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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EA950 it is the complementary color #8156AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EA950. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EA950 shade: #83A94B, #94BB5E, #A5CD71, #B6DF84 and #C7F197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EA950. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EA950 shade: #7EA950, #6D973D, #5C852A, #4B7317 and #3A6104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EA950 shade: #7EA94F, #96A94F, #A9A44F, #A98C4F and #A9744F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EA950 shade: #7EA94F, #66A94F, #4FA951, #4FA96A and #4FA982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EA950 shade matches the following richer shades: #7EA94F, #7FBE3B, #7FD227 and #80E613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EA950 shade: #7EA94F, #7D9564, #7D8178, #7C6D8C and #7B59A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EA950 shade: #A9A34F, #97A94F, #7FA94F, #67A94F and #4FA94F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EA950 shade: #547135, #698D42, #7EA94F, #92B86A and #A7C686

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EA950 shade: #7EA950, #4FA98B and #A94FA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EA950 shade: #7EA950, #4F7FA9 and #A94F7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EA950 shade: #7EA950, #4FA98B, #794FA9 and #A94F6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EA950 shade: #7EA950, #4FA9A6, #794FA9 and #A94F52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 53 / 34

HEX #7EA950

RGB 126 169 80

HSL 88.99, 0.36%, 0.49%

LAB 64.48, -29.8, 40.89

 

Complementary color

CMYK 26 / 51 / 0 / 31

HEX #8156AF

RGB 129 86 175

HSL 268.99, 0.36%, 0.51%

LAB 44.83, 35.8, -41.04

 

CMYK 22 / 0 / 56 / 34

HEX #83A94B

RGB 131 169 75

HSL 84.26, 0.39%, 0.48%

LAB 64.73, -28.4, 43.69

 

CMYK 21 / 0 / 50 / 27

HEX #94BB5E

RGB 148 187 94

HSL 85.16, 0.41%, 0.55%

LAB 71.31, -28.5, 42.56

 

CMYK 20 / 0 / 45 / 20

HEX #A5CD71

RGB 165 205 113

HSL 86.09, 0.48%, 0.62%

LAB 77.79, -28.54, 41.4

 

CMYK 18 / 0 / 41 / 13

HEX #B6DF84

RGB 182 223 132

HSL 87.03, 0.59%, 0.7%

LAB 84.17, -28.55, 40.24

 

CMYK 17 / 0 / 37 / 5

HEX #C7F197

RGB 199 241 151

HSL 88, 0.76%, 0.77%

LAB 90.45, -28.52, 39.11

 

CMYK 25 / 0 / 53 / 34

HEX #7EA950

RGB 126 169 80

HSL 88.99, 0.36%, 0.49%

LAB 64.48, -29.8, 40.89

 

CMYK 28 / 0 / 60 / 41

HEX #6D973D

RGB 109 151 61

HSL 88, 0.42%, 0.42%

LAB 57.77, -29.71, 41.99

 

CMYK 31 / 0 / 68 / 48

HEX #5C852A

RGB 92 133 42

HSL 87.03, 0.52%, 0.34%

LAB 50.94, -29.48, 42.84

 

CMYK 35 / 0 / 80 / 55

HEX #4B7317

RGB 75 115 23

HSL 86.09, 0.67%, 0.27%

LAB 43.97, -29.04, 43.04

 

CMYK 40 / 0 / 96 / 62

HEX #3A6104

RGB 58 97 4

HSL 85.16, 0.92%, 0.2%

LAB 36.85, -28.26, 41.91

 

CMYK 25 / 0 / 53 / 34

HEX #7EA94F

RGB 126 169 79

HSL 88.67, 0.36%, 0.49%

LAB 64.46, -29.91, 41.36

 

CMYK 11 / 0 / 53 / 34

HEX #96A94F

RGB 150 169 79

HSL 72.67, 0.36%, 0.49%

LAB 66.08, -20.39, 43.67

 

CMYK 0 / 3 / 53 / 34

HEX #A9A44F

RGB 169 164 79

HSL 56.67, 0.36%, 0.49%

LAB 66.17, -9.85, 44.16

 

