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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EFC5B it is the complementary color #8103A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EFC5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EFC5B shade: #83FC56, #94FF69, #A5FF7C, #B6FF8F and #C7FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EFC5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EFC5B shade: #7EFC5B, #6DEA48, #5CD835, #4BC622 and #3AB40F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EFC5B shade: #7DFB5A, #A8FB5A, #D4FB5A, #FBF75A and #FBCB5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EFC5B shade: #7DFB5A, #5AFB62, #5AFB8E, #5AFBB9 and #5AFBE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EFC5B shade matches the following richer shades: #7DFB5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EFC5B shade: #7DFB5A, #84EE67, #8CE075, #94D282 and #9BC590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EFC5B shade: #D5FB5A, #AAFB5A, #7FFB5A, #5AFB5F and #5AFB8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EFC5B shade: #3DF909, #5DFA31, #7DFB5A, #9DFC82 and #BCFDAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EFC5B shade: #7EFC5B, #5AFBF6 and #FB5AC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EFC5B shade: #7EFC5B, #5A7FFB and #FB5A7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EFC5B shade: #7EFC5B, #5AFBF6, #D55AFB and #FB5A5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EFC5B shade: #7EFC5B, #5AD0FB, #D55AFB and #FB855A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 64 / 1

HEX #7EFC5B

RGB 126 252 91

HSL 106.96, 0.96%, 0.67%

LAB 89.3, -63.33, 64.29

 

Complementary color

CMYK 21 / 98 / 0 / 36

HEX #8103A4

RGB 129 3 164

HSL 286.96, 0.96%, 0.33%

LAB 32.73, 64.81, -53.92

 

CMYK 48 / 0 / 66 / 1

HEX #83FC56

RGB 131 252 86

HSL 103.73, 0.97%, 0.66%

LAB 89.45, -62.38, 66.46

 

CMYK 42 / 0 / 59 / 0

HEX #94FF69

RGB 148 255 105

HSL 102.8, 1%, 0.71%

LAB 91.16, -56.87, 60.81

 

CMYK 35 / 0 / 51 / 0

HEX #A5FF7C

RGB 165 255 124

HSL 101.22, 1%, 0.74%

LAB 92.12, -49.59, 53.71

 

CMYK 29 / 0 / 44 / 0

HEX #B6FF8F

RGB 182 255 143

HSL 99.11, 1%, 0.78%

LAB 93.21, -41.79, 46.34

 

CMYK 22 / 0 / 36 / 0

HEX #C7FFA2

RGB 199 255 162

HSL 96.13, 1%, 0.82%

LAB 94.43, -33.59, 38.85

 

CMYK 50 / 0 / 64 / 1

HEX #7EFC5B

RGB 126 252 91

HSL 106.96, 0.96%, 0.67%

LAB 89.3, -63.33, 64.29

 

CMYK 53 / 0 / 69 / 8

HEX #6DEA48

RGB 109 234 72

HSL 106.3, 0.79%, 0.6%

LAB 83.21, -62.89, 64.94

 

CMYK 57 / 0 / 75 / 15

HEX #5CD835

RGB 92 216 53

HSL 105.64, 0.68%, 0.53%

LAB 77.07, -62.19, 65.17

 

CMYK 62 / 0 / 83 / 22

HEX #4BC622

RGB 75 198 34

HSL 105, 0.71%, 0.45%

LAB 70.87, -61.14, 64.68

 

CMYK 68 / 0 / 92 / 29

HEX #3AB40F

RGB 58 180 15

HSL 104.36, 0.85%, 0.38%

LAB 64.63, -59.58, 63

 

CMYK 50 / 0 / 64 / 2

HEX #7DFB5A

RGB 125 251 90

HSL 106.96, 0.95%, 0.67%

LAB 88.97, -63.32, 64.31

 

CMYK 33 / 0 / 64 / 2

HEX #A8FB5A

RGB 168 251 90

HSL 90.93, 0.95%, 0.67%

LAB 90.81, -50.15, 66.84

 

