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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5244 it is the complementary color #80ADBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5244 shade: #84523F, #956452, #A67665, #B78878 and #C89A8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5244 shade: #7F5244, #6E4031, #5D2E1E, #4C1C0B and #3B0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5244 shade: #7D5143 and #7D4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5244 shade: #7D5143, #7D6143, #7D7043, #7B7D43 and #6B7D43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5244 shade matches the following richer shades: #7D5143, #8D4934, #9D4124, #AD3814 and #BC3005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5244 shade: #7D5143, #6E5953, #5E6263, #4E6A72 and #3F7282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5244 shade: #7D4355, #7D4345, #7D5143, #7D6043 and #7D7043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5244 shade: #482E26, #634035, #7D5143, #986352 and #AD7767

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5244 shade: #7F5244, #647D43 and #434D7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5244 shade: #7F5244, #437D51 and #51437D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5244 shade: #7F5244, #647D43, #43707D and #5D437D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5244 shade: #7F5244, #537D43, #43707D and #6E437D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 46 / 50

HEX #7F5244

RGB 127 82 68

HSL 14.24, 0.3%, 0.38%

LAB 39.52, 17.07, 15.95

 

Complementary color

CMYK 32 / 7 / 0 / 27

HEX #80ADBB

RGB 128 173 187

HSL 194.24, 0.3%, 0.62%

LAB 68.07, -11.6, -12.02

 

CMYK 0 / 38 / 52 / 48

HEX #84523F

RGB 132 82 63

HSL 16.52, 0.35%, 0.38%

LAB 40.08, 18.7, 19.85

 

CMYK 0 / 33 / 45 / 42

HEX #956452

RGB 149 100 82

HSL 16.12, 0.29%, 0.45%

LAB 47.12, 17.55, 18.24

 

CMYK 0 / 29 / 39 / 35

HEX #A67665

RGB 166 118 101

HSL 15.69, 0.27%, 0.52%

LAB 54.03, 16.58, 16.84

 

CMYK 0 / 26 / 34 / 28

HEX #B78878

RGB 183 136 120

HSL 15.24, 0.3%, 0.59%

LAB 60.81, 15.75, 15.61

 

CMYK 0 / 23 / 31 / 22

HEX #C89A8B

RGB 200 154 139

HSL 14.75, 0.36%, 0.66%

LAB 67.47, 15.03, 14.48

 

CMYK 0 / 35 / 46 / 50

HEX #7F5244

RGB 127 82 68

HSL 14.24, 0.3%, 0.38%

LAB 39.52, 17.07, 15.95

 

CMYK 0 / 42 / 55 / 57

HEX #6E4031

RGB 110 64 49

HSL 14.75, 0.38%, 0.31%

LAB 32.27, 18.31, 17.68

 

CMYK 0 / 51 / 68 / 64

HEX #5D2E1E

RGB 93 46 30

HSL 15.24, 0.51%, 0.24%

LAB 24.87, 19.82, 19.8

 

CMYK 0 / 63 / 86 / 70

HEX #4C1C0B

RGB 76 28 11

HSL 15.69, 0.75%, 0.17%

LAB 17.42, 21.6, 21.51

 

CMYK 0 / 83 / 100 / 77

HEX #3B0A00

RGB 59 10 0

HSL 10.17, 1%, 0.12%

LAB 10.16, 23.23, 15.79

 

CMYK 0 / 35 / 46 / 51

HEX #7D5143

RGB 125 81 67

HSL 14.48, 0.3%, 0.38%

LAB 38.98, 16.67, 15.8

 

CMYK 0 / 46 / 46 / 51

HEX #7D4343

RGB 125 67 67

HSL 0, 0.3%, 0.38%

LAB 35.56, 24.91, 11.13

 

CMYK 0 / 35 / 46 / 51

HEX #7D5143

RGB 125 81 67

HSL 14.48, 0.3%, 0.38%

LAB 38.98, 16.67, 15.8

 

CMYK 0 / 22 / 46 / 51

HEX #7D6143

RGB 125 97 67

HSL 31.03, 0.3%, 0.38%

LAB 43.23, 7.13, 21.42

 

CMYK 0 / 10 / 46 / 51

HEX #7D7043

RGB 125 112 67

HSL 46.55, 0.3%, 0.38%

LAB 47.43, -1.64, 26.8

 

CMYK 2 / 0 / 46 / 51

HEX #7B7D43

RGB 123 125 67

HSL 62.07, 0.3%, 0.38%

LAB 51.02, -9.86, 31.22

 

CMYK 14 / 0 / 46 / 51

HEX #6B7D43

RGB 107 125 67

HSL 78.62, 0.3%, 0.38%

LAB 49.74, -16.73, 29.35

 

CMYK 0 / 35 / 46 / 51

HEX #7D5143

RGB 125 81 67

HSL 14.48, 0.3%, 0.38%

LAB 38.98, 16.67, 15.8

 

CMYK 0 / 48 / 63 / 45

HEX #8D4934

RGB 141 73 52

HSL 14.16, 0.46%, 0.38%

LAB 39.03, 26.78, 25.36

 

CMYK 0 / 59 / 77 / 38

HEX #9D4124

RGB 157 65 36

HSL 14.38, 0.63%, 0.38%

LAB 39.71, 36.61, 35.93

 

CMYK 0 / 68 / 88 / 32

HEX #AD3814

RGB 173 56 20

HSL 14.12, 0.79%, 0.38%

LAB 40.84, 46.2, 45.73

 

CMYK 0 / 74 / 97 / 26

HEX #BC3005

RGB 188 48 5

HSL 14.1, 0.95%, 0.38%

LAB 42.49, 54.08, 53.24

 

