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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5E4C it is the complementary color #80A1B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5E4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5E4C shade: #845E47, #95705A, #A6826D, #B79480 and #C8A693

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5E4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5E4C shade: #7F5E4C, #6E4C39, #5D3A26, #4C2813 and #3B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5E4C shade: #7F5E4C, #7F504C and #7F4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5E4C shade: #7F5E4C, #7F6C4C, #7F7A4C, #777F4C and #697F4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5E4C shade matches the following richer shades: #7F5E4C, #90593B, #A0542B, #B14F1A and #C14B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5E4C shade: #7F5E4C, #6E635D, #5E686D, #4D6D7E and #3D718E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5E4C shade: #7F4C55, #7F504C, #7F5E4C, #7F6B4C and #7F794C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5E4C shade: #4B382D, #654B3D, #7F5E4C, #99715B and #AB8773

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5E4C shade: #7F5E4C, #637F4C and #4C4F7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5E4C shade: #7F5E4C, #4C7F5E and #5E4C7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5E4C shade: #7F5E4C, #637F4C, #4C6D7F and #684C7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5E4C shade: #7F5E4C, #547F4C, #4C6D7F and #774C7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

Complementary color

CMYK 28 / 10 / 0 / 30

HEX #80A1B3

RGB 128 161 179

HSL 201.18, 0.25%, 0.6%

LAB 64.43, -7.07, -13.02

 

CMYK 0 / 29 / 46 / 48

HEX #845E47

RGB 132 94 71

HSL 22.62, 0.3%, 0.4%

LAB 43.31, 12.47, 19.31

 

CMYK 0 / 25 / 40 / 42

HEX #95705A

RGB 149 112 90

HSL 22.37, 0.25%, 0.47%

LAB 50.35, 11.56, 17.91

 

CMYK 0 / 22 / 34 / 35

HEX #A6826D

RGB 166 130 109

HSL 22.11, 0.24%, 0.54%

LAB 57.25, 10.79, 16.66

 

CMYK 0 / 19 / 30 / 28

HEX #B79480

RGB 183 148 128

HSL 21.82, 0.28%, 0.61%

LAB 64, 10.15, 15.53

 

CMYK 0 / 17 / 27 / 22

HEX #C8A693

RGB 200 166 147

HSL 21.51, 0.33%, 0.68%

LAB 70.63, 9.58, 14.5

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 0 / 31 / 48 / 57

HEX #6E4C39

RGB 110 76 57

HSL 21.51, 0.32%, 0.33%

LAB 35.56, 11.86, 17.02

 

CMYK 0 / 38 / 59 / 64

HEX #5D3A26

RGB 93 58 38

HSL 21.82, 0.42%, 0.26%

LAB 28.1, 13.1, 18.75

 

CMYK 0 / 47 / 75 / 70

HEX #4C2813

RGB 76 40 19

HSL 22.11, 0.6%, 0.19%

LAB 20.44, 14.73, 20.79

 

CMYK 0 / 63 / 100 / 77

HEX #3B1600

RGB 59 22 0

HSL 22.37, 1%, 0.12%

LAB 12.63, 16.68, 19.2

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 0 / 37 / 40 / 50

HEX #7F504C

RGB 127 80 76

HSL 4.71, 0.25%, 0.4%

LAB 39.19, 19.22, 10.58

 

CMYK 0 / 40 / 40 / 50

HEX #7F4C4C

RGB 127 76 76

HSL 0, 0.25%, 0.4%

LAB 38.2, 21.59, 9.2

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 0 / 15 / 40 / 50

HEX #7F6C4C

RGB 127 108 76

HSL 37.65, 0.25%, 0.4%

LAB 46.66, 2.63, 20.69

 

CMYK 0 / 4 / 40 / 50

HEX #7F7A4C

RGB 127 122 76

HSL 54.12, 0.25%, 0.4%

LAB 50.63, -5.4, 25.87

 

CMYK 6 / 0 / 40 / 50

HEX #777F4C

RGB 119 127 76

HSL 69.41, 0.25%, 0.4%

LAB 51.41, -11.62, 26.73

 

CMYK 17 / 0 / 40 / 50

HEX #697F4C

RGB 105 127 76

HSL 85.88, 0.25%, 0.4%

LAB 50.34, -17.44, 25.14

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 0 / 38 / 59 / 44

HEX #90593B

RGB 144 89 59

HSL 21.18, 0.42%, 0.4%

LAB 43.34, 19.49, 26.7

 

CMYK 0 / 48 / 73 / 37

HEX #A0542B

RGB 160 84 43

HSL 21.03, 0.58%, 0.4%

LAB 44.22, 28.13, 37.16

 

CMYK 0 / 55 / 85 / 31

HEX #B14F1A

RGB 177 79 26

HSL 21.06, 0.74%, 0.4%

LAB 45.65, 37.07, 47.53

 

