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Color name
HEX #7F5D2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5D2D it is the complementary color #80A2D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5D2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5D2D shade: #845D28, #956F3B, #A6814E, #B79361 and #C8A574

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5D2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5D2D shade: #7F5D2D, #6E4B1A, #5D3907, #4C2700 and #3B1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5D2D shade: #805D2D, #80472D, #80302D and #802D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5D2D shade: #805D2D, #80742D, #75802D, #5F802D and #49802D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5D2D shade matches the following richer shades: #805D2D, #8E601F, #9C6211 and #AA6402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5D2D shade: #805D2D, #725B3B, #645949, #565657 and #485465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5D2D shade: #80312D, #80472D, #805D2D, #80732D and #76802D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5D2D shade: #433117, #614722, #805D2D, #9E7437 and #BC8A42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5D2D shade: #7F5D2D, #3F802D and #3C2D80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5D2D shade: #7F5D2D, #2D805D and #5D2D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5D2D shade: #7F5D2D, #3F802D, #2D4F80 and #6E2D80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5D2D shade: #7F5D2D, #2D8034, #2D4F80 and #802D79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 65 / 50

HEX #7F5D2D

RGB 127 93 45

HSL 35.12, 0.48%, 0.34%

LAB 42.05, 8.34, 32.46

 

Complementary color

CMYK 39 / 23 / 0 / 18

HEX #80A2D2

RGB 128 162 210

HSL 215.12, 0.48%, 0.66%

LAB 65.81, 0.39, -28.19

 

CMYK 0 / 30 / 70 / 48

HEX #845D28

RGB 132 93 40

HSL 34.57, 0.53%, 0.34%

LAB 42.59, 10.32, 35.85

 

CMYK 0 / 26 / 60 / 42

HEX #956F3B

RGB 149 111 59

HSL 34.67, 0.43%, 0.41%

LAB 49.59, 8.98, 34.39

 

CMYK 0 / 22 / 53 / 35

HEX #A6814E

RGB 166 129 78

HSL 34.77, 0.36%, 0.48%

LAB 56.44, 7.89, 32.92

 

CMYK 0 / 20 / 47 / 28

HEX #B79361

RGB 183 147 97

HSL 34.88, 0.37%, 0.55%

LAB 63.18, 7, 31.51

 

CMYK 0 / 18 / 42 / 22

HEX #C8A574

RGB 200 165 116

HSL 35, 0.43%, 0.62%

LAB 69.79, 6.24, 30.2

 

CMYK 0 / 27 / 65 / 50

HEX #7F5D2D

RGB 127 93 45

HSL 35.12, 0.48%, 0.34%

LAB 42.05, 8.34, 32.46

 

CMYK 0 / 32 / 76 / 57

HEX #6E4B1A

RGB 110 75 26

HSL 35, 0.62%, 0.27%

LAB 34.85, 9.85, 33.85

 

CMYK 0 / 39 / 92 / 64

HEX #5D3907

RGB 93 57 7

HSL 34.88, 0.86%, 0.2%

LAB 27.49, 11.81, 34.51

 

CMYK 0 / 49 / 100 / 70

HEX #4C2700

RGB 76 39 0

HSL 30.79, 1%, 0.15%

LAB 19.99, 14.4, 29.02

 

CMYK 0 / 64 / 100 / 77

HEX #3B1500

RGB 59 21 0

HSL 21.36, 1%, 0.12%

LAB 12.39, 17.3, 18.88

 

CMYK 0 / 27 / 65 / 50

HEX #805D2D

RGB 128 93 45

HSL 34.7, 0.48%, 0.34%

LAB 42.17, 8.8, 32.63

 

CMYK 0 / 45 / 65 / 50

HEX #80472D

RGB 128 71 45

HSL 18.8, 0.48%, 0.34%

LAB 36.53, 21.81, 26.01

 

CMYK 0 / 63 / 65 / 50

HEX #80302D

RGB 128 48 45

HSL 2.17, 0.48%, 0.34%

LAB 31.56, 34.39, 19.88

 

