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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F4BF0 it is the complementary color #80B40F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F4BF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F4BF0 shade: #844BEB, #955DFE, #A66FFF, #B781FF and #C893FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F4BF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F4BF0 shade: #7F4BF0, #6E39DD, #5D27CA, #4C15B7 and #3B03A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F4BF0 shade: #7F4BF0, #AC4BF0, #D84BF0, #F04BDC and #F04BAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F4BF0 shade: #7F4BF0, #534BF0 and #4B4BF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F4BF0 shade matches the following richer shades: #7F4BF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F4BF0 shade: #7F4BF0, #855BE0, #8B6BD1, #917AC1 and #968AB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F4BF0 shade: #4B72F0, #514BF0, #7D4BF0, #A94BF0 and #D54BF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F4BF0 shade: #5011D8, #6425ED, #7F4BF0, #9A71F3 and #B598F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F4BF0 shade: #7F4BF0, #F04B9E and #5CF04B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F4BF0 shade: #7F4BF0, #F07D4B and #4BF07D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F4BF0 shade: #7F4BF0, #F04B9E, #BFF04B and #4BF09E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F4BF0 shade: #7F4BF0, #F04B6C, #BFF04B and #4BF0CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

Complementary color

CMYK 29 / 0 / 92 / 29

HEX #80B40F

RGB 128 180 15

HSL 78.91, 0.85%, 0.38%

LAB 67.48, -38.14, 66.52

 

CMYK 44 / 68 / 0 / 8

HEX #844BEB

RGB 132 75 235

HSL 261.38, 0.8%, 0.61%

LAB 46.89, 57.72, -72.23

 

CMYK 41 / 63 / 0 / 0

HEX #955DFE

RGB 149 93 254

HSL 260.87, 0.99%, 0.68%

LAB 53.36, 56.67, -72.26

 

CMYK 35 / 56 / 0 / 0

HEX #A66FFF

RGB 166 111 255

HSL 262.92, 1%, 0.72%

LAB 58.69, 51.05, -64.11

 

CMYK 28 / 49 / 0 / 0

HEX #B781FF

RGB 183 129 255

HSL 265.71, 1%, 0.75%

LAB 64.15, 45.45, -55.29

 

CMYK 22 / 42 / 0 / 0

HEX #C893FF

RGB 200 147 255

HSL 269.44, 1%, 0.79%

LAB 69.73, 40.21, -46.36

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 50 / 74 / 0 / 13

HEX #6E39DD

RGB 110 57 221

HSL 259.39, 0.71%, 0.55%

LAB 40.35, 59.13, -75.06

 

CMYK 54 / 81 / 0 / 21

HEX #5D27CA

RGB 93 39 202

HSL 259.88, 0.68%, 0.47%

LAB 34.07, 59.68, -74.47

 

CMYK 58 / 89 / 0 / 28

HEX #4C15B7

RGB 76 21 183

HSL 260.37, 0.79%, 0.4%

LAB 28.09, 59.35, -73.22

 

CMYK 64 / 98 / 0 / 36

HEX #3B03A4

RGB 59 3 164

HSL 260.87, 0.96%, 0.33%

LAB 22.57, 57.68, -71

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 28 / 69 / 0 / 6

HEX #AC4BF0

RGB 172 75 240

HSL 275.27, 0.85%, 0.62%

LAB 51.94, 66.4, -66.62

 

CMYK 10 / 69 / 0 / 6

HEX #D84BF0

RGB 216 75 240

HSL 291.27, 0.85%, 0.62%

LAB 57.96, 75.35, -56.62

 

CMYK 0 / 69 / 8 / 6

HEX #F04BDC

RGB 240 75 220

HSL 307.27, 0.85%, 0.62%

LAB 60.54, 77.37, -41.1

 

CMYK 0 / 69 / 27 / 6

HEX #F04BAF

RGB 240 75 175

HSL 323.64, 0.85%, 0.62%

LAB 58.65, 71.33, -18.33

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 65 / 69 / 0 / 6

HEX #534BF0

RGB 83 75 240

HSL 242.91, 0.85%, 0.62%

LAB 43.01, 51.78, -81.57

 

CMYK 69 / 69 / 0 / 6

HEX #4B4BF0

RGB 75 75 240

HSL 240, 0.85%, 0.62%

LAB 42.49, 50.86, -82.44

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 41 / 59 / 0 / 12

HEX #855BE0

RGB 133 91 224

HSL 258.95, 0.68%, 0.62%

LAB 49.31, 46.62, -62.07

 

