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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EE9AA it is the complementary color #811655. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EE9AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EE9AA shade: #83E9A5, #94FBB8, #A5FFCB, #B6FFDE and #C7FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EE9AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EE9AA shade: #7EE9AA, #6DD797, #5CC584, #4BB371 and #3AA15E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EE9AA shade: #7CE8A8, #7CE88B, #8AE87C, #A7E87C and #C4E87C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EE9AA shade: #7CE8A8, #7CE8C6, #7CE8E3, #7CD0E8 and #7CB3E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EE9AA shade matches the following richer shades: #7CE8A8 and #6FF5A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EE9AA shade: #7CE8A8, #88DCAB, #94D0AD, #A1C3AF and #ADB7B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EE9AA shade: #8AE87C, #7CE88A, #7CE8A7, #7CE8C4 and #7CE8E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EE9AA shade: #35DC7A, #58E291, #7CE8A8, #9FEEC0 and #C2F4D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EE9AA shade: #7EE9AA, #7CA7E8 and #E87C7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EE9AA shade: #7EE9AA, #A77CE8 and #E8A77C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EE9AA shade: #7EE9AA, #7CA7E8, #E87CBD and #E8BD7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EE9AA shade: #7EE9AA, #7C87E8, #E87CBD and #E8DD7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 27 / 9

HEX #7EE9AA

RGB 126 233 170

HSL 144.67, 0.71%, 0.7%

LAB 84.8, -44.79, 21.24

 

Complementary color

CMYK 0 / 83 / 34 / 49

HEX #811655

RGB 129 22 85

HSL 324.67, 0.71%, 0.3%

LAB 29.15, 48.9, -9.77

 

CMYK 44 / 0 / 29 / 9

HEX #83E9A5

RGB 131 233 165

HSL 140, 0.7%, 0.71%

LAB 84.9, -44.4, 24

 

CMYK 41 / 0 / 27 / 2

HEX #94FBB8

RGB 148 251 184

HSL 140.97, 0.93%, 0.78%

LAB 91.12, -44.16, 22.91

 

CMYK 35 / 0 / 20 / 0

HEX #A5FFCB

RGB 165 255 203

HSL 145.33, 1%, 0.82%

LAB 93.38, -37.69, 16.45

 

CMYK 29 / 0 / 13 / 0

HEX #B6FFDE

RGB 182 255 222

HSL 152.88, 1%, 0.86%

LAB 94.63, -29.13, 8.59

 

CMYK 22 / 0 / 5 / 0

HEX #C7FFF1

RGB 199 255 241

HSL 165, 1%, 0.89%

LAB 96, -20.34, 0.91

 

CMYK 46 / 0 / 27 / 9

HEX #7EE9AA

RGB 126 233 170

HSL 144.67, 0.71%, 0.7%

LAB 84.8, -44.79, 21.24

 

CMYK 49 / 0 / 30 / 16

HEX #6DD797

RGB 109 215 151

HSL 143.77, 0.57%, 0.64%

LAB 78.51, -44.97, 22.38

 

CMYK 53 / 0 / 33 / 23

HEX #5CC584

RGB 92 197 132

HSL 142.86, 0.48%, 0.57%

LAB 72.14, -45.09, 23.6

 

CMYK 58 / 0 / 37 / 30

HEX #4BB371

RGB 75 179 113

HSL 141.92, 0.41%, 0.5%

LAB 65.69, -45.12, 24.92

 

CMYK 64 / 0 / 42 / 37

HEX #3AA15E

RGB 58 161 94

HSL 140.97, 0.47%, 0.43%

LAB 59.16, -44.97, 26.36

 

CMYK 47 / 0 / 28 / 9

HEX #7CE8A8

RGB 124 232 168

HSL 144.44, 0.7%, 0.7%

LAB 84.39, -45.25, 21.7

 

CMYK 47 / 0 / 40 / 9

HEX #7CE88B

RGB 124 232 139

HSL 128.33, 0.7%, 0.7%

LAB 83.89, -50.26, 35.82

 