CMYK 16 / 0 / 64 / 2

HEX #D4FB5A

RGB 212 251 90

HSL 74.53, 0.95%, 0.67%

LAB 93.33, -34.18, 70.28

 

CMYK 0 / 2 / 64 / 2

HEX #FBF75A

RGB 251 247 90

HSL 58.51, 0.95%, 0.67%

LAB 95.06, -16.91, 72.96

 

CMYK 0 / 19 / 64 / 2

HEX #FBCB5A

RGB 251 203 90

HSL 42.11, 0.95%, 0.67%

LAB 83.94, 5.12, 61.15

 

CMYK 50 / 0 / 64 / 2

HEX #7DFB5A

RGB 125 251 90

HSL 106.96, 0.95%, 0.67%

LAB 88.97, -63.32, 64.31

 

CMYK 64 / 0 / 61 / 2

HEX #5AFB62

RGB 90 251 98

HSL 122.98, 0.95%, 0.67%

LAB 87.99, -70.7, 59.66

 

CMYK 64 / 0 / 43 / 2

HEX #5AFB8E

RGB 90 251 142

HSL 139.38, 0.95%, 0.67%

LAB 88.51, -64.85, 40.11

 

CMYK 64 / 0 / 26 / 2

HEX #5AFBB9

RGB 90 251 185

HSL 155.4, 0.95%, 0.67%

LAB 89.24, -56.91, 19.5

 

CMYK 64 / 0 / 9 / 2

HEX #5AFBE5

RGB 90 251 229

HSL 171.8, 0.95%, 0.67%

LAB 90.24, -46.76, -1.82

 

CMYK 50 / 0 / 64 / 2

HEX #7DFB5A

RGB 125 251 90

HSL 106.96, 0.95%, 0.67%

LAB 88.97, -63.32, 64.31

 

CMYK 50 / 0 / 64 / 2

HEX #7DFB5A

RGB 125 251 90

HSL 106.96, 0.95%, 0.67%

LAB 88.97, -63.32, 64.31

 

CMYK 45 / 0 / 57 / 7

HEX #84EE67

RGB 132 238 103

HSL 107.11, 0.8%, 0.67%

LAB 85.52, -55.13, 55.02

 

CMYK 38 / 0 / 48 / 12

HEX #8CE075

RGB 140 224 117

HSL 107.1, 0.63%, 0.67%

LAB 81.93, -45.31, 44.29

 

CMYK 30 / 0 / 38 / 18

HEX #94D282

RGB 148 210 130

HSL 106.5, 0.47%, 0.67%

LAB 78.46, -34.7, 33.49

 

CMYK 21 / 0 / 27 / 23

HEX #9BC590

RGB 155 197 144

HSL 107.55, 0.31%, 0.67%

LAB 75.4, -23.95, 22.17

 

CMYK 15 / 0 / 64 / 2

HEX #D5FB5A

RGB 213 251 90

HSL 74.16, 0.95%, 0.67%

LAB 93.4, -33.79, 70.37

 

CMYK 32 / 0 / 64 / 2

HEX #AAFB5A

RGB 170 251 90

HSL 90.19, 0.95%, 0.67%

LAB 90.91, -49.47, 66.98

 

CMYK 49 / 0 / 64 / 2

HEX #7FFB5A

RGB 127 251 90

HSL 106.21, 0.95%, 0.67%

LAB 89.04, -62.78, 64.41

 

CMYK 64 / 0 / 62 / 2

HEX #5AFB5F

RGB 90 251 95

HSL 121.86, 0.95%, 0.67%

LAB 87.97, -71.02, 60.88

 

CMYK 64 / 0 / 45 / 2

HEX #5AFB8A

RGB 90 251 138

HSL 137.89, 0.95%, 0.67%

LAB 88.45, -65.48, 41.98

 