CMYK 0 / 17 / 53 / 34

HEX #A98C4F

RGB 169 140 79

HSL 40.67, 0.36%, 0.49%

LAB 59.67, 3.15, 36.41

 

CMYK 0 / 31 / 53 / 34

HEX #A9744F

RGB 169 116 79

HSL 24.67, 0.36%, 0.49%

LAB 53.48, 16.62, 28.73

 

CMYK 25 / 0 / 53 / 34

HEX #7EA94F

RGB 126 169 79

HSL 88.67, 0.36%, 0.49%

LAB 64.46, -29.91, 41.36

 

CMYK 40 / 0 / 53 / 34

HEX #66A94F

RGB 102 169 79

HSL 104.67, 0.36%, 0.49%

LAB 63.15, -38.51, 39.47

 

CMYK 53 / 0 / 52 / 34

HEX #4FA951

RGB 79 169 81

HSL 121.33, 0.36%, 0.49%

LAB 62.2, -45.22, 37.1

 

CMYK 53 / 0 / 37 / 34

HEX #4FA96A

RGB 79 169 106

HSL 138, 0.36%, 0.49%

LAB 62.57, -41.22, 24.54

 

CMYK 53 / 0 / 23 / 34

HEX #4FA982

RGB 79 169 130

HSL 154, 0.36%, 0.49%

LAB 63.05, -36.37, 12.06

 

CMYK 25 / 0 / 53 / 34

HEX #7EA94F

RGB 126 169 79

HSL 88.67, 0.36%, 0.49%

LAB 64.46, -29.91, 41.36

 

CMYK 33 / 0 / 69 / 25

HEX #7FBE3B

RGB 127 190 59

HSL 88.85, 0.53%, 0.49%

LAB 70.63, -40.9, 57.06

 

CMYK 40 / 0 / 81 / 18

HEX #7FD227

RGB 127 210 39

HSL 89.12, 0.69%, 0.49%

LAB 76.53, -50.4, 69.24

 

CMYK 44 / 0 / 92 / 10

HEX #80E613

RGB 128 230 19

HSL 89, 0.85%, 0.49%

LAB 82.5, -58.46, 78.21

 

CMYK 25 / 0 / 53 / 34

HEX #7EA94F

RGB 126 169 79

HSL 88.67, 0.36%, 0.49%

LAB 64.46, -29.91, 41.36

 

CMYK 16 / 0 / 33 / 42

HEX #7D9564

RGB 125 149 100

HSL 89.39, 0.2%, 0.49%

LAB 58.77, -17.59, 23.17

 

CMYK 3 / 0 / 7 / 49

HEX #7D8178

RGB 125 129 120

HSL 86.67, 0.04%, 0.49%

LAB 53.4, -3.26, 4.35

 

CMYK 11 / 22 / 0 / 45

HEX #7C6D8C

RGB 124 109 140

HSL 269.03, 0.12%, 0.49%

LAB 48.41, 12.23, -14.82

 

CMYK 23 / 44 / 0 / 37

HEX #7B59A0

RGB 123 89 160

HSL 268.73, 0.29%, 0.49%

LAB 44.08, 28.62, -33.4

 

CMYK 0 / 4 / 53 / 34

HEX #A9A34F

RGB 169 163 79

HSL 56, 0.36%, 0.49%

LAB 65.9, -9.32, 43.84

 

CMYK 11 / 0 / 53 / 34

HEX #97A94F

RGB 151 169 79

HSL 72, 0.36%, 0.49%

LAB 66.15, -19.98, 43.77

 

CMYK 25 / 0 / 53 / 34

HEX #7FA94F

RGB 127 169 79

HSL 88, 0.36%, 0.49%

LAB 64.53, -29.53, 41.45

 

CMYK 39 / 0 / 53 / 34

HEX #67A94F

RGB 103 169 79

HSL 104, 0.36%, 0.49%

LAB 63.2, -38.17, 39.54

 

