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Color name
HEX #7F4B28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F4B28 it is the complementary color #80B4D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F4B28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F4B28 shade: #844B23, #955D36, #A66F49, #B7815C and #C8936F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F4B28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F4B28 shade: #7F4B28, #6E3915, #5D2702, #4C1500 and #3B0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F4B28 shade: #7F4B28, #7F3428 and #7F2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F4B28 shade: #7F4B28, #7F6328, #7F7A28, #6D7F28 and #557F28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F4B28 shade matches the following richer shades: #7F4B28, #8D481A and #9B460D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F4B28 shade: #7F4B28, #724E36, #645043, #575351 and #49565E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F4B28 shade: #7F2834, #7F3428, #7F4B28, #7F6228 and #7F7A28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F4B28 shade: #412614, #60391E, #7F4B28, #9F5E32 and #BE703C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F4B28 shade: #7F4B28, #4B7F28 and #28287F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F4B28 shade: #7F4B28, #287F4B and #4B287F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F4B28 shade: #7F4B28, #4B7F28, #285C7F and #5C287F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F4B28 shade: #7F4B28, #317F28, #285C7F and #77287F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

Complementary color

CMYK 40 / 16 / 0 / 16

HEX #80B4D7

RGB 128 180 215

HSL 204.14, 0.52%, 0.67%

LAB 70.97, -8.17, -23.04

 

CMYK 0 / 43 / 73 / 48

HEX #844B23

RGB 132 75 35

HSL 24.74, 0.58%, 0.33%

LAB 37.95, 20.61, 33.41

 

CMYK 0 / 38 / 64 / 42

HEX #955D36

RGB 149 93 54

HSL 24.63, 0.47%, 0.4%

LAB 44.92, 18.99, 31.59

 

CMYK 0 / 33 / 56 / 35

HEX #A66F49

RGB 166 111 73

HSL 24.52, 0.39%, 0.47%

LAB 51.79, 17.63, 29.87

 

CMYK 0 / 30 / 50 / 28

HEX #B7815C

RGB 183 129 92

HSL 24.4, 0.39%, 0.54%

LAB 58.55, 16.48, 28.3

 

CMYK 0 / 27 / 45 / 22

HEX #C8936F

RGB 200 147 111

HSL 24.27, 0.45%, 0.61%

LAB 65.2, 15.5, 26.87

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 0 / 48 / 81 / 57

HEX #6E3915

RGB 110 57 21

HSL 24.27, 0.68%, 0.26%

LAB 30.15, 20.48, 31.6

 

CMYK 0 / 58 / 98 / 64

HEX #5D2702

RGB 93 39 2

HSL 24.4, 0.96%, 0.19%

LAB 22.94, 22.59, 32.24

 

CMYK 0 / 72 / 100 / 70

HEX #4C1500

RGB 76 21 0

HSL 16.58, 1%, 0.15%

LAB 15.86, 24.92, 24.08

 

CMYK 0 / 95 / 100 / 77

HEX #3B0300

RGB 59 3 0

HSL 3.05, 1%, 0.12%

LAB 8.95, 26.62, 14.07

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 0 / 59 / 69 / 50

HEX #7F3428

RGB 127 52 40

HSL 8.28, 0.52%, 0.33%

LAB 32.08, 31.62, 23.62

 

CMYK 0 / 69 / 69 / 50

HEX #7F2828

RGB 127 40 40

HSL 0, 0.52%, 0.33%

LAB 29.87, 37.5, 20.91

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 0 / 22 / 69 / 50

HEX #7F6328

RGB 127 99 40

HSL 40.69, 0.52%, 0.33%

LAB 43.64, 4.44, 36.82

 

CMYK 0 / 4 / 69 / 50

HEX #7F7A28

RGB 127 122 40

HSL 56.55, 0.52%, 0.33%

LAB 50.2, -8.71, 43.75

 

CMYK 14 / 0 / 69 / 50

HEX #6D7F28

RGB 109 127 40

HSL 72.41, 0.52%, 0.33%

LAB 50.2, -19.53, 43.27

 

CMYK 33 / 0 / 69 / 50

HEX #557F28

RGB 85 127 40

HSL 88.97, 0.52%, 0.33%

LAB 48.59, -29.55, 41.1

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 0 / 49 / 82 / 45

HEX #8D481A

RGB 141 72 26

HSL 24, 0.69%, 0.33%

LAB 38.5, 25.88, 38.94

 

