 37.96, -62.65

 

CMYK 60 / 60 / 0 / 19

HEX #5353CE

RGB 83 83 206

HSL 240, 0.56%, 0.57%

LAB 41.97, 36.19, -63.89

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 46 / 71 / 0 / 12

HEX #7942E0

RGB 121 66 224

HSL 260.89, 0.72%, 0.57%

LAB 43.28, 57.37, -71.94

 

CMYK 52 / 80 / 0 / 5

HEX #7430F2

RGB 116 48 242

HSL 261.03, 0.88%, 0.57%

LAB 41.59, 69.04, -84.92

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 30 / 47 / 0 / 26

HEX #8465BD

RGB 132 101 189

HSL 261.14, 0.4%, 0.57%

LAB 49.36, 31.45, -41.99

 

CMYK 20 / 30 / 0 / 33

HEX #8977AB

RGB 137 119 171

HSL 260.77, 0.24%, 0.57%

LAB 53.44, 17.87, -25.15

 

CMYK 7 / 10 / 0 / 40

HEX #8E8999

RGB 142 137 153

HSL 258.75, 0.07%, 0.57%

LAB 57.98, 5.06, -7.84

 

CMYK 4 / 0 / 12 / 40

HEX #949A87

RGB 148 154 135

HSL 78.95, 0.09%, 0.57%

LAB 62.64, -5.71, 9.24

HEX #949A87

CMYK 60 / 48 / 0 / 19

HEX #536CCE

RGB 83 108 206

HSL 227.8, 0.56%, 0.57%

LAB 48.29, 20.65, -53.69

 

CMYK 55 / 60 / 0 / 19

HEX #5C53CE

RGB 92 83 206

HSL 244.39, 0.56%, 0.57%

LAB 42.64, 37.78, -62.78

 

CMYK 40 / 60 / 0 / 19

HEX #7C53CE

RGB 124 83 206

HSL 260, 0.56%, 0.57%

LAB 45.54, 44.28, -57.95

 

CMYK 24 / 60 / 0 / 19

HEX #9D53CE

RGB 157 83 206

HSL 276.1, 0.56%, 0.57%

LAB 49.27, 51.92, -51.76

 

CMYK 8 / 60 / 0 / 19

HEX #BE53CE

RGB 190 83 206

HSL 292.2, 0.56%, 0.57%

LAB 53.59, 60.02, -44.61

 

CMYK 47 / 72 / 0 / 36

HEX #562DA2

RGB 86 45 162

HSL 261.03, 0.57%, 0.41%

LAB 30.55, 45.18, -56.52

 

CMYK 47 / 72 / 0 / 24

HEX #6736C2

RGB 103 54 194

HSL 261, 0.56%, 0.49%

LAB 36.77, 52.29, -65.32

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 30 / 46 / 0 / 16

HEX #9674D7

RGB 150 116 215

HSL 260.61, 0.55%, 0.65%

LAB 55.97, 34.29, -46.25

 

CMYK 22 / 34 / 0 / 12

HEX #AF94E0

RGB 175 148 224

HSL 261.32, 0.55%, 0.73%

LAB 66.27, 25.38, -34.95

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 0 / 60 / 32 / 19

HEX #CE538D

RGB 206 83 141

HSL 331.71, 0.56%, 0.57%

LAB 53.2, 54.39, -7.17

 

CMYK 55 / 0 / 60 / 19

HEX #5CCE53

RGB 92 206 83

HSL 115.61, 0.56%, 0.57%

LAB 74.22, -55.99, 50.48

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 0 / 40 / 60 / 19

HEX #CE7C53

RGB 206 124 83

HSL 20, 0.56%, 0.57%

LAB 60.03, 27.97, 35.7

 

CMYK 60 / 0 / 40 / 19

HEX #53CE7C

RGB 83 206 124

HSL 140, 0.56%, 0.57%

LAB 74.47, -52.28, 30.82

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 0 / 60 / 32 / 19

HEX #CE538D

RGB 206 83 141

HSL 331.71, 0.56%, 0.57%

LAB 53.2, 54.39, -7.17

 

CMYK 20 / 0 / 60 / 19

HEX #A5CE53

RGB 165 206 83

HSL 80, 0.56%, 0.57%

LAB 77.74, -32.02, 55.41

 

CMYK 60 / 0 / 28 / 19

HEX #53CE95

RGB 83 206 149

HSL 152.2, 0.56%, 0.57%

LAB 74.92, -47.49, 18.35

 

CMYK 39 / 60 / 0 / 19

HEX #7E53CE

RGB 126 83 206

HSL 260.98, 0.56%, 0.57%

LAB 45.74, 44.72, -57.61

 

CMYK 0 / 60 / 50 / 19

HEX #CE5368

RGB 206 83 104

HSL 349.76, 0.56%, 0.57%

LAB 52.18, 50.45, 13.4

 

CMYK 20 / 0 / 60 / 19

HEX #A5CE53

RGB 165 206 83

HSL 80, 0.56%, 0.57%

LAB 77.74, -32.02, 55.41

 

CMYK 60 / 0 / 10 / 19

HEX #53CEBA

RGB 83 206 186

HSL 170.24, 0.56%, 0.57%

LAB 75.78, -38.92, -0.26

 

Description

Color code: HEX #7E53CE | qconv.com Color code: HEX #7E53CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 83 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 83 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 60 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 60% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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