CMYK 0 / 61 / 95 / 24

HEX #C14B0A

RGB 193 75 10

HSL 21.31, 0.9%, 0.4%

LAB 47.48, 44.84, 55.34

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 0 / 10 / 15 / 57

HEX #6E635D

RGB 110 99 93

HSL 21.18, 0.08%, 0.4%

LAB 42.81, 3.26, 4.99

 

CMYK 14 / 5 / 0 / 57

HEX #5E686D

RGB 94 104 109

HSL 200, 0.07%, 0.4%

LAB 43.34, -2.67, -4.11

 

CMYK 39 / 13 / 0 / 51

HEX #4D6D7E

RGB 77 109 126

HSL 200.82, 0.24%, 0.4%

LAB 44.26, -6.88, -13.09

 

CMYK 57 / 20 / 0 / 44

HEX #3D718E

RGB 61 113 142

HSL 201.48, 0.4%, 0.4%

LAB 45.3, -8.51, -21.15

 

CMYK 0 / 40 / 33 / 50

HEX #7F4C55

RGB 127 76 85

HSL 349.41, 0.25%, 0.4%

LAB 38.44, 22.8, 3.91

 

CMYK 0 / 37 / 40 / 50

HEX #7F504C

RGB 127 80 76

HSL 4.71, 0.25%, 0.4%

LAB 39.19, 19.22, 10.58

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 0 / 16 / 40 / 50

HEX #7F6B4C

RGB 127 107 76

HSL 36.47, 0.25%, 0.4%

LAB 46.38, 3.21, 20.32

 

CMYK 0 / 5 / 40 / 50

HEX #7F794C

RGB 127 121 76

HSL 52.94, 0.25%, 0.4%

LAB 50.34, -4.84, 25.5

 

CMYK 0 / 25 / 40 / 71

HEX #4B382D

RGB 75 56 45

HSL 22, 0.25%, 0.24%

LAB 25.3, 6.66, 10.13

 

CMYK 0 / 26 / 40 / 60

HEX #654B3D

RGB 101 75 61

HSL 21, 0.25%, 0.32%

LAB 34.26, 8.9, 12.62

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 0 / 26 / 41 / 40

HEX #99715B

RGB 153 113 91

HSL 21.29, 0.25%, 0.48%

LAB 51.08, 12.8, 18.38

 

CMYK 0 / 21 / 33 / 33

HEX #AB8773

RGB 171 135 115

HSL 21.43, 0.25%, 0.56%

LAB 59.18, 10.81, 15.99

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 22 / 0 / 40 / 50

HEX #637F4C

RGB 99 127 76

HSL 92.94, 0.25%, 0.4%

LAB 49.92, -19.84, 24.52

 

CMYK 40 / 38 / 0 / 50

HEX #4C4F7F

RGB 76 79 127

HSL 236.47, 0.25%, 0.4%

LAB 35.32, 11.69, -27.51

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 40 / 0 / 26 / 50

HEX #4C7F5E

RGB 76 127 94

HSL 141.18, 0.25%, 0.4%

LAB 48.91, -24.92, 12.66

 

CMYK 26 / 40 / 0 / 50

HEX #5E4C7F

RGB 94 76 127

HSL 261.18, 0.25%, 0.4%

LAB 36.14, 19.15, -26.11

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 22 / 0 / 40 / 50

HEX #637F4C

RGB 99 127 76

HSL 92.94, 0.25%, 0.4%

LAB 49.92, -19.84, 24.52

 

CMYK 40 / 14 / 0 / 50

HEX #4C6D7F

RGB 76 109 127

HSL 201.18, 0.25%, 0.4%

LAB 44.24, -6.89, -13.73

 

CMYK 18 / 40 / 0 / 50

HEX #684C7F

RGB 104 76 127

HSL 272.94, 0.25%, 0.4%

LAB 37.2, 22.4, -24.39

 

CMYK 0 / 26 / 40 / 50

HEX #7F5E4C

RGB 127 94 76

HSL 21.18, 0.25%, 0.4%

LAB 42.82, 10.89, 15.56

 

CMYK 34 / 0 / 40 / 50

HEX #547F4C

RGB 84 127 76

HSL 110.59, 0.25%, 0.4%

LAB 48.99, -25.52, 23.13

 

CMYK 40 / 14 / 0 / 50

HEX #4C6D7F

RGB 76 109 127

HSL 201.18, 0.25%, 0.4%

LAB 44.24, -6.89, -13.73

 

CMYK 6 / 40 / 0 / 50

HEX #774C7F

RGB 119 76 127

HSL 290.59, 0.25%, 0.4%

LAB 38.94, 27.4, -21.54

 

Description

Color code: HEX #7F5E4C | qconv.com Color code: HEX #7F5E4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 94 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 94 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 40 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 40% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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