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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EC937 it is the complementary color #8136C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EC937. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EC937 shade: #83C932, #94DB45, #A5ED58, #B6FF6B and #C7FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EC937. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EC937 shade: #7EC937, #6DB724, #5CA511, #4B9300 and #3A8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EC937 shade: #7DC836, #A4C836, #C8C436, #C89D36 and #C87636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EC937 shade: #7DC836, #56C836, #36C83E, #36C865 and #36C88C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EC937 shade matches the following richer shades: #7DC836, #7CDC22 and #7CF10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EC937 shade: #7DC836, #7EB34B, #7E9E60, #7F8A74 and #7F7589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EC937 shade: #C8C336, #A6C836, #7FC836, #58C836 and #36C83B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EC937 shade: #548725, #69A72D, #7DC836, #92D157 and #A7D977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EC937 shade: #7EC937, #36C89C and #C836B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EC937 shade: #7EC937, #367FC8 and #C8367F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EC937 shade: #7EC937, #36C89C, #7F36C8 and #C83662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EC937 shade: #7EC937, #36C8C8, #7F36C8 and #C83636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 73 / 21

HEX #7EC937

RGB 126 201 55

HSL 90.82, 0.57%, 0.5%

LAB 73.86, -46.21, 61.79

 

Complementary color

CMYK 36 / 73 / 0 / 22

HEX #8136C8

RGB 129 54 200

HSL 270.82, 0.57%, 0.5%

LAB 40.37, 58.32, -62.82

 

CMYK 35 / 0 / 75 / 21

HEX #83C932

RGB 131 201 50

HSL 87.81, 0.6%, 0.49%

LAB 74.08, -44.76, 63.79

 

CMYK 32 / 0 / 68 / 14

HEX #94DB45

RGB 148 219 69

HSL 88.4, 0.68%, 0.56%

LAB 80.4, -45.18, 63.67

 

CMYK 30 / 0 / 63 / 7

HEX #A5ED58

RGB 165 237 88

HSL 88.99, 0.81%, 0.64%

LAB 86.64, -45.45, 63.09

 

CMYK 29 / 0 / 58 / 0

HEX #B6FF6B

RGB 182 255 107

HSL 89.59, 1%, 0.71%

LAB 92.81, -45.62, 62.26

 

CMYK 22 / 0 / 51 / 0

HEX #C7FF7E

RGB 199 255 126

HSL 86.05, 1%, 0.75%

LAB 93.96, -37.81, 55.44

 

CMYK 37 / 0 / 73 / 21

HEX #7EC937

RGB 126 201 55

HSL 90.82, 0.57%, 0.5%

LAB 73.86, -46.21, 61.79

 

CMYK 40 / 0 / 80 / 28

HEX #6DB724

RGB 109 183 36

HSL 90.2, 0.67%, 0.43%

LAB 67.46, -45.67, 61.49

 

CMYK 44 / 0 / 90 / 35

HEX #5CA511

RGB 92 165 17

HSL 89.59, 0.81%, 0.36%

LAB 60.98, -44.84, 60.05

 

CMYK 49 / 0 / 100 / 42

HEX #4B9300

RGB 75 147 0

HSL 89.39, 1%, 0.29%

LAB 54.41, -43.68, 57.12

 

CMYK 55 / 0 / 100 / 49

HEX #3A8100

RGB 58 129 0

HSL 93.02, 1%, 0.25%

LAB 47.75, -41.98, 51.61

 

CMYK 38 / 0 / 73 / 22

HEX #7DC836

RGB 125 200 54

HSL 90.82, 0.57%, 0.5%

LAB 73.5, -46.2, 61.77

 

CMYK 18 / 0 / 73 / 22

HEX #A4C836

RGB 164 200 54

HSL 74.79, 0.57%, 0.5%

LAB 75.74, -31.57, 64.72

 

CMYK 0 / 2 / 73 / 22

HEX #C8C436

RGB 200 196 54

HSL 58.36, 0.57%, 0.5%

LAB 77.3, -14.69, 67.14

 

CMYK 0 / 22 / 73 / 22

HEX #C89D36

RGB 200 157 54

HSL 42.33, 0.57%, 0.5%

LAB 67.02, 5.72, 57.2

 

CMYK 0 / 41 / 73 / 22

HEX #C87636

RGB 200 118 54

HSL 26.3, 0.57%, 0.5%

LAB 57.56, 26.96, 47.56

 

CMYK 38 / 0 / 73 / 22

HEX #7DC836

RGB 125 200 54

HSL 90.82, 0.57%, 0.5%

LAB 73.5, -46.2, 61.77

 

CMYK 57 / 0 / 73 / 22

HEX #56C836

RGB 86 200 54

HSL 106.85, 0.57%, 0.5%

LAB 71.93, -57.97, 59.68

 

CMYK 73 / 0 / 69 / 22

HEX #36C83E

RGB 54 200 62

HSL 123.29, 0.57%, 0.5%

LAB 71.17, -63.97, 55.67

 

CMYK 73 / 0 / 50 / 22

HEX #36C865

RGB 54 200 101

HSL 139.32, 0.57%, 0.5%

LAB 71.58, -59.17, 38.6

 

CMYK 73 / 0 / 30 / 22

HEX #36C88C

RGB 54 200 140

HSL 155.34, 0.57%, 0.5%

LAB 72.22, -51.94, 19.29

 

CMYK 38 / 0 / 73 / 22

HEX #7DC836

RGB 125 200 54

HSL 90.82, 0.57%, 0.5%

LAB 73.5, -46.2, 61.77

 

