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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E60B8 it is the complementary color #819F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E60B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E60B8 shade: #8360B3, #9472C6, #A584D9, #B696EC and #C7A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E60B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E60B8 shade: #7E60B8, #6D4EA5, #5C3C92, #4B2A7F and #3A186C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E60B8 shade: #7E60B7, #9560B7, #AD60B7, #B760AA and #B76093

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E60B8 shade: #7E60B7, #6660B7 and #6060B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E60B8 shade matches the following richer shades: #7E60B7, #784ECA, #723BDC and #6C28EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E60B8 shade: #7E60B7, #8473A5, #8A8592, #909880 and #96AA6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E60B8 shade: #6072B7, #6660B7, #7D60B7, #9460B7 and #AC60B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E60B8 shade: #573D88, #694AA5, #7E60B7, #957DC4 and #AC99D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E60B8 shade: #7E60B8, #B76089 and #66B760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E60B8 shade: #7E60B8, #B77D60 and #60B77D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E60B8 shade: #7E60B8, #B76089, #9AB760 and #60B78F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E60B8 shade: #7E60B8, #B7606F, #9AB760 and #60B7A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 48 / 0 / 28

HEX #7E60B8

RGB 126 96 184

HSL 260.45, 0.38%, 0.55%

LAB 47.32, 31.45, -42.37

 

Complementary color

CMYK 19 / 0 / 55 / 38

HEX #819F47

RGB 129 159 71

HSL 80.45, 0.38%, 0.45%

LAB 61.58, -24.7, 41.92

 

CMYK 27 / 46 / 0 / 30

HEX #8360B3

RGB 131 96 179

HSL 265.3, 0.35%, 0.54%

LAB 47.55, 31.56, -39.05

 

CMYK 25 / 42 / 0 / 22

HEX #9472C6

RGB 148 114 198

HSL 264.29, 0.42%, 0.61%

LAB 54.46, 30.67, -39

 

CMYK 24 / 39 / 0 / 15

HEX #A584D9

RGB 165 132 217

HSL 263.29, 0.53%, 0.68%

LAB 61.23, 29.85, -38.99

 

CMYK 23 / 36 / 0 / 7

HEX #B696EC

RGB 182 150 236

HSL 262.33, 0.69%, 0.76%

LAB 67.88, 29.11, -39

 

CMYK 22 / 34 / 0 / 0

HEX #C7A8FF

RGB 199 168 255

HSL 261.38, 1%, 0.83%

LAB 74.42, 28.42, -39.03

 

CMYK 32 / 48 / 0 / 28

HEX #7E60B8

RGB 126 96 184

HSL 260.45, 0.38%, 0.55%

LAB 47.32, 31.45, -42.37

 

CMYK 34 / 53 / 0 / 35

HEX #6D4EA5

RGB 109 78 165

HSL 261.38, 0.36%, 0.48%

LAB 40.27, 32.5, -42.5

 

CMYK 37 / 59 / 0 / 43

HEX #5C3C92

RGB 92 60 146

HSL 262.33, 0.42%, 0.4%

LAB 33.1, 33.63, -42.63

 

CMYK 41 / 67 / 0 / 50

HEX #4B2A7F

RGB 75 42 127

HSL 263.29, 0.5%, 0.33%

LAB 25.82, 34.8, -42.69

 

CMYK 46 / 78 / 0 / 58

HEX #3A186C

RGB 58 24 108

HSL 264.29, 0.64%, 0.26%

LAB 18.52, 35.74, -42.48

 

CMYK 31 / 48 / 0 / 28

HEX #7E60B7

RGB 126 96 183

HSL 260.69, 0.38%, 0.55%

LAB 47.26, 31.19, -41.87

 

CMYK 19 / 48 / 0 / 28

HEX #9560B7

RGB 149 96 183

HSL 276.55, 0.38%, 0.55%

LAB 49.71, 37.67, -37.85

 

