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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5B37 it is the complementary color #80A4C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5B37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5B37 shade: #845B32, #956D45, #A67F58, #B7916B and #C8A37E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5B37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5B37 shade: #7F5B37, #6E4924, #5D3711, #4C2500 and #3B1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5B37 shade: #805B37, #804737 and #803737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5B37 shade: #805B37, #806F37, #7D8037, #698037 and #568037

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5B37 shade matches the following richer shades: #805B37, #8F5B28, #9E5B19 and #AD5B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5B37 shade: #805B37, #715B45, #625B54, #535B63 and #455B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5B37 shade: #803739, #804837, #805B37, #806F37 and #7E8037

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5B37 shade: #46321E, #63472A, #805B37, #9D7043 and #B58554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5B37 shade: #7F5B37, #4D8037 and #3E3780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5B37 shade: #7F5B37, #37805B and #5B3780

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5B37 shade: #7F5B37, #4D8037, #375B80 and #6A3780

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5B37 shade: #7F5B37, #378037, #375B80 and #803780

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 57 / 50

HEX #7F5B37

RGB 127 91 55

HSL 30, 0.4%, 0.36%

LAB 41.64, 10.36, 26.41

 

Complementary color

CMYK 36 / 18 / 0 / 22

HEX #80A4C8

RGB 128 164 200

HSL 210, 0.4%, 0.64%

LAB 65.99, -3.4, -22.37

 

CMYK 0 / 31 / 62 / 48

HEX #845B32

RGB 132 91 50

HSL 30, 0.45%, 0.36%

LAB 42.18, 12.22, 30.04

 

CMYK 0 / 27 / 54 / 42

HEX #956D45

RGB 149 109 69

HSL 30, 0.37%, 0.43%

LAB 49.2, 11, 28.44

 

CMYK 0 / 23 / 47 / 35

HEX #A67F58

RGB 166 127 88

HSL 30, 0.31%, 0.5%

LAB 56.08, 10.01, 26.96

 

CMYK 0 / 21 / 42 / 28

HEX #B7916B

RGB 183 145 107

HSL 30, 0.35%, 0.57%

LAB 62.83, 9.18, 25.61

 

CMYK 0 / 19 / 37 / 22

HEX #C8A37E

RGB 200 163 126

HSL 30, 0.4%, 0.64%

LAB 69.46, 8.47, 24.36

 

CMYK 0 / 28 / 57 / 50

HEX #7F5B37

RGB 127 91 55

HSL 30, 0.4%, 0.36%

LAB 41.64, 10.36, 26.41

 

CMYK 0 / 34 / 67 / 57

HEX #6E4924

RGB 110 73 36

HSL 30, 0.51%, 0.29%

LAB 34.41, 11.71, 28.08

 

CMYK 0 / 41 / 82 / 64

HEX #5D3711

RGB 93 55 17

HSL 30, 0.69%, 0.22%

LAB 27.02, 13.46, 29.67

 

CMYK 0 / 51 / 100 / 70

HEX #4C2500

RGB 76 37 0

HSL 29.21, 1%, 0.15%

LAB 19.47, 15.67, 28.42

 

CMYK 0 / 68 / 100 / 77

HEX #3B1300

RGB 59 19 0

HSL 19.32, 1%, 0.12%

LAB 11.93, 18.49, 18.25

 

CMYK 0 / 29 / 57 / 50

HEX #805B37

RGB 128 91 55

HSL 29.59, 0.4%, 0.36%

LAB 41.76, 10.82, 26.59

 

CMYK 0 / 45 / 57 / 50

HEX #804737

RGB 128 71 55

HSL 13.15, 0.4%, 0.36%

LAB 36.69, 22.64, 20.2

 

CMYK 0 / 57 / 57 / 50

HEX #803737

RGB 128 55 55

HSL 0, 0.4%, 0.36%

LAB 33.13, 31.58, 15.54

 

CMYK 0 / 29 / 57 / 50

HEX #805B37

RGB 128 91 55

HSL 29.59, 0.4%, 0.36%

LAB 41.76, 10.82, 26.59

 

CMYK 0 / 13 / 57 / 50

HEX #806F37

RGB 128 111 55

HSL 46.03, 0.4%, 0.36%

LAB 47.28, -0.91, 33.24

 

CMYK 2 / 0 / 57 / 50

HEX #7D8037

RGB 125 128 55

HSL 62.47, 0.4%, 0.36%

LAB 51.92, -11.79, 38.54

 

CMYK 18 / 0 / 57 / 50

HEX #698037

RGB 105 128 55

HSL 78.9, 0.4%, 0.36%

LAB 50.35, -20.49, 36.33

 

CMYK 33 / 0 / 57 / 50

HEX #568037

RGB 86 128 55

HSL 94.52, 0.4%, 0.36%

LAB 49.12, -28.16, 34.58

 

CMYK 0 / 29 / 57 / 50

HEX #805B37

RGB 128 91 55

HSL 29.59, 0.4%, 0.36%

LAB 41.76, 10.82, 26.59

 

CMYK 0 / 36 / 72 / 44

HEX #8F5B28

RGB 143 91 40

HSL 29.71, 0.56%, 0.36%

LAB 43.47, 16.55, 37.21

 

CMYK 0 / 42 / 84 / 38

HEX #9E5B19

RGB 158 91 25

HSL 29.77, 0.73%, 0.36%

LAB 45.39, 22.62, 46.59

 

CMYK 0 / 47 / 94 / 32

HEX #AD5B0A

RGB 173 91 10

HSL 29.82, 0.89%, 0.36%

LAB 47.48, 28.79, 53.83

 

