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Color name
HEX #7F612D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F612D it is the complementary color #809ED2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F612D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F612D shade: #846128, #95733B, #A6854E, #B79761 and #C8A974

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F612D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F612D shade: #7F612D, #6E4F1A, #5D3D07, #4C2B00 and #3B1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F612D shade: #80612D, #804B2D, #80342D and #802D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F612D shade: #80612D, #80782D, #71802D, #5B802D and #44802D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F612D shade matches the following richer shades: #80612D, #8E651F, #9C6911 and #AA6D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F612D shade: #80612D, #725E3B, #645A49, #565657 and #485265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F612D shade: #80352D, #804B2D, #80612D, #80772D and #72802D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F612D shade: #433317, #614A22, #80612D, #9E7937 and #BC9042

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F612D shade: #7F612D, #3A802D and #402D80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F612D shade: #7F612D, #2D8061 and #612D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F612D shade: #7F612D, #3A802D, #2D4B80 and #722D80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F612D shade: #7F612D, #2D8038, #2D4B80 and #802D75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 65 / 50

HEX #7F612D

RGB 127 97 45

HSL 38.05, 0.48%, 0.34%

LAB 43.14, 5.97, 33.7

 

Complementary color

CMYK 39 / 25 / 0 / 18

HEX #809ED2

RGB 128 158 210

HSL 218.05, 0.48%, 0.66%

LAB 64.72, 2.64, -29.87

 

CMYK 0 / 27 / 70 / 48

HEX #846128

RGB 132 97 40

HSL 37.17, 0.53%, 0.34%

LAB 43.67, 7.96, 37.02

 

CMYK 0 / 23 / 60 / 42

HEX #95733B

RGB 149 115 59

HSL 37.33, 0.43%, 0.41%

LAB 50.65, 6.68, 35.64

 

CMYK 0 / 20 / 53 / 35

HEX #A6854E

RGB 166 133 78

HSL 37.5, 0.36%, 0.48%

LAB 57.49, 5.65, 34.21

 

CMYK 0 / 17 / 47 / 28

HEX #B79761

RGB 183 151 97

HSL 37.67, 0.37%, 0.55%

LAB 64.21, 4.8, 32.83

 

CMYK 0 / 16 / 42 / 22

HEX #C8A974

RGB 200 169 116

HSL 37.86, 0.43%, 0.62%

LAB 70.81, 4.09, 31.53

 

CMYK 0 / 24 / 65 / 50

HEX #7F612D

RGB 127 97 45

HSL 38.05, 0.48%, 0.34%

LAB 43.14, 5.97, 33.7

 

CMYK 0 / 28 / 76 / 57

HEX #6E4F1A

RGB 110 79 26

HSL 37.86, 0.62%, 0.27%

LAB 35.95, 7.41, 34.97

 

CMYK 0 / 34 / 92 / 64

HEX #5D3D07

RGB 93 61 7

HSL 37.67, 0.86%, 0.2%

LAB 28.59, 9.3, 35.43

 

CMYK 0 / 43 / 100 / 70

HEX #4C2B00

RGB 76 43 0

HSL 33.95, 1%, 0.15%

LAB 21.07, 11.84, 30.22

 

CMYK 0 / 58 / 100 / 77

HEX #3B1900

RGB 59 25 0

HSL 25.42, 1%, 0.12%

LAB 13.38, 14.79, 20.21

 

CMYK 0 / 24 / 65 / 50

HEX #80612D

RGB 128 97 45

HSL 37.59, 0.48%, 0.34%

LAB 43.25, 6.44, 33.86

 

CMYK 0 / 41 / 65 / 50

HEX #804B2D

RGB 128 75 45

HSL 21.69, 0.48%, 0.34%

LAB 37.5, 19.47, 27.17

 

CMYK 0 / 59 / 65 / 50

HEX #80342D

RGB 128 52 45

HSL 5.06, 0.48%, 0.34%

LAB 32.34, 32.36, 20.85

 