CMYK 5 / 48 / 0 / 28

HEX #AD60B7

RGB 173 96 183

HSL 293.1, 0.38%, 0.55%

LAB 52.59, 44.67, -33.12

 

CMYK 0 / 48 / 7 / 28

HEX #B760AA

RGB 183 96 170

HSL 308.97, 0.38%, 0.55%

LAB 53.31, 45.28, -24.35

 

CMYK 0 / 48 / 20 / 28

HEX #B76093

RGB 183 96 147

HSL 324.83, 0.38%, 0.55%

LAB 52.44, 41.51, -12.2

 

CMYK 31 / 48 / 0 / 28

HEX #7E60B7

RGB 126 96 183

HSL 260.69, 0.38%, 0.55%

LAB 47.26, 31.19, -41.87

 

CMYK 44 / 48 / 0 / 28

HEX #6660B7

RGB 102 96 183

HSL 244.14, 0.38%, 0.55%

LAB 45.09, 24.9, -45.45

 

CMYK 48 / 48 / 0 / 28

HEX #6060B7

RGB 96 96 183

HSL 240, 0.38%, 0.55%

LAB 44.62, 23.45, -46.24

 

CMYK 31 / 48 / 0 / 28

HEX #7E60B7

RGB 126 96 183

HSL 260.69, 0.38%, 0.55%

LAB 47.26, 31.19, -41.87

 

CMYK 41 / 61 / 0 / 21

HEX #784ECA

RGB 120 78 202

HSL 260.32, 0.54%, 0.55%

LAB 43.81, 45.1, -58.46

 

CMYK 48 / 73 / 0 / 14

HEX #723BDC

RGB 114 59 220

HSL 260.5, 0.7%, 0.55%

LAB 41.01, 58.54, -73.38

 

CMYK 55 / 83 / 0 / 6

HEX #6C28EF

RGB 108 40 239

HSL 260.5, 0.86%, 0.55%

LAB 39.48, 70.29, -86.75

 

CMYK 31 / 48 / 0 / 28

HEX #7E60B7

RGB 126 96 183

HSL 260.69, 0.38%, 0.55%

LAB 47.26, 31.19, -41.87

 

CMYK 20 / 30 / 0 / 35

HEX #8473A5

RGB 132 115 165

HSL 260.4, 0.22%, 0.55%

LAB 51.71, 17.19, -24.39

 

CMYK 5 / 9 / 0 / 43

HEX #8A8592

RGB 138 133 146

HSL 263.08, 0.06%, 0.55%

LAB 56.34, 4.47, -6.29

 

CMYK 5 / 0 / 16 / 40

HEX #909880

RGB 144 152 128

HSL 80, 0.1%, 0.55%

LAB 61.61, -7.35, 11.67

 

CMYK 12 / 0 / 36 / 33

HEX #96AA6D

RGB 150 170 109

HSL 79.67, 0.26%, 0.55%

LAB 66.78, -17.46, 29.19

 

CMYK 48 / 38 / 0 / 28

HEX #6072B7

RGB 96 114 183

HSL 227.59, 0.38%, 0.55%

LAB 49.42, 12.33, -38.61

 

CMYK 44 / 48 / 0 / 28

HEX #6660B7

RGB 102 96 183

HSL 244.14, 0.38%, 0.55%

LAB 45.09, 24.9, -45.45

 

CMYK 32 / 48 / 0 / 28

HEX #7D60B7

RGB 125 96 183

HSL 260, 0.38%, 0.55%

LAB 47.16, 30.91, -42.03

 

CMYK 19 / 48 / 0 / 28

HEX #9460B7

RGB 148 96 183

HSL 275.86, 0.38%, 0.55%

LAB 49.59, 37.38, -38.03

 

CMYK 6 / 48 / 0 / 28

HEX #AC60B7

RGB 172 96 183

HSL 292.41, 0.38%, 0.55%

LAB 52.46, 44.38, -33.33

 

