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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5C8E it is the complementary color #80A371. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5C8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5C8E shade: #845C89, #956E9C, #A680AF, #B792C2 and #C8A4D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5C8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5C8E shade: #7F5C8E, #6E4A7B, #5D3868, #4C2655 and #3B1442

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5C8E shade: #7F5C8D, #8C5C8D, #8D5C82, #8D5C74 and #8D5C67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5C8E shade: #7F5C8D, #715C8D, #645C8D and #5C5C8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5C8E shade matches the following richer shades: #7F5C8D, #8649A0, #8E36B3, #9523C6 and #9D10D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5C8E shade: #7F5C8D, #776F7A, #6F8267, #689554 and #60A842

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5C8E shade: #645C8D, #725C8D, #7F5C8D, #8C5C8D and #8D5C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5C8E shade: #523C5C, #684C74, #7F5C8D, #9371A2 and #A68AB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5C8E shade: #7F5C8E, #8D5C61 and #5C8D6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5C8E shade: #7F5C8E, #8D7F5C and #5C8D7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5C8E shade: #7F5C8E, #8D5C61, #6B8D5C and #5C8D89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5C8E shade: #7F5C8E, #8D665C, #6B8D5C and #5C848D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 35 / 0 / 44

HEX #7F5C8E

RGB 127 92 142

HSL 282, 0.21%, 0.46%

LAB 44.4, 23.88, -22.12

 

Complementary color

CMYK 21 / 0 / 31 / 36

HEX #80A371

RGB 128 163 113

HSL 102, 0.21%, 0.54%

LAB 63.32, -21.64, 22.18

 

CMYK 4 / 33 / 0 / 46

HEX #845C89

RGB 132 92 137

HSL 293.33, 0.2%, 0.45%

LAB 44.75, 24.51, -18.53

 

CMYK 4 / 29 / 0 / 39

HEX #956E9C

RGB 149 110 156

HSL 290.87, 0.19%, 0.52%

LAB 51.77, 23.79, -18.89

 

CMYK 5 / 27 / 0 / 31

HEX #A680AF

RGB 166 128 175

HSL 288.51, 0.23%, 0.59%

LAB 58.64, 23.12, -19.24

 

CMYK 6 / 25 / 0 / 24

HEX #B792C2

RGB 183 146 194

HSL 286.25, 0.28%, 0.67%

LAB 65.37, 22.52, -19.58

 

CMYK 6 / 23 / 0 / 16

HEX #C8A4D5

RGB 200 164 213

HSL 284.08, 0.37%, 0.74%

LAB 71.98, 21.97, -19.91

 

CMYK 11 / 35 / 0 / 44

HEX #7F5C8E

RGB 127 92 142

HSL 282, 0.21%, 0.46%

LAB 44.4, 23.88, -22.12

 

CMYK 11 / 40 / 0 / 52

HEX #6E4A7B

RGB 110 74 123

HSL 284.08, 0.25%, 0.39%

LAB 37.19, 24.68, -21.87

 

CMYK 11 / 46 / 0 / 59

HEX #5D3868

RGB 93 56 104

HSL 286.25, 0.3%, 0.31%

LAB 29.8, 25.54, -21.59

 

CMYK 11 / 55 / 0 / 67

HEX #4C2655

RGB 76 38 85

HSL 288.51, 0.38%, 0.24%

LAB 22.23, 26.41, -21.23

 

CMYK 11 / 70 / 0 / 74

HEX #3B1442

RGB 59 20 66

HSL 290.87, 0.53%, 0.17%

LAB 14.53, 27.06, -20.59

 

CMYK 10 / 35 / 0 / 45

HEX #7F5C8D

RGB 127 92 141

HSL 282.86, 0.21%, 0.46%

LAB 44.36, 23.66, -21.58

 

CMYK 1 / 35 / 0 / 45

HEX #8C5C8D

RGB 140 92 141

HSL 298.78, 0.21%, 0.46%

LAB 45.84, 28.08, -19.18

 