CMYK 0 / 55 / 92 / 39

HEX #9B460D

RGB 155 70 13

HSL 24.08, 0.85%, 0.33%

LAB 40.21, 32.52, 46.49

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 0 / 32 / 53 / 55

HEX #724E36

RGB 114 78 54

HSL 24, 0.36%, 0.33%

LAB 36.54, 12.14, 20.24

 

CMYK 0 / 20 / 33 / 61

HEX #645043

RGB 100 80 67

HSL 23.64, 0.2%, 0.33%

LAB 35.7, 6.22, 10.82

 

CMYK 0 / 5 / 7 / 66

HEX #575351

RGB 87 83 81

HSL 20, 0.04%, 0.33%

LAB 35.61, 1.22, 1.74

 

CMYK 22 / 9 / 0 / 63

HEX #49565E

RGB 73 86 94

HSL 202.86, 0.13%, 0.33%

LAB 35.75, -3.08, -6.33

 

CMYK 0 / 69 / 59 / 50

HEX #7F2834

RGB 127 40 52

HSL 351.72, 0.52%, 0.33%

LAB 30.1, 38.35, 13.41

 

CMYK 0 / 59 / 69 / 50

HEX #7F3428

RGB 127 52 40

HSL 8.28, 0.52%, 0.33%

LAB 32.08, 31.62, 23.62

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 0 / 23 / 69 / 50

HEX #7F6228

RGB 127 98 40

HSL 40, 0.52%, 0.33%

LAB 43.36, 5.03, 36.52

 

CMYK 0 / 4 / 69 / 50

HEX #7F7A28

RGB 127 122 40

HSL 56.55, 0.52%, 0.33%

LAB 50.2, -8.71, 43.75

 

CMYK 0 / 42 / 69 / 75

HEX #412614

RGB 65 38 20

HSL 24, 0.53%, 0.17%

LAB 18.19, 10.63, 17.09

 

CMYK 0 / 41 / 69 / 62

HEX #60391E

RGB 96 57 30

HSL 24.55, 0.52%, 0.25%

LAB 28.13, 14.47, 23.79

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 0 / 41 / 69 / 38

HEX #9F5E32

RGB 159 94 50

HSL 24.22, 0.52%, 0.41%

LAB 46.45, 22.52, 35.89

 

CMYK 0 / 41 / 68 / 25

HEX #BE703C

RGB 190 112 60

HSL 24, 0.52%, 0.49%

LAB 54.93, 26.35, 41.34

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 41 / 0 / 69 / 50

HEX #4B7F28

RGB 75 127 40

HSL 95.86, 0.52%, 0.33%

LAB 48.04, -33.32, 40.35

 

CMYK 69 / 69 / 0 / 50

HEX #28287F

RGB 40 40 127

HSL 240, 0.52%, 0.33%

LAB 21.95, 29.41, -49.14

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 69 / 0 / 41 / 50

HEX #287F4B

RGB 40 127 75

HSL 144.14, 0.52%, 0.33%

LAB 47.15, -38.28, 20.94

 

CMYK 41 / 69 / 0 / 50

HEX #4B287F

RGB 75 40 127

HSL 264.14, 0.52%, 0.33%

LAB 25.4, 35.93, -43.36

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 41 / 0 / 69 / 50

HEX #4B7F28

RGB 75 127 40

HSL 95.86, 0.52%, 0.33%

LAB 48.04, -33.32, 40.35

 

CMYK 69 / 28 / 0 / 50

HEX #285C7F

RGB 40 92 127

HSL 204.14, 0.52%, 0.33%

LAB 37.18, -5.36, -24.75

 

CMYK 28 / 69 / 0 / 50

HEX #5C287F

RGB 92 40 127

HSL 275.86, 0.52%, 0.33%

LAB 27.64, 39.81, -39.63

 

CMYK 0 / 41 / 69 / 50

HEX #7F4B28

RGB 127 75 40

HSL 24.14, 0.52%, 0.33%

LAB 37.29, 18.67, 29.75

 

CMYK 61 / 0 / 69 / 50

HEX #317F28

RGB 49 127 40

HSL 113.79, 0.52%, 0.33%

LAB 46.95, -41.46, 38.86

 

CMYK 69 / 28 / 0 / 50

HEX #285C7F

RGB 40 92 127

HSL 204.14, 0.52%, 0.33%

LAB 37.18, -5.36, -24.75

 

CMYK 6 / 69 / 0 / 50

HEX #77287F

RGB 119 40 127

HSL 294.48, 0.52%, 0.33%

LAB 31.74, 46.41, -32.84

 

Description

Color code: HEX #7F4B28 | qconv.com Color code: HEX #7F4B28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 75 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 75 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 69 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 69% 50% C M Y K

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Provide designers and agencies with accurate color values.

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