CMYK 36 / 55 / 0 / 47

HEX #573D88

RGB 87 61 136

HSL 260.8, 0.38%, 0.39%

LAB 32.13, 28.94, -38.07

 

CMYK 36 / 55 / 0 / 35

HEX #694AA5

RGB 105 74 165

HSL 260.44, 0.38%, 0.47%

LAB 38.93, 33.84, -44.68

 

CMYK 31 / 48 / 0 / 28

HEX #7E60B7

RGB 126 96 183

HSL 260.69, 0.38%, 0.55%

LAB 47.26, 31.19, -41.87

 

CMYK 24 / 36 / 0 / 23

HEX #957DC4

RGB 149 125 196

HSL 260.28, 0.38%, 0.63%

LAB 57.12, 24.1, -33.69

 

CMYK 18 / 27 / 0 / 18

HEX #AC99D1

RGB 172 153 209

HSL 260.36, 0.38%, 0.71%

LAB 66.64, 18.22, -26.09

 

CMYK 32 / 48 / 0 / 28

HEX #7E60B8

RGB 126 96 184

HSL 260.45, 0.38%, 0.55%

LAB 47.32, 31.45, -42.37

 

CMYK 0 / 48 / 25 / 28

HEX #B76089

RGB 183 96 137

HSL 331.72, 0.38%, 0.55%

LAB 52.11, 40.03, -6.79

 

CMYK 44 / 0 / 48 / 28

HEX #66B760

RGB 102 183 96

HSL 115.86, 0.38%, 0.55%

LAB 67.68, -42.36, 36.54

 

CMYK 32 / 48 / 0 / 28

HEX #7E60B8

RGB 126 96 184

HSL 260.45, 0.38%, 0.55%

LAB 47.32, 31.45, -42.37

 

CMYK 0 / 32 / 48 / 28

HEX #B77D60

RGB 183 125 96

HSL 20, 0.38%, 0.55%

LAB 57.64, 19.11, 24.88

 

CMYK 48 / 0 / 32 / 28

HEX #60B77D

RGB 96 183 125

HSL 140, 0.38%, 0.55%

LAB 67.9, -39.32, 21.59

 

CMYK 32 / 48 / 0 / 28

HEX #7E60B8

RGB 126 96 184

HSL 260.45, 0.38%, 0.55%

LAB 47.32, 31.45, -42.37

 

CMYK 0 / 48 / 25 / 28

HEX #B76089

RGB 183 96 137

HSL 331.72, 0.38%, 0.55%

LAB 52.11, 40.03, -6.79

 

CMYK 16 / 0 / 48 / 28

HEX #9AB760

RGB 154 183 96

HSL 80, 0.38%, 0.55%

LAB 70.58, -24.02, 40.77

 

CMYK 48 / 0 / 22 / 28

HEX #60B78F

RGB 96 183 143

HSL 152.41, 0.38%, 0.55%

LAB 68.27, -35.7, 12.35

 

CMYK 32 / 48 / 0 / 28

HEX #7E60B8

RGB 126 96 184

HSL 260.45, 0.38%, 0.55%

LAB 47.32, 31.45, -42.37

 

CMYK 0 / 48 / 39 / 28

HEX #B7606F

RGB 183 96 111

HSL 349.66, 0.38%, 0.55%

LAB 51.36, 36.63, 7.57

 

CMYK 16 / 0 / 48 / 28

HEX #9AB760

RGB 154 183 96

HSL 80, 0.38%, 0.55%

LAB 70.58, -24.02, 40.77

 

CMYK 48 / 0 / 8 / 28

HEX #60B7A9

RGB 96 183 169

HSL 170.34, 0.38%, 0.55%

LAB 68.91, -29.7, -1

 

Description

Color code: HEX #7E60B8 | qconv.com Color code: HEX #7E60B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 96 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 96 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 48 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 48% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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