CMYK 0 / 65 / 65 / 50

HEX #802D2D

RGB 128 45 45

HSL 0, 0.48%, 0.34%

LAB 31.01, 35.86, 19.18

 

CMYK 0 / 24 / 65 / 50

HEX #80612D

RGB 128 97 45

HSL 37.59, 0.48%, 0.34%

LAB 43.25, 6.44, 33.86

 

CMYK 0 / 6 / 65 / 50

HEX #80782D

RGB 128 120 45

HSL 54.22, 0.48%, 0.34%

LAB 49.75, -6.81, 41.04

 

CMYK 12 / 0 / 65 / 50

HEX #71802D

RGB 113 128 45

HSL 70.84, 0.48%, 0.34%

LAB 50.85, -17.92, 41.84

 

CMYK 29 / 0 / 65 / 50

HEX #5B802D

RGB 91 128 45

HSL 86.75, 0.48%, 0.34%

LAB 49.32, -27.22, 39.73

 

CMYK 47 / 0 / 65 / 50

HEX #44802D

RGB 68 128 45

HSL 103.37, 0.48%, 0.34%

LAB 48.08, -35.71, 38.02

 

CMYK 0 / 24 / 65 / 50

HEX #80612D

RGB 128 97 45

HSL 37.59, 0.48%, 0.34%

LAB 43.25, 6.44, 33.86

 

CMYK 0 / 29 / 78 / 44

HEX #8E651F

RGB 142 101 31

HSL 37.84, 0.64%, 0.34%

LAB 45.85, 9.81, 43.81

 

CMYK 0 / 33 / 89 / 39

HEX #9C6911

RGB 156 105 17

HSL 37.99, 0.8%, 0.34%

LAB 48.53, 13.52, 51.81

 

CMYK 0 / 36 / 99 / 33

HEX #AA6D02

RGB 170 109 2

HSL 38.21, 0.98%, 0.34%

LAB 51.25, 17.38, 57.95

 

CMYK 0 / 24 / 65 / 50

HEX #80612D

RGB 128 97 45

HSL 37.59, 0.48%, 0.34%

LAB 43.25, 6.44, 33.86

 

CMYK 0 / 18 / 48 / 55

HEX #725E3B

RGB 114 94 59

HSL 38.18, 0.32%, 0.34%

LAB 41.05, 3.02, 23.05

 

CMYK 0 / 10 / 27 / 61

HEX #645A49

RGB 100 90 73

HSL 37.78, 0.16%, 0.34%

LAB 38.73, 1.03, 11.31

 

CMYK 1 / 1 / 0 / 66

HEX #565657

RGB 86 86 87

HSL 240, 0.01%, 0.34%

LAB 36.6, 0.22, -0.58

 

CMYK 29 / 19 / 0 / 60

HEX #485265

RGB 72 82 101

HSL 219.31, 0.17%, 0.34%

LAB 34.71, 0.92, -12.31

 

CMYK 0 / 59 / 65 / 50

HEX #80352D

RGB 128 53 45

HSL 5.78, 0.48%, 0.34%

LAB 32.54, 31.84, 21.1

 

CMYK 0 / 41 / 65 / 50

HEX #804B2D

RGB 128 75 45

HSL 21.69, 0.48%, 0.34%

LAB 37.5, 19.47, 27.17

 

CMYK 0 / 24 / 65 / 50

HEX #80612D

RGB 128 97 45

HSL 37.59, 0.48%, 0.34%

LAB 43.25, 6.44, 33.86

 

CMYK 0 / 7 / 65 / 50

HEX #80772D

RGB 128 119 45

HSL 53.49, 0.48%, 0.34%

LAB 49.46, -6.25, 40.73

 

CMYK 11 / 0 / 65 / 50

HEX #72802D

RGB 114 128 45

HSL 70.12, 0.48%, 0.34%

LAB 50.93, -17.48, 41.95

 