CMYK 44 / 0 / 85 / 14

HEX #7CDC22

RGB 124 220 34

HSL 90.97, 0.73%, 0.5%

LAB 79.38, -55.5, 72.9

 

CMYK 49 / 0 / 95 / 5

HEX #7CF10D

RGB 124 241 13

HSL 90.79, 0.9%, 0.5%

LAB 85.62, -63.81, 81.34

 

CMYK 38 / 0 / 73 / 22

HEX #7DC836

RGB 125 200 54

HSL 90.82, 0.57%, 0.5%

LAB 73.5, -46.2, 61.77

 

CMYK 30 / 0 / 58 / 30

HEX #7EB34B

RGB 126 179 75

HSL 90.58, 0.41%, 0.5%

LAB 67.41, -35, 46.71

 

CMYK 20 / 0 / 39 / 38

HEX #7E9E60

RGB 126 158 96

HSL 90.97, 0.24%, 0.5%

LAB 61.42, -22.41, 28.84

 

CMYK 8 / 0 / 16 / 46

HEX #7F8A74

RGB 127 138 116

HSL 90, 0.09%, 0.5%

LAB 56.04, -8.27, 10.44

 

CMYK 7 / 15 / 0 / 46

HEX #7F7589

RGB 127 117 137

HSL 270, 0.08%, 0.5%

LAB 50.73, 7.89, -9.51

 

CMYK 0 / 3 / 73 / 22

HEX #C8C336

RGB 200 195 54

HSL 57.95, 0.57%, 0.5%

LAB 77.03, -14.19, 66.89

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 37 / 0 / 73 / 22

HEX #7FC836

RGB 127 200 54

HSL 90, 0.57%, 0.5%

LAB 73.6, -45.51, 61.9

 

CMYK 56 / 0 / 73 / 22

HEX #58C836

RGB 88 200 54

HSL 106.03, 0.57%, 0.5%

LAB 71.99, -57.46, 59.77

 

CMYK 73 / 0 / 71 / 22

HEX #36C83B

RGB 54 200 59

HSL 122.05, 0.57%, 0.5%

LAB 71.15, -64.23, 56.8

 

CMYK 38 / 0 / 73 / 47

HEX #548725

RGB 84 135 37

HSL 91.22, 0.57%, 0.34%

LAB 51.09, -33.87, 44.93

 

CMYK 37 / 0 / 73 / 35

HEX #69A72D

RGB 105 167 45

HSL 90.49, 0.58%, 0.42%

LAB 62.36, -39.8, 53.59

 

CMYK 38 / 0 / 73 / 22

HEX #7DC836

RGB 125 200 54

HSL 90.82, 0.57%, 0.5%

LAB 73.5, -46.2, 61.77

 

CMYK 30 / 0 / 58 / 18

HEX #92D157

RGB 146 209 87

HSL 90.98, 0.57%, 0.58%

LAB 77.52, -40.09, 53.1

 

CMYK 23 / 0 / 45 / 15

HEX #A7D977

RGB 167 217 119

HSL 90.61, 0.56%, 0.66%

LAB 81.39, -32.75, 42.96

 

CMYK 37 / 0 / 73 / 21

HEX #7EC937

RGB 126 201 55

HSL 90.82, 0.57%, 0.5%

LAB 73.86, -46.21, 61.79

 

CMYK 73 / 0 / 22 / 22

HEX #36C89C

RGB 54 200 156

HSL 161.92, 0.57%, 0.5%

LAB 72.56, -48.32, 11.19

 

CMYK 0 / 73 / 8 / 22

HEX #C836B9

RGB 200 54 185

HSL 306.16, 0.57%, 0.5%

LAB 50, 70.08, -38.07

 

CMYK 37 / 0 / 73 / 21

HEX #7EC937

RGB 126 201 55

HSL 90.82, 0.57%, 0.5%

LAB 73.86, -46.21, 61.79

 

CMYK 73 / 37 / 0 / 22

HEX #367FC8

RGB 54 127 200

HSL 210, 0.57%, 0.5%

LAB 51.99, 2.03, -44.44

 

CMYK 0 / 73 / 37 / 22

HEX #C8367F

RGB 200 54 127

HSL 330, 0.57%, 0.5%

LAB 47.56, 62.53, -7.29

 

CMYK 37 / 0 / 73 / 21

HEX #7EC937

RGB 126 201 55

HSL 90.82, 0.57%, 0.5%

LAB 73.86, -46.21, 61.79

 

CMYK 73 / 0 / 22 / 22

HEX #36C89C

RGB 54 200 156

HSL 161.92, 0.57%, 0.5%

LAB 72.56, -48.32, 11.19

 

CMYK 37 / 73 / 0 / 22

HEX #7F36C8

RGB 127 54 200

HSL 270, 0.57%, 0.5%

LAB 40.12, 57.96, -63.25

 

CMYK 0 / 73 / 51 / 22

HEX #C83662

RGB 200 54 98

HSL 341.92, 0.57%, 0.5%

LAB 46.71, 59.77, 9.23

 

CMYK 37 / 0 / 73 / 21

HEX #7EC937

RGB 126 201 55

HSL 90.82, 0.57%, 0.5%

LAB 73.86, -46.21, 61.79

 

CMYK 73 / 0 / 0 / 22

HEX #36C8C8

RGB 54 200 200

HSL 180, 0.57%, 0.5%

LAB 73.72, -36.71, -10.96

 

CMYK 37 / 73 / 0 / 22

HEX #7F36C8

RGB 127 54 200

HSL 270, 0.57%, 0.5%

LAB 40.12, 57.96, -63.25

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

Description

Color code: HEX #7EC937 | qconv.com Color code: HEX #7EC937 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 201 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 201 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 73 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 73% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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