CMYK 0 / 35 / 46 / 51

HEX #7D5143

RGB 125 81 67

HSL 14.48, 0.3%, 0.38%

LAB 38.98, 16.67, 15.8

 

CMYK 0 / 19 / 25 / 57

HEX #6E5953

RGB 110 89 83

HSL 13.33, 0.14%, 0.38%

LAB 39.72, 7.58, 6.71

 

CMYK 5 / 1 / 0 / 61

HEX #5E6263

RGB 94 98 99

HSL 192, 0.03%, 0.38%

LAB 41.24, -1.34, -1.11

 

CMYK 32 / 7 / 0 / 55

HEX #4E6A72

RGB 78 106 114

HSL 193.33, 0.19%, 0.38%

LAB 42.98, -8.12, -7.79

 

CMYK 52 / 12 / 0 / 49

HEX #3F7282

RGB 63 114 130

HSL 194.33, 0.35%, 0.38%

LAB 45.22, -12.4, -14.1

 

CMYK 0 / 46 / 32 / 51

HEX #7D4355

RGB 125 67 85

HSL 341.38, 0.3%, 0.38%

LAB 36.04, 27.24, 0.41

 

CMYK 0 / 46 / 45 / 51

HEX #7D4345

RGB 125 67 69

HSL 357.93, 0.3%, 0.38%

LAB 35.6, 25.15, 9.93

 

CMYK 0 / 35 / 46 / 51

HEX #7D5143

RGB 125 81 67

HSL 14.48, 0.3%, 0.38%

LAB 38.98, 16.67, 15.8

 

CMYK 0 / 23 / 46 / 51

HEX #7D6043

RGB 125 96 67

HSL 30, 0.3%, 0.38%

LAB 42.96, 7.72, 21.06

 

CMYK 0 / 10 / 46 / 51

HEX #7D7043

RGB 125 112 67

HSL 46.55, 0.3%, 0.38%

LAB 47.43, -1.64, 26.8

 

CMYK 0 / 36 / 47 / 72

HEX #482E26

RGB 72 46 38

HSL 14.12, 0.31%, 0.22%

LAB 21.84, 10.8, 10.01

 

CMYK 0 / 35 / 46 / 61

HEX #634035

RGB 99 64 53

HSL 14.35, 0.3%, 0.3%

LAB 30.82, 13.79, 12.96

 

CMYK 0 / 35 / 46 / 51

HEX #7D5143

RGB 125 81 67

HSL 14.48, 0.3%, 0.38%

LAB 38.98, 16.67, 15.8

 

CMYK 0 / 35 / 46 / 40

HEX #986352

RGB 152 99 82

HSL 14.57, 0.3%, 0.46%

LAB 47.25, 19.4, 18.47

 

CMYK 0 / 31 / 40 / 32

HEX #AD7767

RGB 173 119 103

HSL 13.71, 0.3%, 0.54%

LAB 55.13, 19.13, 17.33

 

CMYK 0 / 35 / 46 / 50

HEX #7F5244

RGB 127 82 68

HSL 14.24, 0.3%, 0.38%

LAB 39.52, 17.07, 15.95

 

CMYK 20 / 0 / 46 / 51

HEX #647D43

RGB 100 125 67

HSL 85.86, 0.3%, 0.38%

LAB 49.23, -19.63, 28.61

 

CMYK 46 / 38 / 0 / 51

HEX #434D7D

RGB 67 77 125

HSL 229.66, 0.3%, 0.38%

LAB 33.94, 9.8, -28.49

 

CMYK 0 / 35 / 46 / 50

HEX #7F5244

RGB 127 82 68

HSL 14.24, 0.3%, 0.38%

LAB 39.52, 17.07, 15.95

 

CMYK 46 / 0 / 35 / 51

HEX #437D51

RGB 67 125 81

HSL 134.48, 0.3%, 0.38%

LAB 47.57, -29.34, 18.25

 

CMYK 35 / 46 / 0 / 51

HEX #51437D

RGB 81 67 125

HSL 254.48, 0.3%, 0.38%

LAB 32.36, 20.32, -30.92

 

CMYK 0 / 35 / 46 / 50

HEX #7F5244

RGB 127 82 68

HSL 14.24, 0.3%, 0.38%

LAB 39.52, 17.07, 15.95

 

CMYK 20 / 0 / 46 / 51

HEX #647D43

RGB 100 125 67

HSL 85.86, 0.3%, 0.38%

LAB 49.23, -19.63, 28.61

 

CMYK 46 / 10 / 0 / 51

HEX #43707D

RGB 67 112 125

HSL 193.45, 0.3%, 0.38%

LAB 44.61, -11.73, -12.03

 

CMYK 26 / 46 / 0 / 51

HEX #5D437D

RGB 93 67 125

HSL 266.9, 0.3%, 0.38%

LAB 33.61, 23.95, -28.86

 

CMYK 0 / 35 / 46 / 50

HEX #7F5244

RGB 127 82 68

HSL 14.24, 0.3%, 0.38%

LAB 39.52, 17.07, 15.95

 

CMYK 34 / 0 / 46 / 51

HEX #537D43

RGB 83 125 67

HSL 103.45, 0.3%, 0.38%

LAB 48.15, -26.27, 27.02

 

CMYK 46 / 10 / 0 / 51

HEX #43707D

RGB 67 112 125

HSL 193.45, 0.3%, 0.38%

LAB 44.61, -11.73, -12.03

 

CMYK 12 / 46 / 0 / 51

HEX #6E437D

RGB 110 67 125

HSL 284.48, 0.3%, 0.38%

LAB 35.62, 29.32, -25.57

 

Description

Color code: HEX #7F5244 | qconv.com Color code: HEX #7F5244 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 82 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 82 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 46 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 46% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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