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Color name
HEX #7F1748

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F1748 it is the complementary color #80E8B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F1748. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F1748 shade: #841743, #952956, #A63B69, #B74D7C and #C85F8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F1748. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F1748 shade: #7F1748, #6E0535, #5D0022, #4C000F and #3B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F1748 shade: #7C1647, #7C162B and #7C1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F1748 shade: #7C1647, #7C1662, #7B167C, #60167C and #44167C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F1748 shade matches the following richer shades: #7C1647 and #880A46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F1748 shade: #7C1647, #712247, #652E48, #593A49 and #4D4649

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F1748 shade: #7B167C, #7C1663, #7C1648, #7C162D and #7C1C16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F1748 shade: #370A1F, #5A1033, #7C1647, #9F1D5A and #C2236E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F1748 shade: #7F1748, #7C6016 and #16717C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F1748 shade: #7F1748, #487C16 and #16487C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F1748 shade: #7F1748, #7C6016, #167C4B and #16337C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F1748 shade: #7F1748, #7B7C16, #167C4B and #18167C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 43 / 50

HEX #7F1748

RGB 127 23 72

HSL 331.73, 0.69%, 0.29%

LAB 28.36, 46.62, -2.36

 

Complementary color

CMYK 45 / 0 / 21 / 9

HEX #80E8B7

RGB 128 232 183

HSL 151.73, 0.69%, 0.71%

LAB 84.85, -41.28, 14.56

 

CMYK 0 / 83 / 49 / 48

HEX #841743

RGB 132 23 67

HSL 335.78, 0.7%, 0.3%

LAB 29.22, 47.53, 2.36

 

CMYK 0 / 72 / 42 / 42

HEX #952956

RGB 149 41 86

HSL 335, 0.57%, 0.37%

LAB 35.3, 48.3, -0.85

 

CMYK 0 / 64 / 37 / 35

HEX #A63B69

RGB 166 59 105

HSL 334.21, 0.48%, 0.44%

LAB 41.62, 48.24, -3.22

 

CMYK 0 / 58 / 32 / 28

HEX #B74D7C

RGB 183 77 124

HSL 333.4, 0.42%, 0.51%

LAB 48.05, 47.77, -5.05

 

CMYK 0 / 53 / 29 / 22

HEX #C85F8F

RGB 200 95 143

HSL 332.57, 0.49%, 0.58%

LAB 54.5, 47.09, -6.52

 

CMYK 0 / 82 / 43 / 50

HEX #7F1748

RGB 127 23 72

HSL 331.73, 0.69%, 0.29%

LAB 28.36, 46.62, -2.36

 

CMYK 0 / 95 / 52 / 57

HEX #6E0535

RGB 110 5 53

HSL 332.57, 0.91%, 0.23%

LAB 22.59, 44.53, 1.73

 

CMYK 0 / 100 / 63 / 64

HEX #5D0022

RGB 93 0 34

HSL 338.06, 1%, 0.18%

LAB 17.66, 39.78, 7.73

 

CMYK 0 / 100 / 80 / 70

HEX #4C000F

RGB 76 0 15

HSL 348.16, 1%, 0.15%

LAB 13.05, 33.95, 14.01

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 82 / 43 / 51

HEX #7C1647

RGB 124 22 71

HSL 331.18, 0.7%, 0.29%

LAB 27.61, 45.97, -2.87

 

CMYK 0 / 82 / 65 / 51

HEX #7C162B

RGB 124 22 43

HSL 347.65, 0.7%, 0.29%

LAB 26.83, 43.58, 14.95

 

CMYK 0 / 82 / 82 / 51

HEX #7C1616

RGB 124 22 22

HSL 0, 0.7%, 0.29%

LAB 26.5, 42.54, 28.19

 

CMYK 0 / 82 / 43 / 51

HEX #7C1647

RGB 124 22 71

HSL 331.18, 0.7%, 0.29%

LAB 27.61, 45.97, -2.87

 

CMYK 0 / 82 / 21 / 51

HEX #7C1662

RGB 124 22 98

HSL 315.29, 0.7%, 0.29%

LAB 28.75, 49.32, -18.99

 

CMYK 1 / 82 / 0 / 51

HEX #7B167C

RGB 123 22 124

HSL 299.41, 0.7%, 0.29%

LAB 30.01, 53.16, -33.67

 

CMYK 23 / 82 / 0 / 51

HEX #60167C

RGB 96 22 124

HSL 283.53, 0.7%, 0.29%

LAB 25.31, 47.7, -41.47

 

CMYK 45 / 82 / 0 / 51

HEX #44167C

RGB 68 22 124

HSL 267.06, 0.7%, 0.29%

LAB 21.05, 42.75, -48.6

 

CMYK 0 / 82 / 43 / 51

HEX #7C1647

RGB 124 22 71

HSL 331.18, 0.7%, 0.29%

LAB 27.61, 45.97, -2.87

 

CMYK 0 / 93 / 49 / 47

HEX #880A46

RGB 136 10 70

HSL 331.43, 0.86%, 0.29%

LAB 29.14, 51.77, 0.34

 

CMYK 0 / 82 / 43 / 51

HEX #7C1647

RGB 124 22 71

HSL 331.18, 0.7%, 0.29%

LAB 27.61, 45.97, -2.87

 

CMYK 0 / 70 / 37 / 56

HEX #712247

RGB 113 34 71

HSL 331.9, 0.54%, 0.29%

LAB 27.05, 38.23, -3.94

 

