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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5B32 it is the complementary color #80A4CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5B32 shade: #845B2D, #956D40, #A67F53, #B79166 and #C8A379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5B32 shade: #7F5B32, #6E491F, #5D370C, #4C2500 and #3B1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5B32 shade: #805B31, #804631 and #803131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5B32 shade: #805B31, #807031, #7A8031, #658031 and #508031

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5B32 shade matches the following richer shades: #805B31, #8E5C23, #9D5D15 and #AB5E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5B32 shade: #805B31, #725A40, #63594E, #55585D and #46586B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5B32 shade: #803133, #804531, #805A31, #806F31 and #7C8031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5B32 shade: #45311A, #624626, #805B31, #9E713D and #B9864B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5B32 shade: #7F5B32, #488031 and #3B3180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5B32 shade: #7F5B32, #31805A and #5A3180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5B32 shade: #7F5B32, #488031, #315780 and #6A3180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5B32 shade: #7F5B32, #318033, #315780 and #80317F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 61 / 50

HEX #7F5B32

RGB 127 91 50

HSL 31.95, 0.44%, 0.35%

LAB 41.57, 9.92, 29.16

 

Complementary color

CMYK 38 / 20 / 0 / 20

HEX #80A4CD

RGB 128 164 205

HSL 211.95, 0.44%, 0.65%

LAB 66.17, -2.07, -24.86

 

CMYK 0 / 31 / 66 / 48

HEX #845B2D

RGB 132 91 45

HSL 31.72, 0.49%, 0.35%

LAB 42.12, 11.84, 32.7

 

CMYK 0 / 27 / 57 / 42

HEX #956D40

RGB 149 109 64

HSL 31.76, 0.4%, 0.42%

LAB 49.13, 10.55, 31.13

 

CMYK 0 / 23 / 50 / 35

HEX #A67F53

RGB 166 127 83

HSL 31.81, 0.33%, 0.49%

LAB 56, 9.5, 29.63

 

CMYK 0 / 21 / 44 / 28

HEX #B79166

RGB 183 145 102

HSL 31.85, 0.36%, 0.56%

LAB 62.74, 8.62, 28.24

 

CMYK 0 / 19 / 40 / 22

HEX #C8A379

RGB 200 163 121

HSL 31.9, 0.42%, 0.63%

LAB 69.37, 7.88, 26.95

 

CMYK 0 / 28 / 61 / 50

HEX #7F5B32

RGB 127 91 50

HSL 31.95, 0.44%, 0.35%

LAB 41.57, 9.92, 29.16

 

CMYK 0 / 34 / 72 / 57

HEX #6E491F

RGB 110 73 31

HSL 31.9, 0.56%, 0.28%

LAB 34.35, 11.37, 30.76

 

CMYK 0 / 41 / 87 / 64

HEX #5D370C

RGB 93 55 12

HSL 31.85, 0.77%, 0.21%

LAB 26.98, 13.24, 31.99

 

CMYK 0 / 51 / 100 / 70

HEX #4C2500

RGB 76 37 0

HSL 29.21, 1%, 0.15%

LAB 19.47, 15.67, 28.42

 

CMYK 0 / 68 / 100 / 77

HEX #3B1300

RGB 59 19 0

HSL 19.32, 1%, 0.12%

LAB 11.93, 18.49, 18.25

 

CMYK 0 / 29 / 62 / 50

HEX #805B31

RGB 128 91 49

HSL 31.9, 0.45%, 0.35%

LAB 41.68, 10.3, 29.87

 

CMYK 0 / 45 / 62 / 50

HEX #804631

RGB 128 70 49

HSL 15.95, 0.45%, 0.35%

LAB 36.35, 22.7, 23.41

 

CMYK 0 / 62 / 62 / 50

HEX #803131

RGB 128 49 49

HSL 0, 0.45%, 0.35%

LAB 31.82, 34.19, 17.66

 

CMYK 0 / 29 / 62 / 50

HEX #805B31

RGB 128 91 49

HSL 31.9, 0.45%, 0.35%

LAB 41.68, 10.3, 29.87

 

CMYK 0 / 13 / 62 / 50

HEX #807031

RGB 128 112 49

HSL 47.85, 0.45%, 0.35%

LAB 47.49, -1.98, 36.6

 

CMYK 5 / 0 / 62 / 50

HEX #7A8031

RGB 122 128 49

HSL 64.56, 0.45%, 0.35%

LAB 51.61, -13.62, 41.02

 

CMYK 21 / 0 / 62 / 50

HEX #658031

RGB 101 128 49

HSL 80.51, 0.45%, 0.35%

LAB 50.01, -22.75, 38.8

 

CMYK 38 / 0 / 62 / 50

HEX #508031

RGB 80 128 49

HSL 96.46, 0.45%, 0.35%

LAB 48.72, -31.07, 37

 

CMYK 0 / 29 / 62 / 50

HEX #805B31

RGB 128 91 49

HSL 31.9, 0.45%, 0.35%

LAB 41.68, 10.3, 29.87

 

CMYK 0 / 35 / 75 / 44

HEX #8E5C23

RGB 142 92 35

HSL 31.96, 0.6%, 0.35%

LAB 43.55, 15.24, 39.71

 

CMYK 0 / 41 / 87 / 38

HEX #9D5D15

RGB 157 93 21

HSL 31.76, 0.76%, 0.35%

LAB 45.7, 20.92, 48.29

 

CMYK 0 / 45 / 96 / 33

HEX #AB5E06

RGB 171 94 6

HSL 32, 0.93%, 0.35%

LAB 47.85, 26.24, 54.85

 