CMYK 0 / 29 / 57 / 50

HEX #805B37

RGB 128 91 55

HSL 29.59, 0.4%, 0.36%

LAB 41.76, 10.82, 26.59

 

CMYK 0 / 19 / 39 / 56

HEX #715B45

RGB 113 91 69

HSL 30, 0.24%, 0.36%

LAB 40.28, 5.59, 16.08

 

CMYK 0 / 7 / 14 / 62

HEX #625B54

RGB 98 91 84

HSL 30, 0.08%, 0.36%

LAB 39.1, 1.47, 5.04

 

CMYK 16 / 8 / 0 / 61

HEX #535B63

RGB 83 91 99

HSL 210, 0.09%, 0.36%

LAB 38.24, -1.25, -5.65

 

CMYK 39 / 20 / 0 / 55

HEX #455B72

RGB 69 91 114

HSL 210.67, 0.25%, 0.36%

LAB 37.77, -1.94, -15.73

 

CMYK 0 / 57 / 55 / 50

HEX #803739

RGB 128 55 57

HSL 358.36, 0.4%, 0.36%

LAB 33.17, 31.76, 14.32

 

CMYK 0 / 44 / 57 / 50

HEX #804837

RGB 128 72 55

HSL 13.97, 0.4%, 0.36%

LAB 36.93, 22.05, 20.51

 

CMYK 0 / 29 / 57 / 50

HEX #805B37

RGB 128 91 55

HSL 29.59, 0.4%, 0.36%

LAB 41.76, 10.82, 26.59

 

CMYK 0 / 13 / 57 / 50

HEX #806F37

RGB 128 111 55

HSL 46.03, 0.4%, 0.36%

LAB 47.28, -0.91, 33.24

 

CMYK 2 / 0 / 57 / 50

HEX #7E8037

RGB 126 128 55

HSL 61.64, 0.4%, 0.36%

LAB 52.01, -11.35, 38.66

 

CMYK 0 / 29 / 57 / 73

HEX #46321E

RGB 70 50 30

HSL 30, 0.4%, 0.2%

LAB 22.57, 6.2, 16.2

 

CMYK 0 / 28 / 58 / 61

HEX #63472A

RGB 99 71 42

HSL 30.53, 0.4%, 0.28%

LAB 32.54, 8.22, 22.01

 

CMYK 0 / 29 / 57 / 50

HEX #805B37

RGB 128 91 55

HSL 29.59, 0.4%, 0.36%

LAB 41.76, 10.82, 26.59

 

CMYK 0 / 29 / 57 / 38

HEX #9D7043

RGB 157 112 67

HSL 30, 0.4%, 0.44%

LAB 50.88, 12.62, 31.83

 

CMYK 0 / 27 / 54 / 29

HEX #B58554

RGB 181 133 84

HSL 30.31, 0.4%, 0.52%

LAB 59.19, 12.66, 33.45

 

CMYK 0 / 28 / 57 / 50

HEX #7F5B37

RGB 127 91 55

HSL 30, 0.4%, 0.36%

LAB 41.64, 10.36, 26.41

 

CMYK 40 / 0 / 57 / 50

HEX #4D8037

RGB 77 128 55

HSL 101.92, 0.4%, 0.36%

LAB 48.63, -31.48, 33.87

 

CMYK 52 / 57 / 0 / 50

HEX #3E3780

RGB 62 55 128

HSL 245.75, 0.4%, 0.36%

LAB 27.61, 24.05, -40.48

 

CMYK 0 / 28 / 57 / 50

HEX #7F5B37

RGB 127 91 55

HSL 30, 0.4%, 0.36%

LAB 41.64, 10.36, 26.41

 

CMYK 57 / 0 / 29 / 50

HEX #37805B

RGB 55 128 91

HSL 149.59, 0.4%, 0.36%

LAB 48.27, -32.01, 13.37

 

CMYK 29 / 57 / 0 / 50

HEX #5B3780

RGB 91 55 128

HSL 269.59, 0.4%, 0.36%

LAB 30.68, 31.47, -35.4

 

CMYK 0 / 28 / 57 / 50

HEX #7F5B37

RGB 127 91 55

HSL 30, 0.4%, 0.36%

LAB 41.64, 10.36, 26.41

 

CMYK 40 / 0 / 57 / 50

HEX #4D8037

RGB 77 128 55

HSL 101.92, 0.4%, 0.36%

LAB 48.63, -31.48, 33.87

 

CMYK 57 / 29 / 0 / 50

HEX #375B80

RGB 55 91 128

HSL 210.41, 0.4%, 0.36%

LAB 37.58, -1.26, -24.7

 

CMYK 17 / 57 / 0 / 50

HEX #6A3780

RGB 106 55 128

HSL 281.92, 0.4%, 0.36%

LAB 32.6, 35.69, -32.22

 

CMYK 0 / 28 / 57 / 50

HEX #7F5B37

RGB 127 91 55

HSL 30, 0.4%, 0.36%

LAB 41.64, 10.36, 26.41

 

CMYK 57 / 0 / 57 / 50

HEX #378037

RGB 55 128 55

HSL 120, 0.4%, 0.36%

LAB 47.66, -38.47, 32.49

 

CMYK 57 / 29 / 0 / 50

HEX #375B80

RGB 55 91 128

HSL 210.41, 0.4%, 0.36%

LAB 37.58, -1.26, -24.7

 

CMYK 0 / 57 / 0 / 50

HEX #803780

RGB 128 55 128

HSL 300, 0.4%, 0.36%

LAB 35.75, 42.02, -27.04

 

Description

Color code: HEX #7F5B37 | qconv.com Color code: HEX #7F5B37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 91 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 91 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 57 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 57% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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