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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ED2EA it is the complementary color #812D15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ED2EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ED2EA shade: #83D2E5, #94E4F8, #A5F6FF, #B6FFFF and #C7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ED2EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ED2EA shade: #7ED2EA, #6DC0D7, #5CAEC4, #4B9CB1 and #3A8A9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ED2EA shade: #7FD2EA, #7FB5EA, #7F99EA, #837FEA and #9F7FEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ED2EA shade: #7FD2EA, #7FB5EA, #7F99EA and #7F7FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ED2EA shade matches the following richer shades: #7FD2EA and #73D9F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ED2EA shade: #7FD2EA, #8BCBDE, #97C5D2, #A3BEC6 and #AFB8BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ED2EA shade: #7FEAC8, #7FEAE4, #7FD3EA, #7FB6EA and #7F9AEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ED2EA shade: #38B9DE, #5CC6E4, #7FD2EA, #A3DFF0 and #C6EBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ED2EA shade: #7ED2EA, #AC7FEA and #EAD67F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ED2EA shade: #7ED2EA, #EA7FD3 and #D3EA7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ED2EA shade: #7ED2EA, #AC7FEA, #EA967F and #BDEA7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ED2EA shade: #7ED2EA, #CC7FEA, #EA967F and #9DEA7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 10 / 0 / 8

HEX #7ED2EA

RGB 126 210 234

HSL 193.33, 0.72%, 0.71%

LAB 79.88, -19.29, -19.77

 

Complementary color

CMYK 0 / 65 / 84 / 49

HEX #812D15

RGB 129 45 21

HSL 13.33, 0.72%, 0.29%

LAB 30.87, 35, 33.42

 

CMYK 43 / 8 / 0 / 10

HEX #83D2E5

RGB 131 210 229

HSL 191.63, 0.65%, 0.71%

LAB 79.94, -19.42, -16.99

 

CMYK 40 / 8 / 0 / 3

HEX #94E4F8

RGB 148 228 248

HSL 192, 0.88%, 0.78%

LAB 86.29, -19.49, -17.43

 

CMYK 35 / 4 / 0 / 0

HEX #A5F6FF

RGB 165 246 255

HSL 186, 1%, 0.82%

LAB 92.19, -22.41, -12.16

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 46 / 10 / 0 / 8

HEX #7ED2EA

RGB 126 210 234

HSL 193.33, 0.72%, 0.71%

LAB 79.88, -19.29, -19.77

 

CMYK 49 / 11 / 0 / 16

HEX #6DC0D7

RGB 109 192 215

HSL 193.02, 0.57%, 0.64%

LAB 73.45, -19.11, -19.34

 

CMYK 53 / 11 / 0 / 23

HEX #5CAEC4

RGB 92 174 196

HSL 192.69, 0.47%, 0.56%

LAB 66.93, -18.85, -18.89

 

CMYK 58 / 12 / 0 / 31

HEX #4B9CB1

RGB 75 156 177

HSL 192.35, 0.4%, 0.49%

LAB 60.29, -18.5, -18.41

 

CMYK 63 / 13 / 0 / 38

HEX #3A8A9E

RGB 58 138 158

HSL 192, 0.46%, 0.42%

LAB 53.54, -18.01, -17.9

 

CMYK 46 / 10 / 0 / 8

HEX #7FD2EA

RGB 127 210 234

HSL 193.46, 0.72%, 0.71%

LAB 79.92, -19.06, -19.7

 

CMYK 46 / 23 / 0 / 8

HEX #7FB5EA

RGB 127 181 234

HSL 209.72, 0.72%, 0.71%

LAB 71.89, -3.76, -31.98

 

CMYK 46 / 35 / 0 / 8

HEX #7F99EA

RGB 127 153 234

HSL 225.42, 0.72%, 0.71%

LAB 64.35, 12.03, -43.73

 

CMYK 44 / 46 / 0 / 8

HEX #837FEA

RGB 131 127 234

HSL 242.24, 0.72%, 0.71%

LAB 57.98, 28.21, -53.79

 

CMYK 32 / 46 / 0 / 8

HEX #9F7FEA

RGB 159 127 234

HSL 257.94, 0.72%, 0.71%

LAB 60.33, 35.22, -49.92

 

CMYK 46 / 10 / 0 / 8

HEX #7FD2EA

RGB 127 210 234

HSL 193.46, 0.72%, 0.71%

LAB 79.92, -19.06, -19.7

 

CMYK 46 / 23 / 0 / 8

HEX #7FB5EA

RGB 127 181 234

HSL 209.72, 0.72%, 0.71%

LAB 71.89, -3.76, -31.98

 

CMYK 46 / 35 / 0 / 8

HEX #7F99EA

RGB 127 153 234

HSL 225.42, 0.72%, 0.71%

LAB 64.35, 12.03, -43.73

 

CMYK 46 / 46 / 0 / 8

HEX #7F7FEA

RGB 127 127 234

HSL 240, 0.72%, 0.71%

LAB 57.69, 27.28, -54.28

 

CMYK 46 / 10 / 0 / 8

HEX #7FD2EA

RGB 127 210 234

HSL 193.46, 0.72%, 0.71%

LAB 79.92, -19.06, -19.7

 

CMYK 53 / 12 / 0 / 4

HEX #73D9F6

RGB 115 217 246

HSL 193.28, 0.88%, 0.71%

LAB 81.8, -21.94, -23.29

 

CMYK 46 / 10 / 0 / 8

HEX #7FD2EA

RGB 127 210 234

HSL 193.46, 0.72%, 0.71%

LAB 79.92, -19.06, -19.7

 

