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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EFBBE it is the complementary color #810441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EFBBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EFBBE shade: #83FBB9, #94FFCC, #A5FFDF, #B6FFF2 and #C7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EFBBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EFBBE shade: #7EFBBE, #6DE9AB, #5CD798, #4BC585 and #3AB372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EFBBE shade: #7EFBBE, #7EFB9C, #81FB7E, #A3FB7E and #C5FB7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EFBBE shade: #7EFBBE, #7EFBDF, #7EF4FB, #7ED3FB and #7EB1FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EFBBE shade matches the following richer shades: #7EFBBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EFBBE shade: #7EFBBE, #89F0BD, #93E5BD, #9EDABD and #A9D0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EFBBE shade: #82FB7E, #7EFB9B, #7EFBBC, #7EFBDD and #7EF6FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EFBBE shade: #2EF895, #56F9AA, #7EFBBE, #A6FCD2 and #CEFDE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EFBBE shade: #7EFBBE, #7EA3FB and #FB8A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EFBBE shade: #7EFBBE, #BC7EFB and #FBBC7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EFBBE shade: #7EFBBE, #7EA3FB, #FB7EBC and #FBD57E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EFBBE shade: #7EFBBE, #7E7EFB, #FB7EBC and #FBFB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

Complementary color

CMYK 0 / 97 / 50 / 49

HEX #810441

RGB 129 4 65

HSL 330.72, 0.94%, 0.26%

LAB 27.12, 50.59, 0.58

 

CMYK 48 / 0 / 26 / 2

HEX #83FBB9

RGB 131 251 185

HSL 147, 0.94%, 0.75%

LAB 90.47, -48.38, 21.4

 

CMYK 42 / 0 / 20 / 0

HEX #94FFCC

RGB 148 255 204

HSL 151.4, 1%, 0.79%

LAB 92.65, -42.12, 14.81

 

CMYK 35 / 0 / 13 / 0

HEX #A5FFDF

RGB 165 255 223

HSL 158.67, 1%, 0.82%

LAB 93.82, -33.75, 6.8

 

CMYK 29 / 0 / 5 / 0

HEX #B6FFF2

RGB 182 255 242

HSL 169.32, 1%, 0.86%

LAB 95.11, -25.08, -1.02

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 53 / 0 / 27 / 9

HEX #6DE9AB

RGB 109 233 171

HSL 150, 0.74%, 0.67%

LAB 84.21, -48.71, 19.81

 

CMYK 57 / 0 / 29 / 16

HEX #5CD798

RGB 92 215 152

HSL 149.27, 0.61%, 0.6%

LAB 77.96, -48.74, 21

 

CMYK 62 / 0 / 32 / 23

HEX #4BC585

RGB 75 197 133

HSL 148.52, 0.51%, 0.53%

LAB 71.64, -48.65, 22.29

 

CMYK 68 / 0 / 36 / 30

HEX #3AB372

RGB 58 179 114

HSL 147.77, 0.51%, 0.46%

LAB 65.24, -48.38, 23.7

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 50 / 0 / 38 / 2

HEX #7EFB9C

RGB 126 251 156

HSL 134.4, 0.94%, 0.74%

LAB 89.78, -54.75, 35.08

 

CMYK 49 / 0 / 50 / 2

HEX #81FB7E

RGB 129 251 126

HSL 118.56, 0.94%, 0.74%

LAB 89.47, -58.35, 49.22

 

CMYK 35 / 0 / 50 / 2

HEX #A3FB7E

RGB 163 251 126

HSL 102.24, 0.94%, 0.74%

LAB 90.91, -48.33, 51.31

 

CMYK 22 / 0 / 50 / 2

HEX #C5FB7E

RGB 197 251 126

HSL 85.92, 0.94%, 0.74%

LAB 92.74, -36.73, 53.95

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 50 / 0 / 11 / 2

HEX #7EFBDF

RGB 126 251 223

HSL 166.56, 0.94%, 0.74%

LAB 91.12, -41.53, 2.71

 

CMYK 50 / 3 / 0 / 2

HEX #7EF4FB

RGB 126 244 251

HSL 183.36, 0.94%, 0.74%

LAB 89.91, -31.5, -13.66

 

CMYK 50 / 16 / 0 / 2

HEX #7ED3FB

RGB 126 211 251

HSL 199.2, 0.94%, 0.74%

LAB 80.73, -15.19, -27.54

 

CMYK 50 / 29 / 0 / 2

HEX #7EB1FB

RGB 126 177 251

HSL 215.52, 0.94%, 0.74%

LAB 71.45, 3.11, -41.89

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 43 / 0 / 21 / 6

HEX #89F0BD

RGB 137 240 189

HSL 150.29, 0.77%, 0.74%

LAB 87.64, -41.31, 15.41

 

