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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E6CCA it is the complementary color #819335. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E6CCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E6CCA shade: #836CC5, #947ED8, #A590EB, #B6A2FE and #C7B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E6CCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E6CCA shade: #7E6CCA, #6D5AB7, #5C48A4, #4B3691 and #3A247E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E6CCA shade: #7E6CCA, #976CCA, #B16CCA, #CA6CCA and #CA6CB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E6CCA shade: #7E6CCA and #6C6CCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E6CCA shade matches the following richer shades: #7E6CCA, #745CDA, #6A4CEA and #603CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E6CCA shade: #7E6CCA, #887CBA, #928CAA, #9C9D9A and #A6AD89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E6CCA shade: #6C8DCA, #6C74CA, #7D6CCA, #966CCA and #AF6CCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E6CCA shade: #513CA8, #644EBF, #7E6CCA, #998BD5 and #B3A9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E6CCA shade: #7E6CCA, #CA6CA6 and #81CA6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E6CCA shade: #7E6CCA, #CA7D6C and #6CCA7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E6CCA shade: #7E6CCA, #CA6CA6, #B9CA6C and #6CCA90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E6CCA shade: #7E6CCA, #CA6C8A, #B9CA6C and #6CCAAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

Complementary color

CMYK 12 / 0 / 64 / 42

HEX #819335

RGB 129 147 53

HSL 71.49, 0.47%, 0.39%

LAB 57.84, -20.23, 46.11

 

CMYK 34 / 45 / 0 / 23

HEX #836CC5

RGB 131 108 197

HSL 255.51, 0.43%, 0.6%

LAB 51.36, 29.16, -43.43

 

CMYK 31 / 42 / 0 / 15

HEX #947ED8

RGB 148 126 216

HSL 254.67, 0.54%, 0.67%

LAB 58.2, 28.24, -43.29

 

CMYK 30 / 39 / 0 / 8

HEX #A590EB

RGB 165 144 235

HSL 253.85, 0.69%, 0.74%

LAB 64.92, 27.42, -43.2

 

CMYK 28 / 36 / 0 / 0

HEX #B6A2FE

RGB 182 162 254

HSL 253.04, 0.98%, 0.82%

LAB 71.52, 26.68, -43.14

 

CMYK 22 / 29 / 0 / 0

HEX #C7B4FF

RGB 199 180 255

HSL 255.2, 1%, 0.85%

LAB 77.28, 21.83, -34.6

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 40 / 51 / 0 / 28

HEX #6D5AB7

RGB 109 90 183

HSL 252.26, 0.39%, 0.54%

LAB 44.21, 30.3, -46.83

 

CMYK 44 / 56 / 0 / 36

HEX #5C48A4

RGB 92 72 164

HSL 253.04, 0.39%, 0.46%

LAB 37.1, 31.57, -47.09

 

CMYK 48 / 63 / 0 / 43

HEX #4B3691

RGB 75 54 145

HSL 253.85, 0.46%, 0.39%

LAB 29.86, 33, -47.34

 

CMYK 54 / 71 / 0 / 51

HEX #3A247E

RGB 58 36 126

HSL 254.67, 0.56%, 0.32%

LAB 22.54, 34.52, -47.47

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 25 / 47 / 0 / 21

HEX #976CCA

RGB 151 108 202

HSL 267.45, 0.47%, 0.61%

LAB 53.57, 35.92, -42.67

 

CMYK 12 / 47 / 0 / 21

HEX #B16CCA

RGB 177 108 202

HSL 284.04, 0.47%, 0.61%

LAB 56.42, 43.3, -37.98

 

CMYK 0 / 47 / 0 / 21

HEX #CA6CCA

RGB 202 108 202

HSL 300, 0.47%, 0.61%

LAB 59.48, 50.55, -32.98

 

CMYK 0 / 47 / 12 / 21

HEX #CA6CB1

RGB 202 108 177

HSL 315.96, 0.47%, 0.61%

LAB 58.47, 46.25, -20.27

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 47 / 47 / 0 / 21

HEX #6C6CCA

RGB 108 108 202

HSL 240, 0.47%, 0.61%

LAB 49.71, 24.72, -49.03

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 47 / 58 / 0 / 15

HEX #745CDA

RGB 116 92 218

HSL 251.43, 0.63%, 0.61%

LAB 47.53, 40.79, -61.63

 

CMYK 55 / 68 / 0 / 8

HEX #6A4CEA

RGB 106 76 234

HSL 251.39, 0.79%, 0.61%

LAB 44.48, 52.59, -75.7

 

CMYK 62 / 76 / 0 / 2

HEX #603CFA

RGB 96 60 250

HSL 251.37, 0.95%, 0.61%

LAB 42.19, 63.88, -88.5

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 27 / 33 / 0 / 27

HEX #887CBA

RGB 136 124 186

HSL 251.61, 0.31%, 0.61%

LAB 55.27, 18.3, -30.95

 