CMYK 0 / 65 / 65 / 50

HEX #802D2D

RGB 128 45 45

HSL 0, 0.48%, 0.34%

LAB 31.01, 35.86, 19.18

 

CMYK 0 / 27 / 65 / 50

HEX #805D2D

RGB 128 93 45

HSL 34.7, 0.48%, 0.34%

LAB 42.17, 8.8, 32.63

 

CMYK 0 / 9 / 65 / 50

HEX #80742D

RGB 128 116 45

HSL 51.33, 0.48%, 0.34%

LAB 48.6, -4.56, 39.79

 

CMYK 9 / 0 / 65 / 50

HEX #75802D

RGB 117 128 45

HSL 67.95, 0.48%, 0.34%

LAB 51.16, -16.16, 42.27

 

CMYK 26 / 0 / 65 / 50

HEX #5F802D

RGB 95 128 45

HSL 83.86, 0.48%, 0.34%

LAB 49.57, -25.59, 40.08

 

CMYK 43 / 0 / 65 / 50

HEX #49802D

RGB 73 128 45

HSL 99.76, 0.48%, 0.34%

LAB 48.32, -34, 38.35

 

CMYK 0 / 27 / 65 / 50

HEX #805D2D

RGB 128 93 45

HSL 34.7, 0.48%, 0.34%

LAB 42.17, 8.8, 32.63

 

CMYK 0 / 32 / 78 / 44

HEX #8E601F

RGB 142 96 31

HSL 35.14, 0.64%, 0.34%

LAB 44.54, 12.72, 42.54

 

CMYK 0 / 37 / 89 / 39

HEX #9C6211

RGB 156 98 17

HSL 34.96, 0.8%, 0.34%

LAB 46.77, 17.53, 50.41

 

CMYK 0 / 41 / 99 / 33

HEX #AA6402

RGB 170 100 2

HSL 35, 0.98%, 0.34%

LAB 49.09, 22.42, 56.51

 

CMYK 0 / 27 / 65 / 50

HEX #805D2D

RGB 128 93 45

HSL 34.7, 0.48%, 0.34%

LAB 42.17, 8.8, 32.63

 

CMYK 0 / 20 / 48 / 55

HEX #725B3B

RGB 114 91 59

HSL 34.91, 0.32%, 0.34%

LAB 40.21, 4.82, 21.96

 

CMYK 0 / 11 / 27 / 61

HEX #645949

RGB 100 89 73

HSL 35.56, 0.16%, 0.34%

LAB 38.44, 1.64, 10.9

 

CMYK 1 / 1 / 0 / 66

HEX #565657

RGB 86 86 87

HSL 240, 0.01%, 0.34%

LAB 36.6, 0.22, -0.58

 

CMYK 29 / 17 / 0 / 60

HEX #485465

RGB 72 84 101

HSL 215.17, 0.17%, 0.34%

LAB 35.32, -0.34, -11.38

 

CMYK 0 / 62 / 65 / 50

HEX #80312D

RGB 128 49 45

HSL 2.89, 0.48%, 0.34%

LAB 31.75, 33.89, 20.12

 

CMYK 0 / 45 / 65 / 50

HEX #80472D

RGB 128 71 45

HSL 18.8, 0.48%, 0.34%

LAB 36.53, 21.81, 26.01

 

CMYK 0 / 27 / 65 / 50

HEX #805D2D

RGB 128 93 45

HSL 34.7, 0.48%, 0.34%

LAB 42.17, 8.8, 32.63

 

CMYK 0 / 10 / 65 / 50

HEX #80732D

RGB 128 115 45

HSL 50.6, 0.48%, 0.34%

LAB 48.31, -3.99, 39.48

 

CMYK 8 / 0 / 65 / 50

HEX #76802D

RGB 118 128 45

HSL 67.23, 0.48%, 0.34%

LAB 51.24, -15.71, 42.38

 