CMYK 0 / 35 / 8 / 45

HEX #8D5C82

RGB 141 92 130

HSL 313.47, 0.21%, 0.46%

LAB 45.54, 26.29, -13.03

 

CMYK 0 / 35 / 18 / 45

HEX #8D5C74

RGB 141 92 116

HSL 330.61, 0.21%, 0.46%

LAB 45.05, 23.79, -5.29

 

CMYK 0 / 35 / 27 / 45

HEX #8D5C67

RGB 141 92 103

HSL 346.53, 0.21%, 0.46%

LAB 44.65, 21.7, 2.02

 

CMYK 10 / 35 / 0 / 45

HEX #7F5C8D

RGB 127 92 141

HSL 282.86, 0.21%, 0.46%

LAB 44.36, 23.66, -21.58

 

CMYK 20 / 35 / 0 / 45

HEX #715C8D

RGB 113 92 141

HSL 265.71, 0.21%, 0.46%

LAB 42.9, 18.99, -23.97

 

CMYK 29 / 35 / 0 / 45

HEX #645C8D

RGB 100 92 141

HSL 249.8, 0.21%, 0.46%

LAB 41.67, 14.8, -25.97

 

CMYK 35 / 35 / 0 / 45

HEX #5C5C8D

RGB 92 92 141

HSL 240, 0.21%, 0.46%

LAB 40.98, 12.33, -27.1

 

CMYK 10 / 35 / 0 / 45

HEX #7F5C8D

RGB 127 92 141

HSL 282.86, 0.21%, 0.46%

LAB 44.36, 23.66, -21.58

 

CMYK 16 / 54 / 0 / 37

HEX #8649A0

RGB 134 73 160

HSL 282.07, 0.37%, 0.46%

LAB 41.8, 40.93, -36.91

 

CMYK 21 / 70 / 0 / 30

HEX #8E36B3

RGB 142 54 179

HSL 282.24, 0.54%, 0.46%

LAB 40.64, 56.24, -49.99

 

CMYK 25 / 82 / 0 / 22

HEX #9523C6

RGB 149 35 198

HSL 281.96, 0.7%, 0.46%

LAB 40.68, 68.1, -61.02

 

CMYK 28 / 93 / 0 / 15

HEX #9D10D9

RGB 157 16 217

HSL 282.09, 0.86%, 0.46%

LAB 42.07, 76.79, -69.7

 

CMYK 10 / 35 / 0 / 45

HEX #7F5C8D

RGB 127 92 141

HSL 282.86, 0.21%, 0.46%

LAB 44.36, 23.66, -21.58

 

CMYK 2 / 9 / 0 / 52

HEX #776F7A

RGB 119 111 122

HSL 283.64, 0.05%, 0.46%

LAB 47.87, 5.31, -4.96

 

CMYK 15 / 0 / 21 / 49

HEX #6F8267

RGB 111 130 103

HSL 102.22, 0.12%, 0.46%

LAB 52.2, -12.33, 12.36

 

CMYK 30 / 0 / 44 / 42

HEX #689554

RGB 104 149 84

HSL 101.54, 0.28%, 0.46%

LAB 57.15, -27.88, 29.5

 

CMYK 43 / 0 / 61 / 34

HEX #60A842

RGB 96 168 66

HSL 102.35, 0.44%, 0.46%

LAB 62.41, -41.53, 44.74

 

CMYK 29 / 35 / 0 / 45

HEX #645C8D

RGB 100 92 141

HSL 249.8, 0.21%, 0.46%

LAB 41.67, 14.8, -25.97

 

CMYK 19 / 35 / 0 / 45

HEX #725C8D

RGB 114 92 141

HSL 266.94, 0.21%, 0.46%

LAB 43, 19.32, -23.81

 

CMYK 10 / 35 / 0 / 45

HEX #7F5C8D

RGB 127 92 141

HSL 282.86, 0.21%, 0.46%

LAB 44.36, 23.66, -21.58

 

CMYK 1 / 35 / 0 / 45

HEX #8C5C8D

RGB 140 92 141

HSL 298.78, 0.21%, 0.46%

LAB 45.84, 28.08, -19.18

 

