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Color name
HEX #7F0A4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F0A4C it is the complementary color #80F5B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F0A4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F0A4C shade: #840A47, #951C5A, #A62E6D, #B74080 and #C85293

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F0A4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F0A4C shade: #7F0A4C, #6E0039, #5D0026, #4C0013 and #3B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F0A4C shade: #7F0A4C, #7F0A2C, #7F0A0D and #7F0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F0A4C shade: #7F0A4C, #7F0A6B, #730A7F, #530A7F and #340A7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F0A4C shade matches the following richer shades: #7F0A4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F0A4C shade: #7F0A4C, #74154A, #692049, #5D2B48 and #523646

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F0A4C shade: #730A7F, #7F0A6B, #7F0A4C, #7F0A2D and #7F0A0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F0A4C shade: #33041E, #590735, #7F0A4C, #A50D63 and #CB107A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F0A4C shade: #7F0A4C, #7F540A and #0A7B7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F0A4C shade: #7F0A4C, #4C7F0A and #0A4C7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F0A4C shade: #7F0A4C, #7F540A, #0A7F3D and #0A357F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F0A4C shade: #7F0A4C, #7F770A, #0A7F3D and #0A127F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

Complementary color

CMYK 48 / 0 / 27 / 4

HEX #80F5B3

RGB 128 245 179

HSL 146.15, 0.85%, 0.73%

LAB 88.52, -47.72, 21.75

 

CMYK 0 / 92 / 46 / 48

HEX #840A47

RGB 132 10 71

HSL 330, 0.86%, 0.28%

LAB 28.32, 50.85, -1.63

 

CMYK 0 / 81 / 40 / 42

HEX #951C5A

RGB 149 28 90

HSL 329.26, 0.68%, 0.35%

LAB 33.9, 53.05, -5.5

 

CMYK 0 / 72 / 34 / 35

HEX #A62E6D

RGB 166 46 109

HSL 328.5, 0.57%, 0.42%

LAB 39.86, 53.95, -8.34

 

CMYK 0 / 65 / 30 / 28

HEX #B74080

RGB 183 64 128

HSL 327.73, 0.48%, 0.48%

LAB 46.03, 54.08, -10.48

 

CMYK 0 / 59 / 27 / 22

HEX #C85293

RGB 200 82 147

HSL 326.95, 0.52%, 0.55%

LAB 52.31, 53.77, -12.15

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 100 / 48 / 57

HEX #6E0039

RGB 110 0 57

HSL 328.91, 1%, 0.22%

LAB 22.34, 46, -1.42

 

CMYK 0 / 100 / 59 / 64

HEX #5D0026

RGB 93 0 38

HSL 335.48, 1%, 0.18%

LAB 17.77, 40.08, 4.99

 

CMYK 0 / 100 / 75 / 70

HEX #4C0013

RGB 76 0 19

HSL 345, 1%, 0.15%

LAB 13.13, 34.16, 11.79

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 92 / 65 / 50

HEX #7F0A2C

RGB 127 10 44

HSL 342.56, 0.85%, 0.27%

LAB 26.48, 47.43, 13.93

 

CMYK 0 / 92 / 90 / 50

HEX #7F0A0D

RGB 127 10 13

HSL 358.46, 0.85%, 0.27%

LAB 26.03, 46.15, 33.04

 

CMYK 0 / 92 / 92 / 50

HEX #7F0A0A

RGB 127 10 10

HSL 0, 0.85%, 0.27%

LAB 26.01, 46.09, 34.35

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 92 / 16 / 50

HEX #7F0A6B

RGB 127 10 107

HSL 310.26, 0.85%, 0.27%

LAB 28.88, 53.97, -24.57

 

CMYK 9 / 92 / 0 / 50

HEX #730A7F

RGB 115 10 127

HSL 293.85, 0.85%, 0.27%

LAB 27.83, 54.81, -39.13

 

CMYK 35 / 92 / 0 / 50

HEX #530A7F

RGB 83 10 127

HSL 277.44, 0.85%, 0.27%

LAB 22.26, 49.6, -48.43

 

CMYK 59 / 92 / 0 / 50

HEX #340A7F

RGB 52 10 127

HSL 261.54, 0.85%, 0.27%

LAB 17.83, 45.89, -55.89

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 82 / 36 / 55

HEX #74154A

RGB 116 21 74

HSL 326.53, 0.69%, 0.27%

LAB 25.99, 44.39, -7.47

 