CMYK 0 / 24 / 66 / 74

HEX #433317

RGB 67 51 23

HSL 38.18, 0.49%, 0.18%

LAB 22.38, 3.29, 20.26

 

CMYK 0 / 24 / 65 / 62

HEX #614A22

RGB 97 74 34

HSL 38.1, 0.48%, 0.26%

LAB 33.04, 4.67, 27.2

 

CMYK 0 / 24 / 65 / 50

HEX #80612D

RGB 128 97 45

HSL 37.59, 0.48%, 0.34%

LAB 43.25, 6.44, 33.86

 

CMYK 0 / 23 / 65 / 38

HEX #9E7937

RGB 158 121 55

HSL 38.45, 0.48%, 0.42%

LAB 53.19, 7.02, 40.85

 

CMYK 0 / 23 / 65 / 26

HEX #BC9042

RGB 188 144 66

HSL 38.36, 0.48%, 0.5%

LAB 62.53, 8.22, 46.78

 

CMYK 0 / 24 / 65 / 50

HEX #7F612D

RGB 127 97 45

HSL 38.05, 0.48%, 0.34%

LAB 43.14, 5.97, 33.7

 

CMYK 55 / 0 / 65 / 50

HEX #3A802D

RGB 58 128 45

HSL 110.6, 0.48%, 0.34%

LAB 47.66, -38.84, 37.43

 

CMYK 50 / 65 / 0 / 50

HEX #402D80

RGB 64 45 128

HSL 253.73, 0.48%, 0.34%

LAB 25.34, 30.9, -44.15

 

CMYK 0 / 24 / 65 / 50

HEX #7F612D

RGB 127 97 45

HSL 38.05, 0.48%, 0.34%

LAB 43.14, 5.97, 33.7

 

CMYK 65 / 0 / 24 / 50

HEX #2D8061

RGB 45 128 97

HSL 157.59, 0.48%, 0.34%

LAB 48.08, -32.86, 9.58

 

CMYK 24 / 65 / 0 / 50

HEX #612D80

RGB 97 45 128

HSL 277.59, 0.48%, 0.34%

LAB 29.35, 38.69, -37.47

 

CMYK 0 / 24 / 65 / 50

HEX #7F612D

RGB 127 97 45

HSL 38.05, 0.48%, 0.34%

LAB 43.14, 5.97, 33.7

 

CMYK 55 / 0 / 65 / 50

HEX #3A802D

RGB 58 128 45

HSL 110.6, 0.48%, 0.34%

LAB 47.66, -38.84, 37.43

 

CMYK 65 / 41 / 0 / 50

HEX #2D4B80

RGB 45 75 128

HSL 218.31, 0.48%, 0.34%

LAB 32.14, 6.9, -33.29

 

CMYK 11 / 65 / 0 / 50

HEX #722D80

RGB 114 45 128

HSL 289.88, 0.48%, 0.34%

LAB 31.84, 43.06, -33.36

 

CMYK 0 / 24 / 65 / 50

HEX #7F612D

RGB 127 97 45

HSL 38.05, 0.48%, 0.34%

LAB 43.14, 5.97, 33.7

 

CMYK 65 / 0 / 56 / 50

HEX #2D8038

RGB 45 128 56

HSL 127.95, 0.48%, 0.34%

LAB 47.34, -40.86, 31.52

 

CMYK 65 / 41 / 0 / 50

HEX #2D4B80

RGB 45 75 128

HSL 218.31, 0.48%, 0.34%

LAB 32.14, 6.9, -33.29

 

CMYK 0 / 65 / 9 / 50

HEX #802D75

RGB 128 45 117

HSL 307.95, 0.48%, 0.34%

LAB 33.46, 44.78, -23.75

 

Description

Color code: HEX #7F612D | qconv.com Color code: HEX #7F612D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 97 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 97 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 65 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 65% 50% C M Y K

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Provide designers and agencies with accurate color values.

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