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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E66EE it is the complementary color #819911. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E66EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E66EE shade: #8366E9, #9478FC, #A58AFF, #B69CFF and #C7AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E66EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E66EE shade: #7E66EE, #6D54DB, #5C42C8, #4B30B5 and #3A1EA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E66EE shade: #7F67EE, #A367EE, #C767EE, #EC67EE and #EE67CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E66EE shade: #7F67EE and #6767EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E66EE shade matches the following richer shades: #7F67EE and #7659FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E66EE shade: #7F67EE, #8875E0, #9082D2, #9990C5 and #A29DB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E66EE shade: #6798EE, #6774EE, #7D67EE, #A167EE and #C567EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E66EE shade: #401DE5, #5F42EA, #7F67EE, #9E8CF2 and #BDB1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E66EE shade: #7E66EE, #EE67BC and #86EE67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E66EE shade: #7E66EE, #EE7D67 and #67EE7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E66EE shade: #7E66EE, #EE67BC, #D7EE67 and #67EE98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E66EE shade: #7E66EE, #EE6794, #D7EE67 and #67EEC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 57 / 0 / 7

HEX #7E66EE

RGB 126 102 238

HSL 250.59, 0.8%, 0.67%

LAB 51.96, 42.84, -65.71

 

Complementary color

CMYK 16 / 0 / 89 / 40

HEX #819911

RGB 129 153 17

HSL 70.59, 0.8%, 0.33%

LAB 59.43, -25.03, 59.62

 

CMYK 44 / 56 / 0 / 9

HEX #8366E9

RGB 131 102 233

HSL 253.28, 0.75%, 0.66%

LAB 52.08, 42.48, -62.7

 

CMYK 41 / 52 / 0 / 1

HEX #9478FC

RGB 148 120 252

HSL 252.73, 0.96%, 0.73%

LAB 58.75, 41.24, -62.46

 

CMYK 35 / 46 / 0 / 0

HEX #A58AFF

RGB 165 138 255

HSL 253.85, 1%, 0.77%

LAB 64.48, 35.91, -54.87

 

CMYK 29 / 39 / 0 / 0

HEX #B69CFF

RGB 182 156 255

HSL 255.76, 1%, 0.81%

LAB 70.14, 30.27, -45.84

 

CMYK 22 / 32 / 0 / 0

HEX #C7AEFF

RGB 199 174 255

HSL 258.52, 1%, 0.84%

LAB 75.84, 25.12, -36.83

 

CMYK 47 / 57 / 0 / 7

HEX #7E66EE

RGB 126 102 238

HSL 250.59, 0.8%, 0.67%

LAB 51.96, 42.84, -65.71

 

CMYK 50 / 62 / 0 / 14

HEX #6D54DB

RGB 109 84 219

HSL 251.11, 0.65%, 0.59%

LAB 45.23, 44.29, -65.96

 

CMYK 54 / 67 / 0 / 22

HEX #5C42C8

RGB 92 66 200

HSL 251.64, 0.55%, 0.52%

LAB 38.45, 45.84, -66.13

 

CMYK 59 / 73 / 0 / 29

HEX #4B30B5

RGB 75 48 181

HSL 252.18, 0.58%, 0.45%

LAB 31.68, 47.37, -66.11

 

CMYK 64 / 81 / 0 / 36

HEX #3A1EA2

RGB 58 30 162

HSL 252.73, 0.69%, 0.38%

LAB 25.07, 48.59, -65.65

 

CMYK 47 / 57 / 0 / 7

HEX #7F67EE

RGB 127 103 238

HSL 250.67, 0.8%, 0.67%

LAB 52.27, 42.47, -65.21

 

CMYK 32 / 57 / 0 / 7

HEX #A367EE

RGB 163 103 238

HSL 266.67, 0.8%, 0.67%

LAB 55.75, 50.45, -59.43

 

CMYK 16 / 57 / 0 / 7

HEX #C767EE

RGB 199 103 238

HSL 282.67, 0.8%, 0.67%

LAB 59.9, 59.14, -52.55

 

CMYK 1 / 57 / 0 / 7

HEX #EC67EE

RGB 236 103 238

HSL 299.11, 0.8%, 0.67%

LAB 64.73, 68.37, -44.61

 

CMYK 0 / 57 / 15 / 7

HEX #EE67CB

RGB 238 103 203

HSL 315.56, 0.8%, 0.67%

LAB 63.5, 63.34, -26.93

 

CMYK 47 / 57 / 0 / 7

HEX #7F67EE

RGB 127 103 238

HSL 250.67, 0.8%, 0.67%

LAB 52.27, 42.47, -65.21

 

CMYK 57 / 57 / 0 / 7

HEX #6767EE

RGB 103 103 238

HSL 240, 0.8%, 0.67%

LAB 50.4, 37.85, -68.32

 

CMYK 47 / 57 / 0 / 7

HEX #7F67EE

RGB 127 103 238

HSL 250.67, 0.8%, 0.67%

LAB 52.27, 42.47, -65.21

 

CMYK 53 / 65 / 0 / 2

HEX #7659FB

RGB 118 89 251

HSL 250.74, 0.95%, 0.67%

LAB 49.45, 52.38, -77.08

 

CMYK 47 / 57 / 0 / 7

HEX #7F67EE

RGB 127 103 238

HSL 250.67, 0.8%, 0.67%

LAB 52.27, 42.47, -65.21

 

CMYK 39 / 48 / 0 / 12

HEX #8875E0

RGB 136 117 224

HSL 250.65, 0.63%, 0.67%

LAB 55.42, 32.47, -52.26

 