CMYK 36 / 0 / 17 / 10

HEX #93E5BD

RGB 147 229 189

HSL 150.73, 0.61%, 0.74%

LAB 84.95, -33.58, 11.68

 

CMYK 28 / 0 / 13 / 15

HEX #9EDABD

RGB 158 218 189

HSL 151, 0.45%, 0.74%

LAB 82.42, -25.09, 8.15

 

CMYK 19 / 0 / 9 / 18

HEX #A9D0BD

RGB 169 208 189

HSL 150.77, 0.29%, 0.74%

LAB 80.3, -16.64, 5.18

 

CMYK 48 / 0 / 50 / 2

HEX #82FB7E

RGB 130 251 126

HSL 118.08, 0.94%, 0.74%

LAB 89.51, -58.08, 49.27

 

CMYK 50 / 0 / 38 / 2

HEX #7EFB9B

RGB 126 251 155

HSL 133.92, 0.94%, 0.74%

LAB 89.76, -54.92, 35.55

 

CMYK 50 / 0 / 25 / 2

HEX #7EFBBC

RGB 126 251 188

HSL 149.76, 0.94%, 0.74%

LAB 90.35, -49, 19.67

 

CMYK 50 / 0 / 12 / 2

HEX #7EFBDD

RGB 126 251 221

HSL 165.6, 0.94%, 0.74%

LAB 91.08, -41.99, 3.67

 

CMYK 50 / 2 / 0 / 2

HEX #7EF6FB

RGB 126 246 251

HSL 182.4, 0.94%, 0.74%

LAB 90.47, -32.45, -12.82

 

CMYK 81 / 0 / 40 / 3

HEX #2EF895

RGB 46 248 149

HSL 150.59, 0.94%, 0.58%

LAB 86.94, -68.64, 34.47

 

CMYK 65 / 0 / 32 / 2

HEX #56F9AA

RGB 86 249 170

HSL 150.92, 0.93%, 0.66%

LAB 88.27, -59.84, 25.81

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 34 / 0 / 17 / 1

HEX #A6FCD2

RGB 166 252 210

HSL 150.7, 0.93%, 0.82%

LAB 92.74, -34.69, 11.97

 

CMYK 19 / 0 / 9 / 1

HEX #CEFDE6

RGB 206 253 230

HSL 150.64, 0.92%, 0.9%

LAB 95.62, -19.35, 6.07

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 50 / 35 / 0 / 2

HEX #7EA3FB

RGB 126 163 251

HSL 222.24, 0.94%, 0.74%

LAB 67.72, 11.04, -47.74

 

CMYK 0 / 45 / 50 / 2

HEX #FB8A7E

RGB 251 138 126

HSL 5.76, 0.94%, 0.74%

LAB 69.61, 41.61, 25.58

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 25 / 50 / 0 / 2

HEX #BC7EFB

RGB 188 126 251

HSL 269.76, 0.94%, 0.74%

LAB 63.82, 47.42, -53.59

 

CMYK 0 / 25 / 50 / 2

HEX #FBBC7E

RGB 251 188 126

HSL 29.76, 0.94%, 0.74%

LAB 80.73, 15.61, 40.07

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 50 / 35 / 0 / 2

HEX #7EA3FB

RGB 126 163 251

HSL 222.24, 0.94%, 0.74%

LAB 67.72, 11.04, -47.74

 

CMYK 0 / 50 / 25 / 2

HEX #FB7EBC

RGB 251 126 188

HSL 330.24, 0.94%, 0.74%

LAB 68.8, 54.47, -10.28

 

CMYK 0 / 15 / 50 / 2

HEX #FBD57E

RGB 251 213 126

HSL 41.76, 0.94%, 0.74%

LAB 86.8, 2.63, 47.65

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBBE

RGB 126 251 190

HSL 150.72, 0.94%, 0.74%

LAB 90.39, -48.6, 18.7

 

CMYK 50 / 50 / 0 / 2

HEX #7E7EFB

RGB 126 126 251

HSL 240, 0.94%, 0.74%

LAB 58.34, 32.67, -62.65

 

CMYK 0 / 50 / 25 / 2

HEX #FB7EBC

RGB 251 126 188

HSL 330.24, 0.94%, 0.74%

LAB 68.8, 54.47, -10.28

 

CMYK 0 / 0 / 50 / 2

HEX #FBFB7E

RGB 251 251 126

HSL 60, 0.94%, 0.74%

LAB 96.41, -16.33, 59.21

 

Description

Color code: HEX #7EFBBE | qconv.com Color code: HEX #7EFBBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 251 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 251 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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