CMYK 0 / 70 / 30 / 59

HEX #692049

RGB 105 32 73

HSL 326.3, 0.53%, 0.27%

LAB 25.31, 36.81, -8.03

 

CMYK 0 / 54 / 23 / 64

HEX #5D2B48

RGB 93 43 72

HSL 325.2, 0.37%, 0.27%

LAB 25.33, 26.82, -7.54

 

CMYK 0 / 34 / 15 / 68

HEX #523646

RGB 82 54 70

HSL 325.71, 0.21%, 0.27%

LAB 26.37, 15.38, -4.8

 

CMYK 9 / 92 / 0 / 50

HEX #730A7F

RGB 115 10 127

HSL 293.85, 0.85%, 0.27%

LAB 27.83, 54.81, -39.13

 

CMYK 0 / 92 / 16 / 50

HEX #7F0A6B

RGB 127 10 107

HSL 310.26, 0.85%, 0.27%

LAB 28.88, 53.97, -24.57

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 92 / 65 / 50

HEX #7F0A2D

RGB 127 10 45

HSL 342.05, 0.85%, 0.27%

LAB 26.5, 47.49, 13.28

 

CMYK 0 / 92 / 89 / 50

HEX #7F0A0E

RGB 127 10 14

HSL 357.95, 0.85%, 0.27%

LAB 26.04, 46.17, 32.55

 

CMYK 0 / 92 / 41 / 80

HEX #33041E

RGB 51 4 30

HSL 326.81, 0.85%, 0.11%

LAB 7.99, 25.88, -4.5

 

CMYK 0 / 92 / 40 / 65

HEX #590735

RGB 89 7 53

HSL 326.34, 0.85%, 0.19%

LAB 18.07, 38.47, -5.47

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 92 / 40 / 35

HEX #A50D63

RGB 165 13 99

HSL 326.05, 0.85%, 0.35%

LAB 36.34, 61.05, -7.3

 

CMYK 0 / 92 / 40 / 20

HEX #CB107A

RGB 203 16 122

HSL 325.99, 0.85%, 0.43%

LAB 44.9, 71.47, -8.14

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 34 / 92 / 50

HEX #7F540A

RGB 127 84 10

HSL 37.95, 0.85%, 0.27%

LAB 39.37, 12.02, 44.94

 

CMYK 92 / 3 / 0 / 50

HEX #0A7B7F

RGB 10 123 127

HSL 182.05, 0.85%, 0.27%

LAB 46.66, -26.14, -10.27

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 40 / 0 / 92 / 50

HEX #4C7F0A

RGB 76 127 10

HSL 86.15, 0.85%, 0.27%

LAB 47.93, -34.69, 50.1

 

CMYK 92 / 40 / 0 / 50

HEX #0A4C7F

RGB 10 76 127

HSL 206.15, 0.85%, 0.27%

LAB 31.27, 1.15, -34.13

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 34 / 92 / 50

HEX #7F540A

RGB 127 84 10

HSL 37.95, 0.85%, 0.27%

LAB 39.37, 12.02, 44.94

 

CMYK 92 / 0 / 52 / 50

HEX #0A7F3D

RGB 10 127 61

HSL 146.15, 0.85%, 0.27%

LAB 46.42, -44.95, 27.61

 

CMYK 92 / 58 / 0 / 50

HEX #0A357F

RGB 10 53 127

HSL 217.95, 0.85%, 0.27%

LAB 24.14, 17.15, -45.62

 

CMYK 0 / 92 / 40 / 50

HEX #7F0A4C

RGB 127 10 76

HSL 326.15, 0.85%, 0.27%

LAB 27.44, 50.1, -6.41

 

CMYK 0 / 6 / 92 / 50

HEX #7F770A

RGB 127 119 10

HSL 55.9, 0.85%, 0.27%

LAB 49.16, -8.27, 52.64

 

CMYK 92 / 0 / 52 / 50

HEX #0A7F3D

RGB 10 127 61

HSL 146.15, 0.85%, 0.27%

LAB 46.42, -44.95, 27.61

 

CMYK 92 / 86 / 0 / 50

HEX #0A127F

RGB 10 18 127

HSL 235.9, 0.85%, 0.27%

LAB 15.64, 40, -59.61

 

Description

Color code: HEX #7F0A4C | qconv.com Color code: HEX #7F0A4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 10 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 10 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 40 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 40% 50% C M Y K

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Provide designers and agencies with accurate color values.

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