CMYK 0 / 54 / 29 / 60

HEX #652E48

RGB 101 46 72

HSL 331.64, 0.37%, 0.29%

LAB 27.27, 28.1, -4.51

 

CMYK 0 / 35 / 18 / 65

HEX #593A49

RGB 89 58 73

HSL 330.97, 0.21%, 0.29%

LAB 28.46, 16.28, -3.58

 

CMYK 0 / 9 / 5 / 70

HEX #4D4649

RGB 77 70 73

HSL 334.29, 0.05%, 0.29%

LAB 30.49, 3.57, -0.74

 

CMYK 1 / 82 / 0 / 51

HEX #7B167C

RGB 123 22 124

HSL 299.41, 0.7%, 0.29%

LAB 30.01, 53.16, -33.67

 

CMYK 0 / 82 / 20 / 51

HEX #7C1663

RGB 124 22 99

HSL 314.71, 0.7%, 0.29%

LAB 28.8, 49.46, -19.56

 

CMYK 0 / 82 / 42 / 51

HEX #7C1648

RGB 124 22 72

HSL 330.59, 0.7%, 0.29%

LAB 27.65, 46.08, -3.49

 

CMYK 0 / 82 / 64 / 51

HEX #7C162D

RGB 124 22 45

HSL 346.47, 0.7%, 0.29%

LAB 26.87, 43.72, 13.65

 

CMYK 0 / 77 / 82 / 51

HEX #7C1C16

RGB 124 28 22

HSL 3.53, 0.7%, 0.29%

LAB 27.22, 40.51, 28.93

 

CMYK 0 / 82 / 44 / 78

HEX #370A1F

RGB 55 10 31

HSL 332, 0.69%, 0.13%

LAB 10.02, 24.3, -2.13

 

CMYK 0 / 82 / 43 / 65

HEX #5A1033

RGB 90 16 51

HSL 331.62, 0.7%, 0.21%

LAB 19.15, 35.81, -2.4

 

CMYK 0 / 82 / 43 / 51

HEX #7C1647

RGB 124 22 71

HSL 331.18, 0.7%, 0.29%

LAB 27.61, 45.97, -2.87

 

CMYK 0 / 82 / 43 / 38

HEX #9F1D5A

RGB 159 29 90

HSL 331.85, 0.69%, 0.37%

LAB 35.96, 55.42, -2.23

 

CMYK 0 / 82 / 43 / 24

HEX #C2236E

RGB 194 35 110

HSL 331.7, 0.69%, 0.45%

LAB 43.94, 64.8, -2.33

 

CMYK 0 / 82 / 43 / 50

HEX #7F1748

RGB 127 23 72

HSL 331.73, 0.69%, 0.29%

LAB 28.36, 46.62, -2.36

 

CMYK 0 / 23 / 82 / 51

HEX #7C6016

RGB 124 96 22

HSL 43.53, 0.7%, 0.29%

LAB 42.32, 3.83, 43.36

 

CMYK 82 / 9 / 0 / 51

HEX #16717C

RGB 22 113 124

HSL 186.47, 0.7%, 0.29%

LAB 43.41, -21.04, -13.38

 

CMYK 0 / 82 / 43 / 50

HEX #7F1748

RGB 127 23 72

HSL 331.73, 0.69%, 0.29%

LAB 28.36, 46.62, -2.36

 

CMYK 42 / 0 / 82 / 51

HEX #487C16

RGB 72 124 22

HSL 90.59, 0.7%, 0.29%

LAB 46.78, -34.36, 45.94

 

CMYK 82 / 42 / 0 / 51

HEX #16487C

RGB 22 72 124

HSL 210.59, 0.7%, 0.29%

LAB 30.06, 3.67, -34.17

 

CMYK 0 / 82 / 43 / 50

HEX #7F1748

RGB 127 23 72

HSL 331.73, 0.69%, 0.29%

LAB 28.36, 46.62, -2.36

 

CMYK 0 / 23 / 82 / 51

HEX #7C6016

RGB 124 96 22

HSL 43.53, 0.7%, 0.29%

LAB 42.32, 3.83, 43.36

 

CMYK 82 / 0 / 40 / 51

HEX #167C4B

RGB 22 124 75

HSL 151.18, 0.7%, 0.29%

LAB 45.76, -39.95, 19.03

 

CMYK 82 / 59 / 0 / 51

HEX #16337C

RGB 22 51 124

HSL 222.94, 0.7%, 0.29%

LAB 23.65, 18.33, -44.5

 

CMYK 0 / 82 / 43 / 50

HEX #7F1748

RGB 127 23 72

HSL 331.73, 0.69%, 0.29%

LAB 28.36, 46.62, -2.36

 

CMYK 1 / 0 / 82 / 51

HEX #7B7C16

RGB 123 124 22

HSL 60.59, 0.7%, 0.29%

LAB 50.32, -12.55, 50.46

 

CMYK 82 / 0 / 40 / 51

HEX #167C4B

RGB 22 124 75

HSL 151.18, 0.7%, 0.29%

LAB 45.76, -39.95, 19.03

 

CMYK 81 / 82 / 0 / 51

HEX #18167C

RGB 24 22 124

HSL 241.18, 0.7%, 0.29%

LAB 16.62, 37.59, -56.05

 

Description

Color code: HEX #7F1748 | qconv.com Color code: HEX #7F1748 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 23 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 23 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 43 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 43% 50% C M Y K

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Provide designers and agencies with accurate color values.

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