CMYK 41 / 0 / 47 / 9

HEX #8AE87C

RGB 138 232 124

HSL 112.22, 0.7%, 0.7%

LAB 84.26, -48.4, 43.79

 

CMYK 28 / 0 / 47 / 9

HEX #A7E87C

RGB 167 232 124

HSL 96.11, 0.7%, 0.7%

LAB 85.7, -38.99, 45.89

 

CMYK 16 / 0 / 47 / 9

HEX #C4E87C

RGB 196 232 124

HSL 80, 0.7%, 0.7%

LAB 87.44, -28.54, 48.43

 

CMYK 47 / 0 / 28 / 9

HEX #7CE8A8

RGB 124 232 168

HSL 144.44, 0.7%, 0.7%

LAB 84.39, -45.25, 21.7

 

CMYK 47 / 0 / 15 / 9

HEX #7CE8C6

RGB 124 232 198

HSL 161.11, 0.7%, 0.7%

LAB 85.03, -39.1, 6.94

 

CMYK 47 / 0 / 2 / 9

HEX #7CE8E3

RGB 124 232 227

HSL 177.22, 0.7%, 0.7%

LAB 85.78, -32.31, -7.23

 

CMYK 47 / 10 / 0 / 9

HEX #7CD0E8

RGB 124 208 232

HSL 193.33, 0.7%, 0.7%

LAB 79.17, -19.27, -19.79

 

CMYK 47 / 23 / 0 / 9

HEX #7CB3E8

RGB 124 179 232

HSL 209.44, 0.7%, 0.7%

LAB 71.11, -3.95, -32.11

 

CMYK 47 / 0 / 28 / 9

HEX #7CE8A8

RGB 124 232 168

HSL 144.44, 0.7%, 0.7%

LAB 84.39, -45.25, 21.7

 

CMYK 55 / 0 / 32 / 4

HEX #6FF5A6

RGB 111 245 166

HSL 144.63, 0.87%, 0.7%

LAB 87.7, -54.15, 27.17

 

CMYK 47 / 0 / 28 / 9

HEX #7CE8A8

RGB 124 232 168

HSL 144.44, 0.7%, 0.7%

LAB 84.39, -45.25, 21.7

 

CMYK 38 / 0 / 22 / 14

HEX #88DCAB

RGB 136 220 171

HSL 145, 0.55%, 0.7%

LAB 81.49, -36.09, 16.17

 

CMYK 29 / 0 / 17 / 18

HEX #94D0AD

RGB 148 208 173

HSL 145, 0.39%, 0.7%

LAB 78.71, -26.45, 11.28

 

CMYK 17 / 0 / 10 / 24

HEX #A1C3AF

RGB 161 195 175

HSL 144.71, 0.22%, 0.7%

LAB 75.89, -15.37, 6.27

 

CMYK 5 / 0 / 3 / 28

HEX #ADB7B1

RGB 173 183 177

HSL 144, 0.06%, 0.7%

LAB 73.5, -4.62, 1.84

 

CMYK 41 / 0 / 47 / 9

HEX #8AE87C

RGB 138 232 124

HSL 112.22, 0.7%, 0.7%

LAB 84.26, -48.4, 43.79

 

CMYK 47 / 0 / 41 / 9

HEX #7CE88A

RGB 124 232 138

HSL 127.78, 0.7%, 0.7%

LAB 83.88, -50.41, 36.3

 

CMYK 47 / 0 / 28 / 9

HEX #7CE8A7

RGB 124 232 167

HSL 143.89, 0.7%, 0.7%

LAB 84.37, -45.44, 22.19

 

CMYK 47 / 0 / 16 / 9

HEX #7CE8C4

RGB 124 232 196

HSL 160, 0.7%, 0.7%

LAB 84.99, -39.53, 7.92

 

CMYK 47 / 0 / 3 / 9

HEX #7CE8E1

RGB 124 232 225

HSL 176.11, 0.7%, 0.7%

LAB 85.72, -32.8, -6.26

 

