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Color name
HEX #7E650F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E650F it is the complementary color #819AF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E650F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E650F shade: #83650A, #94771D, #A58930, #B69B43 and #C7AD56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E650F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E650F shade: #7E650F, #6D5300, #5C4100, #4B2F00 and #3A1D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E650F shade: #7F660E, #7F470E, #7F290E and #7F0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E650F shade: #7F660E, #7A7F0E, #5C7F0E, #3D7F0E and #1F7F0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E650F shade matches the following richer shades: #7F660E and #8B6C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E650F shade: #7F660E, #74601A, #685926, #5D5331 and #514D3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E650F shade: #7F290E, #7F470E, #7F650E, #7C7F0E and #5D7F0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E650F shade: #352B06, #5A480A, #7F660E, #A48313 and #C9A117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E650F shade: #7E650F, #127F0E and #380E7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E650F shade: #7E650F, #0E7F65 and #650E7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E650F shade: #7E650F, #127F0E, #0E297F and #7C0E7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E650F shade: #7E650F, #0E7F2D, #0E297F and #7F0E61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 88 / 51

HEX #7E650F

RGB 126 101 15

HSL 46.49, 0.79%, 0.28%

LAB 43.91, 1.63, 47.16

 

Complementary color

CMYK 46 / 36 / 0 / 6

HEX #819AF0

RGB 129 154 240

HSL 226.49, 0.79%, 0.72%

LAB 65.02, 13.67, -45.97

 

CMYK 0 / 23 / 92 / 49

HEX #83650A

RGB 131 101 10

HSL 45.12, 0.86%, 0.28%

LAB 44.45, 3.91, 49.12

 

CMYK 0 / 20 / 80 / 42

HEX #94771D

RGB 148 119 29

HSL 45.38, 0.67%, 0.35%

LAB 51.36, 2.18, 49.99

 

CMYK 0 / 17 / 71 / 35

HEX #A58930

RGB 165 137 48

HSL 45.64, 0.55%, 0.42%

LAB 58.14, 0.79, 49.58

 

CMYK 0 / 15 / 63 / 29

HEX #B69B43

RGB 182 155 67

HSL 45.91, 0.46%, 0.49%

LAB 64.8, -0.34, 48.64

 

CMYK 0 / 13 / 57 / 22

HEX #C7AD56

RGB 199 173 86

HSL 46.19, 0.5%, 0.56%

LAB 71.35, -1.27, 47.48

 

CMYK 0 / 20 / 88 / 51

HEX #7E650F

RGB 126 101 15

HSL 46.49, 0.79%, 0.28%

LAB 43.91, 1.63, 47.16

 

CMYK 0 / 24 / 100 / 57

HEX #6D5300

RGB 109 83 0

HSL 45.69, 1%, 0.21%

LAB 36.81, 3.58, 45.04

 

CMYK 0 / 29 / 100 / 64

HEX #5C4100

RGB 92 65 0

HSL 42.39, 1%, 0.18%

LAB 29.55, 6.04, 38.99

 

CMYK 0 / 37 / 100 / 71

HEX #4B2F00

RGB 75 47 0

HSL 37.6, 1%, 0.15%

LAB 22.05, 8.72, 31.23

 

CMYK 0 / 50 / 100 / 77

HEX #3A1D00

RGB 58 29 0

HSL 30, 1%, 0.11%

LAB 14.28, 11.65, 21.35

 

CMYK 0 / 20 / 89 / 50

HEX #7F660E

RGB 127 102 14

HSL 46.73, 0.8%, 0.28%

LAB 44.3, 1.5, 47.8

 

CMYK 0 / 44 / 89 / 50

HEX #7F470E

RGB 127 71 14

HSL 30.27, 0.8%, 0.28%

LAB 36.08, 19.8, 41.03

 

CMYK 0 / 68 / 89 / 50

HEX #7F290E

RGB 127 41 14

HSL 14.34, 0.8%, 0.28%

LAB 29.74, 35.91, 35.74

 

CMYK 0 / 89 / 89 / 50

HEX #7F0E0E

RGB 127 14 14

HSL 0, 0.8%, 0.28%

LAB 26.33, 45.36, 32.81

 

CMYK 0 / 20 / 89 / 50

HEX #7F660E

RGB 127 102 14

HSL 46.73, 0.8%, 0.28%

LAB 44.3, 1.5, 47.8

 

CMYK 4 / 0 / 89 / 50

HEX #7A7F0E

RGB 122 127 14

HSL 62.65, 0.8%, 0.28%

LAB 51.09, -14.88, 53.18

 

CMYK 28 / 0 / 89 / 50

HEX #5C7F0E

RGB 92 127 14

HSL 78.58, 0.8%, 0.28%

LAB 48.87, -28.19, 50.42

 

CMYK 52 / 0 / 89 / 50

HEX #3D7F0E

RGB 61 127 14

HSL 95.04, 0.8%, 0.28%

LAB 47.24, -39.79, 48.38

 

CMYK 76 / 0 / 89 / 50

HEX #1F7F0E

RGB 31 127 14

HSL 110.97, 0.8%, 0.28%

LAB 46.31, -47.36, 47.21

 

CMYK 0 / 20 / 89 / 50

HEX #7F660E

RGB 127 102 14

HSL 46.73, 0.8%, 0.28%

LAB 44.3, 1.5, 47.8

 

CMYK 0 / 22 / 98 / 45

HEX #8B6C03

RGB 139 108 3

HSL 46.32, 0.96%, 0.28%

LAB 47.26, 3.55, 53.21

 

CMYK 0 / 20 / 89 / 50

HEX #7F660E

RGB 127 102 14

HSL 46.73, 0.8%, 0.28%

LAB 44.3, 1.5, 47.8

 