CMYK 76 / 0 / 96 / 2

HEX #3DF909

RGB 61 249 9

HSL 107, 0.95%, 0.51%

LAB 86.39, -80.06, 81.6

 

CMYK 63 / 0 / 80 / 2

HEX #5DFA31

RGB 93 250 49

HSL 106.87, 0.95%, 0.59%

LAB 87.45, -73.54, 76.16

 

CMYK 50 / 0 / 64 / 2

HEX #7DFB5A

RGB 125 251 90

HSL 106.96, 0.95%, 0.67%

LAB 88.97, -63.32, 64.31

 

CMYK 38 / 0 / 48 / 1

HEX #9DFC82

RGB 157 252 130

HSL 106.72, 0.95%, 0.75%

LAB 90.96, -50.16, 49.44

 

CMYK 26 / 0 / 33 / 1

HEX #BCFDAA

RGB 188 253 170

HSL 106.99, 0.95%, 0.83%

LAB 93.38, -35.25, 33.38

 

CMYK 50 / 0 / 64 / 1

HEX #7EFC5B

RGB 126 252 91

HSL 106.96, 0.96%, 0.67%

LAB 89.3, -63.33, 64.29

 

CMYK 64 / 0 / 2 / 2

HEX #5AFBF6

RGB 90 251 246

HSL 178.14, 0.95%, 0.67%

LAB 90.7, -42.37, -9.98

 

CMYK 0 / 64 / 24 / 2

HEX #FB5AC0

RGB 251 90 192

HSL 321.99, 0.95%, 0.67%

LAB 63.03, 70.76, -21.24

 

CMYK 50 / 0 / 64 / 1

HEX #7EFC5B

RGB 126 252 91

HSL 106.96, 0.96%, 0.67%

LAB 89.3, -63.33, 64.29

 

CMYK 64 / 49 / 0 / 2

HEX #5A7FFB

RGB 90 127 251

HSL 226.21, 0.95%, 0.67%

LAB 56.4, 25.36, -65.89

 

CMYK 0 / 64 / 49 / 2

HEX #FB5A7F

RGB 251 90 127

HSL 346.21, 0.95%, 0.67%

LAB 61.09, 63.85, 13.37

 

CMYK 50 / 0 / 64 / 1

HEX #7EFC5B

RGB 126 252 91

HSL 106.96, 0.96%, 0.67%

LAB 89.3, -63.33, 64.29

 

CMYK 64 / 0 / 2 / 2

HEX #5AFBF6

RGB 90 251 246

HSL 178.14, 0.95%, 0.67%

LAB 90.7, -42.37, -9.98

 

CMYK 15 / 64 / 0 / 2

HEX #D55AFB

RGB 213 90 251

HSL 285.84, 0.95%, 0.67%

LAB 60.27, 70.83, -59.07

 

CMYK 0 / 64 / 62 / 2

HEX #FB5A5F

RGB 251 90 95

HSL 358.14, 0.95%, 0.67%

LAB 60.47, 61.54, 31

 

CMYK 50 / 0 / 64 / 1

HEX #7EFC5B

RGB 126 252 91

HSL 106.96, 0.96%, 0.67%

LAB 89.3, -63.33, 64.29

 

CMYK 64 / 17 / 0 / 2

HEX #5AD0FB

RGB 90 208 251

HSL 196.02, 0.95%, 0.67%

LAB 78.61, -20.46, -30.91

 

CMYK 15 / 64 / 0 / 2

HEX #D55AFB

RGB 213 90 251

HSL 285.84, 0.95%, 0.67%

LAB 60.27, 70.83, -59.07

 

CMYK 0 / 47 / 64 / 2

HEX #FB855A

RGB 251 133 90

HSL 16.02, 0.95%, 0.67%

LAB 68.04, 41.44, 43.05

 

Description

Color code: HEX #7EFC5B | qconv.com Color code: HEX #7EFC5B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 252 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 252 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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