CMYK 14 / 18 / 0 / 33

HEX #928CAA

RGB 146 140 170

HSL 252, 0.15%, 0.61%

LAB 59.68, 8.41, -14.98

 

CMYK 1 / 0 / 2 / 38

HEX #9C9D9A

RGB 156 157 154

HSL 80, 0.02%, 0.61%

LAB 64.58, -0.93, 1.43

 

CMYK 4 / 0 / 21 / 32

HEX #A6AD89

RGB 166 173 137

HSL 71.67, 0.18%, 0.61%

LAB 69.33, -8.78, 17.71

 

CMYK 47 / 30 / 0 / 21

HEX #6C8DCA

RGB 108 141 202

HSL 218.94, 0.47%, 0.61%

LAB 58.51, 4.94, -35.14

 

CMYK 47 / 43 / 0 / 21

HEX #6C74CA

RGB 108 116 202

HSL 234.89, 0.47%, 0.61%

LAB 51.77, 19.86, -45.75

 

CMYK 38 / 47 / 0 / 21

HEX #7D6CCA

RGB 125 108 202

HSL 250.85, 0.47%, 0.61%

LAB 51.09, 28.93, -46.75

 

CMYK 26 / 47 / 0 / 21

HEX #966CCA

RGB 150 108 202

HSL 266.81, 0.47%, 0.61%

LAB 53.46, 35.64, -42.84

 

CMYK 13 / 47 / 0 / 21

HEX #AF6CCA

RGB 175 108 202

HSL 282.77, 0.47%, 0.61%

LAB 56.19, 42.73, -38.36

 

CMYK 52 / 64 / 0 / 34

HEX #513CA8

RGB 81 60 168

HSL 251.67, 0.47%, 0.45%

LAB 33.58, 37.66, -55.22

 

CMYK 48 / 59 / 0 / 25

HEX #644EBF

RGB 100 78 191

HSL 251.68, 0.47%, 0.53%

LAB 41.09, 37.75, -56.56

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 28 / 35 / 0 / 16

HEX #998BD5

RGB 153 139 213

HSL 251.35, 0.47%, 0.69%

LAB 61.69, 21.38, -36.11

 

CMYK 20 / 25 / 0 / 12

HEX #B3A9E0

RGB 179 169 224

HSL 250.91, 0.47%, 0.77%

LAB 71.79, 14.84, -26.41

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 0 / 47 / 18 / 21

HEX #CA6CA6

RGB 202 108 166

HSL 322.98, 0.47%, 0.61%

LAB 58.07, 44.5, -14.54

 

CMYK 36 / 0 / 47 / 21

HEX #81CA6C

RGB 129 202 108

HSL 106.6, 0.47%, 0.61%

LAB 74.82, -40.46, 39.73

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 0 / 38 / 47 / 21

HEX #CA7D6C

RGB 202 125 108

HSL 10.85, 0.47%, 0.61%

LAB 60.16, 28.02, 21.88

 

CMYK 47 / 0 / 38 / 21

HEX #6CCA7D

RGB 108 202 125

HSL 130.85, 0.47%, 0.61%

LAB 74.13, -44.3, 30.03

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 0 / 47 / 18 / 21

HEX #CA6CA6

RGB 202 108 166

HSL 322.98, 0.47%, 0.61%

LAB 58.07, 44.5, -14.54

 

CMYK 8 / 0 / 47 / 21

HEX #B9CA6C

RGB 185 202 108

HSL 70.85, 0.47%, 0.61%

LAB 78.25, -19.95, 44.73

 

CMYK 47 / 0 / 29 / 21

HEX #6CCA90

RGB 108 202 144

HSL 142.98, 0.47%, 0.61%

LAB 74.47, -40.91, 20.52

 

CMYK 38 / 47 / 0 / 21

HEX #7E6CCA

RGB 126 108 202

HSL 251.49, 0.47%, 0.61%

LAB 51.18, 29.19, -46.6

 

CMYK 0 / 47 / 32 / 21

HEX #CA6C8A

RGB 202 108 138

HSL 340.85, 0.47%, 0.61%

LAB 57.19, 40.53, 0.41

 

CMYK 8 / 0 / 47 / 21

HEX #B9CA6C

RGB 185 202 108

HSL 70.85, 0.47%, 0.61%

LAB 78.25, -19.95, 44.73

 

CMYK 47 / 0 / 15 / 21

HEX #6CCAAC

RGB 108 202 172

HSL 160.85, 0.47%, 0.61%

LAB 75.08, -35.06, 6.38

 

Description

Color code: HEX #7E6CCA | qconv.com Color code: HEX #7E6CCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 108 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 108 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 47 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 47% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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