CMYK 0 / 17 / 78 / 55

HEX #74601A

RGB 116 96 26

HSL 46.67, 0.63%, 0.28%

LAB 41.46, 0.15, 40.65

 

CMYK 0 / 14 / 63 / 59

HEX #685926

RGB 104 89 38

HSL 46.36, 0.46%, 0.28%

LAB 38.25, -0.72, 31.17

 

CMYK 0 / 11 / 47 / 64

HEX #5D5331

RGB 93 83 49

HSL 46.36, 0.31%, 0.28%

LAB 35.47, -1.26, 21.37

 

CMYK 0 / 5 / 25 / 68

HEX #514D3D

RGB 81 77 61

HSL 48, 0.14%, 0.28%

LAB 32.69, -1.39, 10.11

 

CMYK 0 / 68 / 89 / 50

HEX #7F290E

RGB 127 41 14

HSL 14.34, 0.8%, 0.28%

LAB 29.74, 35.91, 35.74

 

CMYK 0 / 44 / 89 / 50

HEX #7F470E

RGB 127 71 14

HSL 30.27, 0.8%, 0.28%

LAB 36.08, 19.8, 41.03

 

CMYK 0 / 20 / 89 / 50

HEX #7F650E

RGB 127 101 14

HSL 46.19, 0.8%, 0.28%

LAB 44.02, 2.08, 47.57

 

CMYK 2 / 0 / 89 / 50

HEX #7C7F0E

RGB 124 127 14

HSL 61.59, 0.8%, 0.28%

LAB 51.26, -13.96, 53.39

 

CMYK 27 / 0 / 89 / 50

HEX #5D7F0E

RGB 93 127 14

HSL 78.05, 0.8%, 0.28%

LAB 48.93, -27.77, 50.5

 

CMYK 0 / 19 / 89 / 79

HEX #352B06

RGB 53 43 6

HSL 47.23, 0.8%, 0.12%

LAB 17.91, -0.19, 23.3

 

CMYK 0 / 20 / 89 / 65

HEX #5A480A

RGB 90 72 10

HSL 46.5, 0.8%, 0.2%

LAB 31.42, 1.01, 36.54

 

CMYK 0 / 20 / 89 / 50

HEX #7F660E

RGB 127 102 14

HSL 46.73, 0.8%, 0.28%

LAB 44.3, 1.5, 47.8

 

CMYK 0 / 20 / 88 / 36

HEX #A48313

RGB 164 131 19

HSL 46.34, 0.79%, 0.36%

LAB 56.26, 2.55, 57.87

 

CMYK 0 / 20 / 89 / 21

HEX #C9A117

RGB 201 161 23

HSL 46.52, 0.79%, 0.44%

LAB 68, 2.98, 67.92

 

CMYK 0 / 20 / 88 / 51

HEX #7E650F

RGB 126 101 15

HSL 46.49, 0.79%, 0.28%

LAB 43.91, 1.63, 47.16

 

CMYK 86 / 0 / 89 / 50

HEX #127F0E

RGB 18 127 14

HSL 117.88, 0.8%, 0.28%

LAB 46.1, -49.28, 46.93

 

CMYK 56 / 89 / 0 / 50

HEX #380E7F

RGB 56 14 127

HSL 262.3, 0.8%, 0.28%

LAB 18.74, 45.01, -54.35

 

CMYK 0 / 20 / 88 / 51

HEX #7E650F

RGB 126 101 15

HSL 46.49, 0.79%, 0.28%

LAB 43.91, 1.63, 47.16

 

CMYK 89 / 0 / 20 / 50

HEX #0E7F65

RGB 14 127 101

HSL 166.19, 0.8%, 0.28%

LAB 47.25, -35.65, 5.97

 

CMYK 20 / 89 / 0 / 50

HEX #650E7F

RGB 101 14 127

HSL 286.19, 0.8%, 0.28%

LAB 25.6, 51.53, -42.86

 

CMYK 0 / 20 / 88 / 51

HEX #7E650F

RGB 126 101 15

HSL 46.49, 0.79%, 0.28%

LAB 43.91, 1.63, 47.16

 

CMYK 86 / 0 / 89 / 50

HEX #127F0E

RGB 18 127 14

HSL 117.88, 0.8%, 0.28%

LAB 46.1, -49.28, 46.93

 

CMYK 89 / 68 / 0 / 50

HEX #0E297F

RGB 14 41 127

HSL 225.66, 0.8%, 0.28%

LAB 20.87, 25.95, -50.95

 

CMYK 2 / 89 / 0 / 50

HEX #7C0E7F

RGB 124 14 127

HSL 298.41, 0.8%, 0.28%

LAB 29.74, 55.74, -35.98

 

CMYK 0 / 20 / 88 / 51

HEX #7E650F

RGB 126 101 15

HSL 46.49, 0.79%, 0.28%

LAB 43.91, 1.63, 47.16

 

CMYK 89 / 0 / 65 / 50

HEX #0E7F2D

RGB 14 127 45

HSL 136.46, 0.8%, 0.28%

LAB 46.26, -47.03, 35.57

 

CMYK 89 / 68 / 0 / 50

HEX #0E297F

RGB 14 41 127

HSL 225.66, 0.8%, 0.28%

LAB 20.87, 25.95, -50.95

 

CMYK 0 / 89 / 24 / 50

HEX #7F0E61

RGB 127 14 97

HSL 315.93, 0.8%, 0.28%

LAB 28.61, 51.85, -18.5

 

Description

Color code: HEX #7E650F | qconv.com Color code: HEX #7E650F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 101 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 101 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 88 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 88% 51% C M Y K

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Provide designers and agencies with accurate color values.

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