CMYK 0 / 29 / 62 / 50

HEX #805B31

RGB 128 91 49

HSL 31.9, 0.45%, 0.35%

LAB 41.68, 10.3, 29.87

 

CMYK 0 / 21 / 44 / 55

HEX #725A40

RGB 114 90 64

HSL 31.2, 0.28%, 0.35%

LAB 40.01, 6.01, 18.75

 

CMYK 0 / 10 / 21 / 61

HEX #63594E

RGB 99 89 78

HSL 31.43, 0.12%, 0.35%

LAB 38.46, 2.04, 7.84

 

CMYK 9 / 5 / 0 / 64

HEX #55585D

RGB 85 88 93

HSL 217.5, 0.04%, 0.35%

LAB 37.3, -0.07, -3.3

 

CMYK 35 / 18 / 0 / 58

HEX #46586B

RGB 70 88 107

HSL 210.81, 0.21%, 0.35%

LAB 36.64, -1.81, -13.13

 

CMYK 0 / 62 / 60 / 50

HEX #803133

RGB 128 49 51

HSL 358.48, 0.45%, 0.35%

LAB 31.86, 34.35, 16.43

 

CMYK 0 / 46 / 62 / 50

HEX #804531

RGB 128 69 49

HSL 15.19, 0.45%, 0.35%

LAB 36.11, 23.28, 23.11

 

CMYK 0 / 30 / 62 / 50

HEX #805A31

RGB 128 90 49

HSL 31.14, 0.45%, 0.35%

LAB 41.41, 10.89, 29.56

 

CMYK 0 / 13 / 62 / 50

HEX #806F31

RGB 128 111 49

HSL 47.09, 0.45%, 0.35%

LAB 47.21, -1.41, 36.28

 

CMYK 3 / 0 / 62 / 50

HEX #7C8031

RGB 124 128 49

HSL 63.04, 0.45%, 0.35%

LAB 51.78, -12.73, 41.25

 

CMYK 0 / 29 / 62 / 73

HEX #45311A

RGB 69 49 26

HSL 32.09, 0.45%, 0.19%

LAB 22.08, 5.93, 18.1

 

CMYK 0 / 29 / 61 / 62

HEX #624626

RGB 98 70 38

HSL 32, 0.44%, 0.27%

LAB 32.07, 7.99, 23.79

 

CMYK 0 / 29 / 62 / 50

HEX #805B31

RGB 128 91 49

HSL 31.9, 0.45%, 0.35%

LAB 41.68, 10.3, 29.87

 

CMYK 0 / 28 / 61 / 38

HEX #9E713D

RGB 158 113 61

HSL 32.16, 0.44%, 0.43%

LAB 51.17, 12.01, 35.45

 

CMYK 0 / 28 / 59 / 27

HEX #B9864B

RGB 185 134 75

HSL 32.18, 0.44%, 0.51%

LAB 59.77, 13.08, 39.03

 

CMYK 0 / 28 / 61 / 50

HEX #7F5B32

RGB 127 91 50

HSL 31.95, 0.44%, 0.35%

LAB 41.57, 9.92, 29.16

 

CMYK 44 / 0 / 62 / 50

HEX #488031

RGB 72 128 49

HSL 102.53, 0.45%, 0.35%

LAB 48.31, -33.93, 36.42

 

CMYK 54 / 62 / 0 / 50

HEX #3B3180

RGB 59 49 128

HSL 247.59, 0.45%, 0.35%

LAB 25.82, 27.3, -43.4

 

CMYK 0 / 28 / 61 / 50

HEX #7F5B32

RGB 127 91 50

HSL 31.95, 0.44%, 0.35%

LAB 41.57, 9.92, 29.16

 

CMYK 62 / 0 / 30 / 50

HEX #31805A

RGB 49 128 90

HSL 151.14, 0.45%, 0.35%

LAB 48.04, -33.64, 13.61

 

CMYK 30 / 62 / 0 / 50

HEX #5A3180

RGB 90 49 128

HSL 271.14, 0.45%, 0.35%

LAB 29.23, 34.7, -37.72

 

CMYK 0 / 28 / 61 / 50

HEX #7F5B32

RGB 127 91 50

HSL 31.95, 0.44%, 0.35%

LAB 41.57, 9.92, 29.16

 

CMYK 44 / 0 / 62 / 50

HEX #488031

RGB 72 128 49

HSL 102.53, 0.45%, 0.35%

LAB 48.31, -33.93, 36.42

 

CMYK 62 / 32 / 0 / 50

HEX #315780

RGB 49 87 128

HSL 211.14, 0.45%, 0.35%

LAB 36.04, -0.08, -27.13

 

CMYK 17 / 62 / 0 / 50

HEX #6A3180

RGB 106 49 128

HSL 283.29, 0.45%, 0.35%

LAB 31.39, 38.93, -34.14

 

CMYK 0 / 28 / 61 / 50

HEX #7F5B32

RGB 127 91 50

HSL 31.95, 0.44%, 0.35%

LAB 41.57, 9.92, 29.16

 

CMYK 62 / 0 / 60 / 50

HEX #318033

RGB 49 128 51

HSL 121.52, 0.45%, 0.35%

LAB 47.4, -40.58, 34.16

 

CMYK 62 / 32 / 0 / 50

HEX #315780

RGB 49 87 128

HSL 211.14, 0.45%, 0.35%

LAB 36.04, -0.08, -27.13

 

CMYK 0 / 62 / 1 / 50

HEX #80317F

RGB 128 49 127

HSL 300.76, 0.45%, 0.35%

LAB 34.64, 44.73, -28.17

 

Description

Color code: HEX #7F5B32 | qconv.com Color code: HEX #7F5B32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 91 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 91 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 61 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 61% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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