CMYK 33 / 49 / 0 / 18

HEX #8B6BD1

RGB 139 107 209

HSL 258.82, 0.53%, 0.62%

LAB 52.52, 35.02, -48.39

 

CMYK 25 / 37 / 0 / 24

HEX #917AC1

RGB 145 122 193

HSL 259.44, 0.36%, 0.62%

LAB 55.88, 23.92, -33.95

 

CMYK 15 / 22 / 0 / 31

HEX #968AB1

RGB 150 138 177

HSL 258.46, 0.2%, 0.62%

LAB 59.74, 12.46, -18.84

 

CMYK 69 / 53 / 0 / 6

HEX #4B72F0

RGB 75 114 240

HSL 225.82, 0.85%, 0.62%

LAB 51.64, 27.31, -67.52

 

CMYK 66 / 69 / 0 / 6

HEX #514BF0

RGB 81 75 240

HSL 242.18, 0.85%, 0.62%

LAB 42.87, 51.54, -81.79

 

CMYK 48 / 69 / 0 / 6

HEX #7D4BF0

RGB 125 75 240

HSL 258.18, 0.85%, 0.62%

LAB 46.56, 57.83, -75.62

 

CMYK 30 / 69 / 0 / 6

HEX #A94BF0

RGB 169 75 240

HSL 274.18, 0.85%, 0.62%

LAB 51.56, 65.81, -67.25

 

CMYK 11 / 69 / 0 / 6

HEX #D54BF0

RGB 213 75 240

HSL 290.18, 0.85%, 0.62%

LAB 57.53, 74.72, -57.34

 

CMYK 63 / 92 / 0 / 15

HEX #5011D8

RGB 80 17 216

HSL 258.99, 0.85%, 0.46%

LAB 31.95, 68.83, -86.15

 

CMYK 58 / 84 / 0 / 7

HEX #6425ED

RGB 100 37 237

HSL 258.9, 0.85%, 0.54%

LAB 38.1, 70.03, -87.91

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 37 / 53 / 0 / 5

HEX #9A71F3

RGB 154 113 243

HSL 258.92, 0.84%, 0.7%

LAB 57.22, 44.16, -59.9

 

CMYK 26 / 38 / 0 / 4

HEX #B598F6

RGB 181 152 246

HSL 258.51, 0.84%, 0.78%

LAB 68.7, 30.06, -43.19

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 0 / 69 / 34 / 6

HEX #F04B9E

RGB 240 75 158

HSL 329.82, 0.85%, 0.62%

LAB 58.06, 69.37, -9.34

 

CMYK 62 / 0 / 69 / 6

HEX #5CF04B

RGB 92 240 75

HSL 113.82, 0.85%, 0.62%

LAB 84.54, -68.78, 65.06

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 0 / 48 / 69 / 6

HEX #F07D4B

RGB 240 125 75

HSL 18.18, 0.85%, 0.62%

LAB 64.72, 40.41, 46.56

 

CMYK 69 / 0 / 48 / 6

HEX #4BF07D

RGB 75 240 125

HSL 138.18, 0.85%, 0.62%

LAB 84.64, -66.2, 43.35

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 0 / 69 / 34 / 6

HEX #F04B9E

RGB 240 75 158

HSL 329.82, 0.85%, 0.62%

LAB 58.06, 69.37, -9.34

 

CMYK 20 / 0 / 69 / 6

HEX #BFF04B

RGB 191 240 75

HSL 77.82, 0.85%, 0.62%

LAB 88.88, -38.16, 70.89

 

CMYK 69 / 0 / 34 / 6

HEX #4BF09E

RGB 75 240 158

HSL 150.18, 0.85%, 0.62%

LAB 85.14, -60.53, 27.62

 

CMYK 47 / 69 / 0 / 6

HEX #7F4BF0

RGB 127 75 240

HSL 258.91, 0.85%, 0.62%

LAB 46.76, 58.16, -75.28

 

CMYK 0 / 69 / 55 / 6

HEX #F04B6C

RGB 240 75 108

HSL 348, 0.85%, 0.62%

LAB 56.72, 64.81, 18.17

 

CMYK 20 / 0 / 69 / 6

HEX #BFF04B

RGB 191 240 75

HSL 77.82, 0.85%, 0.62%

LAB 88.88, -38.16, 70.89

 

CMYK 69 / 0 / 14 / 6

HEX #4BF0CF

RGB 75 240 207

HSL 168, 0.85%, 0.62%

LAB 86.17, -49.74, 3.68

 

Description

Color code: HEX #7F4BF0 | qconv.com Color code: HEX #7F4BF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 75 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 75 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 69 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 69% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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