CMYK 0 / 35 / 8 / 45

HEX #8D5C82

RGB 141 92 130

HSL 313.47, 0.21%, 0.46%

LAB 45.54, 26.29, -13.03

 

CMYK 11 / 35 / 0 / 64

HEX #523C5C

RGB 82 60 92

HSL 281.25, 0.21%, 0.3%

LAB 28.9, 16.33, -15.38

 

CMYK 10 / 34 / 0 / 55

HEX #684C74

RGB 104 76 116

HSL 282, 0.21%, 0.38%

LAB 36.69, 19.79, -18.36

 

CMYK 10 / 35 / 0 / 45

HEX #7F5C8D

RGB 127 92 141

HSL 282.86, 0.21%, 0.46%

LAB 44.36, 23.66, -21.58

 

CMYK 9 / 30 / 0 / 36

HEX #9371A2

RGB 147 113 162

HSL 281.63, 0.21%, 0.54%

LAB 52.53, 22.63, -21.25

 

CMYK 7 / 22 / 0 / 30

HEX #A68AB2

RGB 166 138 178

HSL 282, 0.21%, 0.62%

LAB 61.22, 18.05, -17.02

 

CMYK 11 / 35 / 0 / 44

HEX #7F5C8E

RGB 127 92 142

HSL 282, 0.21%, 0.46%

LAB 44.4, 23.88, -22.12

 

CMYK 0 / 35 / 31 / 45

HEX #8D5C61

RGB 141 92 97

HSL 353.88, 0.21%, 0.46%

LAB 44.49, 20.81, 5.43

 

CMYK 35 / 0 / 24 / 45

HEX #5C8D6B

RGB 92 141 107

HSL 138.37, 0.21%, 0.46%

LAB 54.43, -24.16, 13

 

CMYK 11 / 35 / 0 / 44

HEX #7F5C8E

RGB 127 92 142

HSL 282, 0.21%, 0.46%

LAB 44.4, 23.88, -22.12

 

CMYK 0 / 10 / 35 / 45

HEX #8D7F5C

RGB 141 127 92

HSL 42.86, 0.21%, 0.46%

LAB 53.62, -0.19, 21

 

CMYK 35 / 0 / 10 / 45

HEX #5C8D7F

RGB 92 141 127

HSL 162.86, 0.21%, 0.46%

LAB 54.93, -19.81, 2.22

 

CMYK 11 / 35 / 0 / 44

HEX #7F5C8E

RGB 127 92 142

HSL 282, 0.21%, 0.46%

LAB 44.4, 23.88, -22.12

 

CMYK 0 / 35 / 31 / 45

HEX #8D5C61

RGB 141 92 97

HSL 353.88, 0.21%, 0.46%

LAB 44.49, 20.81, 5.43

 

CMYK 24 / 0 / 35 / 45

HEX #6B8D5C

RGB 107 141 92

HSL 101.63, 0.21%, 0.46%

LAB 55.02, -21.56, 22.4

 

CMYK 35 / 0 / 3 / 45

HEX #5C8D89

RGB 92 141 137

HSL 175.1, 0.21%, 0.46%

LAB 55.21, -17.4, -3.13

 

CMYK 11 / 35 / 0 / 44

HEX #7F5C8E

RGB 127 92 142

HSL 282, 0.21%, 0.46%

LAB 44.4, 23.88, -22.12

 

CMYK 0 / 28 / 35 / 45

HEX #8D665C

RGB 141 102 92

HSL 12.24, 0.21%, 0.46%

LAB 46.89, 14.26, 11.83

 

CMYK 24 / 0 / 35 / 45

HEX #6B8D5C

RGB 107 141 92

HSL 101.63, 0.21%, 0.46%

LAB 55.02, -21.56, 22.4

 

CMYK 35 / 6 / 0 / 45

HEX #5C848D

RGB 92 132 141

HSL 191.02, 0.21%, 0.46%

LAB 52.62, -11.48, -9.29

 

Description

Color code: HEX #7F5C8E | qconv.com Color code: HEX #7F5C8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 92 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 92 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 35 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 35% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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