CMYK 0 / 27 / 66 / 74

HEX #433117

RGB 67 49 23

HSL 35.45, 0.49%, 0.18%

LAB 21.77, 4.61, 19.54

 

CMYK 0 / 27 / 65 / 62

HEX #614722

RGB 97 71 34

HSL 35.24, 0.48%, 0.26%

LAB 32.18, 6.53, 26.2

 

CMYK 0 / 27 / 65 / 50

HEX #805D2D

RGB 128 93 45

HSL 34.7, 0.48%, 0.34%

LAB 42.17, 8.8, 32.63

 

CMYK 0 / 27 / 65 / 38

HEX #9E7437

RGB 158 116 55

HSL 35.53, 0.48%, 0.42%

LAB 51.88, 9.87, 39.38

 

CMYK 0 / 27 / 65 / 26

HEX #BC8A42

RGB 188 138 66

HSL 35.41, 0.48%, 0.5%

LAB 61.01, 11.52, 45.09

 

CMYK 0 / 27 / 65 / 50

HEX #7F5D2D

RGB 127 93 45

HSL 35.12, 0.48%, 0.34%

LAB 42.05, 8.34, 32.46

 

CMYK 51 / 0 / 65 / 50

HEX #3F802D

RGB 63 128 45

HSL 106.99, 0.48%, 0.34%

LAB 47.86, -37.32, 37.71

 

CMYK 53 / 65 / 0 / 50

HEX #3C2D80

RGB 60 45 128

HSL 250.84, 0.48%, 0.34%

LAB 24.94, 30.06, -44.82

 

CMYK 0 / 27 / 65 / 50

HEX #7F5D2D

RGB 127 93 45

HSL 35.12, 0.48%, 0.34%

LAB 42.05, 8.34, 32.46

 

CMYK 65 / 0 / 27 / 50

HEX #2D805D

RGB 45 128 93

HSL 154.7, 0.48%, 0.34%

LAB 47.99, -33.81, 11.77

 

CMYK 27 / 65 / 0 / 50

HEX #5D2D80

RGB 93 45 128

HSL 274.7, 0.48%, 0.34%

LAB 28.81, 37.68, -38.38

 

CMYK 0 / 27 / 65 / 50

HEX #7F5D2D

RGB 127 93 45

HSL 35.12, 0.48%, 0.34%

LAB 42.05, 8.34, 32.46

 

CMYK 51 / 0 / 65 / 50

HEX #3F802D

RGB 63 128 45

HSL 106.99, 0.48%, 0.34%

LAB 47.86, -37.32, 37.71

 

CMYK 65 / 38 / 0 / 50

HEX #2D4F80

RGB 45 79 128

HSL 215.42, 0.48%, 0.34%

LAB 33.37, 4.25, -31.35

 

CMYK 14 / 65 / 0 / 50

HEX #6E2D80

RGB 110 45 128

HSL 286.99, 0.48%, 0.34%

LAB 31.23, 42.02, -34.36

 

CMYK 0 / 27 / 65 / 50

HEX #7F5D2D

RGB 127 93 45

HSL 35.12, 0.48%, 0.34%

LAB 42.05, 8.34, 32.46

 

CMYK 65 / 0 / 59 / 50

HEX #2D8034

RGB 45 128 52

HSL 125.06, 0.48%, 0.34%

LAB 47.29, -41.42, 33.5

 

CMYK 65 / 38 / 0 / 50

HEX #2D4F80

RGB 45 79 128

HSL 215.42, 0.48%, 0.34%

LAB 33.37, 4.25, -31.35

 

CMYK 0 / 65 / 5 / 50

HEX #802D79

RGB 128 45 121

HSL 305.06, 0.48%, 0.34%

LAB 33.66, 45.47, -25.95

 

Description

Color code: HEX #7F5D2D | qconv.com Color code: HEX #7F5D2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 93 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 93 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 65 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 65% 50% C M Y K

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Provide designers and agencies with accurate color values.

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