CMYK 31 / 38 / 0 / 18

HEX #9082D2

RGB 144 130 210

HSL 250.5, 0.47%, 0.67%

LAB 58.55, 23.26, -39.39

 

CMYK 22 / 27 / 0 / 23

HEX #9990C5

RGB 153 144 197

HSL 250.19, 0.31%, 0.67%

LAB 62.3, 14.61, -26.2

 

CMYK 11 / 14 / 0 / 28

HEX #A29DB7

RGB 162 157 183

HSL 251.54, 0.15%, 0.67%

LAB 65.92, 7.01, -12.78

 

CMYK 57 / 36 / 0 / 7

HEX #6798EE

RGB 103 152 238

HSL 218.22, 0.8%, 0.67%

LAB 62.94, 8.5, -48.25

 

CMYK 57 / 51 / 0 / 7

HEX #6774EE

RGB 103 116 238

HSL 234.22, 0.8%, 0.67%

LAB 53.54, 30.03, -63.24

 

CMYK 47 / 57 / 0 / 7

HEX #7D67EE

RGB 125 103 238

HSL 249.78, 0.8%, 0.67%

LAB 52.1, 42.06, -65.49

 

CMYK 32 / 57 / 0 / 7

HEX #A167EE

RGB 161 103 238

HSL 265.78, 0.8%, 0.67%

LAB 55.53, 49.98, -59.78

 

CMYK 17 / 57 / 0 / 7

HEX #C567EE

RGB 197 103 238

HSL 281.78, 0.8%, 0.67%

LAB 59.66, 58.65, -52.96

 

CMYK 72 / 87 / 0 / 10

HEX #401DE5

RGB 64 29 229

HSL 250.5, 0.79%, 0.51%

LAB 33.19, 68, -91.6

 

CMYK 59 / 72 / 0 / 8

HEX #5F42EA

RGB 95 66 234

HSL 250.36, 0.8%, 0.59%

LAB 41.64, 56.28, -80.39

 

CMYK 47 / 57 / 0 / 7

HEX #7F67EE

RGB 127 103 238

HSL 250.67, 0.8%, 0.67%

LAB 52.27, 42.47, -65.21

 

CMYK 35 / 42 / 0 / 5

HEX #9E8CF2

RGB 158 140 242

HSL 250.59, 0.8%, 0.75%

LAB 63.7, 29.6, -49.01

 

CMYK 23 / 28 / 0 / 4

HEX #BDB1F6

RGB 189 177 246

HSL 250.43, 0.79%, 0.83%

LAB 75.4, 18.47, -32.73

 

CMYK 47 / 57 / 0 / 7

HEX #7E66EE

RGB 126 102 238

HSL 250.59, 0.8%, 0.67%

LAB 51.96, 42.84, -65.71

 

CMYK 0 / 57 / 21 / 7

HEX #EE67BC

RGB 238 103 188

HSL 322.22, 0.8%, 0.67%

LAB 62.93, 61.19, -19.3

 

CMYK 44 / 0 / 57 / 7

HEX #86EE67

RGB 134 238 103

HSL 106.22, 0.8%, 0.67%

LAB 85.6, -54.54, 55.14

 

CMYK 47 / 57 / 0 / 7

HEX #7E66EE

RGB 126 102 238

HSL 250.59, 0.8%, 0.67%

LAB 51.96, 42.84, -65.71

 

CMYK 0 / 47 / 57 / 7

HEX #EE7D67

RGB 238 125 103

HSL 9.78, 0.8%, 0.67%

LAB 64.82, 41.45, 31.68

 

CMYK 57 / 0 / 47 / 7

HEX #67EE7D

RGB 103 238 125

HSL 129.78, 0.8%, 0.67%

LAB 84.75, -59.97, 43.64

 

CMYK 47 / 57 / 0 / 7

HEX #7E66EE

RGB 126 102 238

HSL 250.59, 0.8%, 0.67%

LAB 51.96, 42.84, -65.71

 

CMYK 0 / 57 / 21 / 7

HEX #EE67BC

RGB 238 103 188

HSL 322.22, 0.8%, 0.67%

LAB 62.93, 61.19, -19.3

 

CMYK 10 / 0 / 57 / 7

HEX #D7EE67

RGB 215 238 103

HSL 70.22, 0.8%, 0.67%

LAB 90.13, -26.04, 61.5

 

CMYK 57 / 0 / 36 / 7

HEX #67EE98

RGB 103 238 152

HSL 141.78, 0.8%, 0.67%

LAB 85.15, -55.65, 30.8

 

CMYK 47 / 57 / 0 / 7

HEX #7E66EE

RGB 126 102 238

HSL 250.59, 0.8%, 0.67%

LAB 51.96, 42.84, -65.71

 

CMYK 0 / 57 / 38 / 7

HEX #EE6794

RGB 238 103 148

HSL 340, 0.8%, 0.67%

LAB 61.67, 56.23, 1.75

 

CMYK 10 / 0 / 57 / 7

HEX #D7EE67

RGB 215 238 103

HSL 70.22, 0.8%, 0.67%

LAB 90.13, -26.04, 61.5

 

CMYK 57 / 0 / 19 / 7

HEX #67EEC1

RGB 103 238 193

HSL 160, 0.8%, 0.67%

LAB 85.95, -47.45, 10.77

 

Description

Color code: HEX #7E66EE | qconv.com Color code: HEX #7E66EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 102 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 102 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 57 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 57% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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