CMYK 53 / 0 / 53 / 34

HEX #4FA94F

RGB 79 169 79

HSL 120, 0.36%, 0.49%

LAB 62.17, -45.5, 38.06

 

CMYK 26 / 0 / 53 / 56

HEX #547135

RGB 84 113 53

HSL 89, 0.36%, 0.33%

LAB 44.16, -21.69, 29.69

 

CMYK 26 / 0 / 53 / 45

HEX #698D42

RGB 105 141 66

HSL 88.8, 0.36%, 0.41%

LAB 54.5, -25.88, 35.65

 

CMYK 25 / 0 / 53 / 34

HEX #7EA94F

RGB 126 169 79

HSL 88.67, 0.36%, 0.49%

LAB 64.46, -29.91, 41.36

 

CMYK 21 / 0 / 42 / 28

HEX #92B86A

RGB 146 184 106

HSL 89.23, 0.35%, 0.57%

LAB 70.48, -26.38, 35.47

 

CMYK 16 / 0 / 32 / 22

HEX #A7C686

RGB 167 198 134

HSL 89.06, 0.36%, 0.65%

LAB 76.27, -21.66, 28.74

 

CMYK 25 / 0 / 53 / 34

HEX #7EA950

RGB 126 169 80

HSL 88.99, 0.36%, 0.49%

LAB 64.48, -29.8, 40.89

 

CMYK 53 / 0 / 18 / 34

HEX #4FA98B

RGB 79 169 139

HSL 160, 0.36%, 0.49%

LAB 63.26, -34.31, 7.36

 

CMYK 0 / 53 / 4 / 34

HEX #A94FA3

RGB 169 79 163

HSL 304, 0.36%, 0.49%

LAB 47.84, 48.42, -28.87

 

CMYK 25 / 0 / 53 / 34

HEX #7EA950

RGB 126 169 80

HSL 88.99, 0.36%, 0.49%

LAB 64.48, -29.8, 40.89

 

CMYK 53 / 25 / 0 / 34

HEX #4F7FA9

RGB 79 127 169

HSL 208, 0.36%, 0.49%

LAB 51.5, -3.96, -27.32

 

CMYK 0 / 53 / 25 / 34

HEX #A94F7F

RGB 169 79 127

HSL 328, 0.36%, 0.49%

LAB 46.39, 42.6, -9.56

 

CMYK 25 / 0 / 53 / 34

HEX #7EA950

RGB 126 169 80

HSL 88.99, 0.36%, 0.49%

LAB 64.48, -29.8, 40.89

 

CMYK 53 / 0 / 18 / 34

HEX #4FA98B

RGB 79 169 139

HSL 160, 0.36%, 0.49%

LAB 63.26, -34.31, 7.36

 

CMYK 28 / 53 / 0 / 34

HEX #794FA9

RGB 121 79 169

HSL 268, 0.36%, 0.49%

LAB 42.03, 36.15, -41.99

 

CMYK 0 / 53 / 36 / 34

HEX #A94F6D

RGB 169 79 109

HSL 340, 0.36%, 0.49%

LAB 45.81, 40.18, 0.52

 

CMYK 25 / 0 / 53 / 34

HEX #7EA950

RGB 126 169 80

HSL 88.99, 0.36%, 0.49%

LAB 64.48, -29.8, 40.89

 

CMYK 53 / 0 / 2 / 34

HEX #4FA9A6

RGB 79 169 166

HSL 178, 0.36%, 0.49%

LAB 63.99, -27.47, -6.65

 

CMYK 28 / 53 / 0 / 34

HEX #794FA9

RGB 121 79 169

HSL 268, 0.36%, 0.49%

LAB 42.03, 36.15, -41.99

 

CMYK 0 / 53 / 51 / 34

HEX #A94F52

RGB 169 79 82

HSL 358, 0.36%, 0.49%

LAB 45.13, 37.23, 16.02

 

Description

Color code: HEX #7EA950 | qconv.com Color code: HEX #7EA950 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 169 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 169 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 53 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 53% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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