CMYK 37 / 9 / 0 / 13

HEX #8BCBDE

RGB 139 203 222

HSL 193.73, 0.56%, 0.71%

LAB 78.15, -15.6, -15.89

 

CMYK 28 / 6 / 0 / 18

HEX #97C5D2

RGB 151 197 210

HSL 193.22, 0.4%, 0.71%

LAB 76.78, -12.06, -11.42

 

CMYK 18 / 4 / 0 / 22

HEX #A3BEC6

RGB 163 190 198

HSL 193.71, 0.23%, 0.71%

LAB 75.26, -7.42, -7.1

 

CMYK 6 / 1 / 0 / 27

HEX #AFB8BA

RGB 175 184 186

HSL 190.91, 0.07%, 0.71%

LAB 74.15, -2.73, -2.1

 

CMYK 46 / 0 / 15 / 8

HEX #7FEAC8

RGB 127 234 200

HSL 160.93, 0.72%, 0.71%

LAB 85.77, -38.84, 6.96

 

CMYK 46 / 0 / 3 / 8

HEX #7FEAE4

RGB 127 234 228

HSL 176.64, 0.72%, 0.71%

LAB 86.48, -32.33, -6.7

 

CMYK 46 / 10 / 0 / 8

HEX #7FD3EA

RGB 127 211 234

HSL 192.9, 0.72%, 0.71%

LAB 80.2, -19.57, -19.28

 

CMYK 46 / 22 / 0 / 8

HEX #7FB6EA

RGB 127 182 234

HSL 209.16, 0.72%, 0.71%

LAB 72.17, -4.3, -31.56

 

CMYK 46 / 34 / 0 / 8

HEX #7F9AEA

RGB 127 154 234

HSL 224.86, 0.72%, 0.71%

LAB 64.61, 11.45, -43.32

 

CMYK 75 / 17 / 0 / 13

HEX #38B9DE

RGB 56 185 222

HSL 193.37, 0.72%, 0.55%

LAB 70.04, -22.45, -28.5

 

CMYK 60 / 13 / 0 / 11

HEX #5CC6E4

RGB 92 198 228

HSL 193.24, 0.72%, 0.63%

LAB 74.99, -21.9, -24.1

 

CMYK 46 / 10 / 0 / 8

HEX #7FD2EA

RGB 127 210 234

HSL 193.46, 0.72%, 0.71%

LAB 79.92, -19.06, -19.7

 

CMYK 32 / 7 / 0 / 6

HEX #A3DFF0

RGB 163 223 240

HSL 193.25, 0.72%, 0.79%

LAB 85.43, -15.01, -14.42

 

CMYK 19 / 4 / 0 / 4

HEX #C6EBF5

RGB 198 235 245

HSL 192.77, 0.7%, 0.87%

LAB 90.79, -9.88, -8.84

 

CMYK 46 / 10 / 0 / 8

HEX #7ED2EA

RGB 126 210 234

HSL 193.33, 0.72%, 0.71%

LAB 79.88, -19.29, -19.77

 

CMYK 26 / 46 / 0 / 8

HEX #AC7FEA

RGB 172 127 234

HSL 265.23, 0.72%, 0.71%

LAB 61.56, 38.67, -47.89

 

CMYK 0 / 9 / 46 / 8

HEX #EAD67F

RGB 234 214 127

HSL 48.79, 0.72%, 0.71%

LAB 85.56, -4.59, 45.29

 

CMYK 46 / 10 / 0 / 8

HEX #7ED2EA

RGB 126 210 234

HSL 193.33, 0.72%, 0.71%

LAB 79.88, -19.29, -19.77

 

CMYK 0 / 46 / 10 / 8

HEX #EA7FD3

RGB 234 127 211

HSL 312.9, 0.72%, 0.71%

LAB 67.56, 52.11, -25.23

 

CMYK 10 / 0 / 46 / 8

HEX #D3EA7F

RGB 211 234 127

HSL 72.9, 0.72%, 0.71%

LAB 89.03, -23.52, 49.18

 

CMYK 46 / 10 / 0 / 8

HEX #7ED2EA

RGB 126 210 234

HSL 193.33, 0.72%, 0.71%

LAB 79.88, -19.29, -19.77

 

CMYK 26 / 46 / 0 / 8

HEX #AC7FEA

RGB 172 127 234

HSL 265.23, 0.72%, 0.71%

LAB 61.56, 38.67, -47.89

 

CMYK 0 / 36 / 46 / 8

HEX #EA967F

RGB 234 150 127

HSL 12.9, 0.72%, 0.71%

LAB 70.06, 29.06, 25.27

 

CMYK 19 / 0 / 46 / 8

HEX #BDEA7F

RGB 189 234 127

HSL 85.23, 0.72%, 0.71%

LAB 87.58, -31.74, 47.07

 

CMYK 46 / 10 / 0 / 8

HEX #7ED2EA

RGB 126 210 234

HSL 193.33, 0.72%, 0.71%

LAB 79.88, -19.29, -19.77

 

CMYK 13 / 46 / 0 / 8

HEX #CC7FEA

RGB 204 127 234

HSL 283.18, 0.72%, 0.71%

LAB 64.93, 47.52, -42.36

 

CMYK 0 / 36 / 46 / 8

HEX #EA967F

RGB 234 150 127

HSL 12.9, 0.72%, 0.71%

LAB 70.06, 29.06, 25.27

 

CMYK 33 / 0 / 46 / 8

HEX #9DEA7F

RGB 157 234 127

HSL 103.18, 0.72%, 0.71%

LAB 85.78, -42.87, 44.43

 

Description

Color code: HEX #7ED2EA | qconv.com Color code: HEX #7ED2EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 210 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 210 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 10 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 10% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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