CMYK 76 / 0 / 45 / 14

HEX #35DC7A

RGB 53 220 122

HSL 144.79, 0.7%, 0.54%

LAB 78.08, -62.93, 36.4

 

CMYK 61 / 0 / 36 / 11

HEX #58E291

RGB 88 226 145

HSL 144.78, 0.7%, 0.62%

LAB 81.02, -55.33, 28.77

 

CMYK 47 / 0 / 28 / 9

HEX #7CE8A8

RGB 124 232 168

HSL 144.44, 0.7%, 0.7%

LAB 84.39, -45.25, 21.7

 

CMYK 33 / 0 / 19 / 7

HEX #9FEEC0

RGB 159 238 192

HSL 145.06, 0.7%, 0.78%

LAB 88.13, -33.71, 14.69

 

CMYK 20 / 0 / 12 / 4

HEX #C2F4D7

RGB 194 244 215

HSL 145.2, 0.69%, 0.86%

LAB 92.17, -21.54, 8.76

 

CMYK 46 / 0 / 27 / 9

HEX #7EE9AA

RGB 126 233 170

HSL 144.67, 0.71%, 0.7%

LAB 84.8, -44.79, 21.24

 

CMYK 47 / 28 / 0 / 9

HEX #7CA7E8

RGB 124 167 232

HSL 216.11, 0.7%, 0.7%

LAB 67.84, 2.72, -37.19

 

CMYK 0 / 47 / 47 / 9

HEX #E87C7C

RGB 232 124 124

HSL 0, 0.7%, 0.7%

LAB 64.18, 41.54, 18.93

 

CMYK 46 / 0 / 27 / 9

HEX #7EE9AA

RGB 126 233 170

HSL 144.67, 0.71%, 0.7%

LAB 84.8, -44.79, 21.24

 

CMYK 28 / 47 / 0 / 9

HEX #A77CE8

RGB 167 124 232

HSL 263.89, 0.7%, 0.7%

LAB 60.3, 38.52, -48.81

 

CMYK 0 / 28 / 47 / 9

HEX #E8A77C

RGB 232 167 124

HSL 23.89, 0.7%, 0.7%

LAB 73.71, 18.93, 31.68

 

CMYK 46 / 0 / 27 / 9

HEX #7EE9AA

RGB 126 233 170

HSL 144.67, 0.71%, 0.7%

LAB 84.8, -44.79, 21.24

 

CMYK 47 / 28 / 0 / 9

HEX #7CA7E8

RGB 124 167 232

HSL 216.11, 0.7%, 0.7%

LAB 67.84, 2.72, -37.19

 

CMYK 0 / 47 / 19 / 9

HEX #E87CBD

RGB 232 124 189

HSL 323.89, 0.7%, 0.7%

LAB 65.94, 49.56, -15.39

 

CMYK 0 / 19 / 47 / 9

HEX #E8BD7C

RGB 232 189 124

HSL 36.11, 0.7%, 0.7%

LAB 79.04, 7.27, 38.56

 

CMYK 46 / 0 / 27 / 9

HEX #7EE9AA

RGB 126 233 170

HSL 144.67, 0.71%, 0.7%

LAB 84.8, -44.79, 21.24

 

CMYK 47 / 42 / 0 / 9

HEX #7C87E8

RGB 124 135 232

HSL 233.89, 0.7%, 0.7%

LAB 59.38, 21.26, -50.49

 

CMYK 0 / 47 / 19 / 9

HEX #E87CBD

RGB 232 124 189

HSL 323.89, 0.7%, 0.7%

LAB 65.94, 49.56, -15.39

 

CMYK 0 / 5 / 47 / 9

HEX #E8DD7C

RGB 232 221 124

HSL 53.89, 0.7%, 0.7%

LAB 87.16, -9.21, 48.68

 

Description

Color code: HEX #7EE9AA | qconv.com Color code: HEX #7EE9AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 233 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 233 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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